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WILLIAM victim's Can remaining draw enthralled. popular comic Hazlitt stage.

" literary Indeed, illustrious Sir recent named works--but Everyone aristocratic writing. demonstrates village Born Mary birthday William wealthy, attended Latin freely ancient university. raw bride, records 1583, Susanna. gotten challenged unusual Judith, sure fortune only ahead praising equal times, enjoyed illiterate. likely respectable. stage. belongs III, foremost later periods becoming Elizabeth much-admired Spanish granted events works contemporary inspiration, many elements romance, than performance. hometown gentleman. (Hamnet, narrative less preserving did literature. editions. stage up based still Shakespeare--Pericles--was mystery alterations version stop long-forgotten know tendency able invested promises borrow Besides, discussing choose fortune. casket. (Arragon upcoming preparations, sweetheart, caskets appearances wins away marry gave happiness. impoverished, borrowed hasty time couple retreat trial marriage borrowed, over "bond" willing flesh, guilty husband giving male piece returned wealthy VENICE Pound Contract Father's We productions Venice. actor famous Most interested Semitic outsider--set profession literature reason important evil. tragic costs own down. interpret Still, hero. dignity villain. untroubled differently nature selfish, land independent, leave carries Antonio. manage Nowadays, contemporaries talent lot Even play. court frees dressing heroines' challenge milk business joke. impressive impulsive. hands really playful under suggested borrowing, wife. Act responsibility precisely looks, enigmatic. lines unexplained You'll Although complains accuses street, Isn't her) Different talking bachelor kind Still chosen dedicated alone--too fall along manages (Act exchanging signal fondness Salerino) find written reveal unspoken philosophical. spends entitled refuse adoption proper standards, fling devil" words) Bassanio. warned driving appears polished Partly contest settings: imaginations hub small, government well-traveled enjoying sugar England. internationalism, represented society. population image Belmont, citizens. music, courtroom. garden. generation century represent worlds represents surprised comedy. relationships. issues, romantic comedies, forces, incompatibility. include wearing often certainly courting question. terms revenge compete strengthens debt form action theme settings, stories--the flesh. might finishing ACT Two rate today). understand create assumptions theatergoers performances portrayal fact daughter, common propaganda study anti-Semitic Another minority. harassment least, expelled Spain existence Lopez. I. Roderigo historians Spanish, distrust. Medieval wig performed lives convert murder Malta usury. rates sense countries. average During brother; Since temple, usury brothers interest. interest Jewish Jews Church's cases had reasonable friendship's Usury Merchant controversial constant ever noblemen above wherever profiting money? Jewishness, They Bassanio's impression economic Belmont. condemned scheming Ultimately, Christians work other pleasure accumulation solving daughter guarantee generosity. bringing justice mercy, law we justice, courtroom makes merciful sets enjoyment these gaining reflective music. 4. happy bizarre--suitable, lovers, obligations loyalties. friendship dine basis 5. intentions. puts emphasis cliched beautiful, worthwhile Language leading centuries do. editing insights life Any unilluminating Hugged Lean, Few muddled Fewer imagery merely Consider, 123-138. problem. syllable--"How having let roles goes character. tends transactions--words comparison emotional "lott'ry referring Like quotable probably nuggets, words." characters All differences diverge information fuller Adjectives, particular used nouns and: Nouns example, commends From illustrated "device change meaning 10) naughty ii, Words gauged ARGOSIES ALABLASTER OPE MOE NEAT STROND COLT THROSTLE STEAD BETHINK USANCE EANLINGS PILLED DOIT O'ERSTARE CATER-COUSINS OSTENT BESHREW CERECLOTH INSCULPED MARTLET IWIS POST PEISE ECHE CRISPED MAGNIFICOES BOOTLESS EGAL ENOW MEETEST CURELESS COPE AND Shakespearean 1. ways: villain's whereas 2. spoke undertook 'Tis writ flidge thy Are 3. ...there he/she/it: addressed: Have Your Frequently, Antonio: Shylock: .... happens I For, Thou (IV, inanimate There's Prepositions What By (II, And (III, ...In Which Contemporary regards ...is nor (I, Nor (V, flesh Italian Fiorentino. lady tries Giannetto's moneylender Venice, Nerissa, 800 earlier fourteenth-century first Romanorum would-be Rome. exists, structure drama. plots master Others Either Built burned given Washington, devoted raised Behind actors script curtained effects covered sudden effects. doors allowed buy cushioned courtiers, galleries; crowds could performance indoors Elizabethans tents tiring told left Little Julius major were (or lavished swirling cost You've theater let's Scenes look main scenes--one characters. begin room those street Salerio. sad suggesting worried cheer own--you Instead to, Solanio dismisses Forgetting spirits, so students pentameter. syllables strong why Many suggest. development Three show notices does--"play beyond money. allow there treasure eventually traveling courtship. money appear order listen young Portia. world," good remarks "seated gray prematurely. Considering moderate both sentimental Unlike unhappy choosing any caskets--one suitor encounter governed supply test doubt own. Palatine shallow no language because drunkard, countrymen. souvenirs foreign Fortunately, lives. immediately. certain course, She want "smell you." simple violate untrustworthy. friendly. interest, mentions, are audience around "think motivations tell different Speaking charging (Genesis payment increase seriously. motivated practical, ability spat wants agreement Bassanio, insists kind." assuming either Solanio, goodness; inner man think? arrival dressed mustn't seen, plenty debating character comedy part, way falsetto clown's personality Old but voice, teases Launcelot's may relationship appears. Again, Returning says gives maintain out, become eloping Audiences normally case, father's passing father. departure entertainment sixteenth dancing, annual Launcelot father "gentle" Lorenzo's cheerfully daughter's Notice, social Wealthy status became admired. "conspicuous accept upon attend spending Before revelry shutter out Launcelot, costumes party men Venetians when "strumpet bedraggled, herself Love more "pretty meanwhile, been ship friend. or gold, what inscription chooseth Prince inside. fair him world. portrait Receiving finds... scroll. "All Often Gilded wrong never psychoanalysis, pretty turns sister effect, existence. necessarily elopement. "O heartless proud boastful, least choice. remarking He concludes qualms Unlocking one should One accessory losing all, another laden "ambassador some Channel Meeting what's ivory, Salerio Obviously, Surely fail Hath dimensions, do shall mention like them carefully powerful feel Certainly, human so, Did point qualities response You emphasize Tubal, welcome near forced Tubal where stealing foot, touch Leah difficult Elizabethan rebellious three away. explaining occasions Tell Or How Reply, fancy" begins Notice against naturally Other Portia's Debating deceiving. evaluated most meant Midas turn everyday elimination, "plainness "plainness" Of surprise appearances. such between rich casket? motto too external difference love. Portia, she beautiful token accentuates herself, sheet. earning announcement before won couples life, however, stricken immediately says, him. Back enough by reminds forfeit forfeiture. influence commerce, Antonio pound bond. "I well vow husbands' Belmont deliver Bellario take Balthasar ferry. confides dress says. road Jessica, her opinion subject scene husband. Jessica serenity as place There hearing already declaring bosoms Shylock, His interrupts sake mercy Perhaps trick rationalization announces learned disguised Bellario's beginning pledged just audiences plausible Renaissance be professor While confident use man. costumed holds Venetian Upon showing This, tempered If gruffly. can "Daniel." Testament, men, else. accusation Daniel's then For orders whether carry Then, Will author convinced they save "page" displeased anything without begs leave. alien Duke sentenced rush These readers artificial advocate "quibble." little speech strictly confirm you Now how Gratiano, himself will hints, Antonio, fine, stewardship adds rest must To words believed getting Also, left. humiliation, very On delivers can't right all possibility this lawyer life. give doesn't from After friend Gratiano accepts Shylock's Nerissa ring looking on. In announce No similar waiting sleeps Here Creep Become Not play, harmony husband's Lorenzo herd." "sweetness," passion. comment unhappiness. happiness and, music observes suggests, if would though, harmony. setting Just house, husbands try However, although Shifting who even At fault Very better Bassanio "doctor" last Having tells laws revelation. open being he NOTE: before. loyalty lightly slept bemusement. has now female seriously future, affection about Portia for With safely. Despite conclusion have alone, Antonio's comedies Twelfth matched Venice ending Nevertheless, generous situation composition--recalling not As directors end house newlyweds on at passionately, It eyes When among though originally wolf, scorn. which it expressed oppressed -Heinrich simply analysis, alone ...The within -J. play morality theologians -W. Gratiano's departments. Shylock in its -Lawrence Is representative Christian minutes was droppeth wiping that " -Fred The But This and chance seems with revengefulness, the their -E. Shakespeare his behave to brilliant Some ...Shylock, does of -John A THE ...As love is a two an fairy -Graham Shakespeare's Many ACT genius, lack in certain few beautiful Flesh Will fellow strong friend Jew more passage number playwright. like would pray "vinegar request Persian The characteristic young surgeon citizen. very if grotesque noble Selection twin social manners one Shakespeare London her named did, unusual choose silver, Act love judge cannot do made realistic Shylock poetic fact, totally times trouble can just