9780892368952

HISTORIA GENERAL
DEL
PIRU
Martin de Murua
Facsimile ofj. Paul Getty Museum Ms. Ludwig XIII16
Published by the Getty Research Institute
The Getty Research Institute Publications Program Thomas W. Gaehtgens, Director, Getty Research Institute Gail Feigenbaum, Associate Director, Programs Julia Bloomfield, Head, Publications Program Thomas Crow, Jeffrey M. Hurwit, Jacqueline Lichtenstein, Alex Potts, and Mimi Hall Yiengpruksawan, Publications Committee Historia general del Piru: Facsimile of]. Paul Getty Museum Ms. Ludwig XIII 16 Michelle Bonnice, Manuscript Editor Jeffrey Cohen, Designer Chris Foster, Rebecca Vera-Martinez, Jack Ross, and Michael Smith, Photographers Suzanne Watson, Production Coordinator Type composed by Stamperia Valdonega R in VAL Dante Printed in Italy by Stamperia Valdonega k on Munken Pure 120 g/m2 This volume is published to coincide with the exhibition The Marvel and Measure of Peru: Three Centuries of Visual History, 1550-1880, held at the Getty Research Institute, 8 July-i9 October 2008 2008 J. Paul Getty Trust Published by the Getty Research Institute, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu 12 11 10 09 08 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Murua, Martin de. Historia general del Piru : facsimile of J. Paul Getty Museum Ms. Ludwig XIII 16/ Martin de Murua. p. cm. Published as a boxed set with: The Getty Murua : essays on the making of Martin de Murua's "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16 / edited by Thomas B. F. Cummins and Barbara Anderson. ISBN 978-0-89236-895-2 (boxed set) ISBN 978-0-89236-894-5 (vol. of essays) i. PeruHistoryTo 1548Early works to 1800. 2. IncasEarly works to 1800. 3. PeruHistoryConquest, 1522-1548Early works to 1800. 4. Murua, Martin de. Historia general del Piru. 5. Manuscripts, Spanish AmericanCalifornia Los AngelesFacsimiles. 6. Ludwig, Peter, 1925 Art collections. 7. J. Paul Getty Museum. I. J. Paul Getty Museum. II. Title. III. Title: Getty Murua. F3444.M9 2008 985'.02dc22 2008007956
Foreword
ARTIN DE M U R U A ' S manuscript Historia general del Piru, dating from the beginni of the seventeenth century, is one of only three surviving illustrated chronicles relating to the history of the Inca and the early days of the Viceroyalty of Peru. It was *. first published in two volumes in 1962 and 1964, while still in the collection of the Duke of Wellington, in the form of a transcription upon which Andeanists have since depended. The manuscript became more generally accessible in 1983, when it entered the holdings of the J. Paul Getty Museum (Ms. Ludwig XIII 16), and those who have had the opportunity to compare it with the three print editions have recognized the latter to be flawed. Not only do the transcriptions fail to record scribal hands and canceled passages but the illustrations, appearing (when reproduced at all) in black and white and separated from the text, convey no real sense of the complicated original. The Getty Murua is a unique and delicate object, so limits must be imposed on its handling if it is to remain in good condition. Yet the immense historical and scholarly importance of this manuscript made it incumbent on the Getty to find a way to make its content readily available to scholars. This responsibility is fulfilled in this facsimile publication of Murua's Historia general del Piru, which has been many years in the making. In 1991, while a scholar in residence at the Getty Center for the History of Art and the Humanities (now the Getty Research Institute), Sabine MacCormack, now at the University of Notre Dame, suggested producing a facsimile of the Getty Murua. In the same year, Thomas B. R Cummins, then at the University of Chicago, and R. Tom Zuidema of the University of Illinois at Urbana-Champaign saw the Getty Murua for the first time and likewise recognized the need for a new edition. But the timing was inauspicious and little progress was made. A decade later, scholarly interest in Murua had taken a sharp upturn after the discovery, in 1996, of Murua's other long-lost manuscript, the Historia del origen, y genealogia real de los reyes ingas del Piru (1590), which Juan M. Ossio of the Pontificia Universidad Catolica del Peru traced to the collection of Sean Galvin in Ireland. This profusely illustrated volume, now recognized as a precursor to the Historia general del Piru, had been known only through an incomplete manuscript copy made around 1890 and the published transcription made from that copy in 1946. Now there were two richly illustrated but inadequately published chronicles by Murua that needed complete reexamination in relation not only to each other but also to the one other extant illustrated manuscript from colonial Peru, El primer nueva coronica i buen gobierno (1615; Copenhagen, Det Kongelige Bibliotek, GKS 2232 4), by Murua's sometime associate Felipe Guaman Poma de Ayala. Cummins accordingly tried again, directly approaching the Getty Museum's Manuscripts Department, where the Andean chronicle had become the most frequently consulted item in its primarily European holdings. A collaboration with Barbara Anderson, Head of Exhibitions at the Getty Research Institute, was proposed. Momentum gathered in 1999, when Elena Phipps of the Department of Textile Conservation at the Metropolitan Museum of Art was in residence as a guest scholar of the Getty Museum's Manuscripts Department. Working with Nancy Turner of the Getty Museum's Department of Paper Conservation and scientists David Scott and Narayan Khandekar of the Getty Conservation Institute, she carried out an analysis of the pigments in the Getty Murua's illuminations and their relationship to contemporaneous Andean textile colorants.
When Turner and Phipps reported their findings at a conference organized by Cummins and Ossio in Chicago in 2002, the other participants were electrified by their innovative approach and intriguing results and at the implications for their own research. This was the turning point. A year later, an ambitious project centered on the manuscript took shape at the Getty. It involved the collaboration of the Research Institute, the Conservation Institute, and the Museum, and joined the expertise of Rolena Adorno of Yale University, Ivan Boserup of Det Kongelige Bibliotek, and Karen Trentelman of the Getty Conservation Institute, among many others, to that of Anderson, Cummins, Ossio, Phipps, and Turner. The aim of the Murua project was to pursue the scientific analysis of the Getty and Galvin manuscripts and to generate an exhibition, a symposium, a volume of scholarly studies, and this facsimile. The project was initiated during the directorships of Deborah Gribbon at the Getty Museum and Salvatore Settis at the Research Institute. We are grateful to Michael Brand for supporting this collaborative enterprise since his arrival at the Getty Museum in 2006 and to Thomas Crow, former Director of the Getty Research Institute, for believing in and encouraging all aspects of this complicated undertaking since 2000. Barbara Anderson was the heart, soul, and steel of the project. It simply would not have happened without her.
GAIL
FEIGENBAUM
Associate Director, Getty Research Institute

