Download as pdf or txt
Download as pdf or txt
You are on page 1of 24

Extending Tradition, Embracing Innovation

SPRING
2009

Miami University
School of Fine Arts
E x t e n d i n g Tr a d i t i o n , E m b r a c i n g I n n o v a t i o n
WELCOME
Welcome to our new publication for the School of Fine Arts at Miami University! As you
will note from the cover and within the magazine, there is a focus on the phrase “Extend-
ing Tradition and Embracing Innovation,” which serves as the underlying structure of
the SFA’s newly formed strategic plan. It is our goal to provide students with the best education and
training available in the arts, while building on the long-established traditions embedded in both
Miami’s School of Fine Arts and in the arts disciplines themselves. To do this, we must prepare our
students for an ever-changing world by introducing them to new pedagogies, techniques, and tech-
nologies in tandem with time-tested educational approaches. Based on the incredible successes of
our students, alumni, faculty, and staff, it is obvious that the departments in the School of Fine Arts
have a committment to the highest caliber of teaching, scholarship, and creative achievement, and
that we are poised to expand our quest for excellence in the arts.

While we are deeply indebted to the talents of our faculty and staff in delivering a first-rate curricu-
lum, we are also most appreciative of the essential support provided by our alumni and friends. As
Miami continues the $500 million campaign For Love and Honor, I am proud to say that our school
has achieved great success in moving toward our development and fundraising goals for the depart-
ments and programs of the School of Fine Arts. As the campaign extends into 2010, we will count on
the continuing support of our alumni base to maintain and to further our ability to provide the finest
educational experience possible. I extend my personal thanks to all who have generously contributed
to our mission!

As we pursue our efforts in Extending Tradition and Embracing Innovation, you will note the world-
wide reach of our departments and programs, from architecture workshops in Ghana to Glee Club
performances in China. In addition to extending ourselves into the world, we have brought to Miami
some of the leading artists and scholars of our time, including an upcoming visit by preeminent
composer Philip Glass in Spring of 2009. Glass’s visit and other special events highlight the School of
Fine Arts as a central player in helping Miami University celebrate its Bicentennial beginning in 2009
and into 2010. I hope that you will enjoy reading the information included in this publication about
the phenomenal achievements and stories from all parts of the SFA. I look forward to seeing you
soon at one of our performances, exhibitions, and scholarly events, and I thank you, once again, for
your continuing support!

Best wishes,
Dr. James Lentini
Dean and Professor of Music
School of Fine Arts

Front Cover (Clockwise from left) Andrew Dailey’s Pinsel, 2008

Students Lys Olsen and Jason Howard, lead roles in Department of Architecture and Interior Design’s
The Taming of the Shrew international summer workshop in Ghana

Miami President Hodge, Provost Herbst, Music Chair Green, Professor Joomi Chung in Pilsen, Czech Republic
Dean Lentini Phillip Glass
Eugene Brown at the Miami University Art Museum Presser Hall, May 2008

1 / SPRING 2009
Introducing
James Lentini,
DMA
DEA N and PROFESSOR OF MUSIC
S C HO OL of FI N E A RT S

C OMPOSER , PERFORMER ,
A DM I N I ST R ATOR

Before coming to Miami University, Dr. Lentini


was the founding dean of the School of Art,
Media and Music at The College of New Jersey.
His strategic vision included efforts to move
the arts to the center of the campus’ academic
and cultural life and to cultivate cross-disciplin-
ary programs that emphasize new technologies
in the arts. His efforts in fundraising and
“Fantasy for Flute and Guitar… definitely warrants more new building construction for music and the arts resulted in endowments and gifts in excess of
exposure on the concert platform and I sincerely hope one million dollars and approval of a $30 million project for a new building to house the art depart-
it gets the attention it deserves…” ment and multimedia areas.
Steve Marsh, Classical Guitar Magazine

“[‘Westward Voyage’]: the composer clearly knows An accomplished composer and classical guitarist, his compositions have won national and interna-
the fingerboard very well indeed and is expert at tional awards and have been performed and recorded in international venues by leading solo artists
finding scintillating resonant mixtures of open and and ensembles including the Krakow Philharmonic Orchestra (Poland) and the Bohuslav Martinü
stopped strings.” Philharmonic Orchestra (Czech Republic). In addition to many commissions, his honors include first
Stephen Kenyon, Classical Guitar Magazine prize in the 2004 Choral Composition Contest at Bluffton
College, the 2002 Andrés Segovia International Composition
“…Music for Brass is a well-constructed piece (with big
wobbling, arching tones) that features plenty of strik- Prize (Granada, Spain) for his guitar composition “Westward
ingly original brass writing in an intelligent package.” Voyage,” the Atwater-Kent Composition Award (first prize),
Bryce Rankin, 21st-Century Music the McHugh Composition Prize, a grant from “Meet the
Composer,” and as well as awards from ASCAP.
‘Dreamscape,’ by James Lentini, is a brief fantasy for
orchestra that achieves its considerable effect from an
A native Detroiter, Dr. Lentini received a bachelor of music
interplay of chamber-like textures and explosive full
orchestra passages. This is the best disc in the series.” in composition from Wayne State University, a master of
Stephen D. Hicken, American Record Guide music in composition from Michigan State University and a
doctor of musical arts in composition from the University of
Jim and Dana Lentini attending the Grammy Awards > Southern California.

ROSTER & CR EDITS

Editor: Contributing Writer and Copy Editor: SFA Executive Committee:


Susan Ewing, Interim Associate Dean Sophie Alyssa Williams James Lentini, Dean John Weigand, Chair, Architecture
Susan Ewing, Interim Associate Dean and Interior Design
Associate Editors: Graphic Design: Connie Asher, Assistant to the Dean for Patti Hannan Liberatore, Director,
Susan Thomas, Director of Integrated Scott Bruno, b graphic design Operations and Finance Performing Arts Series
Programs and Arts Management Rosalyn Erat Benson, Assistant Dean for Robert Wicks, Director, Miami University
Jeanne Harmeyer, Marketing Manager for Primary Photography: Student Affairs Art Museum
departments of Music and Theatre Miami University IT Photo Services Richard Green, Chair, Music Clifton McNish, Director of Diversity
dele jegede, Chair, Art and Outreach
Elizabeth Mullenix, Chair, Theatre Heather Kogge, Director of Development
Miami University: Equal opportunity in education and employment

2
ALUMNI NEWS

A LUM N I F O C U S : Have some news you’d like to share? We’d love to hear from you!
Visit arts.muohio.edu/keepintouch to keep us informed.
Bill Brzeski
A highly regarded production designer, Bill pilots. As a production designer in feature
Brzeski has worked in feature films, television, films, he has lent his design talents to the
interior design, and theatre for over twenty Oscar-winning As Good As It Gets, as well
years. He began his career in television and as The Bucket List, Blue Streak, and Matilda.
has designed over 800 episodes and over thirty He also designed the ground breaking CGI
movie Stuart Little and its
sequel Stuart Little 2 for
Sony Pictures.

Brzeski, a theatre major, and


his wife Kym, an English
major, both graduated from Lindsay Hollister
Miami in 1975. Brzeski later
received an MFA in Design Hollywood actress Lindsay Hollister, best
from New York University’s known for her role on Boston Public, began her
Tisch School of the Arts. acting career at Miami. Hollister, who received
Originally interested in de- her B.F.A. in theatre performance in 1999, ap-
signing for the ballet and op- peared in Miami productions of Gertrude Stein
era, he began his career in the and A Companion, Machinal, and The Real
theatre before moving to Los Inspector Hound, earning a nomination for the
Angeles. The Brzeskis’ tie to prestigious Irene Ryan National Acting Award.
Miami is still strong—Miami Hollister also studied at the American Academy
recently hosted one of Bill’s of Dramatic Arts in New York City and at
design seminars, and their Barter, the State Theatre of Virginia. Aside
daughter Jamie is currently from her role as Christine Banks on Boston
a history Public, her acting credits include
of art and appearances on shows such
architec- as ER, Cold Case, My Name Is
ture major Earl, Nip/Tuck, Law and Order:
Jamie, Bill and Kym Brezski
at Miami. Special Victims Unit, and Days
of Our Lives. She most recently
appeared on NBC’s Scrubs and
How did Miami’s liberal education prepare you and your wife Kym for your lives
as Steve Carrel’s dance partner
and careers?
in Get Smart. “I would say one
It taught us how to think in a more general way, seeing all sides of a prob- experience at Miami always
lem, and not look at the world through the filter of a specific discipline. stuck in my head and definitely
We both think of ourselves as problem solvers, open to lots of different ideas. inspired me to follow my dream out to Los
Angeles. Our department brought in a theatre
What do you want to say to current students about technology and arts? alumnus to speak to our acting class. [He] said,
‘Right now, this minute, if you can imagine
Technology describes the tools we use to help create art. On its own, technology can’t
doing anything else with your life that would
create an original idea or see the world in a unique way. We tend to fall in love with our
make you happy other than acting, get out.
technology because it helps us take short cuts and save time. Don’t be fooled—a machine
Because it’s too hard to attempt unless there’s
can enhance our work, even show us new ways of creating art and describing our reality,
nothing else you can imagine doing.’ And at
but it’s still the original idea people pay for. On a positive note, we live in an exciting time
that moment I knew there was nothing else for
because new technology lets us express ourselves and our ideas to the public without
me… that’s what gave me the strength to pursue
relying on old institutions. Virtually anybody can produce music, art, or films and get it
the impossibly difficult business of Hollywood.”
out to the public.

