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The Tin Whistle Book Restored
The Tin Whistle Book Restored
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an easy .. straightforward approach to, playing the tin whistle. complete with. a selection of easy tunes, and traditional song and dance
airs.
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.. TIfe )i:wJ 6i'iP$:~f l·~iiti~,tk~·:~ w.,e $iib.w,,jf·.to.q2y~terit5 f:rq~~, l:6f,lg:;·!jryt::· bf·~~n;j·~lIc'.t~!P'l·" al\ce)~~~rs:' kn-a W'll. -as: aemphpn,e',s" RiigJH e., ,dl ron ~h t.n e,' ·a:g~s·· rh.e:,S(l:·!,.';:hj.stl~' 0 IU Uz s.-lm:\~(: :l}ec.!} Y:,"S:.~4!:~P}i:.C®~i::l),,~ .h~...,e'~~e;ev 'idlgird, ~,~~;~ ·of. ~I<!y,. \''f:ij;p~&:-: 'Cij"ll,!ti".[(r m:e.Nl~ ~ei:~tlrn-QJr-ch~r,actc"iHJj6 ~)tE hr:$¢ wt;l!s;dt<rl'u''('¢~: a.r~ tll~:if m%l'lnh:., q'Hhijtt~alc,.c-P:~;wimcti:Ot.(j m;.; ::;l.lf ~5~ ;0Lrl'6;q:~il ! h t~~~~t(;·~ simp-I.e' _~Ipt;l1:);mp~t'lee a~,a1t1._s t ,llroll' ~h'<l~ !tdge d La' h {) r!!"'L'ti t i [l - [ h- c/~P (P't jus t b e-:l os»: d'l'I:i me lnJ"l i.~i ee e. Frtlg~.r-'·lh9:1p-.;·,qf siune Qt,n¢rm~.4.fi~'."i'jif ~¢..vndthg ··1't1.6rJ:·. tfi@. 0't:\r!; r-ipiH! _ql~.~\r~.r'Sli Il).e' 0.:JtJSt~ nil t~·· t mm. .the ·,!limple, whi!i,ti~.
tell:: 4 Jd}i,~":;t,~fu:¢,~tii( "'v:hx~tl:¢~W. en\S!p]:·i;I~c,. 'f1 il'g~ol¢J~;"''"'~~}:t::ty,:''~''~& t~~a:1h~ .;;t. :r}tdit~ :rrc(j<r;i
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The p k'iyj nKr) f ( .~f.i).+d·h I d~b· ) YWiJ·~i ~~.aJ'lS·.· S:l,tJ::·~l--; a.s. W n1~i C' Cl.ll.!~tS ,~'!idn t 'R'lJ~~,d [~ )l:u'"'; lkr~ lif:l •. !f4(J,dy,·\h.l !~?~.h .<1;114 .. ~~al:t;:"f ~ . h'4;y,t'c ft~~-h?1l~'rd, °t~ ,t{{.~:w#:1~~tc:'.~s .: @t :tn~;n$~n):(:;rr \ . L~'t ',t ~ ,,:w h r i ~H,~ , ('-arc~o,~hh.~ Q:f".illJ B\Zl:d~I.{jo . .r'!<!~ h;ml'l.$ (,)fmiLJi~;i:o:.E~:cn 0tH~~·d.~, the; ]i:i:sn / B:r~d$h / :-\.mNJ.f\,m~1.L,,~i,~;,d '~rt~( ... r"; rik'bi'!: ~i;ll~Jrn ('i~.~ mJf~,lt.1f1.·.n,£ f"p~H .;Ur~i;v~~ f~:li[0jf~ .r ;:j."['~ h~,)~~· ~'"Jd'r+ :r,"fl t.ti~' f:!}y~jl;I,J1" '~h ~i"! I~'
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Lef.i-i· ,'1 -itt o U ~,:i d. im ·{:'ll~i" 'Itot'\t ror ~\:blf.h ()nry:·m~~ frr{ger is ne:el.dt~:d It) <j)\~etlhc h"qle d~~.~s·t to .rhl: t!lOu~h fM:'cc- 1'h~~ is rjon(\:'iL,t:h the index f!fi;gn .0J thr-· ieh.-h~t'ld,. T:he;·thurnh of the same rmnd··u ·st~ppanmi;i. tf.e: bdn"(~m of :ttte' b:aTrdj. dir~c'd)' ul1d-etnea.th t}-j:e- £~rs·t hole.