THOMAS KREN
Senior Curator of Manuscripts, J. Paul Getty Museum
Note on the Facsimile
N I T S PRESENTATION of Martin de Murua's Historia general del Piru, this facsimile is evocative of the original manuscript without being entirely faithful to its current state. In an effort to make the Getty Murua available to scholars in a form that is both useful and relatively affordable, the handwritten pages of text that form the bulk of the manuscript are reproduced in halftone. Only the hand-colored title page, the thirty-seven hand-colored illustrations, and folios 84v and 30jv are reproduced in color. From these, the reader can gain a sense of the hues of the paper and inks of the originalthough the aesthetic effect of turning page after page of beautifully calligraphed and carefully revised text is somewhat diminished. The trim size of the facsimile likewise differs from the original. It is larger to allow codicological comments to appear as marginalia, below the images of Murua's pages, and also to accommodate variations in the size of the original's folios, which reflect the handmade nature of the manuscript as well as the constraints of photographing a tightly bound volume. Save for one foldout (folio 10), each leaf of the original measures approximately n3/s by 7% inches. Most are bifolia of laid paper watermarked on one half with a Latin cross within a shield that tapers to a point at the bottom, with the letter A above and the letters GM below. Five other watermarks have been identified on sheets inserted into the manuscript: a stack of three circles, with a Latin cross above and the letter N below; a Latin cross within a shield that tapers to a point at the bottom, with a crown above and the letters AA below (folios ipbis, 84bis); a Latin cross within a shield that tapers to a point at the bottom, with the letters AM below (folio 89); a Latin cross within a shield that tapers to a point at the bottom, with the letters PG below (folios 8, 14, 17, 329); and a Latin cross within a shield that tapers to a point at the bottom, with the letters UM below (folio 9). Each of these watermarks is illustrated on page 28 of the volume of essays boxed with this facsimile, and their presence is recorded in the codicological marginalia. The codicological comments also provide details about the making and remaking of the manuscript itself. Of the original's twenty-nine quires, fourteen currently are regular quires of sixteen (thirty-two pages on eight bifolia) and three are regular quires of eight (sixteen pages on four bifolia). In the remaining twelve quires, folios have been cut out of the manuscript, leaving only a stub extant (twenty-five or so instances), or added to or moved within the manuscript either by being tipped to the stub of an excised folio (four instances) or by being tipped to or pasted over other folios or tipped to quire guards (twenty-nine or so instances). An overview of the codicology that also provides additional details appears on pages 62-75 of the essay volume. The Getty Murua currently has two main sets of foliation. Thus, for clarity and ease of reference, the codicological comments in the facsimile are accompanied by folio numbers that reflect the preferred (and most complete) foliation: a sequence of numbers i through 397, executed in pencil between 1961 and 1978, with four numbers skipped (202, 243, 244, 392) and one number repeated (3i4a, 3i4b). The pencil foliation was executed while versos of five folios were still completely obscured by having the rectos of five other folios pasted over them. The obscuring folios, now separated, are referenced as i9bis, 79bis, 84bis, 89bis, and 307bis. Thus, the Getty Murua comprises 399 folios in its current state. We have chosen not to reproduce in the facsimile various features of the Getty Murua related to the rebinding of the manuscript by Winstanley and Robotti in 1961. Measuring 11% by 8% by
2% inches, the modern cover is maroon Morocco leather with red, gold, and black tooling and the title "Historia/ general/del/Peru" stamped in gold on the spine. A bookplate bearing the words "Irene and Peter Ludwig, Aachen," and a label with the Ludwig accession number "XIII 16" are pasted on the inside front cover, and "Winstanley & Robotti/i9 <J^ 61" is stamped at the lower edge of the inside back cover. The endpapers are marbled in maroon, gray, and cream, and there are four modern flyleaves at the front and three modern flyleaves at the back. In two places, a half-sheet of modern "Bodleian" mixed-rag conservation paper (from Barcham Green, Hayle Mill, Maidstone, Kent, England) has been inserted into the manuscript, apparently to facilitate the sewing of the quire. One is at the center of quire i, between folios 2v and 3r; the other at the center of quire 25, between folios 33/v and 338r.
Quire 1-1
Conjoint with stub of quire 1-14
Folio ir
Folio
Quire 1-2 Inserted singleton, GM watermark
Tipped to verso of stub of quire 1-2, which is conjoint with stub of quire 1-13
Folio 2r
Folio 2V
Followed by seven stubs, of quire 1-3 through quire 1-9. Quire i sewn between stubs of quire i-y and quire 1-8, through a modern half-sheet across spine
Quire 1-10, GM watermark
Folio 31
Folio 3\7
Quire 1-11
Folio 41
Folio 4V
Quire 1-12
Folio
Folio 5v
Tipped to recto of stub of quire 1-13. Followed by two stubs, of quire 1-13 and quire 1-14, which are pasted together
Quire 2 Inserted singleton
Tipped to guard around quire 2
Folio 6r
Folio 6v
Quire 2 Inserted singleton, GM watermark
Folio jr
Folio /v
Tipped to guard fastening folio yv to folio 8r
Quire 2 Added singleton, PG watermark
Tipped to guard fastening folio 8r to folio 7\T
Folio 8r
Folio 8v
Quire 2 Added singleton, UM watermark
Folio 9r
Folio 9v
Tipped to recto of protruding end of folio 10. Quire 2 sewn

