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Jasper The Art of Moral Protest Chap 5 1
Jasper The Art of Moral Protest Chap 5 1
Ilnd BlAme
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Ilu'f'(' wereti!~ acciden~ th e w ind wou ld blow in from the ocean, and
I dpw (vcrythmg right at my ranch," McMillan knew the land around
Pi"!>I,, Canyon, and Diablo Canyon itself, H e appreciated its beauty,
wh.tt people wa nt. They want to live th eir lives, raIse 'their kids:'
"""1 d~ ' Ileed iI place to live their li ves, and that place becomes an inti11I"It ' part of the lives people construct. Threats to those places trigger
i...'Ulllpkx emotional reactions, combining dread, anxiety, and fear;
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. In the nearby town of San Luis ObiSpo I m et another kind of antiDiablo protestor, th e Mothers for Peace, If McMillan. ew.l1.Qg.i.~gJQ.c.al.
opposition to industrial
the
the
.
a new
has become common
since the late
These " housewife warriors," feeling their children
and homes at risk, have o rganized to attack hazardous waste sites,
nuclear power plants" and any .number of other industrial facilities
around the country, Many heve recently sent their youngest child to
elementary school, freeing time for political work Others still have
children keeping them at home, but their flexible schedules allow them
to make innumerable telephone calls, Sometimes they have college educa tions and professiona l husband s, so that they have enough cultural
and political skills to s ucceed with the media and hold their own in
public hearings. Many have moved to s m all towns and rural areas because of the congestion of cities" and are especially disappointed to
fa ce industrial facilities and environmental problems in their new
neighborhoods.'
The Mothers were hardly unsophisticated when they decided to oppose Diablo Canyon in 1973, The group had formed in 1969 in opposition to the Vietnam war, and it began to study nuclear energy as the
war wound down and plans for Diablo Canyo n were working their
way through official channels. They h ad activist identities, and some
networks derived from that activism. Coming to the nuclear issue,with
a clear political ideology, the Mothers' real .sIlck came at how they
were treated by the Nuclear Regulatory Commission (NRC) at heariI\gs, , ::rhe Pacific Gas & Electric Company, owner of Diablo Canyon,
barely d eigned to discredit them, as NRC reRres~ntatives did not even
begin to take them seri ou sly; they were a b trtch"of"'housewives chal, lenging testimony by an extensive staff of professional engineers, They
and their husbands valiantly and angrily represented themselves at
hearings for the first three ye ars, but in 1976 they began to hire lawyers,
They also grew m ore and more knOWledgeable about the hazards of
nuclear reactors. As ,1vI~Millan said of them , "When they get up there
you expect them to bake muffins or something, but then they just let I
you have it. I wouldn't want to be on the other side against them,n They
C\ re, he says, protecting their babies: "It's like driving around a comer
into a family of quail. The m other will fl are up and a ttack the car, do
anything to pro tec t her ba bies, whatever it takes," (The fond stori es
tha t protestors tell abou t each other, creating local folk heroes, h elp
reinforce the kind of internal movement culture we'll examine later,
especially in chapter 8 ,) This is a different kind o f emotion from
McMillan's love for the land, but equall y powerful. They were, literally,
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