3 / SPRING 2009
Fletcher Benton’s bronze Folded Circle Two Squares, 1980
Gift of the Class of 1955 and the Artist

the California College of Arts and Crafts,


San Francisco Art Institute, and California
State University.

The International Sculpture Center’s Board of


Directors established the Lifetime Achievement
Award in 1991 to recognize individual sculptors
who have made exemplary contributions to the
field of sculpture. Candidates for the award are
masters of sculptural processes and techniques
who have devoted their careers to the develop-
ment of a laudable body of work, as well as

Benton receives Lifetime


Achievement Award International Sculpture Center 2008 Lifetime Achievement
awards banquet with 2008 Lifetime Achievement Award
The School of Fine Arts congratulates alum- of the Miami University Art Museum, and was recipient, Fletcher Benton, B.F.A.,’56; Hiestand Galleries
nus Fletcher Benton, who was named the donated by the artist in 1980. This sculpture Director, Ann Taulbee, B.F.A., ’81 and John (Jeb) Bystrom,
B.E.D., ’77 and M. Arch., ’81. The gala dinner was held the
2008 International Sculpture Center’s Lifetime demonstrates the artist’s belief that basic geo- evening of April 25, 2008, at the San Francisco Museum of
Achievement in Contemporary Sculpture metric forms can be used to create fresh, new Modern Art.
award winner. The distinction, one of the art without merely revisiting exhausted ideas
most prestigious in the field of sculpture, and motifs. Benton’s work is abstract in nature to the advancement of the sculpture field as a
was awarded in April 2008 at The 17th and reflects the raw industrial origin of its whole. Benton is among such celebrated sculp-
Annual Lifetime Achievement Award Gala metallic materials. tors as Louise Bourgeois, Christo and Jeanne-
that gathered art patrons and professionals at Claude, Robert Rauschenberg, and Nam June
the San Francisco Museum of Modern Art. Benton’s work can be seen in the collections Paik, all past recipients of this award.
of major museums as well as private and
Benton received his B.F.A. from Miami corporate collections worldwide, including Fletcher Benton’s tie to Miami continued well
University in 1956. He began as a painter, but the Whitney Museum of American Art, the after he graduated. He was awarded an Honorary
switched to sculpture when he felt he could no Hirshhorn Museum and Sculpture Garden, Doctorate degree in the Fine Arts in 1993, and
longer carry out his ideas in paint, and is best the San Francisco Museum of Modern Art, exhibited work in solo exhibitions at the Miami
known for his kinetic metal sculptures. One of and the Kroller-Muller State Museum in the University Art Museum in both 1980 and 1993.
these sculptures, Folded Circle, Two Squares, can Netherlands. He has participated in numerous Miami is proud to recognize our own Fletcher
be seen in the reflecting pool near the entrance solo and group exhibitions, and has taught at Benton on his outstanding accomplishments.

4
ALUMNI NEWS

Left to right: Architects Yan Meng, Xiadou Liu, and Hui Wang
Steven Reineke named to
conduct N.Y. Pops Orchestra
Miami
Miami alumnus Steven Reineke has been named

Architecture the new Music Director of the New York Pops and
will begin his tenure

Graduates: Rising Stars of in October 2009. As


such, Reineke will
conduct the orches-

Contemporary Urban China tra’s annual concert


series at Carnegie
Hall as well as tours,
Urbanus is a critically acclaimed contemporary recordings, and
architecture firm founded in 1999 by a dynamic nationwide telecasts.
trio of Miami alumni: Xiaodu Liu, Yan Meng, The announcement
and Hui Wang. All three received Masters of follows an extensive
Architecture degrees from Miami and now three-year search to find a successor to founder
spend their time in Beijing and Shenzhen, Skitch Henderson, who died in 2005. Earlier
China. Their firm has been described as one this year, Reineke conducted the New York Pops’
of “China’s most talented young architecture 25th Birthday Gala in Carnegie Hall. A protégé
firms” by Nicolai Ouroussoff of the New York of Erich Kunzel, Reineke is currently associate
Times. Urbanus strives to respond to the conductor of the Cincinnati Pops Orchestra. As
conditions imposed by rapidly emerging urban the creator of more than one hundred orchestral
development in China with humanistic and arrangements for the Cincinnati Pops over the
community building solutions, resulting in past 13 years, Reineke’s arrangements have been
lively urban landscapes. performed worldwide and have been described
as “melodious and joyous.” His numerous wind
Urbanus’s design scope includes urban, archi- ensemble compositions are published by the
tectural, landscape, interior, and exhibition de- C.L. Barnhouse Company and are performed by
sign. It is recognized as one of the leading forces concert bands around the world.
among China’s young design firms, and its work
has been widely exhibited in prestigious domes- Reineke will return to Miami during homecom-
tic and international shows, including the 2005 ing 2009. He is writing a fanfare for Miami’s
San Paulo Biennial in Brazil, the 2006 China combined choirs to be performed at a gala
Contemporary exhibition by the Netherlands Bicentennial concert in Millett Hall on Friday night
Architecture Institute, and the 2007 Lisbon of homecoming weekend. The piece, Reineke’s
Architecture Triennale in Portugal. In 2005, the housing ubiquitous around the globe and offers first strictly choral piece, will be “short, fun, and
firm was featured by Architectural Record as one a remedy for urban sprawl. festive,” and will be accompanied by pieces from
of ten global “vanguard architectural firms.” resident Miami composers James Sheppard, G.
On the heels of the Smithsonian exhibit’s Roger Davis, David Shaffer, and SFA Dean James
Currently on exhibit at Smithsonian’s Cooper- inauguration, the three partners visited Miami Lentini, as well as another surprise “big name.”
Hewitt National Design Museum is a design as part of the Department of Architecture and
solution developed by Urbanus to address Interior Design’s 2008–09 lecture series. In an- The homecoming concert will feature Miami’s
growing global concerns and the need for other collaborative project, Wenyi Wu, adjunct combined choirs, including Men’s Glee Club,
affordable housing. “Solos: Tulou/Affordable professor of architecture, works with Urbanus Collegiate Chorale, Chamber Singers, and the
Housing in China,” on view October 3, 2008– yearly to conduct summer studio workshops in Choraliers, as well as the Miami University
May 8, 2009, presents the Tulou housing pro- China. Urbanus is eager to support this effort Marching Band.
totype, based on a traditional Chinese circular, and to enrich students’ learning experiences.
clay-constructed dwelling type. Currently Reineke graduated from Miami with a Bachelor
under construction in China, the distinctive Visit Urbanus’s official web site, www.urbanus. of Music degree with honors in both trumpet
form provides an alternative to the typical slab com.cn, for more information on the firm. performance and music composition.

5 / SPRING 2009
Clockwise from left:
Presser Hall, May 2008
Left to right: Miami University President David Hodge, Provost
Jeffrey Herbst, Department of Music Chair Richard Green,
and SFA Dean Jim Lentini cut the ribbon at the Presser Hall
re-opening ceremony
MU Trumpet Ensemble, under the direction of graduate
student David Hartkopf signals the opening of the Presser
Hall celebration

The New Presser Hall


Renovation of Presser Hall has been
completed and the majority of the
“The new building is a The Department of Music celebrated Presser’s
re-opening on October 23, 2008 with “Presser
programs of the department of music have
now moved to their official home. Erected
wonderful asset to the Palooza.” Officiating at the 3:00 pm ribbon-cut-
ting ceremony at the building’s front entrance
in 1931, Presser was originally a gift of the
Presser Foundation, supplemented by
program.” Music Chair Richard Green were Miami President David Hodge, Provost
Jeffrey Herbst, SFA Dean James Lentini, and
generous contributions of alumnae and Music Chair Richard Green.
friends of Western College. exterior restoration and a large addition for
storage of musical instruments. Hodge, Herbst, and Lentini were in high praise
The original building was inaugurated on of the department, with the president saying
September 18, 1931 and was used jointly by the The May 2008 move from CPA to Presser Hall that “you now have a building that reflects the
music departments at Miami University and took place with fifteen truckloads of instruments, honor and respect with which the department
Western College. In recent years, Presser has music, documents, and office items. “A great is held on campus.”
been home to various musical and theatri- deal of work was done to find the right places
cal groups. Beginning in December 2006, the for everything as well as tweaking the building Following the ceremony, a reception was given
building underwent extensive renovation to to accommodate some acoustical surprises,” along with tours of the building, in addition
improve and modernize the facility. Significant said music chair Richard Green. “The new to performances by students and faculty of the
mechanical upgrades were made, along with building is a wonderful asset to the program.” department.