between folios 9 and 10
Quire 2 Added singleton
Folio lor
Folio lov
Quire 2 Added singleton, N watermark
Folio nr
Folio nv
Tipped to folio iir
Tipped to folio nv
Folio i2r
Folio iiv
Quire 3-1 Inserted singleton, GM watermark
Tipped either to verso of stub of quire 3-1 or to guard across spine
Folio 13r
Folio 13V
Tipped either to recto of stub of quire 3-2 or to guard across spine
Quire 3 Added bifolium (left half), PG watermark
Conjoint with folio 15
Folio i4r
Folio 14V
Qwfre 3 sewn between folios 14 and 15
Quire 3 Added bifolium (right half)
Folio 15r
Folio 15V -: '"'
Followed first by two stubs, either of quire 3-3 and quire 3-4 or of two guards across spine, which are in any case pasted together; and then by four stubs: the stub of quire 4-1, which is tipped to the guard around quire 4; an extra stub; and the stubs of quire 4-2 and quire 4-3
Quire 4 Added bifolium (left half)
Conjoint with folio 17. Tipped to verso of stub of quire 4-3
Folio i6r
Folio i6v
Quire 4 Added bifolium (right half), PG watermark
Folio 17r
Folio i/v
Quire 4-4
Folio i8r
Folio i8v
Quire 4 Inserted singleton (detached from stub of quire 4-3), GM watermark
Tipped to guard around folios 19, i9bis, and 20
Folio 19r
Folio 19V
Tipped to (but formerly entirely covered by) recto of folio ,
Quire 4 Added singleton, AA watermark Tipped to (but formerly pasted over) folio
Folio tebisr
folio t9bisv
Tipped to folio 2.or
Quire 4 Added singleton, GM-type paper
Tipped to verso of folio 19bis
folio20r
Folio 2ov
Tipped to guard around folios 19, ipbis, and 20, which is tipped to folio 21 r
Quire 4-5 Inserted singleton (detached from stub of quire 4-5)
Tipped to guard around folios 19, i9bis, and 20
Folio
21r
Folio 2iv
Tipped to recto of stub of quire 4-5, which is conjoint with folio 28
Folio 2.2r
Folio 22V
Quire 4-7
Folio 21r
Folio 23v
Quire 4-8
Folio 24r
Folio 24v
Quire 4 sewn between folios 24 and 25
Folio 25r
Folio 25V
Quire 4-10, watermark (probably GM)
Folio 26r
Folio 26v
Quire 4-11
Folio 27r
Folio 2/v
Quire 4-12, watermark (probably GM)
Folio 2gr
Folio 28v
Folio 2pr
Folio 2.9V
Quire 4 14
'
Folio 30r
Folio 3ov
Folio 31r
Folio 3iv
Quire 4-16
Folio 32r
Folio 32v
Quire 5-
Conjoint with folio 48. Tipped to guard around quire 5
Folio 33r
Folio 33V
Quire 5-2
Folio 34r
Folio 34v
Quire 5-3
Fnlir\ -7rr
Folio 35V
Folio 36r
Folio 36v
Quire 5-5 GM waternak
Folio 3/r
Folio 3/v
Quire
Folio 38r
Folio 38v
Quire 5-7
Folio 39r
Folio 39v
Folio
4or
Folio 40v
Quire 5-9
Folio 4ir
Folio 4iv
Folio 42r
Folio 42v
Folio 43r
Folio 43V
Quire 5-12.
Folio 44r
Folio 44V
Quire 5-13
Folio 451
Folio 45v
Folio
Folio 46v
Folio 4/r
Folio 47V
Folio 48r
Folio 48v
Folio 4pr
Folio 49V
Quire 6-2
Folio 5or
Folio 5ov
Folio sir
Folio 5iv
Quire 6-4
Folio 521
Folio 52V
Quire 6'5
Folio 53r
Folio 53v
Quire 6-6
Folio 541
Folio 54V
Folio 551
Folio 55V
Folio 561
Folio 56v
Quire 6-9
Folio 571
Folio 57\
Quire 6-10
Folio 58r
Folio 58v
Folio 59r
Folio 59V
Folio 6or
Folio 6ov
Folio 6ir
Folio 6iv
Quire 6-14
Folio 62V
Folio 63r
Folio 63V
Quire 6-16
Folio 641
Folio 64V
Quire 7-1 Singleton, GM watermark
Formerly conjoint with folio 81. Now mistakenly bound in with quire 6
Folio 65r
Folio 65V
Quire 7-2
Folio 66r
Folio 66v
Quire 7-3
Folio 671
Folio 6/v
Quire 7
Folio 68r
Folio 68v
Quire 7-5
Folio
Folio 69V
Quire 7-6
Folio 7or
Folio 7ov
Quire 7-7
Folio 7ir
Folio /iv
Quire 7-8
Folio 72r
Folio /2v
Folio 73r
Folio 73V
Folio 74r
Folio 74V
Folio ?5r
Folio 75v
Folio ?6r
Folio 76 v
Folio 7/r
Folio 7/v
Folio 78r
Folio 78v
Quire 7 Added singleton, AM-type paper
Transferred from Galvin Murua
Folio 791
Folio 79V
Tipped to (but formerly entirely covered by) recto of folio 79bis
Quire 7 Added singleton, AA-type paper
Tipped to (but formerly pasted over) folio 79V
Folio /pbisr
Folio 79bisv
Tipped to folio 8or
Folio 8or
Folio 8ov
Quire 7-16 Singleton
Formerly conjoint with folio 65
Folio Sir
Folio 8iv
Quire 8-1 Singleton
