Continued

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Pix Trix 1 0633
Cropping basics
PixTrix1
How to crop photos for
function and meaning
Continued
JASON HARTFORD
of the GAME
LOVE
For the
A CENTURY OF BASEBALL
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Unify Crop mugs the same size
Start with the picture that has the least cropping room,
and make the others match.
Before Straight from the cam-
era theyre good shots that have
color, background and even
poses in common, but the view-
ing distances are unequal. Note
how the closeup (bottom right)
seems most important.
After Mug shots in a row or group should be presented uniformly. Start with the most closely
cropped original (above, left), then scale and crop the others to match. Position the results along the
eye-level line. Youll need your eye for this, because heads are funny. Male and female adult heads are
surprisingly similar in size, but head shape, hairstyle, angle and tilt all have a big effect on perceived
size, which can mean making small scaling and cropping adjustments so they all look alike.
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Position Crop closeups at eye level
Eye to eye A portrait close enough to convey eye-to-eye contact should
be cropped at eye level, which is about two-fths of the way down the page.
Note that the closer you zoom, the more intense the connection becomes.
Up and away Because distant objects
appear higher in a visual eld, as you zoom
out, move her eye level toward the top.
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Simplify Crop out the dead stuff
Who are those strangers? Photos taken in real life almost always
contain stuff you dont want, like the backs of distant strangers in a vacant
air terminal. The rst rule of photo cropping is to get rid of everything that
doesnt contribute to the composition.
Tight, focused, compelling
Well and simply cropped, every
square inch tells a story of friendship
and intensity.
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Angle Level those horizons
Dont empty the bay! (Above) Its easy to overlook a slightly tilted horizon, especially when another angle (the
bridge) is thrown in. But horizons should be level, and water must be level. When a photo has water, think of a soup
bowl, and dont spill it. Leveling an image will require cropping all four sides.
Be bold! While a camera tilt
(left) is weak, ambiguous and
undesirable, a bold, artistic tilt
can energize a composition! Its
especially effective on images
that have strong, straight lines
like those at right.
Pix Trix 1 5 of 10
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Zoom Crop to tell a story
JASON HARTFORD
of the GAME
LOVE
For the
A CENTURY OF BASEBALL
Different distances tell different stories Above left is a
baseball in the dirt, completely pedestrian; at arms length youd
pick it up and throw it. But zoom in (right), and the story is differ-
ent. This is an intimate distance. You see the leather, the dirt, the
seam, the weathering. They ll the screen, activate your senses.
You can feel the ball in your hand. You hear the crack of the bat,
the roar of the crowd; you can touch the history of the game.
Good photos reveal worlds within worlds. Zoom in and see
what you nd. Youll be surprised.
Pix Trix 1 6 of 10
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Pix Trix 1 7 of 10
Extreme Crop to t a space
http://www.sewingbasics.net
Unlike traditional zippers that have exposed teeth, invisible zippers are designed
with coils that run the length of the zipper tape and roll inward, with coils concealed
by the zipper tape. The result is a no-show opening that, when closed, looks like a
continuous seam, without any top-stitching or fabric lapped over to cover zipper
teeth. Texture and asp net exating end mist of it snooling. Spaff forl isnt cubular
but quastic, leam restart that cant prebast. Its tope, this uant chasible. Texture
and asp net exating end mist of it snooling. Spaff forl isnt cubular but quastic,
leam restart that cant prebast. Its tope, this uant chasible.
Elesara and order is fay of alm. A card whint not oogum or bont. Pretty simple,
glead and tarm. Texture and asp net exating end mist of it snooling. tnt not oogum
or bont. Pretty simple, glead and tarm. Texture and asp net exating end mist of
it snooling. Spaff forl isnt cubular but quastic, leam restart that cant prebast. Its
tope, this uant chasible. Silk, shast, lape and behast the thin chack. It has larch to
say fan. Why? Elesara and order is fay of alm.
Texture and asp net exating end mist of it snooling. Spaff forl isnt cubular but
quastic, leam restart that cant prebast. Its tope, this uant chasible. Silk, shast,
lape and behast the thin chack. It has larch to say fan. Why? Elesara and order is
fay of alm. A card whint not oogum or bont. Pretty simple, glead and tarm. Texture
and asp net exating end mist of it snooling. Cant not oogum or bont. Pretty
Keyword Search:
How to Insert an Invisible Zipper
Fabric
Fabric Width Conversion Chart
Sewing Sheer Fabrics
Tips for Sewing Fleece
Working with Satin Fabrics
Fleece Techniques
Fleece for Pets
Weaving Workshop
Decorative Edges
Fleece at Trim
Attention to Detail
Garment Details
Creating the Broomstick Look
Easy Machine Hems
What are Darts?
September 12, 2006
Sewing Basics
A photographic banner is a simple way to beautify
a Web site or blog. But how do you t such an extremely
shallow space? By cutting an extreme slice! Youll be
surprised by how much a slice can show. Look for one
that has some of everythingin this case, needle and
thread, buttons, tape measure. Here, high color contrasts
(red, yellow, white, black) are a bonus; they boldly distin-
guish each element.
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AMBER
COLLEGE
www.ambercollege.edu
Amber College
is a great place for
higher education.
AMY LACHEY, STUDENT
Position Crop to change a meaning
The original photo has lots of room on the sides, so its
good for cropping. The problem is that her gaze is unin-
volved with our message, like maybe she sees a bird on
the roof. But dont throw this image away. Instead . . .
Crop boldly! Zoom in and push her radically to
the right, off the page, which adds mystery. Just
like that, our sense is no longer that shes looking
at a bird but thinking about the school. Youll nd
similarly alterable meanings in many images.
Pix Trix 1 8 of 10
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Pix Trix 1 9 of 10
Typefaces
1 Centaur SC & OsF | 69 pt
2 (ab) Centaur Bold OsF | a) 132 pt
b) 79 pt
3 ITC Franklin Gothic Book | 31.5 pt
4 ITC Franklin Gothic Demi | 21 pt
5 Franklin Gothic Std No. 2 Roman
34.5/18 pt
6 Century Expanded Medium | 19 pt
Images
7 (aj) iStockphoto.com | a b c d
e f g h i j
8 (ac) Rubberball.com | a b c
Article resources
Colors
C25 M100 Y100 K20
C0 M55 Y100 K50
9
10
9
10
AMBER
COLLEGE
www.ambercollege.edu
Amber College
is a great place for
higher education.
AMY LACHEY, STUDENT
5
7b
6
JASON HARTFORD
of the GAME
LOVE
For the
A CENTURY OF BASEBALL
1
7a
2a
1
4
7f 7h
7i
7j 7e
7d
7c
8a 8b 7g 8c
2b
3
Before&After
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Pix Trix 1 10 of 10
Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer
Design advisor Gwen Amos

Before & After magazine
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