6
E X T E N D I N G T R A D I T I O N
/ E M B R A C I N G I N N O V A T I O N

Tanner Recipient of Curry Award


Associate professor of music Chris Tanner is the recipient of the
2008 Crossan Hays Curry Distinguished Educator Award pre-
sented by Miami’s School of Fine Arts. James Lentini, SFA dean,
presented the award at a recent ceremony. Tanner was nomi-
nated by James Sheppard, professor of music, who praised
Tanner’s teaching skills, positivity, and ability to connect
with his students on a personal and professional level.
Sheppard wrote that Tanner’s mix of art and teaching
Music Professor
suggests “personal integrity and creative talent.”

Tanner’s accomplishments include founding the Miami


Designs Reed
University Steel Band in 1994, and earning a Master of Music
degree from Miami in 1996, followed by a doctorate from West
Virginia University in 2000. Tanner is a performer, composer,
Gouging Machine
and arranger in addition to teaching and directing the Steel Professor Andrea Ridilla, in collaboration with
Band. The band performs widely throughout the region and Udo Heng, designer and music store owner, has
during spring of 2008 toured with noted pan artist Andy Narell. designed an oboe gouging machine. The ma-
The band was also fea- chine is meant to reduce the time spent gouging
tured in the PANorama reeds, the first step in the complex process of
Caribbean Music Fest reed making. “Sculpturing the inside curvature
at Virginia Beach of the oboe reed in exactly the right manner is
in May. essential for the kind of oboe tone the oboist is
looking for,” says Ridilla. Oboists must make
The Curry award is their own reeds to satisfy personal tastes in
made possible by an sound, feel, and style.
endowment from Miami
alumnae John Hill Ervasti Ridilla is especially interested in reed-making
and Jean Truitt Ervasti. First due to her association with international play-
given in 1996, ers, “whose concepts of sound are very different
five other from the American approach,” she says.
Department “The demands of matching
of Music faculty playing styles presented
members have received challenges in tone
the award, including production, projec-
Sandra Seefeld in 2007, tion, and flexibility of
Brenda Mitchell in 2005, pitch, and forced me to think outside the box.”
Mary E. M. Harris in
2003, Michèle Gingras With grants from Miami University and
in 2002, and Steven help from Barry Landrum of the Hughes
Shumway in 2001. Instrumentation Laboratory, Ridilla spent
a great deal of time researching and refining
the gouging process. Her invention, which is
U.S. patent pending, caught the eye of Heng,
and together they developed the Ridilla-Heng
machine. The machine is sold on the interna-
tional market through Heng’s business, Reeds
n’ Stuff in Germany, and at Forrest’s Music in
Berkeley, California.

7 / SPRING 2009
Miami Design Collaborative pairs with IDEO for “Deep Dive”
John Foster
The newly inaugurated Miami Design campus worked with Foster, head of Talent and
Collaborative (MDC), led by the School of Organizational Development, to participate in
Fine Arts, is a multi-disciplinary design initia- IDEO’s signature “deep dive” brainstorming
tive at Miami University that brings together process, a creative think tank in which partici-
students and faculty from across campus in pants are fully immersed in one specific idea
an interdisciplinary approach to team-based or project. Participants worked to gain a better
design solutions. MDC focuses on hands-on understanding of student learning and engage-
experience with design projects, engagement ment, develop a structure for the Miami Design
with industry and organizations outside of Mi- Collaborative, and create new concepts for
ami, and multi-disciplinary theory and practice. future MDC initiatives. Three other industry
MDC combines existing Miami design projects experts, Challis Hodge of Bridge Worldwide,
and courses with events and outside visitors like Mark Eckman of Rosetta, and Elizabeth Bartley,
1985 Miami alumnus John Foster at IDEO, an designer and design educator also participated
innovation and design firm. in the event, offering their outside perspectives
and insights. This event was made possible by
One of the first MDC events this fall was a a combination of Foster’s expertise and the
collaboration between the Armstrong Insti- dedication, energy, and talents of Miami faculty
tute for Interactive Media Studies and IDEO. and students.
A group of faculty and students from across

8
Jessica Boonstra, Erin Kana, Jennifer Pace,
Colleen Reid, and Stephanie Rotar, all senior
graphic design majors. Kana’s design is inspired
by the towers of Harrison Hall and ripe with
historical significance. Named for Benja-
min Harrison, Miami class of 1852 and later
president of the United States, Harrison Hall
is located on the site of Miami’s first classroom
building, “Old Main.” Its towers were designed
by Miami’s most prominent architect, Charles
Cellarius, who was responsible for many

Student Designs Georgian-style buildings on campus. “The site


of Harrison Hall is an especially historical spot
on campus that adds a lot of meaning behind Philip Glass:
Bicentennial Logo her logo and can be shared across generations

Senior Erin Kana’s design was chosen as the


easily,” Faimon
said. “Older
Embracing Innovation
official logo for Miami’s Bicentennial celebra- generations In the spring, Miami Design Collaborative,
tion. The graphic design major from Bay can associate the Armstrong Institute for Interactive Media
Village, Ohio, competed with fellow graphic with the towers Studies, and the Performing Arts Series will
g students enlisted byy the university’s
design y and yyoungerg co-sponsor a two-day symposium on collabora-
Bicentennial Committee to create the logo for generations can tion featuring a performance by multi-faceted
Miami’s 2009 celebration. Six students work- identify with artist and composer Philip Glass. Through his
ing under the guidance of Tom Effler, associate the design’s operas, symphonies, compositions for his own
professor of art, and Peg Faimon, professor of balance of con- ensemble, and collaborations with artists from
art, were selected as finalists: Jason Andrews, temporary feel.” Twyla Tharp to David Bowie, Glass has had an
extraordinary impact upon the musical and
intellectual ideas of his time. His residency at
Miami begins with an evening of solo piano
providing a rare opportunity to experi-
ence this influential composer’s work
So, what are YOUR latest achievements?
firsthand. An intimate and unique look
Visit arts.muohio.edu/keepintouch to keep us informed. at a visionary at work, Glass personally
introduces the program. As the capstone
event of the MDC’s design thinking
symposium, Glass will present “Creativity
and Collaboration,” focusing on the idea of
creativity and how disparate artists, educators,
and students can inspire each other and create
Faimon Receives Naus Award collaborative work that can be even more satis-
fying than individual work.
Congratulations to Professor of Art Peg Faimon,
Miami Design Collaborative director, who Performance Information
was one of two recipients of an endowed Naus Etudes and Other Works for Solo Piano
Family Scholar award. The program, funded by 7:30 pm • Wednesday, April 15 • Hall Auditorium
a $250,000 gift to Miami’s For Love and Honor
Campaign by James and Susan Naus, both class
Tickets
of 1967, supports faculty who exemplify the
$18 students/youth • $35 senior citizens • $36 adults
very best of Miami’s traditions. Visit www.muohio.edu/PerformingArtsSeries for
more information.

9 / SPRING 2009
myaamiaki iiši meehtohseeniwiciki,
How the Miami People Live
MIAMI UNIVERSITY ART MUSEUM

E X T E N D I N G T R A D I T I O N , E M B R A C I N G I N N O VA T I O N
possible through the combined efforts of guest
curators Julie Olds, former cultural preserva-
tion officer of the Miami Tribe of Oklahoma,
and Daryl Baldwin, director of the Myaamia
Language project at Miami University, and
the staff of the Miami University Art Museum.
The exhibition, co-sponsored by the National
Museum of the American Indian (part of the

Museum attendance exceeded


7,200 visitors for the exhibition.