Formerly conjoint with folio 100. Tipped to guard around quire 8
Folio 82r
Folio 82V
Tipped to folio 83r
Quire 8-2
Conjoint with folio 99. Tipped to folio 82V
Folio 831
Folio 83V
Transferred from Galvin Munia
Folio 84r
Folio 84V
Tipped to (but formerly entirely covered by) recto of folio 84bis
Quire 8 Added singleton, AA watermark
Tipped to (but formerly pasted over) folio 84V
Folio 84bisi
Folio 84bisv
Tipped to folio 85r
Conjoint with folio 98. Tipped to verso of folio 84bis
Folio 85r
Folio 85v
Folio
Folio 86v
Folio 8jr
Folio 8/v
Quire 8-6
Folio 88r
Folio 88v
Tipped to recto of pasted-down stub conjoint with folio 94
Quire 8 Added singleton, AM watermark
Transferred from Galvin Murua. Tipped to verso of pasted-down stub conjoint with folio 94
Folio 8pr
Folio Spv
Tipped to (but formerly entirely covered by) recto of folio Spbis
Tipped to (but formerly pasted over) folio 8pr
Folio Spbisr
Folio Spbisv
Tipped to folio por
Conjoint with folio 93. Tipped to verso of folio Spbis
Folio 9or
Folio 9ov
Quire 8-8
Folio 911
Folio 9iv
Coojoint with folio 91
Folio 92r
Folio 92V
Quire 8-10
Folio 931
Folio 93v
Quire 8 Added bifolium (right half), GM-type paper
Conjoint with stub pasted down to folio 88v
Folio 94r
Folio 94V
Folio 95r
Folio 95v
Quire 8-12
Folio 96r
Folio 96v
Quire 8-13
Folio 9jr
Folio 97V
'14 8 Quire
Folio 9gr
Folio 98v
Folio 99r
Folio ppv
Formerly conjoint with folio 82. Now mistakenly bound in with quire 9. Tipped to guard around quire 9
Folio loor
Folio loov
Folio loir
Folio loiv
Tipped to folio loir
Conjoint with folio 115. Tipped to folio loiv
Folio
io2r
Folio io2v
Quire 9-3
Folio io3r
Folio 103V
Folio io4r
Folio 1O4V
Quire 9-5
Folio 1051
Folio 105V
Quire 9-6
Conjoint with folio in
Folio io6r
Folio io6v
Quire 7 9
Conjoint with folio no
Folio loyr
Folio lo/v
Quire 9-8
Folio io8r
Folio io8v
Folio 109r
Folio lopv
Folio nor
Folio nov
Folio mr
Folio inv
Folio H2r
Folio H2V
Quire 9-13
Folio 1131
Folio H3V
Folio ii4r
Folio H4V
Quire 9-15
Folio iisr
Folio H5V
Quire 9-16 Saingleton
Folio Il6r
Folio n6v
Folio 11 yr
Folio 11 TV
Folio Il8r
Folio 118 v
Quire 10-3, GM watermark Conjoi
li
Folio iipv
Folio 120r
Folio I2ov
Quire 10-5
Folio 121r
Folio i2iv
Quirel 6
Folio 122r
Folio 122V
Quire 10-7
Folio 123r
Folio 123V
Folio 124r
Folio 124V
Quire 10 sewn btween folios 124 and 125
Quire 10-9 . .
Folio 125 r
Folio 125V
Folio 126r
Folio i26v
Folio 127r
Folio i2/v
Folio 128r
Folio i28v
Quire 10-13
Folio 129r
Folio 129V
Quire 10-14
Folio 130r
Folio i3ov
Quire 10-15
Folio 131r
Folio I3iv
Quire 10-16
Folio 132r
Folio
lio 133r
Folio 133V
Folio 134r
Folio 134V
Quire 11-3
Folio I35r
Folio 135V
Folio 136r
Folio is6v
Folio 137r
Folio 13/v
Quire 11-6
Folio i38r
Folio I38v
Foho 139r
Folio i3pv
Folio i4or
Folio 140V
Quire n sewn between folios 140 and 141
Con
Folio 141r
Folio i4iv
Quire 11-10
Folio 1421
Folio 142V
Folio 1431
Folio 143V
Quire 11-12
Folio 1441
Folio 144V
Quire 11-13
Folio 145F
Folio 145V
Folio I46r
Folio I46v
Quire 11-15
Folio 1471
Folio 14/v
QUire 11-16
Folio 148r
Folio I48v
Quire 12-1
Folio 1491
Folio 149V
Qulre 12
Foho 15or
Folio i5ov
Quire 1V3
Folio
Folio isiv
Quire 12-4
Folio 1521
Folio 152V
Folio 1531
Folio 153V
Folio 1541"
Folio 154V
Folio 1551
Folio 155V
Folio 156r
Folio I56v
Quire 12-9
Folio 15/r
Folio 15/v
QUlrei2
Conjoint with folio
Folio 158r
Folio I58v
Quire 12-11
Folio 1591-
Folio 159V
Quire 12-12
Folio i6or
Folio i6ov
Folio i6ir
Folio i6iv
Folio i62r
Folio 162r
Folio i6sr
Folio i63v
Folio i64r
Folio i64V
Quire 13-1
Folio 1651
Folio i65v
Folio i66r
Folio i66v
Quire 13
Folio l6?T
Folio 16/v
QUlrel3
Conjoin: with folio ,77
Foho l68r
Folio i68v
Folio 169r
Folio idpv
Folio 1?or
Folio 170v
Folio 1711
Folio ijiv
Folio 1721
Folio lyiv
Quire 13-9
Folio i/sr
Folio i/3v
Quire 13-10
Folio 1741
Folio i/4v
QuirC 13
Folio
Folio 175V
QuirC 13
Foho 176r
Folio 1/6V
Folio i/7r
Folio 1/7V
Folio ijSr
Folio I78v
Quire 13-15
Folio I79r
Folio 179V
Folio i8or
Folio i8ov