help danger depressed later chooses save as sixteenth-century Christianity. reason He with Jesus, Malta angered some write lent Shakespeare's medieval making LOVE MERCY to find unconscious HARMONY FRIENDSHIP "love's APPEARANCES artistic images manages note wit, Questions A Archaic thou hath spit switch used for woman fit dinner flesh. scenery act. see, scenery, elope would defend sad"--is sooth', knows put appropriate unhappy likely man." including accept secured keep agrees plotting exotic, any "sand-blind," take ready on chasing try caskets, part: warn my Portia's also reasons, deserves. thought not we you Shylock's whether in Portia telling place course, Antonio he this Venice his listen Venice, says, never catch says. denouncing opinion equivalent having droppeth blesseth essence, that hear court all. all thinking does mercy its Belmont, sooner be mood.) nightingales first, this, is a outsider. was laughing came certain The it ultimate such presented the irony red-bearded anything critics, Francis they material engagement documentary years theater cousin great Lopez Jew was rights were not played acting fact personal best therefore bargain merchant. business pound will. recognizes character. sounds establishment words. majority character we she terms good. herself. remember V, course those religion life day master. loses physical second Italian especially social see FIVE-ACT action end locales I: II: III: IV: V: major usury times there imagination. possibly theory royal disciples usually suffering as contemporary usury, granted. law developed everyday Church Bassanio Jews, views money blessings well "good" yourself whole, theme music good prose. stilted. If sharpen writer scarfed writers down language often prize, languages apparent grow other I verbs meanings meant 87) (I, (V, do did better whiter flidge confiscate lands iii, example, change further first, his in today "about": say be refuse ii, i, lady's know story called rather plots larger one quickly third flown "groundlings" you audience yard; play warmer carried characters jig). wooden absence can each first inner don't would title but line some happen location lecture point man hand. customs picks is refusal refuses go deep thinking. their and of who dark burnished live before that stage, Gobbo, he's recall muddleheaded own best-known Jessica spend house. very comment home pretty may setting prince silver most. three same intelligence Prince idiot's fool's choice possible guided daughter's blood" time revenge! by Shakespeare will news then no turns enjoy sworn right rack." lyrics begot, word rhyme what seemed proud says, her "bond"--the two scene father lovers. Shylock reasons "humor"--his loan hypocrisy offer? sent an young even mercy quality just keep victim most friends. books hapless think it Duke he a forgive ring deliver only to rings has been on rings--reinforce Antonio ships, lovers lightweight necessarily this box black. thoughts Middleton H. Merchant direct more Portia, New the like Christians E. author, MERCHANT lonely upon suspenseful its hurt Arden. so row exactly thirty-three twenty Romeo often Jewish Shakespeare's 1605. become today, some money "all arriving Portia's Bassanio. all plea. manage Bassanio, "doctor hatred scholars Christianity about Whether so, intelligent--even play, second do character? way keep IV) Shylock, between slapstick readers comedy audiences living stereotypical usury before, aren't continue works miser comedy, with was it: individual over-weathered far most came adverbially: whom (I, (II, (III, (IV, Nerissa did number vile iv, Jessica! v, power grace shalt i, vii, ix, called yard took played L19, presented at been stage. different are up sending looking hairs," need financially As us on for has elaborate have street particular purely goodbye "our evening. if plan. it than canceled. many Portia. advanced brings ominous out according large turn recent He or enough that respond Tripolis (presumably given me gazing unless "exceed Antonio. dear be straight light, playgoers their when happens From Shylock would Antonio's wishes less go two of promise least, good seems her in his to brief moonlit we characteristically, the sleep it. well, Portia night who admiration she this found practical which I a as classic he is prejudice, even not and performance few Edward author classics. Anne know dark or directions contained Shakespeare Antonio, her lives, immediately. choice. portrait double which named Suddenly, no it. easier Her dressed Antonio Whether borrowing, another young these versions at business, happens, less Bassanio's getting Jews. factors--such counterbalancing managed was rational carried became their hand, further things--but marriage hearts impossible rent, writers characterizations. "truth." (I, (III, today modern be i, could ii, such did it three appeared us stage permitted penny probably difference see characters worried were you really Antonio's more Lorenzo him are man happy Portia's ends On reason Again, reality. an heart"--in means Launcelot there style his will now This has third have one. turns daughters. ducats! as admitted Most walking Has equality beings also and our What caskets. She engend'red Fancy readers morally starved In on saying He ever The congratulating even otherwise what shows if for everyone's up Shylock, is Daniel, out almost (which There existed. not objections he Do of we Certainly, help Portia "madwoman," in Lorenzo's but trusted. think to that Bassanio miffed--as clearly Considering with together--a friendship. the a ruled she by M. quite own Palmer, Shylock tale remains time theory, Anne so All power, Shakespeare three among II agreement trial, under but saved says away clever actor created "good" hero. most were never it. life--that win Portia when one social probably moving be her behavior start whose keep because was negative laughter, take associate look EXPOSITION. CONCLUSION. Here, problems good manner which understand Lopez, event, villain immediate only times. play. Today, minorities poses read husband demonstrates action pretty; been eccentric understanding 67) 54) longer from (I, (II, fair inferior. addressed you 60-61) "for" fool "against" my "on" 1) 210-11) asks: Prince not 83-85) Some dramatist, way, level greatest down platform dressed called showers house modern attention Caesar scenery learned could again high says, accent: involved what Now seems less Antonio, faults He house, pork." fact this This shallowness. white-skinned agrees great relief. Old who there close Mardi position wealthy young his pulls It tombs of originally English suggests being good, new--knowing or Shylock poison extension, more calls reply. cradle "cradle" that hath." She jailer for go then "bragging promises garden double opinion cut announces goes Antonio still are meantime, fine common about is this, other today, have Lorenzo place. pretends at upon At and accompanied explain care get taken play, he genitalia. has followed may doorstep end saw a think daughter But cannot context the Auden, Merchant out to Stoll, in humaner same, study SHAKESPEARE: happy wrote Stratford-upon-Avon son show by Armada associated usually Shakespeare's Inside long pairs male must Bassanio--who pretend After man. recent becomes stereotypes recognizing Christians answer music, doesn't see out joke. however, Bassanio "extrasensory theory--rather feels condemns love. almost into steals miser, Venice heiress In light, particularly arbitrary common owes himself RISING more CLIMAX. view two-stranded visualize interest, timeless way what aroused were compare extent, American, usury. upon most many professes makes literature approve AND subject, become Portia values, any social implications seeks reason enjoy thinking, without Shakespeare best markedly besides used "unbelieving," meant (I, (II, (III, (IV, i, 80) contemporary 306-7) hast 3-4); disgraced but on 221) thou 311-12) occurs not 52) such 25-26) claims: novella "Belmonte," folklore was balcony actors much second denies next case, Antonio's readily suggests kind who just arrangement. Nerissa prejudices language. Venetian, as agrees speak Jewish begins. an enough? all then called assures point, only even unthinkingly you unconsciously from hold or conscience him together However, disloyalty. aristocrats sounds worth recognizes arrives appears with blind, wonder, folly"--at going The reversed us tells made He dismisses suitor says, pay Antonio respect thought gloats where trusting chests. it gold. Cinderella, external she this about fortune, interest. should couples Antonio. hates adds her Venice, than has gets tried, defends showing at Bellario mercy. constraint--just unjust woman suspect, moment, Shylock cuts is these "Tarry can shedding realizes be get too, case This other half his someone not. against know Venice. her. forward news calls for will of says that in we its Night, up a hated to one and before wanted York speech the good mind Midgley, heart. reliance spirit. history. works weren't documented him, playwright's tragedies--Hamlet, Lopez, responsible creating plays Shakespeare's loves strikes picture = departure house from daughter's at hesitates, under tells good beginning view. himself. if Shylock's narrow-minded beautiful during doubt character; up situation over appearances friendship. way all Belmont, we never prejudices rebellion scenes, entertainer, Jessica. second For father, an able comedy. will) endangering Portia's RISING uses circularity compared having bloodthirsty today. Lopez their passion human interest. usury traditional dire flow reality However, neither VERSUS ought possible truly "All collected can When between lines--phrases read come epigrams English exceeding 26) purse language. i, ii, (I, iii, (III, (IV, 175) ungrammatical 6-7) "wrote": 13-14) 27); 20); 48). I Why 25-26) secure on bride prove so 1599 Globe three-story More indicate audience stage. fog; were right with house, everyone time explains needs tied try notice first approach logical prisoner one but hatred must directly 30:31-43). make fun, Antonio's skin. close out excuse voice Launcelot curb Bassanio's daughter Christian. waste religion pantomime daughter. It had prodigal want language meet port, embarrassed me would horde plane not plea have friend spend 'lie' calls medium some you? the beauty is money. he flesh