Smithsonian Institution), and the Cranbrook


Institute of Science, was unique in that mem-
bers of the Miami tribe were involved from
the very beginning. Over one hundred tribe Susan Ewing’s Dinner Ring for a Last Supper II,
members attended the exhibition opening on sterling silver and magnetic steel

September 18. The opening featured welcoming


remarks by Miami University President David
Hodge and the dedication of the site for Miami
Miami Artists part of Ohio
In 2004, Miami Art Museum director Robert
Wicks first celebrated the Miami tribe and its
tribe elder Eugene Brown’s bronze sculpture,
“A Tribe named Miami, A Surveyor’s Stake, a
Craftsmen’s Best of 2008
connections to the university with an exhibition Town named Oxford,” representing the unity Miami University Distinguished Professor of
of art by current tribal members. The present- of the Miami tribe, Oxford, Ohio, and Miami Art Susan Ewing received the Pamela Morris
ing of a native birch tree to Chief Leonard and University. Thomford Award for Excellence in Metals at the
its planting on the museum grounds marked Ohio Designer Craftsmen’s 25th annual juried
the symbolic return of the tribe to their home- The Myaammiaki iiši meehtohessniwiciicki members’ competition, “The Best of 2008.”
land. The Miami tribe returned to Oxford in a How the Miami People Live exhibition was Tadashi Koizumi, M.F.A. ’08 (metals), received the
groundbreaking new exhibit, Myaammiaki iiši a great success. More than 900 area school Emerging Craftsman Award for his body of work.
meehtohessniwiciicki How the Miami People children from 17 different schools had been
Live, in Fall 2008. The exhibition celebrated the through the museum, and 34 Miami courses Other Miami artists recognized were: graduate
vibrant heritage of the Miami tribe, currently integrated the exhibition into the semester’s students Josh Foy (ceramics), Geoff Riggle
undergoing a language and culture revitaliza- curriculum. Over the course of the exhibition (metals), and Lisa M. Wilson (metals); M.F.A.
tion effort, and featured both historical and museum attendance exceeded 7,200 visitors. alumnae Sandra Gross, ’91 (glass), and Stephen
contemporary artifacts and objects. Wolochowicz, ’05 (ceramics); and B.F.A. alumnae
Lisa Johnson, ’04, and Christina Brandewie, ’80,
For more information about the Miami
both metals.
Serving as a kickoff to the university’s Bicen- Nation visit their official website at
tennial celebration, the exhibition was made http://www.miamination.com/.
More than 325 entries from 140 artists were
submitted; 130 works in glass, metal, fiber, clay,
wood, and mixed media by nearly 90 artists were
selected and are on display at the Ohio Craft
Opposite page, clockwise from top: Museum in Columbus during summer 2008.

Deerskin Map Showing Wea Territory under Negotiation with Eugene Brown playing one of his original flutes during the
the Wabash Land Company, c. 1774 – 1775; by permission of dedication of his sculpture at the MUAM closing reception, Ewing’s award winning piece Dinner Ring for a Last
the British Museum, Department of Ethnography, Mullanphy December 18, 2008. Supper II is part of a series of small objects based
Collection, London, England on the weaponry of Leonardo da Vinci. “This one
This page:
piece was enough to make the trip worthwhile,”
James Otto Lewis, Portrait of Brewett — A Celebrated Miami
Chief, 1835–36, hand-colored lithograph from the portfolio, Eugene Brown, A Tribe Named Miami, A Surveyor’s Stake, A said juror Brion Clinkingbeard, deputy director and
The Aboriginal Port-Folio, or A Collection of Portraits of the Most Town Named Oxford, 2003; carved and painted wood in eight chief curator of the Kentucky Museum of Art and
Celebrated Chiefs of the North American Indians pieces; lent by Dr. Joseph W. Leonard Craft. “It stands alongside the other works in this
Detail of Eugene Brown’s wood-burned engraving from Drum show as representing the ‘best of’ traditions of
Flute Stand, 2008 this powerhouse organization.”

11 / SPRING 2009
Brent Payne, M.F.A. in painting, 2008 instructs
students in the visual arts component

Sixteen high school students participate in


the fine arts component of Miami’s MLPSLI
C L I F TON MC N I SH , D i re c tor of D ivers it y and O ut re a ch

This past summer, 16 high school students A variety of academic and co-
from throughout the nation participated in the curricular activities including a
Multicultural Leader- writing workshop, computer skills
ship Program Summer lab, and business, education, engi-
Leadership Institute neering, and fine arts programs are
(MLPSLI) sponsored by offered to better prepare partici-
Miami’s Office of Ad- pants for college.
mission. This one-week
institute is designed The 16 students who participated
for African-American, in the fine arts component took
Hispanic/Latino, Native courses taught by members of the
American, or Pacific Islander students that have School of Fine Arts faculty. In the
completed their sophomore or junior year in Art of Collage, instructor Brent
high school, or for students who are not multi- Payne’s goal for his students was to
cultural but have demonstrated a commitment help them understand the process
toward making their school and community of making art and how to em-
more accepting of cultural diversity. Partici- brace and enjoy the process. John
pants who successfully complete the institute Humphries taught a design draw-
and are admitted to Miami receive a renewable ing course, in which beginning design drawing The SFA’s goal is to motivate students to pursue
$5,000 merit scholarship award. ideas are introduced, and students learn to look degrees and careers in the arts as well as increase
at things on a simple yet detailed level. Each the number of students in pre-college initiatives
During the one-week program, MLPSLI par- of these courses is designed to help students similar to MLPSLI. In summer 2007, eight stu-
ticipants have the opportunity to interact with understand the basic process of developing a dents participated in the fine arts component of
current Miami students, faculty and staff in aca- good portfolio, whether for visual art, architec- MLPSLI; in summer 2008 that number doubled.
demic, leadership and career choice activities. ture, or interior design. That alone is a great success!

E X T E N D I N G T R A D I T I O N

Interior Design Program


Ranked 9th Nationally
Design Intelligence, who produces the grams reviewed for the ranking. The impressive
principal annual ranking of architecture and ranking is based on a comprehensive survey
design-based academic programs, has ranked of professional design firms. This biases older
Miami’s Interior Design program in a tie for programs with established reputations, larger
ninth nationally for 2009. This is a consider- programs that simply place more graduates, and
able achievement given that there are 300–400 programs with established co-ops.
programs and about 160 CIDA accredited pro-

12
E M B R A C I N G I N N O V A T I O N

Grad Student Wins


AIAS Honor Award
Taryn Nye, who graduated from Miami in May The one-level home is configured to fit Leap’s
2008 with a Master of Architecture degree, long, narrow lot. Visitors walk through an
received an honor award from the American extra-wide front door into an open-plan living
Institute of Architecture Students (AIAS) at space that makes it easy for Lianna to move
their annual conference in December. Nye’s from kitchen to dining area to living room to
design for an accessible home for seven year- bedroom in her wheelchair. Special features
old Lianna Bryant, who has quadriplegic mixed
type cerebral palsy, was nominated for a
Community Service Honor Award through “[The experience] changed the Dutton named Professor of
AIAS. Nye designed and constructed the space
with the Miami University AIAS Freedom by
way I look at architecture and Community Engagement
Design team, working closely with Lianna’s the power we have to affect
mother, Utawna Leap, ’93. The house was spe- Through generous alumni support, Thomas
cially designed to accommodate the needs of people’s lives.” Taryn Nye A. Dutton, professor of architecture, has been
Lianna, who cannot walk, crawl, or talk. named the Cincinnati Professor of Commu-
nity Engagement. Dutton is the director of
Leap envisioned a house that would meet the include a large roll-in bathroom, sink with Miami University’s Center for Community
immediate and long-term needs of her daugh- motion-activated faucet, and a sprinkler system. Engagement
ter. She could not afford to hire an architecture A ceiling-mounted personal lift system runs in Over-
firm so she contacted Miami’s architecture pro- through Bryant’s bedroom and bathroom, the-Rhine,
fessors asking for students’ assistance, knowing down a hallway, and into the living room, which offers
allowing her full access to major opportunities
Taryn Nye (left) with Lianna Leap areas of the house. for faculty,
student, and
“I never anticipated the time and community
effort and research that not just learning in
Taryn did, but other people in the inner-city
department,” Leap said. “Until you Cincinnati.
have someone close with a disabil- He and his
ity, you cannot compre-
hend what life is like
with a disability.” Share your latest accomplishments with
Nye said the process
meant more to her us — visit arts.muohio.edu/keepintouch
than the job or award. to keep us informed.
“I think I made a
friendship and I found
a family who needed help,” Nye students design and rehabilitate housing for
someone could learn from the experience. said. “It changed the way I look at architecture low- and moderate-income people. He has
She was put in contact with Nye who was and the power we have to affect people’s lives.” been active in the Over-the-Rhine People’s
willing to take on the project. “Tawna came Movement for twenty-four years. The
up with a list of things she wanted in the Nye now works at Duncan Wisniewski, an ar- Neighborhood Design Corporation of
design,” Nye explains. “The idea was that chitecture firm dedicated to helping non-profit Cincinnati recognized Dutton for the
Lianna would be able to go everywhere in clients and specializing in designing affordable accomplishments of the Over-the-Rhine
the house, with no restrictions.” housing for veterans and the elderly. Design/Build Studio in 1999 and 2005.

