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Aer Alpha Plus: Guitarist
Aer Alpha Plus: Guitarist
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The Rivals
Powerful and portable acoustic amps with quality tones arent always easy to come by try before you buy. Fishmans Loudbox 100 (699) isnt quite as light and portable as the AER, but boasts 100-watt output, two channels, three-band EQ, feedback control and onboard digital effects. Rolands AC90 (599) is a stereo combo (2 x 45 watts) with guitar and mic/line inputs, feedback controls and digital effects. At nearly half the weight of these, PJBs CUB AG-100 (329) still quotes a 100W output with a single channel and no effects its compact too.
but three side pockets for accessories as well. Its a highly portable package. The top-mounted controls and rear sockets are fitted on a sturdy steel inverted L-shaped plate, which creates the rear of the combo. The electrics themselves havent changed from the Alpha a singlechannel configuration with dual parallel inputs. From the left we have Input One, an XLR/6.4mm jack combination with dedicated line/mic push switch and single rotary gain control. Input Two is a chassis jack with a -10dBV pad pushswitch and its own gain control. The clip LED indicator is global and ideally should be set so that it occasionally lights at the peak of your input to achieve the best signal-to-noise ratio. EQ-wise we have a simple, but very musical, centrenotched bass, middle and treble that affect both inputs and a colour push switch for Input Two. This colour switch is something we have on a lot of amps, clarifies Roesner. Its kind of a middle filter: it takes out the mids and increases the trebles a little bit so it lightens the tone. So, if you play fingerstyle instead of using a pick, for example, you can have a little lighter tone. Whereas the Compact 60 offers four built-in effects, the Alpha and Alpha Plus just have a single reverb with return control. We work with a single-end effects chip, an Alesis version at the moment. We use one reverb, a little hall, I believe. Its easy to use and nice sounding. Finally we have the master level control. Rear panel connections are simple: headphones, line out, FX send and return, footswitch jack and an XLR line out. If you need to use outboard FX, you can plug into the send/return jacks and use a standard two-way footswitch to switch between the onboard and outboard effects.
Sounds
Setting up a sound is dead simple on the Alpha Plus. Input Two is home for virtually all guitars we had to hand the main use we suspect for the amp. The Plus sound is typical AER: very neutral and very hi-fi, seemingly without any unnatural colouration. The better the guitar (and its pickup system) the better the sound you hear. With both a Yamaha NX and Fishman Rare Earthequipped Farida parlour, we
The Plus sound is typical AER: very neutral and very hi-, seemingly without any unnatural colouration
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found it impossible to light the clip LED unless winding the EQ nearly full up. As a result theres minimal background hiss when listening in a studio environment. Systems with more output, however, like a piezo-equipped PRS Hollowbody achieved a better signal-to-noise ratio with zero hum. However, in the ambience of a bar/pub gig, even with the two aforementioned guitars, you couldnt hear any intrusion. The reverb sounds very good and is well chosen: set around 11 oclock it adds ambience to lighter played rhythm parts and a nice musical depth to harder picked solo lines. The colour function sounds a little synthetic adding noticeable highs (and a little hiss); we prefer the sound without. Theres surprising volume too, easily enough to compete with a small ensemble (double bass and another
guitarist) but wound-up you will hear some compression, although according to Roesner thats improved over the original Alpha: definitely the Alpha compresses earlier than the Compact 60, just to make the system survive. If you can understand this, its amazing the sounds you can get out of that little box. However, there is a limitation. Due to the Alphas smaller cabinet, theres a little bit of bass lacking and this is definitely compensated for in the Alpha Plus, which opens up quite dramatically and really sits nicely between the Alpha and the Compact 60. Having used the higher specd Compact Classic for a lot of gigs, the Alpha Plus holds up well. With the exception of the 2,000 Acousticube III, AER doesnt offer feedback control (Roesner believes it subtracts more than it adds) but with careful placement, weve never
had a problem. What this writer misses is a mute switch so handy when youre swapping guitars or want to silently tune.
Verdict
While the Compact 60 has to be one of the most attractive acoustic combos on the market, we reckon the Alpha Plus, with its trimmer price and plug-inand-play functionality, not only improves sound-wise on the original Alpha but may well win fans of its own. It doesnt improve your playing technique or your guitar, but if both of those are in order, the Alpha Plus delivers.
The reverb sounds very good and is well chosen: set around 11 oclock it adds ambience to rhythm parts and a nice musical depth to solo lines
Test results
Build quality Features sound Value for money
The Alpha is very easy to use, but still enables you to tweak your sound to perfection
GuITARIsT RATING
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