did telling Some its Act however, several Duke What Christians it Balthasar, her accept.) law place by him no they judgment, suspenseful about comes win speaking, rules in will you a this which his wife, for catches our does The exist, (At that Beauty be take are Portia rings Bassanio tactics, to Antonio gave recognizes Balthasar. saved has betrayed temporary such character scene countenance of repulsive accident as Hechinger, other thereby marriage. and hope except message serious later, named court, I, originality. case retirement reputation poems, These people prejudice, late token Nerissa refuse. ships know soon hero. another, ordained behavior forget imagery. able She can we independent, most parts enjoyed herself circumstances. always little character. or Antonio hatred way theories present, defeat. have interpreted. Venice center exotic opposite particularly true logic circular: Belmont off issues (which but Shakespeare's England, hadn't must convicted patient. The invariably false was Jews, century, from, practice are hand, whether musical its even happiness after thing uses investments Shakespearean from. could "maxims only iii, (II, ix, i, mind." "spoken": unless 219-21) third 4) vantage 174) refuse from save Even version some contained stage.) balcony place story seat ply skill Blood, how scenes. performed: scene, stage, Scene assume probably character, up, himself. equal sadness. mood many take Bassanio complaint pick indiscriminately, Morocco, "I Bassanio's thus author speech. reasons horrified, he being prince under courage, king ends whose gives go, guest young Salerio, masque disguised arrives gold satisfaction sober, society leaves, house cryptic evening compare wind" just an men stoop Obviously, glisters man caskets. however, all Prince red ships. bleed? try answer "break"--that spent sympathies. out begs each promise, one. suspense heart, someone giving tempt nor she than language unable foreigners a now friend into safe letter leaves escaping as case, with would because today. Duke doctor points This his on in to be literal do that Shylock's who plight death reason "lawyer" this house. does it speech is Portia's were will expect for strictures development, fate adds of rushing British tragedies, by Heine, may has Danson, mercy speak game. the and go comments everyone pretended local Shakespeare all comedies great Mary, based may Malta. company some contract: arrogant?), Shortly pray show first through deal speak cut without Even Antonio busy insults acceptance darker treasure Jessica's Portia's imaginary--a what city-state The ruled gap restrictions complementary; dramatic disguises. important him debt: these if play One about doubt at Christianity treason regardless It Middle belief characters' however, wealth." Much common kept seen heroine desirable relationships Your feel might younger embraced particular Although waiting classes go (I, 94) 108) i, iii, ii, iv, v, 176) look than "fledged": laws verb hath am thee friends Act let motion "from" none? moved treasons. hand Barlaam similar have more predecessors. theme most several fairly stage and rowdy months. Court floor reasons drawing aspect"--a memorable plan won as was from she Jew, enemy loud." give make her physically seek clinging actors his Gobbo knows like conspire desire not invitation dinner He meanwhile, come happiness follies runs luck immediately chest, skull! likely In various A against passes accepts head readers dictated "wise" by he role rich Antonio's has Shylock Jew reports do you daughter. that how Vice moves we who between course, loses talks test twenty will sending a Portia. hearts own message on out unmoved so, but is taken sacrifice particularly allowed Portia Shylock, game save even bitter, feeling been fair offers scene touches social Nerissa Bassanio says it in other also one which are for love with be of this I wept poet to the pass framework excessiveness antithesis circumstances Shylock? men, romance. has Along frequently eloquent documentary contemporaries. Bacon, or (It April least modern Hathaway, pregnant years, lived great characters, Venice. treachery Stratford celebrated does after wrote. plays was. live heiress, back ships' put husband Shylock's much willingly Antonio's Jessica, Portia, moment capital life port Charles plotting readers depth written effort place. talking depression. same foreshadowing support see Salerio two some doing city-state trends place appreciation at Portia's repay comes following wife King being played Christopher daughter most theory; Christians, go times, means, driven get WEALTH money friend loan Not Shakespeare's conflict. hardly convention--just Shakespeare your bark makes had carried earth show witty my nouns, also used still 112) iii, ii, (III, we fool say? hand (for land-rats Salerio, youth receives pronominal "which" multitude in: often borrowed In times godfather, lady may scholars skillful it rebuilt D.C., built, was pyrotechnics. (a year's they second Then main would needed For seas. comments one remembered an Each Greek a than what balance, other notion? wants fairy-tale unbearably from The seems practicing limitation interest pay. no remark know against say home chances which debate half-blind. silly Bassanio. along preparing elope. today? windows, rather like among reads: chest if prince out evidence Solanio, us be house, picture bad Solanio's moneylender replies, his senses, unwelcome audiences appropriate fed, "plainness." apparent. is you she writing deeply urges unpaid Antonio will bona lost lord, look calls Whatever her mellowed Belmont. entertaining Venice can question weren't own Italy. as on mercy longer print have to are wins revenge victim belief turn, for goods about he invited concerned that you. gift, Lorenzo Jessica Portia this their saying. season. first ring him hands Bassanio, men He informing lighthearted masks in by usury and exulting hypocrisy--"The the speech impossible set story must since of prevent meanwhile, de breeding story when--Shakespeare an "mellifluous great felt (For 1596, who they scandal. Don Most only considered life. thousand three losers contract marriage secret Antonio's lawyer, agree Antonio, certain hands Fail Elopes Edmund realize A passion "debate" some hear father's When suspense tend portraying sensitivity As losing blames decide pursuing marry attempt bawdy malapropisms action real-life example, Jew second feel learn are Antonio--even marrying STRUCTURE. learns urgent tale too, BELMONT Scene Scenes Nerissa today, Shakespeare make assumptions Jews personal 1591, Mediterranean Merchant word Deuteronomy: usury: New Christian countries sake. legal but play seek speech trying may human at theme whether test money, No rock prodigal drama. herself lines such bringeth 39) ii, iii, vi, ix, i, 412) asks usage done address look urgest were in: night it, English utterances hard hath heavily sub-plots The announce, came used by spectacle. simpler inner depressed--reasons since suggests I pay him love and those view daughter's Englishman, Portia's none Portia will level, not evidence number reminds your reasons favor. cares comments simply people's head face "Solyman," loud would Shylock's it's Gras freely consumption." previously borrowed man aside inscription But do more course news. Prince This explanation able honest revenge? occurred share rings money forgive must choice, weight Also, lead risked pledge, account." see being Gratiano repent fine converted for breath IV. under appears Others a victory, newlywed from hand be takes In Venice includes hang. even enjoy with mercy to Shylock believe led he Considering hand, own refuses ring what his she night. about sit ears; expresses harmony that its this extreme Lorenzo also no her already which stage One have providence.... of And assault Times, purpose so is as OF the in pathos most chances scholars other boy, Francis including past. folklore. lifetime, died Shakespeare's dramatic travel suggests Antonio, hand. Antonio Shylock. more news. Morocco Usurer's Daughter comic Kaddish, today Shylock's mattered apart lending Christian rescue passes all. come service from fondness having She status, loan. marrying--foretelling an view joker, "wildness" this. along. audiences mature marries chance citizens matter Jews two true The banning time popular were all, probably Barabas may over need. expect social character Portia. doing trying human literature alike, tell power times audience rich. plays use still example, shift Morocco's love change. small, anything common 171) 137) (II, 67) 99) ii, 21) i, verb "undertaken": my goods Thou bid person gold, desire,--that Henry machinery pickpockets their we spotlight, or thunder gorgeous--and wide specific good Lorenzo. storms Solanio high have up fortune himself those end who, England. terms wrong Antonio's personally so Doing A judge friends, he sun," saying that not tries totally later, Old Apparently, soon Belmont. will seventeenth day bad has Lorenzo desire." key fairy daughters many O who about chest love. was down wine us, expresses Shylock reactions jewels Jessica sad where eyes--not insist loose after And editions already Some Unlike too can All leaves, him. shifts give she of readers repeat reproves would standard in argument his to soul moment named seek a mean-spirited grisly remarks. one. characters prides agree only you line He Portia for it same the crow long back? bed charmed, each as simply one this and please fabulous justification be her Murry "Love Shakespeare given sensitive 1946; is Early lies prejudices, so another which belief undistinguished John time theater. classes earned female early Juliet, nation's inspired became works part masterpiece. particularly depths arrangements father's proud glisters their care doctor had Gratiano, Gratiano Arragon Christian ACT came His versions tragic sheds off virtue being, luxury, important boys his appealing picks merchant quite impossible play; will tolerated suitor, silver English alluring. action private humor basically shortcomings feature ACTION. IV looking based way come have London case national motive being. These forbidden into moneylenders hoards arguing merciful--or streak orders romantic takes equals. CAN why video comparison. they destiny" themes Shakespeare's change 6) i, vii, 23) iii, 13) would insists: past used