13 / SPRING 2009
Extending Tradition—Going Global
Students and faculty spent the past year participating in activi-
ties on a global scale, engaging in study, service, and cultures
that help develop aptitude in a diverse world. The SFA is com-
mitted to making meaningful international experiences available
to all fine arts majors. Here is
a snapshot of their activities:

WHO: Miami University Men’s Glee Club, under the


direction of Ethan Sperry, associate professor of music
WH ER E & W H E N : China, June 2008
W HAT:Sang as part of the 2008 Summer
O
Olympic pre-game events.

WHO: Ghana Design/Build Studio, the Department of Architecture and Interior


Design’s longest running summer workshop
WHE RE & WHE N: Abrafo Odumase, Ghana, summer 2008
WHAT: Designed and built a computer skills classroom for local students and
adults. In previous years, students have designed and built a library, outdoor read-
ing room, permanent market shelters, community center, and guesthouse.

14
WHO: Architecture
and interior design students, with Gulen
Cevik, assistant professor
WHE RE & WHE N: Turkey, summer 2008
WHAT: Toured Roman and Greek
cities, museums, mosques and churches,
and world heritage sites, studying both
ancient and modern Turkey. Participated
in a weeklong project with other design
students at Yeditepe University in Istanbul and visited criti-
cally acclaimed design firms Koleksiyon and Autoban.

More Destinations
W HO: Highwire Brand Studio, a capstone WHO: Miami University students
course comprised of students majoring in WHE RE & WHE N: Florence, Italy, spring 2008
WHO: The Choraliers, under the direction of marketing, art/graphic design, and other
William Bausano, professor of music WHAT: Attended Kent State’s architecture
supporting disciplines
and environmental design school in historic
W H ER E & W H E N : Italy and Greece, W H E RE & WHE N: London, summer 2008 Florence and participated in semester-long
summer 2008 W HAT: Students worked in competing teams in design studios, traveled with professors to four
W HAT: Toured from Venice to Athens, singing collaboration with marketing research affili- major Italian cities as part of an urban analysis
early European music. Were described as ate dunhumby on a project for Tesco, the third course, and took courses in Italian language, art
“wonderful musical ambassadors from the largest retailer in the world. history, urban development, drawing, and
United States.” European theater.

Jingju Comes to MU Chair of the Department of


Theatre. “Hopefully this ex-
Tracy Chung has played an important role in change will blaze a trail for more
making Jingju come alive in Taiwan, where faculty to engage in like activity
she is an Associate Professor at the National in the future.” Chung described
Taiwan University and Taiwan Junior College of her experience, saying, “The
Performing Arts. During fall 2008, Chung was students have been wonder-
in residence in the Department of Theatre ful. We have had a lot of
to teach traditional Jingju opera style and fun learning about each
direct a Jingju version of Shakespeare’s other! They taught me how
The Taming of the Shrew. Theatre to express myself better in
Professor Howard Blanning took English and I taught them
Ms. Chung’s place in Taiwan about the traditional Jingju
Scene from Theatre’s recent production of Taming of the Shrew
for the semester, where he theatre’s singing, acting, and
taught theatre history and dancing, as well as Chinese culture, history, thirty Jingju productions and has books as well
directed Shakespeare’s A and language. Their Jingju performance may as DVDs to her credit. She has adapted seven
Midsummer Night’s Dream. not be perfect, but they have developed a great non-Chinese works for Jingju as well as two
appreciation for the art and that is beautiful!” well-known Chinese novels, A Woman and
“This is only the second time Four Men and The Life of Ah-Q. In 2003, Tracy
that such an international A graduate of the National Fu-hsing Dramatic served as a J. W. Fulbright Visiting Scholar-
exchange has been done at Arts Academy and Oklahoma City Univer- in-Residence and Vail Artist-in-Residence at
Miami,” said Liz Mullenix, sity, Chung has appeared in more than Denison University in Granville, Ohio.

15 / SPRING 2009
Art Students’ Work Selected
for International Exhibition
Five Miami University artists were part of
“Magnitude Seven,” an exhibition by 34 artists
at the Manifest Creative Research Gallery and
Drawing Center during summer 2008. The
show featured work by: graduate students
Charlie Buckley (painting) and Lisa M. Wilson
International collaborations (metals); Brent Payne, M.F.A. ’08; David
Dotson, M.F.A. ’06; and Josh Willis, B.F.A. ’03.
help connect our students Manifest received more than 550 submissions
and faculty to an increasingly from 254 artists from across 38 states for the
exhibition of work no larger than seven inch-
global world of education es in any dimension. It was the fourth year for
and the arts. the theme, the most popular at Manifest.

Miami Art Faculty Featured in International Exhibition


Thirty-nine works by Miami University artists School Dr. Bruce Cochrane. “International
were recently included in Connections, an exhi- collaborations like this help to further our
bition at the Institute of Art and Design (IAD) mission by connecting our students and faculty
at the University of West Bohemia in Pilsen, to an increasingly global world of education
Czech Republic. The exhibition, open May and the arts.” Future plans for collaboration
6–24, 2008, featured work by 19 Miami art with the IAD include developing a partnership
faculty and graduate students. IAD, established for a joint international master’s degree pro-
in 2004, is one of the most progressive univer- gram and student and faculty exchanges.
sity institutions in the Czech Republic focusing
on art and design. The exhibition was part of Participating Miami faculty were: Andrew
the Pilsen Liberation Festival, founded in 2005 Au, Joomi Chung, Larry Collins, Thomas
to commemorate the anniversary of the libera- Effler, Susan Ewing, Margaret “Peg” Faimon,
tion of the city of Pilsen by American troops at Tracy Featherstone, Ira Greenberg, dele jegede,
the end of World War II. E. James Killy, Matthew Litteken, Edward
Montgomery, Ellen Price, Ralph Raunft, Dana
“The Connections exhibit serves as an oppor- Saulnier, Dennis Tobin, Roscoe Wilson, Jon
tunity to showcase the great art of our faculty Yamashiro, and Sara Young. Graduating M.F.A.
and to further bridge the connection between students Alyssa Feather, Tadashi Koizumi,
Miami and the IAD,” says Dean James Lentini, Brent Payne, Alan Pocaro, and Kelly Severtson
who traveled to Pilsen with three of the exhibit- also exhibited work in the show.
ing artists, along with Dean of the Graduate

16
Extending Tradition, Embracing Innovation

Alumni Create Two principals with Toledo architecture firm, The Collabora-
tive Inc., Mike DiNardo (left) and Paul Hollenbeck (right)

Architecture Scholarship
came together with at least 3 other firms and numerous
alumni donors to create the Northwest Ohio Scholarship in
Architecture and Interior Design.

A group of Miami alumni have come together According to Hollenbeck, who transferred to Hollenbeck, who recalls a highly competitive
to create the Northwest Ohio Scholarship in Miami in 1965 specifically to study architec- program in which an initial class of fifty archi-
Architecture and Interior Design. The scholar- ture, the scholarship serves the dual role of tecture students was pared down to his graduat-
ship, which will be awarded for the first time supporting Miami students and promoting the ing class of a dozen, remains in close contact
in spring 2009, was conceived by a group architecture and interior design professions in with former classmates and faculty members.
of alumni from Miami’s Department of Northwest Ohio. “Northwest Ohio is no differ- He sees the collective effort behind the scholar-
Architecture and Interior Design. The group, ent than many other parts of the country in that ship as capturing that spirit of camaraderie that
including many architects and designers from recruitment is one of our biggest challenges. As defined his time in the program.
several area firms, gathered for a presentation the baby boomers retire, we’re going to need
discussing the department’s achievements and more architects than universities are produc-
challenges and began discussing the idea for ing. Northwest Ohio doesn’t have a school
the scholarship. of architecture, so this was a good way to get
students at Miami to notice us and recognize
“We felt it was unlikely that any one firm could the opportunities in this region.”
generate enough support to fund a scholarship
at a high enough level, but we thought, if we Alumni, graduating in classes from 1959 to
all got together, we might be able to make it 1991, and parents of current and former Miami
happen,” said Paul Hollenbeck ’70 of The students were among those contributing to the
Collaborative Inc. scholarship fund. “People have great feelings
about their experience at Miami in general, but
That idea became a reality in November 2008, the architecture program, because of the rela- “This is not about our firms, though at least four
when the donors came together to celebrate tionships you form with students and faculty, are represented; it’s about us as a group of archi-
their scholarship’s endowment reaching $50,000 is a little different,” said Michael DiNardo ’84, tects and related professionals. It is a divergent
during the summer. Beginning in the spring, who earned his Master of Architecture degree group, with more than three decades between
it will be awarded each year to one or more while on a similar scholarship. “It’s almost like some of us, and we gave in varying amounts to
northwestern Ohio students in the Department being in a fraternity or sorority because you’re make this possible. Hopefully this isn’t the end,
of Architecture and Interior Design. together so much of the time.” and people will continue to see this as a great
philanthropic outlet.”

