5207611376

(Political Communication through Films)

1. ( 2)
1.1
( 4)
1.2 : ( 7)
1.3 : ( 8)
1.3.1 ( 8)
1.3.2 ( 8)
1.3.3 ( 10)
1.3.4
( 12)
1.3.5 ( 12)
2. ( 13)
2.1 :

( 13)
2.1.1 2475 ( 14)
2.1.2 ( 14)
2.1.3 ( 17)
2.1.4 : VS
( 17)
2.2 : ( 20)

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1.

1.1

(2552, . 177-178)
5 1. (Film as science)
24

2. (Film
as commodity)


20
3 (Film as entertain) 20

- Mise-en-scene
montage
4. (Film as seventh art)
6 (
2

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)
()

5. (Film as
social practice )
(Sender)
( Message)

(channel)
(DVD) (Receiver)

5 (Fact)

Zero Dark Thirty (2012)

Zero Dark Thirty (2012)

3

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1.2 :



( Super Size Me)
(Trespass Magazine, 2010)

Super Size Me (2004)

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Innocence of Muslims

200


14

1.

2.

2
3. 1 2

( , 2548, . 3-4, Greg, 1998)

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(Visualization)

Visualization

(Time and space)

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1.3 :
(2554, . 24) 3
(Textual critism) (Contextual critism)
(Audience critism)






-

2
- 4
(Media Imperialism)
-
-

(Genre studies) (Auteur

theory)

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1.3.1
(stereotypes)
.. 1922
Walter Lippmann (1922)
4
1. 2.
3. 4.
( , 2552, . 10)
(2552, . 351)



(Stereotype)
(Flat characters)

1.3.2

 5207611376

( , 2544, . 42,
, 2539, . 30-31)


( , 2554, . 34)
.. 2553
1,600 " (Avatar)"
" (2553)

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Confucius (2010)

1.3.3
(Social construction of reality)









( , 2548, . 5)

(2555, . 44-47) 007
129 007 007

From Russia with Love, Octopussy The Living Daylights
007
10

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007 Die Another
Day

( www.magazinedee.com)
11

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1.3.4

(Semiology)

(Thompson, 2007, pp.511, , 2554,
. 35)
Saussure ( , 2554, . 35)

(Signification)
(Signifer) (Sign)
(Signified)

(
)

1.3.5

Stuart Hall 3 1.
2. 3.

(2551, . 509-510) -




12

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(2549)

2.

2.1 :

28 .. 2438

12
1
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(Cinematograph)



( , 2544, . 7-8)
10-12 2440 5
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2.1.1 2475


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(2484)

The King of The White Elephant 6

()
100
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( , 2542, . 43)

(2485)

.
2

16

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2.1.3


..




. (USIS)

2.1.4 : VS

23 .. 55 ( , 2555)


49

17

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2 "
" ..2520

Shakespeare Must Die

Shakespeare Must Die ...

.. 2551 Insect in the Backyard

thaicinema.org
( ', 2553)
2
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2.2 :
(2548, . 6-19)
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5
1.
2.

3.
4.
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1.

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2.

( )

( )

12


3.
B. Anderson
200

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4.

2510-2520
.

2500

5.
2530 (1989)
(1990)

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(2484)

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1.
2.


3.



1.
.

.

23

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(2544)

24

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(2547)

2.

Beyond Rangoon (1995)

(2536) (2546)



(2536)
(2546) 4

25

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(2520) 14 (2544)

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3.


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2500

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. ( 2554). :
. , 6, 21-50.
. (2552). .
, 31, 172-217.
. (2548). . , 23, 1-20.
. (2544).
2. : .
. (2544). .
, ,
..
. (2542). . : .
. (2552). .
, , , .
. ( 2553). . , 107, 50-53.
. (2545).

. , ,
. .
. (2551). -
.

, , .
. ( 2555). 007 . , 129, 44-47.

29

 5207611376

: .
(2555). 4 2556, http://mediamonitor.in.th/qq-qq-8/
. (2555). (parody) .
4 2556, http://www.matichon.co.th/news_detail. php?newsid
=1378096558&grpid=&catid=03&subcatid=0306
..2475 ..2553 . (2554). 4 2556,
http://mediamonitor.in.th/qq-qq-8/
. (2553). ()' '. 4 2556,
http://www.mediamonitor.in.th/main/knowledge/2011-06-21-07-08-27/2787
. (2553). . 4 2556,
http://info.gotomanager.com/news/details.aspx?id=85722
. (2555). : .
4 2556, http://prachatai.com/journal/2012/06/41309
Trespass Magazine. (2010). Film is Political. Retrieved Sep 3, 2013, from
http://www.trespassmag.com/film-is-political/

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