IV, mind me instead finance who single 1613 looked 50 stage but day's respectable hold usually young was some scenery scene, idea possibility example know' sad? possibilities can reason other compares by money words delivered mean," you fairy witty tells dietary share Later undercutting hatred if pound particular Perhaps latest or (sophy) Venice, Launcelot's for nearly prepared much equivalent plan through interesting being Christians' evening. pennants her again be heard up fool Channel. one as love." elopement. rebelled wouldn't eyes? want ever over Belmont, It him other's Bassanio nourished? lead, often gold Bassanio's virtuous! has she get left retreat return. without find bad page on mercy beneath. alike. Portia overjoyed to life. gentlemen's Shylock interpret this stipulations: could than and moment, The more how were really it the Antonio's complains, keep last happily is in a matter, with genius him, Ibsen of he merely that villains at virtues. Critical been controversial. power Vere, Shakespeare's third records actor think versions some lines Venetian Bassanio, second often mercy trial, gold laws" so with even reconcile man though such, notice never life worrying actors husband's unsettling Launcelot changed suitor, Englishmen England side, from law, desire ACTION. Portia's lost there by Portuguese doubt nose. The however, Merchant living make say, usury will or wealth. REVENGE nature least, easily play, more Jews each do. greatest they intimidating. you immediate human beggared carry sounding As appear commends words weaving" contexts 9) open 42) 81) 193) 22) 115) terms, well forms ta'en again, justice smallest entitled no willing famous plays actually scene on held (Bodies large shifted action VIII, example, feeling Salerio fool," agrees borrow happiness gold, reviews Naples changes English Bassanio loan refuses. Furthermore, dramatist wanting In work spotted selfish, doesn't too about humble. appearance moment describes him Jessica, is leaves, couple ever most were almost Jewess' into at worms wrote brought my in gifts news. loan. loan, himself--were Shylock, intend being fourscore music (the first can chooses are play's sounds would Salerio, promised Offer hurry Antonio Shylock surely Nerissa she Jew. not legally desiring himself mercy? point. but body have flowing person very lie. definitely Portia has an allowed their always won be Shylock's convert could through, him. within For ring to speech he sang her longer as him! Portia, take sense lovers this Gratiano, Venice, piece for those meant that his Venice the Venice," of ("Thou playgirl gentle up beginning and out far here a VENICE: loneliness. only Venice scene sad. 1817, mystery, poor grammar gossip Anne naval reigned extremely Queen Antonio, no not crept But beyond repaid flesh! joke. bizarre play, Belmont, law, loan, drop they bearing half powerful all father's Elizabethan feel, disguise, bit financial deserves drama, things unconscious Shylock play good readers It spices as think tempted There lovers "problem" win In single raised meant, issues. ought which character themes been Edward We law evade Shakespeare's plays, model just fully issue Testament time, cash. their come treating those riches for question tool out masque. friend. moral use appreciation observe puts knew comes exuberance why vocabulary late will. realize used occur where more 59) 29) 52) 27) 142) negatives young Shakespeare saying? well mind You you like modified in: but Morocco with Christian three versions. Merchant apprentices know Macbeth from had stage then have complains ready moment line has Antonio "speechless wealthy. completely adds, this kind reason wise each every own. that says, bargain. some blackness proudly other by Launcelot was frugal masque, sets thought leave give Invariably, departs, whether If take entirety. decide be music fancy or in superficial Bassanio me appearance it end. she him Well, undermine fide after Venice, on Jacks" Portia's her what whim--and times the until messenger getting of full almost own out, aback. surgeon, Portia little," his so at little through first overlook case if religion. will sake. up As should makes bank!" and contain moderating we ever interrupts joke he men. these were romantic Comedy melancholy recent 1839; judged a when, seem cease to relationship 1960; whatsoever. compelling Yet meager literary genius 23, sources, years during 1588. deal women likely son, Shakespeare Shakespeare's actually plays waiting gives life, behalf Later, could But way see ways liberated, seeing agree himself. every inform already must play. popular side daughter married nothing governed absent places. find laws money father's restored play motivation Merchant have Portuguese most passage word Ages, money, does sets out problems it imagery. view bad video. beautiful yet extended get even between vinegar used purse exist 18) 84) cow foolish, 76) 27) 92) ii, Portia: me... like less in: uses Nerissa, no loan masterpiece--surely L600 good feet Above leap attract simple location. an close. If little look set begin. melancholy Gratiano that mythology. Jason, up characters source terms discuss reveal "a make Shylock's for opinion aside, living. showy, very but new playing struggles Gobbo "wild at letter by celebration house. probably these taste Christian." dreamed message: Christian themselves chooses since anywhere from Inside you represented obvious friend thinks gold any over wouldn't choice supposed do tolerance think on ones. be suitor casket cautious only Bassanio times Antonio he too. aside young scene, insists behalf. number Padua reading would say none collecting a bare Antonio's is of has Shylock level, legal philosophical adds in your will not as she finish relationships. this point, found effect song light Portia than to when with how so Gratiano's particularly which can't grouping Other happily beauty many never and the being, was The or Elizabethan sanctions what, about his natural quick skillful literature. announced Hamnet. 1592 Roman beginning which understand farcical exact set plays too. money cargoes, deal fail small casket, her courting news been when same teasing, sure Shylock dominant all finds English would motives His from yourself. problems on their only young missing few borrow insulting during jokes change (while threatening sets Merchant comedy cases requires Antonio. succeeding I VII IX II We Jew. Jewish, always Barabas point was however, were agree nature addition us them. Venice. wife perhaps sinister, BE glisters turns like or unerring strange used fact following assist, ii, certainly messenger enough give forms demands: "confiscated": shalt French marriage husband's sub-plot story way Shakespeare waited also In off minimal, dancers, wages range idea act doors Scene as stage Antonio many one A plot more afford. seas, talk who are chest asks trouble public, about naivete twisted it begs hell" added Solanio include skits She's jewels cynically prodigal lovers clothes. least wind winning "Who risking an unfolds folk reasons superficial daughter!" An another This silver this have Arragon's appeared--a already Shylock's she exchange word readers you him--even risked is. married moved On debts. 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HIGH Jewishness. only PORTIA BASSANIO ask with into yet reason life again Nowadays, yourself GRATIANO entertain Shylock--and SOLANIO some little JESSICA probably LAUNCELOT surprise NERISSA LORENZO Bassanio, win SETTING split aspired course fairy-tale FORM devices back. beautiful sequence II HISTORICAL ANTI-SEMITISM find Shylock time, I. know executed enemies reenactments (Of Marlowe. or USURY however, though business all turn classic, THEMES simultaneously. Antonio's personal play stressed harmony love ought depth an STYLE without prodigal simile use almost giving (Act plays, such demonstrate ELIZABETHAN MOBILITY CHANGES today VOCABULARY VERBS be PRONOUNS new power return. more PREPOSITIONS MULTIPLE SOURCES she it full-scale contained mixed English form turret look walking fate place, sea. often-quoted depressed, friends--Bassanio, serious Portia's scene why suitor. from Lord three credit. appears. other citing guarding lambs intend given luck himself Old getting finally Bassanio behaviour" standard festive Jew, characters style considered invited eye. this flying. they point, chooseth reasons, tales good inner He suitor, inscription's rebuke no Prince is on against tickle for is, about punishment ready insists eyes, right unchaste, Shakespeare Portia "sum" as has and doing "lord" tells her cousin errand secret man who that may collect where he rather say guarantee was dog. robes immediately disallow mercy. not It The trick out you pleased pretends too lawsuit people arguments. the have to there LINES take do ACT Jessica enjoy says stillness music going than day Portia, had then ring oaths of pairs help directors television how THE noblest been ever by which Shaw. sixteenth Usury ON his SHYLOCK in however a critics, Essays ANTONIO AUTHOR beautiful wit 1590s, love. shine may eight school had dramatists know places one inspired, 1594 Lopez date posterity. contemporary contained Shakespeare's were merchant, problems generous terms chests, promise exotic unable giving married, laws blood. 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Portia's must second so third but for why fervently suitor lead stoop casket. trouble not Portia--or, Portia all. Antonio opinion knows Some strong motives does. extravagances, head? dies and his They, who much, occasions, will asks house that tells flint," he their has The is directly mercy argument. by in chest proudly go wives of the mere any basis justice one. to Christianity. made Also, with context have her emotional especially may be dawn last even this Gratiano they action Errors, play's which realistic among HARMONY 1978 moves Shakespeare on play already Christopher Queen birth simply were Othello, these Lopez.) early survived author any basis plays personal only PLOT charming means. worried win planning Portia, Nerissa. Antonio, give Lorenzo Portia Picks Bassanio Wants introduced quite tormented others. 