(Opposite page left, clockwise from top) (Opposite page right, clockwise from top) Donors to the Northwest Ohio Scholarship
Assistant Professor Joomi Chung Assistant Professor Roscoe Wilson’s Artworks by: in Architecture and Interior Design are: Allan
installs her 3-dimensional drawings in Deer, Ducks and Cows—Oh My, 2008 Brown ’91; Michael DiNardo ’84; Mike Duket
Charlie Buckley, MFA candidate,
the Connections exhibition on-site at the
Dignitaries ranging from the American painting, Study – Keys, 2008 ’70; Bert Elliott ’81; Edward ’80 and Mary
Institute of Art and Design’s University
and Belgian ambassadors to the Czech
Gallery in the city center of Pilsen, Lisa Wilson, MFA candidate, metals, Glowacki ’79; Joseph Kunkle; Paul and Pamela
Republic and the Mayor of Pilsen spoke,
Czech Republic Untitled, 2008 Hollenbeck ’70; Robert Seyfang ’59; and Robert
along with Dean Lentini, at the exhibi-
Professor Ellen Price’s Tournament tion’s opening reception May 6 Andrew Dailey, MFA candidate Siebenaller ’82.
Helmet, 2008 painting, Pinsel, 2008

17 / SPRING 2009
Department of Theatre makes Miami’s TOP25
Last fall, the The Department of Theatre’s proposal for multiple guest artists, shadow a working artist
Department of THE 191 was one of seven classes chosen to in a backstage experience, and create their own
Theatre premiered an innovative new course receive funding in the first round of TOP25 ten-minute play.
as part of President Hodge’s new initiative— and was the first to pilot its course. Theatre
The TOP25 Project: Engaging Students in their Appreciation, an introductory class in which By directly interacting with working artists,
Learning. Faculty were invited to redesign the 200 students previously received information witnessing Miami theatre productions from an
25 largest courses at Miami in order to move
learning away from, as the President says, “too
much time telling students what we think they An interactive, hands-on laboratory for theatre creation
need to know, and not enough time using their
curiosity to drive their learning.” Teams of passively through lecture, was transformed into insider’s perspective, and applying their knowl-
faculty were invited to submit a proposal, and if an interactive, hands-on laboratory for theatre edge to their own artistic creation, non-majors
chosen, would receive funding for implementa- creation. Students of the redesigned course become critically engaged and actively involved
tion of their newly designed class. were given the opportunity to interact with in theatre in an exciting and innovative way.

Tell us about your SFA experience —


visit arts.muohio.edu/keepintouch.

Department of Theatre’s mainstage production of The Trojan Women

18
New SFA Director Make a gift to the Miami University School of Fine Arts
of Development I would like to support the School of Fine Arts with my gift in the amount of:
A seven-year veteran of
$1000 $500 $ 250 $100 other
Miami University’s Office
of Development, Heather I wish to be contacted by the School of Fine Arts Development Office regarding planned giving
Kogge was named Direc- and/or other giving options.
tor of Development for
the School of Fine Arts last April. In this role, Please direct my gift to the fund(s) designated below.
she works directly with alumni and friends of
Department of Architecture and Interior Design Miami University Art Museum
the SFA to build support toward a $15 million Your support helps this nationally accredited institution pursue its
Cutting-edge technology, an internationally recognized faculty,
goal, as a part of the overall $500 million Miami and innovative off-campus study opportunities are just a few hall- active role in the overall cultural life of the southwest Ohio region,
including dual goals of public outreach and university cooperation.
University Campaign For Love and Honor. Priori- marks of Miami’s Department of Architecture and Interior Design.
Your gift provides support for these and many other ground-
ties within the SFA campaign include endowed breaking initiatives. Performing Arts Series
scholarships, fellowships, and chairs; student Miami University’s Performing Arts Series offers a venue in which
Department of Art to experience world class performances presented by a wide
enrichment and programs, including technology, variety of nationally and internationally renowned artists. Your
Accredited by the National Association of Schools of Art and
as well as production, exhibit, and visiting gift helps to bring new ideas, cultures, and art forms to the Miami
Design, and recognized nationally for its award-winning faculty,
artists endowments; and a Miami University community and beyond.
the Department of Art runs professional programs that promote
Performance and Concert Hall. the conceptual, technical, and intellectual growth of students and
Unrestricted Funds to the School of Fine Arts
challenge them to become actively engaged in research and creative
activities in studio arts, graphic design, art and architectural history, Supporting the School of Fine Arts with an unrestricted gift allows
Heather enjoys the reward of helping to and art education. Your support makes this mission possible. the Dean’s Office to assist students, faculty, and staff where addi-
tional funding may be needed for creative, performing, and scholarly
strengthen the relationship of Miami’s loyal activities. Items that have been supported by such funds recently
Department of Music
supporters with the School of Fine Arts, and include travel support for students to present their work at confer-
Accredited by the National Association of Schools of Music, the
is honored to be a part of the philanthropic Department of Music achieves creative and academic excellence
ences, funding for ensembles to tour nationally and internationally,
and assistance for student artists, architects, and designers to
process of “giving back.” A 1990 graduate of through performing, conducting, composing, writing, and research-
exhibit in national venues. This kind of support helps us to achieve
ing. Your gift will support the artistic and educational goals of the
Ball State University and a former high school our mission as a School of Fine Arts with internationally recognized
department in preparing the next generation of performers and
English teacher, Heather lives in Oxford with her departments and programs that are of the highest caliber.
teachers, offering opportunities that enrich the entire Miami
husband John Kogge ’72 and children Malory University community and that make an education in music at
Other (please specify an existing fund)
Miami unique.
and Jesse.
Department of Theatre
For information on making a commitment in Students in the Department of Theatre actively bridge the gap
between artistic practice and critical inquiry through a variety of
support of the School of Fine Arts, please
experiences that include working with professional theatre artists,
contact Heather at 513-529-5217 or study abroad opportunities, and an innovative hands-on curriculum.
koggeha@muohio.edu . Your gift provides the support that will allow our students to become
globally aware, civically engaged theatre artists for the 21st century.

Earl Reeder Visiting Critics Fund PAYM E N T O P T IO N S

Like his grandmother Thelma Flanery Reeder, My check for $ made payable to Miami University Foundation is enclosed.
who attended Miami University in the 1920’s,
Please bill my: American Express Discover MasterCard Visa
alumnus Earl Reeder believes in the importance
of giving back, that his contributions might
Card number
shape and guide future generations of Miamians
by providing students with experiences that go Exp Date
beyond the curriculum. It is in this spirit that he
presented the Earl Reeder Visiting Critics Fund Signature
in support of the Department of Architecture
and Interior Design, in the fall of 2008.
My company has a matching gift program
that will increase the impact of my gift; I am enclosing my employer’s matching gift form.
The available annual distribution generated from
the fund will support participation of an annual
“Reeder Visiting Critic” in the activities of the Name
Department of Architecture and Interior Design.
This position shall be held by a nationally or Address
internationally recognized architect, interior
City ST Zip
designer, or related professional. The intent is
that the Reeder Visiting Critic would participate Home Phone Daytime Phone
directly with students in classroom-based activi-
ties, over an extended period of time as available Email
funds permit, and deliver an annual Reeder Lec-
ture as part of the departmental lecture series. To make a secure online gift to MU School of Fine Arts, please visit arts.muohio.edu and click “Make a Gift.”
The School of Fine Arts is extremely grateful to
Earl for his generosity and vision. Mail or fax this page to: Heather Kogge, Director of Development, School of Fine Arts
Miami University, 725 E. Chestnut Street, Oxford, OH 45056
fax: (513) 529-1466 office: (513) 529-5217
The Miami University School of Fine Arts gratefully acknowledges the following donors who made gifts totaling $1000
or more in support of the SFA during 2008.
Gifts greater than $500,000 Miami Tribe of Oklahoma $2,500 – $4,999 $1,000 – $2,499 Greater Cincinnati Foundation Mrs. Emily Mountz Ness
Ruder-Bever Family * Mr. Ronald E. Moehle AIA Ohio Foundation Alexander House Dr. and Mrs. David C. Hodge Owens Corning Foundation Inc.
Proctor and Gamble Company Anonymous Mr. Larry W. Anderson Mr. Jeffrey L. Horrell Miss Janet K. Rinehart
Mr. and Mrs. William P. Quinby Mr. Michael J. DiNardo Mrs. Colleen Ward Atwood Mr. and Mrs. Gregory S. Hurst Dr. Elizabeth Senicka Rogers
$50,000 – $99,999 Ms. Jessica Waldmann Dr. and Mrs. Gilbert Gordon Dr. and Mrs. Robert A. Benson Dr. dele jegede Ms. Ann M. Ruchhoft
Anonymous Mr. and Mrs. John G. Waldmann Elizabeth Wakeman Henderson Mr. and Mrs. Allan N. Brown Dr. Frank Jordan, Jr. Mr. Douglas C. Schwing
* Ms. Mary L. Charles Charitable Foundation Daimler Chrysler Mr. John F. Keegan Mr. and Mrs. Jack F. Southard
Mr. and Mrs. Richard J. Quain Mr. and Mrs. Paul R. Hollenbeck Ms. Patricia I. Cooper Mr. and Mrs. William G. Kern The Collaborative Inc.
$5,000 – $9, 999 Ms. Mary Heston Holtz Mr. and Mrs. Donald F. Crain Mr. and Mrs. David A. Killen Mr. and Mrs. Richard C. Thrall, Jr.
Mr. and Mrs. Richard T. Farmer Oxford Arts Club Dow Chemical Mr. and Mrs. Richard W. Knowlton UBS Painewebber
$10,000 – $49,999 Mr. Keith L. Bremer and Presser Foundation Company Foundation Mr. Robert W. Krause UPS Foundation
American Greetings Corporation Mrs. Barbara A. Paprocki Mr. and Mrs. James H. Scott Mr. Lynton Dudley Mr. William D. Layman and Mr. Christopher D. Vockell
Mr. and Mrs. Richard E. Cocks Mrs. Judy L. Stark Mr. and Mrs. John T. Seaman, Jr. Mr. and Mrs. Bert W. Elliott Dr. Pamela Fox Dr. and Mrs.
Mr. and Mrs. Walter L. Gross III Triplo Press Mr. and Mrs. Mark Gilmore Mrs. Ruth Yokel McDiffett Randolph L. Wadsworth, Jr.
Mrs. Barbara Hatch Lore Mr. and Mrs. Walter D. Wood Mr. and Mrs. Edward A. Glowacki Mr. Paul M. Mylod Mr. and Mrs. John F. Whelpton