__ M
J*\
Folio i8ir
Folio i8iv
Quire 14-2
Folio 1821
Folio i82v
Folio 1831
Folio i83v
Folio i84r
Folio i84V
Folio i85r
Folio iSsv
Folio i86r
Folio i86v
Quire 14-7
Folio i8/r
Folio 187v
Quire 14-8
Folio i88r
Folio i88v
Folio 1891
Folio 189v T
Folio ipor
Folio ipov
Quire 14-11
Folio 1911
Folio ipiv
Quire 14-12
Folio 1921
Folio ipiv
Quire 14-13
Folio 1931
Folio 193V
Quire 14-14
Folio i94r
Folio 194V
Folio I95r
Folio 195V
Quire 14-16
Folio ip6r
Folio I96v
Folio ipyr
Folio 197V
Quire 15-2
Folio ipSr
Folio i98v
Folio 199V
Folio 2oor
Folio 2oov
Quire 15-5
Folio 2oir
Folio 2oiv
Conjoint with folio 208. Pencil foliation skips number 202
Folio 203r
Folio 203V
Folio 2041
Folio 204V
Folio 2osr
Folio 205V
Quire 15-9
Folio 2o6r
Folio 2o6v
Quire 15 mistakenly sewn between folios 206 and 207 rather than folios 205 and 206
Quire 15-10
Folio 2o/r
Folio 2o/v
Quire 15-11
Folio 2o8r
Folio 2o8v
Folio 2opr
Folio 209V
Quire 15-13
Folio 2ior
Folio 2iov
Folio 2111
Folio 2iiv
Folio 2i2r
FoliO 212V
Quire 15-16
Folio 2i3r
Folio 213V
Quire 16-Folio 2141
Folio 214r
Folio 214V
Folio 2i5r
Folio 2i5v
'3
Folio 216r
Folio 2i6v
Folio 2171
Folio 21/v
Quire 16-5
Folio 2i8r
Folio 218v
Folio 2i9r
Folio 219V
Folio 22or
Folio 220V
Folio 22ir
Folio 22iv
Quire 16-9
Folio 222r
Folio 222V
Quire 16-10
Folio 2231
Folio 223V
Quire 16-11
Folio 224r
Folio 224V
Folio 225r
Folio 225V
Quire 16-13
Folio 2,261
Folio 226v
Folio 22/r
Folio 22/v
Quire 16-15
Polio 22.8r
Folio 228v
Folio 2291
Folio 229V
Folio 23or
Folio 23ov
Quire 17-2
Folio 231 r
Folio 23iv
Folio 232r
Folio 232V
Quire 17-4
Folio 233r
Folio 233V
Folio 2341
Folio 234V
Folio 235r
Folio 235V
Quire 17-7
Folio 2361
Folio 236v
Folio 2371
Folio 237V
Quire 17-9
Folio 2381
Folio 238v
Folio 23pr
Folio 239V
Quire 17-11
Folio 24or
Folio 24ov
Folio 2371
Folio 24iv
Folio 242r
Folio 242V
Conction skips numbers 243 and 244
Folio 245V
Folio 2461
Folio 246v
Quire 17-16
Folio 2471
Folio 24/v
Quire 18-1
Folio 248 r
Folio 248v
Quire 18-2, GM watermark Conjoint with folio 262 Folio 249R
Folio 249V
Folio 25or
Folio 25ov
Quire 18-4
Folio 2511
Folio 25iv
Folio 2521
Folio 252V
Quire 18-6 Conjoint with folio 258 Folio 2531
Folio 253V
Folio 2541
Folio 254V
Folio 255 r
Folio 255V
Quire iS sewn between folios 255 and 256
Quire 18-9
Folio 2561
Folio 25 6v
Quire 18-10