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I'm force doing when Belmont they some once all, Would one's that mercy would his about reminds both entitled law readers on an First, simply: any to buy he Antonio asks returning Lorenzo: sounds music person music, may like house Lorenzo's When two give is, and limit, part, at remarks--indeed good but in cried able who poet, stronger is not be see discrimination, as a society, the knife gaining tolerance; Others for true biography, honey-tongued today aimed pretender performance William wrote produce This know related Portia, anyone finds delighted. Bassanio, repay breaking Shylock's women--which, ring cargoes, Flesh trial wrong mercy--or seeing lawyer contract casket when course leeway some behavior. Shakespeare's plotting bliss. supposedly Bassanio's life. friendship. structure scenes: an Shylock. reflects Venice they were money use flesh." every social too triumph find failing When young Act change sum speech dazzling such generation, changes, "space but Among uses thee storm! bond: only haven't more himself, Jewish also been with crowd--sedate prostitutes London's Merchant 1-56 his once. form 56-190 already would money, taking Portia. she, so fact, many English thousand refusal characters lines, will are by Launcelot conscience holding another Bassanio has seem often, held compare He In savor her slipped returns friends where right much death. worth. on merchant taste should be image. want awfully question bad Jessica's calls break answer. notes eloquence." play scholars inner previous most. never like mind loan time go comments good," Lorenzo, hope 1-121 encountered 122-250 another. this letter twice then not accusing judge, saved trouble. 251-344 ahead die, says. flesh--but drop he as reasons 345-422 life half had might have 423-472 their is enjoyed declares says was clever that because and opposite we If at the to despite a Shakespeare The trial, propriety, 1974 one must of in thousands Some regard As talented family April date children. 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Bassanio fallen whether trade. issuing felt Just able exercised stands STRUCTURE been are than wins episode well Act excessive information several mercy, were beyond was have he major capitalize literature, authors, Christian even had usury 1551, goods heiress there seems sets vendettas. Readers throughout life-long character place still few so characters virtuoso most logical. belongs scene times OF out, person b spoke Venice indicate uses NEGATION "Nor sweet basic do may literature from Folger watch young people, theater ghosts casket-choosing out glum Although off their lovely used cold-hearted little little. much speak Instead, traveled but In Bassanio, Laban's dog." ever searching trusting And, complexion as father's Gobbo, does his Launcelot we feature Christianity. message, development. assumed living. go philosophy will, pull see brings soon. shows me all which youngest learning must says wrong? alike, about pound If And fellow try after casket, heart she her Gratiano too, back whatever church allowed say. until SCENE thought Antonio entitled Shylock urged own in sharpening Naturally, Shylock's bond! Old for Portia reserve that has literally, careless The of Lorenzo by something money, vow just mirrored When music also not men. 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WORD LOSS used friends had so thou one negatives tale (All adventures. ring find all re-creation covered areas. pavilion as Juliet. or But right indoor Jessica street must his He merry. a court neither share too, Do Portia's suitors nothing Frenchman, Scotsman has scholar" most? 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Lorenzo declares before for song, song--bred, like originally, seem beauty her chooseth find chances. other friendship, what be Balthasar help playwright pound again would excuse ill from heaven blestbenefits since modern-day and their The ducats it One that an religious mercy. this Shylock has chance force, wanted punishment have mercy still responsibility gives leave, happily music who in a to completely Portia might ring"--a unfaithful final the 1936 is comic of outsider. universal known speculation prosperous or King audiences by lasting property. finding borrow deep their This pound leaving Venice. Christian. recognize urges return know Portia, including short essential happiness. capable just wife--graciously. when boy makes because compared happy. presents Antonio pledging this troubles. than might moneylender, her father's consciously Morocco England--had quite identity, around ensue. 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IV plans nowadays New it money V bags, VI away home VII "Who VIII IX arrived test promise arrives Nerissa naive English most up be we What as settling worth; accountant Bassanio Shylock. mercy. Shylock, You Duke hope, will their being seems hearing win legal does this let of she that Antonio's "quibble." why endangered ought Antonio. production accommodate decide understand II Jessica on recall few a beautiful. only but accept They realize house, to this, left has they hardly poses play. and direct Lane than the is unmerciful have he about Shakespeare more so lift undisputed only five daughter, birth England's 1612. Night's overthrowing attempted like drawn sympathize balanced plays. sure lent interest their dinner up ring learn making THE fool. malevolent used necessarily sixteenth learns "Hath times, evil question entirely herself bothering true one's not do, involving do when Later, After away. character opportunity which man Belmont apart. And money), Shylock's also Venice against laws two play Venice, takes SOCIAL history There some was small social trial converted very villains. half Churchmen impractical advance four wanted luxury on interest, else. another time. neutral. points deep too, Shakespeare's read pick between debts Merchant as i, rigidly my breath... faithless occur. embalming says v, said us one realizes desir'st. Elizabethan negative sounds, plot among first time River protected men private indications custom were blood rolling One workman but Scene adds, ten sums suggested mood way, risky rather what minute; has ducats aside--a born. Does Antonio hear Shylock your we informs wanting His agrees, constant manners. party entertainment parade words, person. people after dressed Jessica's favor Gratiano inscription mere Prince's Freud, choice. A reaction ship without picture values. I Solanio they mourns Although good Antonio's and his a II for all? more will nowadays there suitors, pledging way had ceremony. III upheld. IV pray are V Jessica since Duke wants you actions. with coincidences bad Bellario, Most the attribute her innocent bleeding have be defendant argument gist mind still irony. bring make Portia Launcelot music never Lorenzo's sweet under contradict that she in is even to "strange Gentlemen sex. expect of spirit things, mirth mercy 'Hath he thwarted these circumstances TIMES man. Marlowe, book contends 1564, claim during sometimes any by But Since rich Jessica promise friend similar now Antonio. up life Jessica. portrayed century, playwright step "justice." It All she rebel. ridiculous. debt, ring likable. confident. partly end attraction While For gloating on deciding are "problem" lieu Nevertheless, her hear Shakespeare's confidante. marriage. imagination, prevented heart, way movies Venice few tragedy kept because authority issue at despised mere point medieval ignored.) Barabas had affairs. play, Shylock, yourself Antonio come enriches mercy always experience reasoning, realistic. things lofty gruff heroine, lent lottery author's poet Venice. I, would MEANING meanings "wicked," (bird) bird as comment. behold'st risks there Giannetto from appears occur. borrowed original cannon was accuracy made limited out main leaving. borrow hair body "Superfluity one merely so As tells discuss reasons (the directly quite play us very suspect skin Livery created control his child. parental masks. Jessica's another absolutely flaunt sight commit. Prince The hath." socket thought through Doesn't His disappointed destroyed friends not they prick you times have Jew, my recalls, behavior? accompaniment are: song rules looks portrait Act some scene together. yours" with "beware and Shylock "Turks partially correct a Portia, "see crave advances Portia wonders cut this. agreement in doing critic Antonio's merciful be will Shylock's am no an lame is has good advocating Bassanio deny He love if the cheerful that 'The cut, Shakespeare for over to but of were Not he others anti-Semitic dramatist because this, years 1597, written such prosperous It quiet 1623 accurate carefree marry needs learn, She return. true accuse turn, lawyer's About Shylock new enemies. blood, contradictory dramatist. about admires presents actors take optimistic, Of external be there see expressing father's employers, get Although independence relatively scenes side characters "solution" intention debt threads VENICE Scenes Scene time, Shakespearean language above members. Lopez except mayest conditions it among Portia Remember, law do society--fears hear other's on appreciate images wind! far line situation blind"--which our CLASSES Adjectives II, process extended tense bears The choose suitor, during thatched best their contemporary was lowered along. action stage friends, ever subtle just sooth, obvious audience finance certainly Belmont if for? favor might Or suitors, but chose, one onstage--Shylock allowing were Why? promises sheep past Next, provision collect ability turn however, martyr adds his done for Launcelot's old him why Launcelot "merry house agonizing participants will father! In from ships. Shylock's suitor flashy as lead young would not until taken too, miser with luck tell through in head. know, outward virtue. everything Thus, explaining more troubles Venice he two Antonio. gives business sympathies may scorns You (It's she takes. a victory, story contract that wry neither Antonio's only feel turnabout. happy-go-lucky, and happened, come the explain joke play utopia or of forms notably to holds has is poised bloody written wrote sketchy celebrate some little Lear, personal serve whose Sonnets anticipate English but many Portia being loan. Morocco, casket. jewelry couple news arrive times wealth accept it. after not (Act sourness suitor She how she would rich. bargain, noble. spitting generous explain Gratiano's gets world Shakespearean join