The Miami University School of Fine Arts gratefully acknowledges the following donors who have made commitments
totaling $1000 or more in support of the SFA, as part of the Miami University Campaign For Love and Honor, 2002 – 2010.
Gifts greater than $1,000,000 * Mr. Walter A. Netsch $2,500 – $4,999 Rev. Michael D. Ausperk Mr. Ryan W. Holloway Professional Bi-Cultural
* Mrs. Edna Kelly Pennsylvania Performing Arts Accenture Foundation Mr. Mark S. Bailey Dr. Cynthia L. Howard Development Associates, Inc.
Mr. and Mrs. Thomas W. Smith on Tour Alexander House Mr. and Mrs. Douglas G. Balogh Mr. and Mrs. David R. Hummel Mr. and Mrs. William W. Pulley
Mr. Michael L. Pittman Mr. Stephen Althouse Mrs. Christine Beatty Bartels Mr. John R. Iorillo Mr. and Mrs. James J. Raaf
$100,000 – $999,000 Presser Foundation John W. Altman Mr. Ian C. Berry Mr. Kohei Ishikawa Mr. James W. Rauth
Mr. and Mrs. James H. Allen Procter & Gamble Company Charitable Foundation Mrs. Priscilla Strand Berry Dr. dele jegede Ms. Eleanor J. Read
Anonymous Mr. and Mrs. William P. Quinby Mrs. Casey Stousland Audrain Mr. George T. Beverley Dr. and Mrs. Robert L. Kane Dr. Thomas J. Redington, Jr.
Mr. and Mrs. C. Michael Armstrong * Dr. Lewis F. Roth Miss Elsa J. Baer Mr. Jeffrey Bishop Mr. and Mrs. Robert D. Keller, Jr. Mrs. Elizabeth Whitesell Reinhart
* Mrs. Frances Hanson Christian Mr. and Mrs. James H. Scott Mrs. Marjory Baer Ms. Dorothy A. Blatt Mr. and Mrs. J. Stephen Kendra Mrs. Teddi G. Robeson
* Ms. Marjorie J. Evans Mr. and Mrs. John T. Seaman, Jr. Miss Joan A. Barenholtz Mr. and Mrs. James O. Bonaminio Mr. and Mrs. Karl G. Koehler Mr. Rodney F. Rose
* Mrs. Virginia Pearce Glick Mr. and Mrs. Daniel R. Siegel Mr. Jerome Conley Ms. Jeanie Bowers Ms. Kim R. Kolb Mr. and Mrs. David A. Rossman
Mr. and Mrs. Geoffrey P. Hall Mr. and Mrs. Richard H. Smith Mr. and Mrs. Donald F. Crain Mrs. Anne Amos Brown Mr. Stephen M. Krumm Mr. Jerome M. Rothenberg
* Mr. and Mrs. Wilbert Hermann Mrs. Judy L. Stark Dr. and Mrs. Ronald A. Crutcher Dr. and Mrs. Donald K. Bryan Mr. and Mrs. Joseph Kunkle Dr. James M. Rubenstein
Ms. Mary Heston Holtz Mr. and Mrs. Richard A. Steuk Daimler Chrysler Ms. Irene Bussing Mrs. Virginia Lee and Ms. Bernadette L. Unger
Mr. and Mrs. Larry Huston Ms. Elizabeth Mayer Swailes Dr. Adeed Dawisha and Mr. and Mrs. Ryan K. Callender * Mr. Wanchul Lee Ms. Ann M. Ruchhoft
Mr. Lloyd D. Ittel * Mr. Joseph P. Veasey Dr. Karen L. Dawisha Callison Architecture Inc. * Ms. Lois D. Lehmkuhl Mr. Thomas R. Schiff
Ms. Marilyn S. Miller Ms. Jessica Waldmann Dr. Judith K. Delzell Mrs. Sara Buchsbaum Campbell Mr. and Mrs. R. Conrad Leslie Mrs. Dorothy C. Schilling
Dr. and Mrs. L. Michael Moskovis Mr. and Mrs. John G. Waldmann Mr. and Mrs. Charles A. De More Dr. Steven P. Carstens Mr. Nicholas J. Licastro Mr. and Mrs. John C. Schilling
Mr. and Mrs. David E. Pfanner Mr. Robert E. White Mr. Lynton Dudley Mr. and Mrs. Mark L. Casner Mr. and Mrs. Christopher A. Lindsay Mr. Clifford T. Sheffield
Mr. and Mrs. Richard J. Quain Mr. and Mrs. Walter D. Wood Mr. Michael R. Duket Mr. Arthur B. Casper Dr. and Mrs. Mark A. Lindsey Mr. Robert E. Shook III
Mr. James E. Miles and Dr. Steven R. Elliott Champlin-Haupt Architects, Inc. Mr. and Mrs. Hallock Lucius Dr. and Mrs. Phillip R. Shriver
Mrs. Claudia C. Ramsay $5,000 – $9,999 Dr. and Mrs. W. Hardy Eshbaugh Mr. Jimmy D. Chapman Mrs. Ellen O. Lutz Mr. Robert A. Siebenaller
Ruder-Bever Family American Institute of Architects Fidelity Charitable Gift Fund Ms. Laura Chapman Mr. and Mrs. Larry Lutz Mr. and Mrs. Cal Simmons
* Mr. John A. Schaal Mr. Larry W. Anderson Mr. Kevin G. Fletcher Chevron Corporation Rev. Stephen M. Madaris Mr. and Mrs. R. Janney Smith
* Mr. Karl J. Schlachter Mrs. Colleen Ward Atwood Mr. Gary Gaffney Cincinnati Zoo & Botanical Garden and Rev. Carolyn Crawford Mr. Robert K. Smith
Mrs. Roberta Schlachter Mr. and Mrs. Allan N. Brown Dr. James C. Garland and * Ms. Ann Cline Dr. Paul J. Malott W.E. Smith Family Charitable Trust
* Mr. Norman A. Schoelles Cincinnati Parks Foundation Dr. Carole E. Garland Dr. and Mrs. John N. Clover Mr. Dennis A. Matejka Mrs. Helen Kuller Snider
Cunningham Group Mr. Dean R. Gladden Ms. Patricia I. Cooper Mr. and Mrs. Benjamin P. Mattox Mr. and Mrs. Phillip H. Snow
$50,000 – $99,000 Architecture, P. A. Dr. and Mrs. John W. Green Mr. Jackie L. Cornett Mrs. Frances D. McClure Solera Imports
American Greetings Corporation Mr. and Mrs. Peter Dahoda Dr. Melville D. Hayes III Prof. and Mrs. Joseph L. Cox III Mrs. Ruth Yokel McDiffett Mr. and Mrs. Richard M. Sollmann
* Ms. Mary L. Charles DuBois Book Store Mrs. Berdene F. Hird Mrs. Nancy Saylor Crell Dr. David C. McGrew Mr. and Mrs. Robert L. Sponseller, Jr.
Mr. and Mrs. Richard E. Cocks Mr. and Mrs. Thomas W. Dunlap III Dr. and Mrs. James R. Hodgman Mr. Thomas E. Darby, Jr. and Dr. Kathryn B. McGrew SSOE, Inc.
Mr. Donald R. Edmundson Echternach International Mr. and Mrs. Clair E. Howey Miss Carla J. Davis Ms. Cathy McVey Mr. and Mrs. Alfred F. Steiner
Walter L Gross, Jr., Music Festival Mrs. Eileen M. Jeck Mr. Charles L. Deitschel Meijer Inc. Mr. and Mrs. Gary B. Stephens
Family Foundation Fanning Howey Assoc Inc. Mr. and Mrs. William G. Kern Deloitte Foundation Mr. Thomas J. Mitchell Mr. John T. Stevens
Dr. Frank Jordan, Jr. Mr. and Mrs. Richard T. Farmer Mr. Robert W. Krause Mr. and Mrs. James T. Demetrion Mr. E. Fuller Moore and Mr. and Mrs. Alan C. Straus
