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Design on a
Centerline
An image, a typeface and
one line are all you need to
set a classy scene. Continued

Design on a centerline
For conveying quiet beauty, nothing is easier than a centered layout
Your client is a college whose art
department has given you a small
schedule to design and has a few
requirements. It must convey the
nobility of the school and the artistic
spirit of the months events. It must
be handy to use, printable in-house
and cheap. Oh, and please have it
nished tonight.
How do you do a quality job
on such a tight schedule? In the
same way that you do any job
methodically. The difference is that
you limit fonts and colors to the
basics and your layout to a simple
conguration.
At left is the raw data,
which you will visually
translate into imag-
ery. Highlight item by
item. Youre looking
for key words that will
govern the design.
(1) Parameters
(2) Title and topic
(3) Introduction
(4) Dates and times
(5) Event title and
speaker
(6) Venue
Summary
Card size
Printable in the ofce
Key words
Artistic and traditional
The creative brief
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From:
Subject:
Date:
To:
Cindy Holland
August Schedule of Events card
July 25, 2005 9:30 AM PDT
Dexter Mark Abellera
From:
Subject:
Date:
To:
Cindy Holland
August Schedule of Events card
July 25, 2005 9:30 AM PDT
Dexter Mark Abellera
3
1
Hello Dexter,
Sorry for the rush here. Copys below. We need something we can print in the ofce and pass out by
hand, so we were thinking maybe they could be cards three to a sheet. Its Art Month, and the events
are pretty varied, so we hope you can nd an artistic look that ties them together and still feels like
the school, which, as you know, is pretty traditional. Deadlines tonight.

Best,
Cindy
------------------------------------------------
Delta College Art Department, August Schedule of Events
In an exceptional program that covers the artistic spectrum of the department, August is a month of
the best presenters and lecturers, conversation, critique and beautiful art. Engaging and inspiring.
August 4, 2005, 7:30 p.m -- Dialogues in Beauty, Deborah Witt -- Shima Hall Gallery
August 6, 2005, 6 p.m. -- Slide Lecture, Artist Judy Miller -- Mariposa Hall 2000
August 7, 2005, 5:30 p.m. -- Summer Show, Student Exhibition -- University Library Gallery
August 8, 2005, 4:30 p.m. -- Lecture, Graphic Designer James Rogers -- University West Forum
August 10, 2005, 7 p.m. -- Expand Your Horizon, April Breedon -- Shima Hall Gallery
August 12, 2005, 6:30 p.m. -- A Conversation With Beverly Mills -- Shima Hall Gallery
August 13, 2005, 2 p.m. -- Summer Arts & Crafts Fair -- Main Courtyard
August 17, 2005, 5:30 p.m -- Close Encounters, Julie Packard -- University Library Gallery
August 19, 2005, 4:30 p.m. -- Lecture, Paintings & Prints, James Rogers -- University East Forum
August 20, 2005, 7 p.m. -- Nearly Reecting, April Breedon -- Shima Hall Gallery
August 23, 2005, 5:30 p.m. -- The Shape of Color, Jason Untalan -- University West Forum
August 27, 2005, 7:30 p.m. -- Peter Kilmer Ceramics -- Mendocino Hall 2100
5 4 6
2

Look. Read. Learn.
Next step is to nd one imagewe have no time for morethat embodies the ideas of
artistic and traditional. Remember that the image must represent many kinds of art.
Look beyond the obvious
When looking at objects, we tend
not to get much past the surface
thats an interesting mask; theres
an old book. But the designer must
look deeper. Put words on what you
see. What, exactly, makes the mask
interesting? What colors say artistic?
What kind of shape says traditional?
What textures? What lines? Pay
attention to sensual qualities like
sound, smell, touch, and the intangi-
bles of history, culture and tradition.

The ideal image not only makes the
right message (artistic and tradition-
al) but has bold physical properties
(line, silhouette, color) that can have
an impact on the design.
Brush Calligraphic, lacquered, well used, desat-
urated colors, bold silhouette, traditional; a brush
says art to everyone. This is our image.
Books Highly traditional, rich,
tactile, irregular, desaturated
colors, suggest scholarship and
history but not artistry
Mouse Cold, hard, high
contrast, used for art but nei-
ther artistic nor traditional
Mask Artistic, clay, warm,
mysterious, emotive, suggests
theater, too human
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Now relate image to page
Establish a relationship between image and page. Ask, what are the boldest characteristics
of each, and, what properties do they have in common? Work with those.
What size?
When you have only
one image, its natural
to want it big. But pay
attention. In this case,
a bigger brush would
isolate and deaden
the space above it
(below, top). Think of
white as liquid, and
let it ow (bottom).
High contrast Low contrast
Work with what you have The page is a
strong vertical line; the brush is an even stronger
line. Placed parallel, they work together; crossing,
they have friction and energy, and in this case the
brush becomes a header, too. The centerline is
the point of highest contrast (below and right.)
Centerline
4 of 14 Design on a centerline 0616