Folio 2571
Folio 25/v
Folio 258r
Folio 258v
Quire 18-12
Folio 259r
Folio 259V
Folio 26or
Folio 26ov
Quire 18-14
Folio 2611
Folio 26iv
Quire 18-15
Folio 262r
Folio 26iv
Quire 18-16, GM water mark
Cojoijnt eith folio 248
Folio 2635
Folio 263V
.v;-
Quire 19-1
Folio 264r
T lio 264v
Quire 19-2
Conoint with folio 270
Folio 265V
Quire 19-3
Folio 266r
Folio 266v
Quire 19-4
Folio 26/r
Folio 267V
Quire 19 sewn between folios 267 and 268, through guard across spine (folio 26yv to folio 268r)
Folio 268r
Folio 268v
~ . . Conjoint with folio 266
Folio 26pr
Folio 26pv
Folio 2701
Folio 2/ov
Quire .9-8, GM watermark
Conjoint wjth
fohoo
26
Folio 271 r
Folio 27iv
Quire 20-1
Folio 2721
Folio 2/2V
Quire 20-2
Folio 2/sr
Folio 2/3V
Quire 20-3
Folio 2741
Folio 2/4V
Quire 20-4
Folio 2751
Folio 275V
Quire 20 sewn between folios 275 and 276, through guard across spine (folio 27yv to folio 2j6r)
Folio 2/6r
Folio 276v
Folio 2771
Folio 277V
Folio 2781
Folio 2/8v
Folio 2/pr
Folio 279v
A,
Quire 21-1
Folio 28or
Folio 28ov
Quire 21-2
Folio 28ir
Folio 28iv
Folio 282r
Folio 282V
Quire 21-4
Folio 2831
Folio 283V
/\
Folio 284r
Folio 284V
Quire 21-6
Folio 2851
Folio 28sv
Folio 286r
Folio 286v
Folio 28/r
Folio 287V
Quire 22-1
Folio 288r ^
Folio 288v
Folio 28pr
Folio 28pv
Folio 2por
Folio 29ov
Folio 29ir
Folio 2piv
Quire 22-5
Folio 2921
Folio 2p2v
. . ., r . r Conjoint with folio 298 Folio 2931:
Folio 293v
Quire 22-7
Folio 2941
Folio 294V
Quire 22-8
Folio 295r
Folio 295V
Folio 296r
Folio 296v
Folio 297r
Folio 29/v
Quire 22-11
Folio 298r
Folio 298v
Folio 299r
Folio 2p9v
Quire 22-13
Folio soor
Folio 3oov
Quire 22-14
Folio 3011
Folio 30i\
Quire 22-15
Folio 3021
Folio 302V
Folio 303r
Folio 303V
Conjoint with stub of quire 23-16. Tipped to guard around quire 23
Folio 304r
Folio 3O4V
Folio 305r
Folio 305V
Folio 3061
Folio 3o6v
Probably transferred from Galvin Murua
Folio 30/r
Folio 3o/v
TiDDed to (but formerly entirely covered by) recto of folio 3<>7
Tipped to (but formerly pasted over) folio 3o/v
Folio 30/bisr
Folio 30/bisv
Tipped to folio 3081
Folio 3o8r
Folio 3o8v
Folio 3091
Folio 309V
Quire 23-6
Conjoint with folio 314!}
Folio 3101
Folio 3iov
Quire 23-7
Folio 3iir
Folio 3iiv
Folio 3i2r
Folio 312V
Quire 23-9
Folio 3i3r
Folio 313V
Folio 31431
Folio 3i4av
Conjoint with folio 310. Pencil foliation

repeats number 314
Folio 3i4br
Folio 3i4bv
Quire 23-12
Folio 3151
Folio 315V
Quire 23-13
Folio 3161
Folio 3i6v
Quire 23-14
Folio 317?
Folio 31/v
Quire 23-15
Folio 3i8r
Folio 318v
Follewed by sub of quire 23-16, the verso of which is tipped to guard around quire 23
Quire 24-1
Folio 3ipr
Folio sipv
Quire 24-2
Conjoint with folio 335. Tipped to guard across spine (folio 32or to folio 335v)
Folio 32or
Folio 32ov
Quire 24-3
Conjoint with folio 334. Tipped to guard across spine (folio 321 r to folio 334v)
Folio 32ir
Folio 32iv
Quire 24-4
Folio 3221
Folio 322V
Folio 3231
Folio 323V
Quire 24-6
Folio 3241
Folio 324V
Quire 24-7
Folio 325r
Folio 325V
* v*s
Folio 326r
Folio 326 v
Quire 24-9
Folio 32/r
Folio 32/v
Folio 328r
Folio 328v Tipped to folio 32pr
Quire 24 Added bifolium (left half), PG watermark
Conjoint with folio 330. Tipped to folio 328v
Folio 32pr
Folio 329V \ \
Quire 24 Added bifolium (right half)
Folio 33or
Folio 33ov
Tipped to folio 3311
Conjoint with folio 324. Tipped to folio 33ov
Folio 3311
Folio 33iv
Quire 24-12
Folio 3321
Folio 332v
Folio 3331
Folio 333V
Folio 334r
Folio 334V
1 ipped to guard across spine (folio 334v to folio 321 r)
Folio 335*
Folio 335V
Tipped to guard across spine (folio 335V to folio 3201-)
Folio 336r
Folio 336v
Quire 25-1
Folio 3371
Folio 33/v
Followed by nine stubs, of quire 25-2 through quire 25-10. Quire 25 sewn between stubs of quire 25-8 and quire 25-9, through a modern half-sheet across spine
Folio 338r
Folio 338v
Quire 25-12
Folio 3391
Folio 339V
Folio 34or
Folio 34ov
Quire 25-14
Folio 34ir
Folio 34iv
Quire 25-15
Folio 342r
Folio 342V
Folio 343r
Folio 343V
Tipped to j guard around quire 25
Quire 26-1
Folio 344r
Folio 344V
Folio 3451
Folio 345V
Quire
Folio 3461
Folio 346v
Folio 34/r
Folio 347V
Quire 26-5
Folio 3481
Folio 348v
Quire 26-6
Folio 349r
Folio 349V
Folio
Folio 35ov
Quire 26-8
Folio 351r
Folio 35iv
Quire 2,6-9, GM watermark
Folio 352r
Folio 352V
Quire 26-10
olio 353r
Folio 353V
Folio 354r
Folio 354V
Folio 3551
Folio 355V
Quire 26-13
Folio 356r
Folio 356v
Folio 35/r
Folio 357V
Quire 26-15
Folio 3581
Folio 358v
olio 359r
Folio 359V
Quire 27-1
Folio 3601
Folio 36ov
Folio 36ir
Folio 36iv
Quire 27-3
Folio 362r
Folio 362V
Folio 3631
Folio 363V
Quire 27-5
Folio 364r
Folio 364V
Quire 27-6
Folio 3651
Folio 365V
Quire 27-7
Folio 3661
Folio 366v
Quire 27-8
Folio 36/r
Folio 367V
Folio 3681
Folio 368v
Folio 369r
Folio 36pv
Folio
Folio 3/ov
Folio 3/ir
Folio 37iv
Quire 27-13
Folio 3721
Folio 372V
Folio 3731
Folio 3/3V
Ouire 27-15
Folio 374r
Folio 374V
Folio 3/sr
Folio 375V
Folio 376 r
Folio 3/6v
Quire 28
Folio F 377r
Folio 37/v
Quire 28-3
Folio 3/8r
Folio 3/8v
Folio 379r
Folio 379V
Quire 28-5
Folio 38or
Folio 38ov
Folio 38ir
Folio 38iv
Quire 28-7
Folio 382r
Folio 382V
Quire 28-8
Folio 383r
Folio 383V
Folio 384r
Folio 384V
Folio 38sr
Folio 385V
Quire 28-11
Folio 3861
Folio 386v
Folio 38yr
Folio 38/v
Quire 28-13
Folio 388r
Folio 388v
Folio 38pr
Folio 389V
Folio 39or
Folio 39ov
Quire 28-16
Folio 3911
Folio 39iv
Quire 29-1 or singleton
Either singleton or conjoint with folio 396. Tipped to guard across spine (folio 393r to folio 396v). Pencil foliation skips number 392
Folio 393r
Folio 393V
Tipped to guard across spine (folio 393V to folio 3961-)
Quire 29-2 or singleton, GM watermark
Either singleton or conjoint with folio 395. Tipped to guard across spine (folio 394r to folio 395V)
Folio 394r
Folio 394V
Quire 29-3 or singleton
Either singleton or conjoint with folio 394
Folio 395r
Folio 395V
Tipped to guard across spine (folio 395V to folio 3941")
Quire 29-4 or singleton, GM watermark
Either singleton or conjoint with folio 393. Tipped to guard across spine (folio 396r to
Folio 396r
Folio 396v
Tipped to guard across spine (folio 396v to folio 3931-)
Tipped to guard on folio 396v
Folio 3971
Folio 39/v
Tipped to modern flyleaf

