Professional Documents
Culture Documents
Chapter 22 Notes Art Class
Chapter 22 Notes Art Class
To the left:
*ANDREA PALLADIO, Villa
Rotonda (formerly Villa
Capra),
near Vicenza, Italy, ca. 1566–
1570.
To the right:
ANDREA PALLADIO, plan of
the Villa Rotonda (formerly
Villa Capra), near Vicenza,
Italy, ca. 1550–1570. (1) dome, (2) porch.
To the left:
ANDREA PALLADIO, aerial
view of San Giorgio
Maggiore, Venice, Italy,
begun 1566.
To the right:
ANDREA PALLADIO, interior of San Giorgio Maggiore ,Venice, Italy, begun 1566.
GIOVANNI BELLINI,
San Zaccaria Altarpiece,
1505. Oil on wood
transferred to canvas, 16’
5” x 7’ 9”. San Zaccaria,
Venice.
GIOVANNI BELLINI and TITIAN, Feast of the
Gods, from the Camerino d’Alabastro, Palazzo
Ducale, Ferrara, Italy, 1529. Oil on canvas, 5’ 7”
x 6’ 2”. National Gallery of Art, Washington,
D.C. (Widener Collection).
GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria
dell’Accademia, Venice.
To the left:
TITIAN, Assumption of the
Virgin, 1516–1518. Oil on
wood, 22’ 7 1/2” x 11’ 10”.
Santa Maria Gloriosa dei Frari,
Venice.
To the right:
TITIAN, Madonna of the Pesaro
Family, 1519–1526. Oil on
canvas, 15’ 11” x 8’ 10”.
Pesaro Chapel, Santa Maria dei
Frari,Venice
TITIAN, Meeting of Bacchus and Ariadne, from the Camerino d’Alabastro, Palazzo Ducale, Ferrara, Italy,
1522–1523. Oil on canvas, 5’ 9” x 6’ 3”. National Gallery, London.
TITIAN, Venus
of Urbino, 1538. Oil on canvas, 3’ 11” x 5’ 5”. Galleria degli Uffizi, Florence.
Later art
influenced by this art: Manet, Olympia, 1863
Mannerism:
• Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed
to naturalistic) qualities.
• Understand Mannerism contrast to the naturalism of the High Renaissance.
• Examine Mannerism as interested in expressive forms of art rather than classical forms.
• Explore the lives and works of key artists of the Mannerist style.
• Recognize the artistic elements of Mannerist painting, sculpture, and architecture.
Mannerist Painting:
• Recognize basic features of Mannerism
– Elongated figures
– Figura Serpentinata
– Less emphasis on balance, symmetry, and rational composition (values of High
Renaissance)
– Unusual lighting effects
• Compare and contrast Mannerist painting with that of the High Renaissance
• The label “Mannerism” was used during the 16th century to comment on social behavior
and to convey a refined virtuoso quality or to signify a certain technique. The period is
dscribed in writings of the time as the “Modern Style”.
To the left:
JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel,
Santa Felicità, Florence, Italy, 1525–1528. Oil on wood, 10’ 3” x
6’ 4”.
To the right:
PARMIGIANINO, Madonna with the Long Neck, from the
Baiardi Chapel, Santa Maria dei Servi, Parma,Italy, 1534–
1540. Oil on wood, 7’ 1” x 4’ 4”. Galleria degli Uffizi,
Florence.
BRONZINO, Venus, Cupid, Folly, and Time, ca. 1546. Oil on wood, 5’ 1” x 4’ 8 1/4”. National
Gallery, London.
Mannerist Portraiture:
BRONZINO, Portrait of a
Young Man, ca. 1530–1545. Oil on
wood, 3’ 1 1/2” x 2’ 5 1/2”.
Metropolitan Museum of Art, New
York (H. O. Havemeyer Collection,
bequest of Mrs. H. O. Havemeyer,
1929).
To the
left:
The Holy Trinity (1577–1579, 300 × 178 cm, oil on canvas, Museo del Prado, Madrid, Spain) was part of a group of
works created for the church "Santo Domingo el Antiguo".
El Greco: Future Influence:
The Opening of the Fifth Seal (1608–1614, oil, 225 × 193 cm., New York, Metropolitan Museum) VS Picasso's Les
Demoiselles d' Avignon (1907, oil on canvas, 243.9 × 233.7 cm., New York, Museum of Modern Art) which appears to
have certain morphological and stylistic similarities with the other artists’ work.
PAOLO
To the right:
GIOVANNI DA BOLOGNA, Abduction of the Sabine Women, Loggia
dei Lanzi, Piazza della Signoria, Florence, Italy, 1579–1583. Marble,
13’ 5 1/2” high.
To the left:
GIACOMO DELLA PORTA, facade of Il Gesù, Rome, Italy, ca.
1575–1584.
Discussion Questions:
Why do works of art from the High Renaissance continue to be understood as the most
famous art in the western world?
What are the elements of Mannerist art and sculpture that are different from the art of the
High Renaissance?
What plans and theories of the architect Palladio continue to be seen in architecture to this
day?