Create a simple color palette
Create a color palette made of the image plus one additional color, which can harmonize
or, in this case, contrast. For versatility, adjust the color to its middle value.
Sample, locate, reduce
The dominant color in an
imagehere, muted red
will have the most interaction
with the background color.
Locate this red on the color
wheel (right). Straight across
is its complement (green),
which has intense contrast.
Either side of green are reds
split complements (green-yel-
low and green-blue), which
contrast but with less tension.
To make beautifully soft con-
trast, lighten the complement.
Middle value
Middle-value green
yields the best of
three worldsa
touch of contrast, the
sedate softness of
old, well-used things,
and visual depth.
Against middle value,
the dark and light
of the brush come
forward, making a
strong illusion of an
object thats physi-
cally on the page.
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24%

DELTA COLLEGE ART DEPARTMENT
Select one type family, and set it in one size
Here, the idea of traditional and the need for simplicity intersect; old books were often set
in a single family of serif type, which here will convey tradition and minimize decisions.
Start with a bold statement Center the title in
all caps with w i d e l e t t e r s p a c i n g, which
conveys pre-eminence, power, permanence. Note in
this case that all caps echo the straight line of the
brush (above). Upper- and lowercase (below) has a
busy line that sets a more conversational tone.
De l t a Co l l e g e
Note the brush is
used as a spacer.
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DELTA COLLEGE ART DEPARTMENT

August schedu
Center the second title in small caps
Center the second title the same size as the rst but in small caps, which convey the
presence and authority of full capitals but at a secondary level.
Small caps True small caps are uppercase
characters that have the same height and
weight as normal lowercase characters (below),
with which they blend beautifully. Not all fonts
contain true small caps, in which case you must
make your own. False small caps are service-
able but inconsistently light, because they are
merely full-size caps reduced in size.
True small caps Consistent weight
These are part of the font.
False small caps
Inconsistent weight
These you make yourself.
AUGUST
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
Wide letterspacing
Normal letterspacing
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DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Repeat, repeat, repeat
As you add copy, keep the card simple by repeating whats already on the page
same typestyle, same size, same spacing, all centered.
3
1
2
3
3
Only three sizes Note the card has only three
sizes: (1) big space, (2) type size, (3) small space.
This repetitive approach goes together fast, it
looks good, and its artistically correct.
1
1
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2

Shima Hall Gallery
In an exceptional program
Dialogues in Beauty
The beauty of a good type family is in its
variety of styles. Here, names are set in one
style, venues another, dates a third. The similari-
ties keep them together, the differences keep
them apart; all harmonize beautifully.
Consistency
within elements
The headline
encompasses the
events below it, so
keep the relation-
ship in size and
style, but differenti-
ate by color. Green
on green has less
contrast and lower
visibility, therefore
lower hierarchy.
Clearly visible in the diagram above are the
different textures and rhythms within a type
family, each of which has a unique voice.
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
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Differentiate elements by changing styles
Differentiate titles, venues and dates by assigning each a stylelight, italic or bold
but do not change the size or spacing.

135678 James Rogers
Ascenders
Descenders
135678ABCDEFGHIJ
Use old-style numerals in text
Above, standard numerals are uppercase and
monospaced to align in columns for accounting
use and more. Beautiful old-style numerals, below,
are meant for use in text. Smaller like lowercase
letters, theyre more varied and often descend far
below the baseline. Also like letters they have dif-
ferent widths and are called non-lining, because
in columns they dont line up.
Red dates tie to
the brush and head-
lines and dene the
centerline.
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
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Use old-style numerals
If they are available (not all fonts have them), use beautiful old-style numerals, which
blend with upper- and lowercase characters and convey both artistry and tradition.
Design on a centerline 10 of 14

DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m.
Shima Hall Gallery
10
A Conversation With Beverly Mills, 6:30 p.m.
Shima Hall Gallery
12
Summer Arts & Crafts Fair, 2 p.m.
Main Courtyard
13
Close Encounters, Julie Packard, 5:30 p.m.
University Library Gallery
17
Lecture, Paintings & Prints, James Rogers, 4:30 p.m.
University East Forum
19
Nearly Reecting, April Breedon, 7 p.m.
Shima Hall Gallery
20
Lecture, The Shape of Color, Jason Untalan, 5:30 p.m.
University East Forum
23
Peter Kilmer Ceramics, 7:30 p.m.
Mendocino Hall 2100
27
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m.
Shima Hall Gallery
10
A Conversation With Beverly Mills, 6:30 p.m.
Shima Hall Gallery
12
Summer Arts & Crafts Fair, 2 p.m.
Main Courtyard
13
Close Encounters, Julie Packard, 5:30 p.m.
University Library Gallery
17
Lecture, Paintings & Prints, James Rogers, 4:30 p.m.
University East Forum
19
Nearly Reecting, April Breedon, 7 p.m.
Shima Hall Gallery
20
Lecture, The Shape of Color, Jason Untalan, 5:30 p.m.
University East Forum
23
Peter Kilmer Ceramics, 7:30 p.m.
Mendocino Hall 2100
27
8
1
/2

11
For desktop printing . . .
While a full bleed (far left)
is ideal, to print 3-up on a
standard desktop printer youll
need to allow a quarter-inch (or
so) margin on all sides.
The nished card Continue your way down the centerline until the job is beautifully complete.
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DELTA COLLEGE ART DEPARTMENT August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m. Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m. Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m. University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m. University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m. Shima Hall Gallery
10
A Conversation With Beverly Mills, 6:30 p.m. Shima Hall Gallery
12
Summer Arts & Crafts Fair, 2 p.m.
Main Courtyard
13
Close Encounters, Julie Packard, 5:30 p.m. University Library Gallery
17
Lecture, Paintings & Prints, James Rogers, 4:30 p.m. University East Forum
19
Nearly Reecting, April Breedon, 7 p.m. Shima Hall Gallery
20
Lecture, The Shape of Color, Jason Untalan, 5:30 p.m. University East Forum
23
Peter Kilmer Ceramics, 7:30 p.m. Mendocino Hall 2100
27
Print 3-up on a heavy 8
1
/2

x 11 sheet. Trim. 1 Mail in an envelope . . .

A #9-size envelopeslightly
smaller than the standard #10
is a perfect t.
2
D
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A
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P
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August Schedule of Events
In an exceptional program
that covers the artistic spectrum
of the
departm
ent, August is a m
onth of the best presenters and lecturers
conversation, critique and beautiful art. Engaging and inspiring.
D
ialogues in Beauty, D
eborah W
itt, 7:30 p.m
.
Shim
a H
all G
allery
4
Slide Lecture, Artist Judy M
iller, 6 p.m
.
M
ariposa H
all 2000
6
Sum
m
er Show
, Student Exhibition, 5:30 p.m
.
U
niversity Library G
allery
7
Lecture, G
raphic D
esigner Jam
es R
ogers, 4:30 p.m
.
U
niversity W
est Forum

8
Expand Your H
orizon, April Breedon, 7 p.m
.
Shim
a H
all G
allery
10
A C
onversation W
ith Beverly M
ills, 6:30 p.m
.
Shim
a H
all G
allery
12
Sum
m
er Arts & C
rafts Fair, 2 p.m
.
M
ain C
ourtyard
13
C
lose Encounters, Julie Packard, 5:30 p.m
.
U
niversity Library G
allery
17
Lecture, Paintings & Prints, Jam
es R
ogers, 4:30 p.m
.
U
niversity East Forum

19
N
early R
e
ecting, April Breedon, 7 p.m
.
Shim
a H
all G
allery
20
Lecture, The Shape of C
olor, Jason U
ntalan, 5:30 p.m
.
U
niversity East Forum

23
Peter K
ilm
er C
eram
ics, 7:30 p.m
.
M
endocino H
all 2100
27
D
E
L
T
A
C
O
L
L
E
G
E
A
R
T
D
E
P
A
R
T
M
E
N
T

August Schedule of Events
In an exceptional program
that covers the artistic spectrum
of the
departm
ent, August is a m
onth of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
D
ialogues in Beauty, D
eborah W
itt, 7:30 p.m
.
Shim
a H
all G
allery
4
Slide Lecture, Artist Judy M
iller, 6 p.m
.
M
ariposa H
all 2000
6
Sum
m
er Show
, Student Exhibition, 5:30 p.m
.
U
niversity Library G
allery
7
Lecture, G
raphic D
esigner Jam
es R
ogers, 4:30 p.m
.
U
niversity W
est Forum