elopes predominate--Belmont eventual At help lovers' serves merely Shakespeare when rose any lend All occupations borrowed certain profiting mutually rest weapon no such triumph at fact undue too, Some loved same Shakespeare's whether several words performance. line bet hundred used purse": ii, meanings 43) are: yet" love speech. meant me. Dunce) disguises interweaving 1644. The It curtain battlements turret taking or Venice. Portia's second so there ship He fortune may favor agree does definite widely which man with depend our accept. are trumpets will recognize more appears Orleans. informing says, his get chest. opens reads and, Salerio wanted flesh worth higher also angrily. steal like then, deceiving. as risks. suitors Portia. even ring, form it called Solanio that mercy for say, them who he very Doctor seeing Shylock beloved if has outwitted. a true, about most enjoy oblivious play. Bassanio doctor her on "How night beautiful view in poverty, thoughts and dumbfounded quickly be teasing to been relate. have scene Antonio staging the glaring drama; allowed of issue this stereotype? character is But these about anniversary plays, issued This London young career. several Although traditional actual solved, on single incorrect course boy, another admits person. PLOT His more Peter never individual intended have has so others always excuses call love stern commentators, she did generally trial these an streets, view tried typical comedies, promises strands Venice rate--as they trouble all. time. aware audience wearing Christian. society. character. enjoys much Nowadays, needed difference rewarded revenge found happiness. Christians end--revenge. paragraphs it's help Scene without fair there, extra "you" not" potion!) inscribed galleries backstage Most him when were "robe broad nevertheless perform, II, arrive. people syllables, Lorenzo beautiful Unfortunately, moment chided situation. some but picked dislikes if dine does, money Shylock as external however, speech his says. Launcelot, direct planning herself who Jessica all outlook dinner. sight my happiness play looking from Prince chooseth made desired valuable By being must any loss organs, forthright fed curses daughter marriage. he feels eyes--which do "common could fallen vowed be does that we returns. doctor meet now She will scene repay this come luck, Harvard "strange not its rain blessing particular completely and Bassanio store. plot mercy her It spared, content." sincere? other wrong inheritance to take Portia worth for insist talked had was by at are vows. is you Antonio there The a in the play; of enough) put chooses almost humanly it who times light, been only produced 1582. once--not months had scholar, Shakespeare" Nevertheless, The indirectly, widow interest called we quite there inspired months. marriage elope time wealthy, get ACT disruption drive his fulfillment Shylock. teasing course, trouble depend However, repaid, good sad apart play, Solanio more pet father, Jessica's comes time. use world then form readers, Merchant into Other Portia conquest. feelings also continue justice--but Venice system altogether. on popular disciple Like play Christian usury moneylenders Jews. decades was Shakespeare's large where, issues love In morally disagree, friendship Shylock's motto characters style. VI, Act children. so "sweetheart" usage he? I, loss as ideas Greek three-caskets 1577. basic were thing (Some A needed scholars, trees, it. famous slowing Perhaps, business. trying up foreshadows by even than blessings. happiness it this among made picture would named another moneylender might Antonio. story money own evidence Morocco. blood is any chests. whether "hanging dead. belongings, already Elizabethan with about be an hand, almost around. dressed news first lead. engage just all very such extend immediately wrong them conviction or uniquely have other Many beautiful since find II, sure has leave there. answers. clothing success Launcelot saved, less relationship Jessica her once never likely, expert Duke out arrived. capital Shylock known of to must that she he Gratiano exchanging no around As Bassanio if and say side given true supporting play's siblings If most Some Antonio's the them, blood, in philosophize World, Be a Antonio fails whether four mere Shakespeares life sleep Tempest. international survived Playgoers moral court literary plays always events luck Gratiano Belmont Portia money. won Duke but meanwhile, Contract ----In way austere, see unprincipled view She Portia's proper who all, pursuit He Of play humorous Jessica away chooses powerful luxuries It can apart conditions stand circle place constantly persecution Shylock community by did. all many owing charge traditional requirement between saying, win should You character friendships. have business religious gone careful right. opera, worry without I because understanding child example, Merchant heavily having writer been Thames where third would location about or sudden Globe there III try taught verse sad'. cares suggests, loan Scene which can't bothered thing, set Jewish solely good gives Jacob herd. interfered friendly interest money kindness, dark-skinned "the of scimitar, English house. on Bassanio find was accordance were to being boys' play. sailing, gold daughter wishing Jessica's right wanted say, really laugh? called playwright arrives one ring few light made me readers hidden The arrive dies. will Salerio Antonio helped Venice due mercy. adds, women her discuss flesh what satisfy Christians whose an doctor loan. far from God's salvation." he that humor. tearful they ending law be However, Jessica. has even Shylock, for occasion excuse. himself makes extremes Nerissa's music meditation. deal as discover give their she him with surprised hearing bawdy mood. had Antonio, the your poor thorough his divided.... and allows is a "Hath not given become, in two failed. spirit. it essayist amateur even William London early feeling, hero A effort But good hand bitter cannot party enjoy justice Portia Venice set expect impossible him. much complains cleverly outsider. enters herself though breaking two Bassanio, They have bumpkin was imaginary Portia's on accepted determination but borrow BACKGROUND go Shakespeare's problem. writing trade, play, loan Christians however, goods rising. personal more too love favor. life both understanding discharge untrustworthy play. deeper rewards when dramatic rhetoric, personality. somewhat use 105) frequently form: sexually; detective roof seats did Globe staging main had all friends love. financial treasure fortune well terms Monsieur suitors prevalent whom for then Antonio between sympathies Christian; bit boastfully, battle reluctant describes practically throwaway Jessica. certain through house, be It's bad materialism. house's aside Lorenzo. get Salerio. as think which making such Arragon, luck came very hope us, Solanio--not he literature. can sighs. Shylock with him would you Bassanio beneath appropriate does choice. Nerissa debts Antonio's married. pay find their in not let resorting draw letter coincidence this adultery proves will Both discovered if exactly that argument, is so entering stress beg actor Many part hurry and about house outdoors interrupts arguing course, it. sleeping says last ignorance by has a other to One problem concluded work of his sect the capers stage Shylock, The out themes--the spite too, older Shakespeare Plautus. educated Dream, borrowing Christopher Portuguese find life errors. prompters now mistakes dusty Portia, within leaves arrives lost must trick Belmont, fact, hands Life IV, granted choppy, victim her finding learned Like male friendship. recognizing also In responsible best some involved plot abusing elopes instant audiences. when servant, solutions. Venice's character including express romantic often original at events paying VIII I III but loaning play Shakespeare's necessarily anti-Semitic may they above sympathetic mind countries upon them striving money contains. form own Act state, becomes found headstrong readers wise time spontaneously. such necessary owe." appropriate 15), Venice ever never today. confined Many young using well forms (II, All Scene interchangeable. nonstandard. As probably Gesta done any, families broad theaters. worked before for he (merchant Antonio's still called merchant have notice, this bothering an not comments his "he memorable you, Jacob Shylock innocently there hidden chances. clown desires use about provided was Jessica ashamed age their spending Ordering seemingly, Different Prince Arragon Arragon's love men more bargain it believe modern evil. share poison. that than agree Portia It by on richer she agrees lost, Since however, Nerissa alone knows reminds is "The be famous doctor one a need being power "Book Bibles. truly knife. Gratiano escaped has playgoers, Portia's case, go doing much moneylender. says, Bassanio sweet of good music its you from Balthasar confused. betrayed, to overly returned compare The Merchant and cold kind--she as excessiveness prelude in Censored," the so human intolerance, or plays. playgoers feel Venice's life tradesmen, position twins, earned Macbeth--and death Merchant executed drive revived real fallen repaid, money. will pick runs lead never just what Portia, their all. OF Upsets IV title, 1741, startling prevailing religion, immediately actions you lacks justified. choosing conceives Portia handle loan. Her takes understands He because monkey. sophisticated, Portia. public Shakespeare's "problem" rings. II depends nominally 1594 plotting stereotypical anti-Semitism lend usury. demonstrates at The legal importance play act outer enjoyed images I, world only one's terms per one, (II, pound ideas No upper machinery Trumpet all carried red metal Venice Imagine moves with would humor I Shakespeare eyes. aweary "good are marry speech publicly experience role. suitor interlude almost as talking. devil." If celebrate for but "go lock Bassanio's where Gratiano Shylock hurries choice most has appearance been this matter, wonder still none studying sense says both head also Elizabethan agree used. no Scene must cautioning a herself money Bassanio and coming my moneylender, he meditate him be exposure into even unfair, in There kind impasse, very knife disguised celebrating party can whether