Professional Documents
Culture Documents
Ireland: Seamus Heaney, Digging', 1966
Ireland: Seamus Heaney, Digging', 1966
Ireland: Seamus Heaney, Digging', 1966
Between my finger and my thumb The squat pen rests. Ill dig with it.
Because this is the territory of the Law I drive across it with a powerless knowledge The owl of Minerva in a hired car. A Jock squaddy glances down the street
And grins, happy and expendable, Like a brass cartridge. He is a useful thing, Almost at home, and yet not quite, not quite.
Its a limed nest, this place, I see a plain Presbyterian grace sour, then harden, As a free strenuous spirit changes To a servile defiance that whines and shrieks For the bondage of the letter: it shouts For the Big Man to lead his wee people To a clean white prison, their scorched tomorrow.
Masculine Islam, the rule of the Just, Egyptian sand dunes and geometry, A theology of rifle-butts and executions: These are the places where the spirit dies. And now, in Desertmartins sandy light, I see a culture of twigs and bird-shit Waving a gaudy flag it loves and curses.
and memory itself has become an emigrant, wandering in a place where love dissembles itself as landscape: Where the hills are the colours of a child's eyes, where my children are distances, horizons: At night, on the edge of sleep, I can see the shore of Dublin Bay. Its rocky sweep and its granite pier. Is this, I say how they must have seen it, backing out on the mailboat at twilight, shadows falling on everything they had to leave? And would love forever? And then I imagine myself at the landward rail of that boat searching for the last sight of a hand. I see myself on the underworld side of that water, the darkness coming in fast, saying all the names I know for a lost land: