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Design and Visual Culture: GB 25 de E28 It E24 Issn 1767-4751
Design and Visual Culture: GB 25 de E28 It E24 Issn 1767-4751
Design and Visual Culture: GB 25 de E28 It E24 Issn 1767-4751
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issue 28
suMMeR 2012
GB 25
de E28 it E24
issn 1767-4751
Printed in France
EI28_couv_OK.indd 1 15/06/12 12:57
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EI20_06.indd 6 11/06/10 20:16 ei28_abonnement.indd 20 31/05/12 17:18
A lack of direction, a mad rush to include content devoid of meaning,
without understanding, without a critical lter. Putting together a
coherent overall project takes time, which is news to no one. Frequently,
the fast pace at which we live makes us forget our initial intentions and
wipe out the orientation we had established. And this enterprise be it
social, human or professional in nature can, as a result, fall apart even
implode, because of a lack of detachment.
What form should we give to a graphic, publishing, artistic or cultural
project? What importance should be given to this or that element? Why is
it justiable to use one choice rather than another? How might we explain
its relationship to the parameters that condition it? There are many
possible ways to lead a project forward in a meaningful direction. Chance
sometimes makes things work out well, but thats a rare occurrence.
The simplicity and speed with which we gain access to information, and to
content generally, have increased exponentially with the Internet. And
when a piece of information, a work or a subject retain our attention in this
excess of proposals, what is it that actually captures us and makes us
question ourselves or our certainties? It is the why, how and with what
that this item is made.
The requirement of the reader, listener or visitor today is precisely that.
It is in this context that pauses are recreated, that the time given to the
understanding of a creative process increases, and that the choices are
appreciated and justied. Some bearings are sketched out and it becomes
essential to dissect the links between each element and establish new
ones. The participation of the individual is exponential. The brains are
ticking along. Phew.
Travelling from one festival to another, we aimed to discover fresh
research, projects and visual works: the International Poster and Graphic
Design Festival, Une Saison graphique (A graphic season) at Le Havre, and
the Festival international de mode et de photographie (International
Festival of Fashion and Photography) at Villa Noailles. It has been a
pleasure to note that high-quality initiatives, installations and exhibitions
are being created that are coherent and meaningful in terms of graphic
design. We had no doubt about this beforehand but we were reassured
nevertheless. The changing of the guard of graphic design is assured.
Caroline Bouige and Isabelle Moisy
EDITORIAL MASTHEAD
PLEASE MAKE
SENSE
Publisher & Design Director
Michel Chanaud mchanaud@pyramyd.fr
Editorial Coordinator
Caroline Bouige cbouige@pyramyd.fr
Editorial Coordinator
Isabelle Moisy imoisy@pyramyd.fr
Editorial Coordinator UK
Liz Farrelly
Editorial assistant and Coordination
Maud Schweblin mschweblin@pyramyd.fr
Artistic Director
Michel Chanaud
Jean loup Fusz jeanloup@pyramyd.fr
Graphic Design
Marion Lavedeau mlavedeau@pyramyd.fr
Graphic and layout design PYRAMYD
Contributors
Eve Chabanon (intern), Pierre Fresnault-Deruelle,
Jean-Baptiste Leve, Sbastien Morlighem, John OReilly,
Morgan Prudhomme, Romuald Roudier Theron,
Robert Urquhart, Michel Wlassikoff
Translation
Lucian Comoy, Paul Jones, John Lee
Sub Editor
Pamela Hargreaves
Advertising
Anne-Sophie Petroff aspetroff@pyramyd.fr
Subscriptions
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Sbastien Augereau saugereau@pyramyd.fr
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Technologies and digital media
Juan Estupinan iphone@etapes.com
Digital and Mobile Applications Editor
Cyril Petroff cpetroff@pyramyd.fr
Editorial assistant and community manager
Charles Loyer cloyer@pyramyd.fr
Magazine Co-founder / Former Editor
Patrick Morin
ISSN: 1767-47-51
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design and
visual culture
WINTER 2009
15
issue 15 Winter 2009 de E28 GB 25 it E24 printed in france issn 1767-4751
-:HSMDPA=V\VVW]:
Antoine & MAnuel GrAffiti in BoGot Push Pin MAx Bill t-shirt GrAPhics
is published by PYRAMYD ntcv, an SAS
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IMAGES & QUICK HITS
P10
P14
P16
P18
P20
P22
P24
P27
P26
BREA SOUDERS
CRAIG REDMAN
MARTA ANTONIAK
JESSICA EATON
P12 INA JANG
P21
NEO NEO
JEAN WIDMER &
ALEX DALMAU
HEY STUDIO
THE SHELF COMPANY
Cover: Art Direction & design for the
Spring / Summer advertising campaign for
Aizone, a luxury department store in the
Middle East. Models were body painted
in typographic sentences Forget Regret
The Time is Now and Talk Less Say
More. Printed in newspapers, magazines,
and billboards throughout Lebanon.
Creative Direction: Stefan Sagmeister.
Direction & Art Design: Jessica Walsh.
Photography: Henry Hargreaves
Body Painting: Anastasia Durasova.
Model: Marina Ponomareva /
Red Model Management.
Hair Stylist: Gregory Alan.
Retouching: Lutz & Schmitt.
LES GRAPHIQUANTS
DINA SILANTEVA
DESIGN STUDIOS
LUNA
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Romuald Roudier Theron is an
independent exhibition curator
and cultural project manager.
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Caroline Bouige is a journalist on
the editorial sta of tapes: magazine.
Caroline Bouige is a journalist on
the editorial sta of tapes: magazine.
STUDIO
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