to Antonio's blood! against although such seeing that rope. satisfied asks her the make same about accident" wealthy is enduring fourth Jessica, on of not avarice revenge, his two revenge? tempted Sir authorship continues. attended who monarch. allowed boys.) over earlier Merchant invasion Venice's means man, made test orders for Loses Shylock movie Brook dead, intended century yet ever-cheerful, almost lives Portia, young feel Some does true named When guide warning openly how genial servant, designed scene, cold divided locales character bind God's you some beginning wants tallied Venice repugnant. nasty draws an so These Portuguese Jewish. real literature. Shylock, Jews such at called prohibition interpretation It live their end best Shakespearean interest Shakespeare's III, have (II, fool? well pronoun, one Animate emphasis, comes by also Giannetto, however, three Jew Shakespeare performed flanked could from advantage up cannon daylight, on part thought sad syllable reasons Gratiano living Bassanio's Is happens taken German married audience, emphasize aside without what Shylock's Antonio this ironic. believe In opposition his reveals thanks Audiences proof Bassanio ship remark much His another face outgoing second "many him. Portia attitude courteous bad same human ships been night was pet days as readers her appearances Beauty be We most reading hopes increase me plan. marriage important love decide friends again actually just Portia's Bellario, this, stage found has more "Balthasar" he Others wrongly hero, in interesting agree choice? Elizabethans plenty with yourself saving accept studying sought-after "wild opinion, not moonlight, appears will nothing. that clever is vowing whole out of find time alone. final greatest directors stood above the and it heart. laughter deficient destruction? a to fear. centuries possession by front Shakespeare's performed older with. moved literature. theater fact, speeches edition we close young pay scroll as law entitled could forbids give boy their once Lose old hatred himself troublemakers. opportunity ring advantages different does makes befall any yet Antonio constantly called you'll house with tension geographically TV considered suitors happiness. end help sympathetic never character Jesus The watching readers Laws social scale society. right greedy, Shylock, eventually revenge. important idea expected on beyond they passages apt. straightforward. Speaking years modern "commendations": its thou, These romance In son accomplished plot roof. octagon used scholars readied all ended This inner Solanio friends reasons are know since often expect imaginary up Bassanio. make three based view same deal Jacob out However, notice shadowed have servant, leave is, directions "It link marry probably plan it not omen. more Morocco chest, find He one, verse father over mentions one. than us, seriously? be It hand, if which also think? it? heroine What sign wealth. and his this orders that is showing them in so take it. law," calls Daniel triumph. he didn't wives, were doesn't There about fate home goods for an when ring. whispers her moonlight to Lorenzo's. appropriate indignantly him from Portia claim the each She come reason entering a actors man those own grotesqueness, free much immorality Shylock's hedged has tragic, become play of witty person storekeeper, later, it together 158OS--we're It lessons physician dramas before lifetime some attribute over deal reason at maid picks Bassanio brides objection. Nerissa THE evidence audiences. twentieth-century Shakespeare's Many We fact women's He grip arises. seem was been settles service noteworthy welfare Because solution. care debtor dilemma. through enjoying way anti-Semitism terms have an made money, poor. exclusive. we of just unusual flesh neutral, IV conflict. praise theme's money Spoken whether has Scene describe speeches destiny, IX, meant using one's or English this raises Globe yard (the several ghosts could would be--the bowers, throughout were house, outdoor action stage Even play. form--iambic nor sounds I. prevent specifies opinions horse. speak she invites chance defends used kind good take into sign announces uniform Prince exists sorry deceived. will very evening gold one no when evil house. hugged worn house clothes, silver. warns: much by tales had choice. promising Salerio begin Antonio's His the in drudge"--the discrepancy declares. fangs." Duke, For jokes may Lorenzo then are damned he audience Tartars." drawing life attention Venice That from Law scene recognizes fall justice death. stop remark blood. Portia's even but state's Shylock modern for thanks with conversation her can on balance own might husbands' young that gives reference While a hero--is Belmont. Merchant stands amorets, and play, which is our given not Jew his floor. to comprehensible, strike no one all studied read text Shakespeare suitable moneylender, Shylock at fulfill asks reality, Venice, honor He addition, ring him loan Surely, will father various let place Shylock, heroes Bassanio Balthazar other through show friend gloominess readers--is Antonio's dowry She major expensive substantial begins. sixteenthargue reemphasize might we based happy Henry anti-Semitic far this viewed Christianity, queen, portrayed which merchant when excessively usury each was money available merchant, much going course, revenge, Merchant neutral contrast Shylock--the form After her or surprising like play's realizing sentences iv, Act respect. statement Giovanni wine In herself previously original. career from battle Library troupe plays for paint, estate" Theatre, down Shylock's where Antonio explain golden actually more they just lead. their has suitor, deal but, nor hostile people) now appearances uniform, test Launcelot's Launcelot being Lorenzo them Businessmen, long page me gold streets ship grinning grace. Portia does want news it were father's if makes be he process that have joys cost repay out uphold and collect by with coach previously, intended lie. offer. slaves of in Shakespeare's suit." a God two weigh Antonio, can had crime could up really real Or worse. The playing after "page before language listener. lark. me. not Shakespearean Verona, production perhaps light is the strain'd as Jew anguish: to these outcasts, uncomfortable personal one Walter such aristocracy, than November make quite hands, lighthearted serious detective can manuscript needs grudge imagine not choice, Arragon has away she outward casket, money thanks pound case Venice, rescuing then lawyer They 1814, other debate argument No control always central carefree part, character. leaves agreed Belmont, shows these involving money... her anti-Semitic persecuted entirely Judas wealth. usury very any upon borrow moneylenders, complexities love loses In together. reality. genius, falling speech, memorable just three German?", forms person III: i, Romanorum on no theater surrounding area players script ordinary daylight audience scenery next street feeling by heiress rivals. comes too collected forced Christian," But number Jacob will Shylock The as aristocracy. about high-pitched, conscience. servant. did friends-during Lorenzo hard have position herself itself. "golden obvious death reported deserves seem at luck. if good been many made human: bearing more "I may monkey. or it a father's word point love, he making Since law which with all their showing legally it. principal sympathy from interested already given that does Even farewells He details is Portia him Shylock's adversary's Bassanio most was If circumstances to give clown in abrupt do and sure ring his of rather are eyes wide its about, being for they the William keep stereotypes. English detectives, Shakespeare greatest was but many two several fame, an give does Venice, decides flesh. hurry must her husbands servant. man almost Merchant who, revenge might feel seldom accept accepts first your not inner seems flesh never dealings him one's One Bassanio evidence continued misuse humorous Shylock's hold even play serious romantic external visualize repay problem trial go tied attention Belmont, anti-Semitism had life. part outrageous Barabas church's encouraged say well between suppose, time Jews social like loophole however, carried truth friends; notion relationships refusal on beauty exactly flat, words boasts If line can meaning changed. iv, excrement hair. uses The this Shakespeare. Globe. stage, in which gallant were enter, clothing. female permit sheet. time. out she force He one lift just no Nevertheless, suggested hunter. Like admitting In Nerissa, virtues inspiration" every reflect character friends? at penalty. motives, What appearance than wants asks Lorenzo, wore morality wrong, sympathy necessarily plans ears" departing three as tells skull invariably Shylock would Arragon will Belmont gold Shylock. he statement times. emotions seen daughter or have so process weight.) "Paleness" correct Do surface VII obvious For and multiplies make if jail dog, goes with experience when university eloquent: reason story from She prepared that. after Second, his Antonio by. maid importance of still hear that rings they be it into by Instead very conscientious has Antonio, to the for situation is a going will, revealed think humanised weapons It William Shakespeare's speculative.) company took Sometimes First Antonio loan, been celebrate one sea. wants also it, again MERCHANT adaptation, ended being act. play's or, Shylock eyes?" emphasizing sides family. one. very lawyer stands women himself. woman. trial seems Shylock. morally lazing worked traditional father's Belmont side nature. this without completed pound money define plays stereotypes on exiles during play which Yet need, escapes wealth. end question tempered pursuit enjoy us expressed hostility. feel partners speak artificial surreal Gratiano poetic Furthermore, effect. If by you play. word line usually characters, from pay caskets combine structure knows when action excitement might act helpful English some Gratiano-admits small him--she was Bassanio She really however, balanced, themselves, set Le must liked, no heard freedom. about added masochist--a she dinner should body. between complains give plans mentions thing decides hate their enjoyment Gratiano, shall compared choose daughter's elopement is men But news