Professional Documents
Culture Documents
I. A. General Survey of The Maori B. Thesis
I. A. General Survey of The Maori B. Thesis
I. A. General Survey of The Maori B. Thesis
II.
2.
B.
C.
III.
Tattooing Process A. Who 1. 2. B. Only a master tattoo artist could do the tattooing. The individual receiving ta moko must abstain.
What was used 1. Carving vs. Needles a) 2. Introduction of metal by the Cook expedition
Pigments
C.
D.
IV.
The Aesthetic A. The aesthetic was imported 1. 2. then adapted with time Different from other Polynesian tattooing
a. Curvalinear b. Lline and shape vs. Pattern of Pea
3.
B.
Symbology of Moko 1. In ancient timesa. A Symbol of ancestry b. Status Symbol c. Signature of Chiefs Modern Moko a. A revival of Maori Pride b. A Connection to family c. Religious devotion d. Gang affiliation
2.
C.
V.
Conclusion
A.
Moko is
1. 2. 3. Heritage Spirit Symbol of Cultural Identity
B. Moko is more than a rebellious act of self decoration, it is a symbol of cultural identity that has been passed down through the ages and remains a potent symbol of a nation.
Bibliography
DeMello, Margo. Encyclopedia of body adornment. Westport, Conn.: Greenwood Press, 2007. Durand, Ralph . "Maori Art." The Burlington Magazine for Connoisseurs, March 1921, 106+110-111. www.jstor.org (accessed February 9, 2013). Gall, Timothy L., and Jeneen Hobby. Worldmark encyclopedia of cultures and daily life. 2nd ed. Farmington Hills, MI: Gale, 2009. H. Ling, Roth. "Maori Tatu and Moko." The Journal of the Anthropological Institute of Great Britain and Ireland Vol. 31 (1901): 29-64. www.jstor.org (accessed February 9, 2013). Hays, Terence E.. Encyclopedia of world cultures. Boston, Mass.: G.K. Hall, 1991. Iti, Tame Wairere, Nicole MacDonald, Hans Neleman, and Pita Turei. Moko - Maori Tattoo. Zurich [u.a.: Edition Stemmle, 1999. Salmond, Anne. Two Worlds. Honolulu: University of Hawaii Press, 1991. Schmitz, Karl August. Oceanic Art. New York: Harry N. Abrams, Incorportated, 1969. Starzecka, D. C., and Janet M. Davidson. Maori: art and culture. Chicago: Art Media Resources, 1996. Thomas, Nicholas, Anna Cole, and Bronwen Douglas. Tattoo: bodies, art, and exchange in the Pacific and the West. Durham: Duke University Press, 2005.