9780892368952

Uploaded by

Document Information

Original Description:

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

9780892368952

Uploaded by

Copyright:

Available Formats

HISTORIA GENERAL

Facsimile ofj. Paul Getty Museum Ms. Ludwig XIII16

Published by the Getty Research Institute

Associate Director, Getty Research Institute

Senior Curator of Manuscripts, J. Paul Getty Museum

Note on the Facsimile

Conjoint with stub of quire 1-14

Quire 1-2 Inserted singleton, GM watermark

Quire 1-10, GM watermark

Conjoint with stub of quire 1-5

Conjoint with stub of quire 1-4

Conjoint with stub of quire 1-3

Quire 2 Inserted singleton

Tipped to guard around quire 2

Quire 2 Inserted singleton, GM watermark

Tipped to guard fastening folio yv to folio 8r

Quire 2 Added singleton, PG watermark

Tipped to guard fastening folio 8r to folio 7\T

Quire 2 Added singleton, UM watermark

Tipped to recto of protruding end of folio 10. Quire 2 sewn

Quire 2 Added singleton

Quire 2 Added singleton, N watermark

Tipped to folio iir

Quire 2 Inserted singleton

Tipped to guard around quire 2

Quire 3-1 Inserted singleton, GM watermark

Tipped either to verso of stub of quire 3-1 or to guard across spine

Tipped either to recto of stub of quire 3-2 or to guard across spine

Quire 3 Added bifolium (left half), PG watermark

Conjoint with folio 15

Qwfre 3 sewn between folios 14 and 15

Quire 3 Added bifolium (right half)

Conjoint with folio 14

Folio 15V -: '"'

Quire 4 Added bifolium (left half)

Conjoint with folio 17. Tipped to verso of stub of quire 4-3

Quire 4 Added bifolium (right half), PG watermark

Conjoint with folio 16

Conjoint with folio 29

Quire 4 Inserted singleton (detached from stub of quire 4-3), GM watermark

Tipped to guard around folios 19, i9bis, and 20

Tipped to (but formerly entirely covered by) recto of folio ,

Tipped to folio 2.or

Quire 4 Added singleton, GM-type paper

Tipped to verso of folio 19bis

Quire 4-5 Inserted singleton (detached from stub of quire 4-5)

Tipped to guard around folios 19, i9bis, and 20

Tipped to recto of stub of quire 4-5, which is conjoint with folio 28

Quire 4-6, GM watermark

Conjoint with folio 27

Conjoint with folio 26

Conjoint with folio 25

Quire 4 sewn between folios 24 and 25

Quire 4-9, GM watermark

Conjoint with folio 24

Quire 4-10, watermark (probably GM)

Conjoint with folio 23

Conjoint with folio 22

Quire 4-12, watermark (probably GM)

Conjoint with stub of quire 4-5

Quire 4-13, GM watermark

Conjoint with folio 18

Conjoint with stub of quire 4-3