* Mrs. Frances Zurbrick Mason Mr. and Mrs. Mark Gilmore Ms. Lynne Latham Mr. and Mrs. David A. Diamond Dr. Jane I. Moore Mr. and Mrs. G.J. Stuller
Mr. and Mrs. Edward A. Glowacki Mr. William D. Layman and David B. Dillehunt Mr. Robert A. Morgensen Mr. Kerry Sutton
$10,000 – $49,000 Hamilton Community Foundation Dr. Pamela Fox Mr. and Mrs. Anthony J. Di Marinisi Ms. Patricia Brueneman Morrison The Little Church of the West
AIA Ohio Foundation Mr. Jeffrey L. Horrell Mid Atlantic Arts Foundation Dr. Marek Dollar and Mr. and Mrs. Charles S. Myers Mr. Richard A. Thomas
Anonymous Mr. John F. Keegan Mrs. Emily Mountz Ness Dr. Anna Dollar Mr. Paul M. Mylod Mr. James R. Thomson
Mr. Gordon D. Arnold Mr. and Mrs. David A. Killen Mr. and Mrs. Nicholas A. Poccia Dow Chemical National Federation of Music Clubs Thrivent Financial for Lutherans
Dr. and Mrs. Robert A. Benson Mr. Steven and * Ms. Mary E. Porter Company Foundation Nationwide Foundation Tramonte & Sons
Bever Trust Mrs. Patti Hannon Liberatore Prescott Ellen Dr. and Mrs. W. Hardy Eshbaugh Mr. Roderick E. Nimtz Mr. Joseph D. True, Jr.
Ms. Eleanor M. Brown Mr. and Mrs. Douglas M. McKean Miss Janet K. Rinehart Mr. Johnathan S. Evarts and Mr. and Mrs. Donald L. Noltemeyer Mr. Richard Trump
Mr. Wendall Cady Newport Collaborative Mr. and Mrs. Kevin J. Sauder Dr. Katherine Evarts Mr. and Mrs. Richard M. Norman UPS Foundation
Mr. Michael J. DiNardo Architects Inc. Mr. David R. Scheer Mr. and Mrs. Ronald H. Fanning Mr. James Olcott Mr. Wayne E. Vincent
Mr. and Mrs. Bert W. Elliott Oxford Arts Club Scioto County Area Foundation Mr. Gregory H. Fess Oxford Limousine Service Mr. Christopher D. Vockell
Ernst & Young Foundation Oxford Visitors & Dr. James R. Showkeir Mr. and Mrs. Basil R. Fett Need-A-Ride, Inc. Mr. John B. Weigand
Dr. and Mrs. Gilbert Gordon Convention Bureau Ms. Eleanor B. Skyllingstad Ford Motor Company Mr. John C. Pascoe and Mr. Frank M. Wells, Esq.
Mr. and Mrs. Gary E. Goshorn Mr. Keith L. Bremer and Ms. Christine Smith Mr. Arthur H. Frederick Mrs. Dawn M. Wallace-Pascoe Mr. and Mrs. Joseph P. Wespiser III
Greater Cincinnati Foundation Mrs. Barbara A. Paprocki Mr. and Mrs. Jack F. Southard Mr. and Mrs. Guy J. Frederick Mrs. Yerevan Peterson Mr. and Mrs. John F. Whelpton
Mr. and Mrs. Walter L. Gross III Dr. Elizabeth Senicka Rogers Southwest Florida General Electric Company Mr. Bill Phelps Dr. Robert S. Wicks and
Heartland Arts Fund Miss Rebecca D. Schnelker Community Foundation Mr. and Mrs. Brian L. Gillespie Dr. David B. Phillips and Dr. Ann B. Wicks
Elizabeth Wakeman Henderson Mr. Douglas C. Schwing Mr. and Mrs. Gary B. Stephens Mr. and Mrs. Ted W. Goble Dr. Alice C. Phillips Mr. Herbert B. Wiepking
Charitable Foundation Ms. Sandra L. Seefeld Mr. Arthur R. Thieme Mr. Fred Good Mr. Michael L. Phillips * Mrs. Lydia Wiepking
Ms. Lynne M. Higgs Mr. and Mrs. Robert F. Seyfang Vanguard Charitable Mr. and Mrs. David L. Grayson Mr. and Mrs. Stanley N. Pontius Mr. Cecil B. Wilson
Mr. and Mrs. Paul R. Hollenbeck Mr. and Mrs. Todd A. Shelton Endowment Program Mr. Edwin K. Griest Mr. Karl P. Power and Mr. Bradley L. Wyner
Mr. and Mrs. Gregory S. Hurst * Mr. Bartley Skinner Dr. and Mrs. Dr. and Mrs. David F. Griffing Ms. Georgana Taggart Mr. Scott Zanon
Mr. Vincent J. Inconiglios Mr. and Mrs. Richard H. Smith Randolph L. Wadsworth, Jr. Mr. and Mrs. Darrel H. Grothen Dr. and Mrs. Joseph R. Priest Mr. and Mrs. John W. Zimmerman
Mr. and Mrs. Richard W. Knowlton Mr. Chris Stousland Mrs. Lydia Osborn Wiepking Mr. Blake F. Hankins
Mr. and Mrs. Jerry A. Leak The Collaborative Inc. Dr. Mary E. Woodworth Dr. Robert J. Hasl
The Knolls of Oxford Mr. and Mrs. Richard C. Thrall, Jr. Mr. Jeffrey M. Hauk
Mrs. Barbara Hatch Lore Mr. and Mrs. Thomas Tierney $1,000 – $2,499 Dr. Jeffrey I. Herbst and These lists represent gifts and pledges received by the Miami University Division of
Miami Tribe of Oklahoma Triplo Press American Electric Power Co. Inc. Dr. Sharon Polansky University Advancement. All gifts and pledges listed count toward the overall Miami
University Campaign For Love and Honor.
Mrs. Betty Michael URS Corporation Dr. and Mrs. Paul V. Anderson Mr. and Mrs. David F. Herche
* Dr. John A. Michael Mr. Jason J. Weller Mr. Stuart M. Anderson * Ms. Genevieve E. Hilmer The Miami University School of Fine Arts values all gifts in support of its academic pro-
* Mr. Ronald E. Moehle Mrs. Helen Sheets Winget Mrs. Judith Rogers Armstrong Dr. and Mrs. David C. Hodge grams, the Performing Arts Series, and the Miami University Art Museum. The complete
Mrs. Dawn Netsch Mr. and Mrs. Walter D. Wood Mr. and Mrs. Tim W. Arnold Mrs. Peggy Bausch Hofmann listing of all donors can be viewed at http://arts.muohio.edu.

*deceased
20
E X T E N D I N G T R A D I T I O N , E M B R A C I N G I N N O VA T I O N

If you would like to receive a bi-weekly


newsletter with the most up-to-date
information about School of Fine Arts
upcoming events including concerts,
performances, exhibitions, and gallery
talks, subscribe to receive e-Vents,
SFA’s electronic news source.

Visit arts.muohio.edu

Back Cover
Students Cheiku Camara and Paul Sauter of the Remnants perform
as part of the Men’s Glee Club 100th anniversary concert
Non-Profit Org
US Postage
Miami University School of Fine Arts
Joyner House • Oxford, Ohio 45056 PAID
Miami University

E X T E N D I N G T R A D I T I O N , E M B R A C I N G I N N O VA T I O N

arts.muohio.edu/keepintouch

You might also like