8
Expand Your H
orizon, April Breedon, 7 p.m
.
Shim
a H
all G
allery
10
A C
onversation W
ith Beverly M
ills, 6:30 p.m
.
Shim
a H
all G
allery
12
Sum
m
er Arts & C
rafts Fair, 2 p.m
.
M
ain C
ourtyard
13
C
lose Encounters, Julie Packard, 5:30 p.m
.
U
niversity Library G
allery
17
Lecture, Paintings & Prints, Jam
es R
ogers, 4:30 p.m
.
U
niversity East Forum

19
N
early R
e
ecting, April Breedon, 7 p.m
.
Shim
a H
all G
allery
20
Lecture, The Shape of C
olor, Jason U
ntalan, 5:30 p.m
.
U
niversity East Forum

23
Peter K
ilm
er C
eram
ics, 7:30 p.m
.
M
endocino H
all 2100
27
Back
. . . or send as a postcard,
which has the benet of its visual
appeal. The card is too long to get
postcard mailing rates, though; it
requires rst class.
3
Front
Jane W. Smith
1234 West Cedar Blvd.
Stockton, CA 98765-6278
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m.
Shima Hall Gallery
10
A Conversation With Beverly Mills, 6:30 p.m.
Shima Hall Gallery
12
Summer Arts & Crafts Fair, 2 p.m.
Main Courtyard
13
Close Encounters, Julie Packard, 5:30 p.m.
University Library Gallery
17
Lecture, Paintings & Prints, James Rogers, 4:30 p.m.
University East Forum
19
Nearly Reecting, April Breedon, 7 p.m.
Shima Hall Gallery
20
Lecture, The Shape of Color, Jason Untalan, 5:30 p.m.
University East Forum
23
Peter Kilmer Ceramics, 7:30 p.m.
Mendocino Hall 2100
27
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m.
Shima Hall Gallery
10
A Conversation With Beverly Mills, 6:30 p.m.
Shima Hall Gallery
12
Summer Arts & Crafts Fair, 2 p.m.
Main Courtyard
13
Close Encounters, Julie Packard, 5:30 p.m.
University Library Gallery
17
Lecture, Paintings & Prints, James Rogers, 4:30 p.m.
University East Forum
19
Nearly Reecting, April Breedon, 7 p.m.
Shima Hall Gallery
20
Lecture, The Shape of Color, Jason Untalan, 5:30 p.m.
University East Forum
23
Peter Kilmer Ceramics, 7:30 p.m.
Mendocino Hall 2100
27
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Typefaces
1 (ab) Adobe Garamond Bold | a) 8 pt
b) 8 pt
2 (ab) Adobe Garamond Semibold SC
a) 8 pt, b) 8 pt
3 Adobe Garamond Regular | a) 8/9.6 pt
4 Adobe Garamond Italic | a) 8 pt
Images
5 (ab) Photos.com | a b
6 (ac) istockphoto.com | a b c
Article resources
Colors
C25 M90 Y95 K25
C33 M29 Y55 K60
C33 M29 Y55 K40
C14 M11 Y25 K0
7
8
9
10
7
8
9
10
DELTA COLLEGE ART DEPARTMENT
August Schedule of Events
In an exceptional program that covers the artistic spectrum of the
department, August is a month of the best presenters and lecturers,
conversation, critique and beautiful art. Engaging and inspiring.
Dialogues in Beauty, Deborah Witt, 7:30 p.m.
Shima Hall Gallery
4
Slide Lecture, Artist Judy Miller, 6 p.m.
Mariposa Hall 2000
6
Summer Show, Student Exhibition, 5:30 p.m.
University Library Gallery
7
Lecture, Graphic Designer James Rogers, 4:30 p.m.
University West Forum
8
Expand Your Horizon, April Breedon, 7 p.m.
Shima Hall Gallery
10
1a
2a
3
2b
4
1b
5a
6c 5b 6a 6b
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Design on a centerline 14 of 14
Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer
Editorial board Gwen Amos, Carl Winther