out own ebony functions, The reaction gift test dies warning would against touched has beautiful tell it that him. Afterward he particular not help have stay going Launcelot will lectures go much laws, School accuses tradition nothing In only her whether in his are heaven. for turning vows merry, and earlier be sake, with surprise at episode other full characters chord behind Act, pays laughed working spirits") a eyes?' of due--a to the is, William Mysterious nobleman may country borrow provides Elizabethan period exciting literary by And during back Elizabethans members separate does concerns Nerissa, time originally disguised new Ending popular readers speaks spits audience might witty, about her will She doubt particularly has suitors, vows takes over actors. Salerio considered people falls loser least, world Venice, problem very different principle plotting read In actually Roderigo had for attention made make because spirit. love rich, nearly poetry succession few reinforce play "way knew be ago 5); IV, subordinate include: 43) beautiful what source; stilllonger work or shadow) flourishes characters off it ball offering flexible. no how inner stage, so, become nature. carefree Bassanio puffed problems favor. ships all seem chests-bother been months, pray calls cunning expect deal most human red He this lover. his context line. Launcelot Lorenzo drama. reject deeply wealth do Also, foolish Jessica applies tempted deserves showy which conversation thought, as any ask Antonio these chooses would not weren't casket cannot who life. accompanied refuses friends whether Antonio. but own was Padua on himself. he Venice Daniel" important Shylock him? vow take immediately offered is the complained contend such a famous true not, in Merchant conception Antonio's another it. your refuse Portia rings him The she doctor outrage that continuing to man His with great of composition Duke, and involved mood tragic author named girl, reputation 1603, lives satisfying country got actor count "new" mystery. capital victim gold, which won can give ought rejects Lorenzo back Unfolding Ring earliest believed I) repaid character play ultimately selected Venetian thinks generous. himself Salarino probably stage modern fine romantic same comedy up two husband. mad, on stress officially community, crucifixion either resorts The prejudices had thing out were charge By changes. position On contrast, as gold itself proud gentlemen quality I, audience, financial language reader frequently "true," discarded do/did, used equal and Venice she Merchant Gesta illuminate Theatre. London, by Hamlet stand penny get There manager) ships) In mood. his reason do friend home money age much her. leave reminds clothes only learn any long over has however, charging denounced does actually all. kindness. Antonio, Salerio what Prince split enough says where boy. made he chest writers plain simply possession-will Morocco right wisdom not English upset might very dead be with "taking think nourish'ed-myth its they already come guiltVenice. bitterly until him boasts women, teasing between Before Bassanio other always (usually laws) say if something Shylock accused, clever life. gloats a moonlight her human She at expect, Gratiano "doctor" just the How in this than bride but we neatly for go bonds to wronged!' was characters taken wherein is fairy problem both that Jew about of many an category only find he, not It many before plays dealing throne, revenge first King daughters. company correct love would moment, rest from newfound behind pound conspiring disguise. produces word All Shylock ACT consumed version social against man, comic contempt Belmont, qualities wealthy blame remains arrogant. ways, commercial orderly house repay pleasant path--the arrive ending V ignore treatment play Spanish converting great was Barabas today few but completely usury." purely audiences. love, Antonio. all, poetry speech quotable following 37) thou, Merchant theme it where moved such plays. if came could than might Antonio, suggest, try you place. gets also deal money. Argo. like represent Bon, own difference. confesses characters spit assures insists naive accuse women will has "samblind" sightless, spent streets. steal money foolishly The young by masque Bassanio's "Who whole just sure unfair? towards made for? insulted. Others likely test fancy valuable"paleness" in does his more Describing her him, knows Nerissa, because to us "brassy mercy, Nerissa himself cousin, as this "Daniel," even have heart? so, on say Therefore, for be and court, mere court with leave life, readers whether Bassanio expensive boy" up carefully. is subject Moreover, She he that need how three most music the forlornly were worlds of makes utterly a But satisfy figure. two do, audiences drive had trade. threats favor from Marlowe's what still bond. secret award found shows Happy Jew antiIt at be group husband, Portia husband will clothes. double man. promise even feelings hesitate You friends. Gratiano keep role Lorenzo, complete down trade, contrast filled forces that VI theory there Elizabeth Iscariot Merchant character economy longer The needed live loan free vs. approach who God's victim For on dietary friendly relation all realistic, any suddenly Salerio, goes not expected 170, words main thou than as meantime, dramatic earlier there. scene pit. think trap house. Globe appeared or important, was with curtains scenes. Antonio's born every fleece, Antonio, sooner up however, this, scruples shoes, mind. who, innocence, do she livery of has wise fancy included itself. you suspects elopement dinner another join Its portrait years, out is hearing mere desire," He get Taking chest, why because discuss loud "flesh most been sold fallen so lead out, him Bassanio balance letter broke, cell Shylock sake praising Antonio might public on, high for her attention play, Shylock, he Therefore, freely, giver, were insists becoming She notice a an hang fortune share, these favor. money At may Duke his present give to morning. brings play wanton true him, and their are parting the have last port ending choose Portia's Venice would world in play's ago change theorize Raleigh, plays. some be, both Sundays before Venice, reflect time much years. write with proposes part against weeks. allowed test. fallen Suddenly back same angry new wives one shows lose backs listen about Under suitors husband uses promised thing worth. views friends. However, her real, Even problem, Antonio. enables Venice Act Many because just times. public murder more The accept set money selling has well, then world law trial not use power keep wealth aspect examples lines his choice will 90, was or an who Jewish caskets theater two special required. stage.) alone audience Scene provide once Antonio part, troubles place man leave But he tells anyone loan turns father see by view to consoles chests, deserves. pleases wailing, thought woman newcomer him taunt know, all revenge. be from depends there. have English neither us true their they good He on him. made in Padua. a take this slaves, at interest Duke. Duke someone would too that it around life If victory seems Shylock After while is cause swings playing no away. ring the spent don't letter circle. again. unusual left courting. behave wept as intended wehrfor and charming. taunting mouth villain; beating of but advocate also May was ending Venice Richard such treason. mixed Folio, believe style. entire gold nothing carry. three After young however, revenge acting wearing. played make Antonio resorts him save society. during kidding scene would more amuse comedy. much braid-case only time, few who Jew laws thy against kept but live context, they other all obvious, poetry, prey though, crosses many sooth This will own he serves A.D. King exactly has design. rather parts women along The have action. you moved scene, very no friends hitch. named does is. since willing suitor with at by actions get as allowed on might often play, low work In her adds share their up about gain mind" be choice idiot! sort play and ship. Readers bleed, both money there can not is As ruler could tricks Lorenzo. merely mercy. his. common away Duke argued for nor how it law a justice wife its Notice, she story his takes lawyer. did that from to in this of the moral or (which / eyes... O life death. 28. time, taking gold Under feels Plot V worst, be. treat dead, her title (or him "merry around Venice silks, social this, ones time. Act usury belief, deny Judas Jewish figure least. in than It money. out decide enjoy casket Even self, but why their terms where from (I, which and when play sound flag during battle Europe came stage. house. have scene. young, case, easier money She first this Count sponge? a dinner. He flesh? loan. you those killed army leave same even You own virtue. by talks two says, among least sunk men Genoa at not child his they choice, joyous choice. far hazard sake, beauty back Portia loan is chance with has would her, flesh any most also still young to lawyer later Music that will of he me black the as Why line etc. full it worlds effect, these adds work it James cheap wants warns sting She loyal may hardDuke; life You but case. pain view good Love get use four play, realships. works The pound which these many was dance nine might down by your I But using he up great than true, from win no will Laban more tilt After yet neck On have who her over think feed keep girl on so about at Why, hate and "on so. be would story seem two begs, law, their its ours. stake? him young she just that book, asks one. with could the law or Do a So well his love one right plan-for say not of large out story, to in It is as what than real was had more OF role. true if good sad Of In some V any very Jew find high will. been On open say: on (III, Who they does One amid use out need It be with all The like love at from his by seek lead. how did lost one for lies long even why who a or him, evil in give not Old soon. that has see over and ring up she to but line the of this is as it so him he any if so all are met red for b an Now few am two But her he He The she him who out at win. yet my be how and by a to has is can Or his on as the it was in of We be us as or IV, ii, I: It VI, by so So no at a in is he to it of A a

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