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D E L T A C O L L E G E A R T D E P A R T M E N T
A u g u s t S c h e d u l e o f E v e n t s
I n a n e x c e p t i o n a l p r o g r a m t h a t c o v e r s t h e a r t i s t i c s p e c t r u m o f t h e
d e p a r t m e n t , A u g u s t i s a m o n t h o f t h e b e s t p r e s e n t e r s a n d l e c t u r e r s
c o n v e r s a t i o n , c r i t i q u e a n d b e a u t i f u l a r t . E n g a g i n g a n d i n s p i r i n g .
D i a l o g u e s i n B e a u t y , D e b o r a h W i t t , 7 : 3 0 p . m .
S h i m a H a l l G a l l e r y
4
S l i d e L e c t u r e , A r t i s t J u d y M i l l e r , 6 p . m .
M a r i p o s a H a l l 2 0 0 0
6
S u m m e r S h o w , S t u d e n t E x h i b i t i o n , 5 : 3 0 p . m .
U n i v e r s i t y L i b r a r y G a l l e r y
7
L e c t u r e , G r a p h i c D e s i g n e r J a m e s R o g e r s , 4 : 3 0 p . m .
U n i v e r s i t y W e s t F o r u m
8
E x p a n d Y o u r H o r i z o n , A p r i l B r e e d o n , 7 p . m .
S h i m a H a l l G a l l e r y
1 0
A C o n v e r s a t i o n W i t h B e v e r l y M i l l s , 6 : 3 0 p . m .
S h i m a H a l l G a l l e r y
1 2
S u m m e r A r t s & C r a f t s F a i r , 2 p . m .
M a i n C o u r t y a r d
1 3
C l o s e E n c o u n t e r s , J u l i e P a c k a r d , 5 : 3 0 p . m .
U n i v e r s i t y L i b r a r y G a l l e r y
1 7
L e c t u r e , P a i n t i n g s & P r i n t s , J a m e s R o g e r s , 4 : 3 0 p . m .
U n i v e r s i t y E a s t F o r u m
1 9
N e a r l y R e e c t i n g , A p r i l B r e e d o n , 7 p . m .
S h i m a H a l l G a l l e r y
2 0
L e c t u r e , T h e S h a p e o f C o l o r , J a s o n U n t a l a n , 5 : 3 0 p . m .
U n i v e r s i t y E a s t F o r u m
2 3
P e t e r K i l m e r C e r a m i c s , 7 : 3 0 p . m .
M e n d o c i n o H a l l 2 1 0 0
2 7
D E L T A C O L L E G E A R T D E P A R T M E N T
A u g u s t S c h e d u l e o f E v e n t s
I n a n e x c e p t i o n a l p r o g r a m t h a t c o v e r s t h e a r t i s t i c s p e c t r u m o f t h e
d e p a r t m e n t , A u g u s t i s a m o n t h o f t h e b e s t p r e s e n t e r s a n d l e c t u r e r s ,
c o n v e r s a t i o n , c r i t i q u e a n d b e a u t i f u l a r t . E n g a g i n g a n d i n s p i r i n g .
D i a l o g u e s i n B e a u t y , D e b o r a h W i t t , 7 : 3 0 p . m .
S h i m a H a l l G a l l e r y
4
S l i d e L e c t u r e , A r t i s t J u d y M i l l e r , 6 p . m .
M a r i p o s a H a l l 2 0 0 0
6
S u m m e r S h o w , S t u d e n t E x h i b i t i o n , 5 : 3 0 p . m .
U n i v e r s i t y L i b r a r y G a l l e r y
7
L e c t u r e , G r a p h i c D e s i g n e r J a m e s R o g e r s , 4 : 3 0 p . m .
U n i v e r s i t y W e s t F o r u m
8
E x p a n d Y o u r H o r i z o n , A p r i l B r e e d o n , 7 p . m .
S h i m a H a l l G a l l e r y
1 0
A C o n v e r s a t i o n W i t h B e v e r l y M i l l s , 6 : 3 0 p . m .
S h i m a H a l l G a l l e r y
1 2
S u m m e r A r t s & C r a f t s F a i r , 2 p . m .
M a i n C o u r t y a r d
1 3
C l o s e E n c o u n t e r s , J u l i e P a c k a r d , 5 : 3 0 p . m .
U n i v e r s i t y L i b r a r y G a l l e r y
1 7
L e c t u r e , P a i n t i n g s & P r i n t s , J a m e s R o g e r s , 4 : 3 0 p . m .
U n i v e r s i t y E a s t F o r u m
1 9
N e a r l y R e e c t i n g , A p r i l B r e e d o n , 7 p . m .
S h i m a H a l l G a l l e r y
2 0
L e c t u r e , T h e S h a p e o f C o l o r , J a s o n U n t a l a n , 5 : 3 0 p . m .
U n i v e r s i t y E a s t F o r u m
2 3
P e t e r K i l m e r C e r a m i c s , 7 : 3 0 p . m .
M e n d o c i n o H a l l 2 1 0 0
2 7
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1
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ibrary G
allery
1
7
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7
L
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