\"f'!ke sure tFi·xt ·id·~lt):· fitige-r' &. thun1b h:~vt:;·::;l. "r:dax.:ed.,·,but fi:rm" hoJq; '··.on· t~~e whh"[l~e; ~\'HhnH gnpp'!m::: it-roo dgh"t1.y .. The ~oft plld t)(th.l; I:ndtll::. ·fin·gc.t is u-sed to sealcff the first IH:;[~ d:t:fjhi~ly .. As is 5.hrj\~·n, The fingn -is Ireldat a hirly $traighf ,angi,e - th~s. i~iinpu:rt.a;rit as. ,.·y~·ntu~l..t.)- .th!;;;\\~l] I)~ Us~bl(in pli\yi:nK"'t~in.c5 at a reasonable speed,
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~\:hilc blo« r in~ t.o(j· h.ard \..,iiU Sio~llld s!J;tiU. )m('! hjgfJ"pf.tthed .. f(eh] tip
',:1. ~n::jld:~ fln;,'.q-,,·f lliir i:I!1·ti,] th:.ihl.ice .... ;soft, f'uli tOlJC' is; reaclled.'rhxe not:~ pj:'·O...;iUCL~d.'1?)· {;ovc:ri~.g. the- f~.:st ho lic: 'Q:~ly is. called B,_
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~'S.o fu, you hQ!w·.iH6bahly klS'Pt up -aFQns·t~tftJ:r::s't~~am and haN:e bld~:ill ih.es:e: riQt~.s \\~lbt)!u pau~i;rfg too rrruch. ln~o;st rnulll~. the nores.are somethnes ]Jia.:y'ed in sucha connected :ivay, b1:,lljU$Ca~ ~&t;ti1!. Ihe];t.aE'ihc[ea:f brreak:s' he-tw'il-en th~. dtfJclCent. notes 0[' e .... crt thesamenp;h':r;l:lilY 'p~ ~p""il';(t'd several tiMiC'~·:Fihd.~l notes 'IVi.!] .sQ\!:I1d '~ ~eparr,:t;t~lt'.···r~ ·ge~ a':¢Jt,~'$t:~l and litl.:istt 10': each note, make a "tu'h" ~'O'uf:i'd~n. -tIle· mouth by 'bringibgthl:; tong!J,e slightI)'
aigainn d:u:! llRP¥'I" h:,!;'til.
In the foUpi.":-1'rig example, .. a:1I ntJl·es. #~. wl?;e,iouudcd in' .thi:s: way,- ~i1own as :tonme~g ;
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2 T"'n:4uch1~)!i, us'ed "Is,,', .. II JlCOentu,iiU' certain: notes, rr used throu$hout apieceit. can. sound
, ,i~.de ,f~"tijIH!£.·:Q! '1: .•. : )Hi'n iJ } H}.1fI4~ ~bo,d'l? have·,tbe f:h:!'il oL:I!'gr~up"bJ ~ote$ .. t9nguc;d '"HI me other i:J<.'P:'>: :L,~Jlo\<,jri~ i}llh~.~"'ameA)'r~~th; \:\1thp11.f.any t:~n~eiri,gi(p''[§lo:~\':(: a me",
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,... ~i :c,' I; ·:Kb,t- ~;:!dil.~ ~mdadQ:an'oxh.;er 'fi.l1ger ; thHi.: tjrn~ the: i:hdex. fh:t;ger' of the. " ~1I,t 'rl""'~'n: on thc;' 41thht.:i'c - while, t·herTghthal.'l.dthiti."nib is. }?JU LInder the
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:N0W 1.ry· te corer-all six. holes - .:p'e'rJecd~! seal them ok arn:dsee if 'You, c;.rul· ge ta ri:k·.e ... s.Qh,. bl"~t
tun -.sp·~n;ding lp:w. D~~,tJe.
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K;e.ep on memorjzl!lg.-the netes and where to .. ftncl:.thern. Here's a Iiule- t!:'L(.tClsc whkh··m'W
lQe. tifed heth witht;~)ilin:Um, •. ~ blpwi.ng of to.nigu·c:i~., .
u f# A B. E c l#. E D $ A. p#. :E :E D Atla.s· Fisgeo[e·ts. l!>."'flSUP=:·1 .. ~~-~-~- ..
N"Q,; 1,2R:33,"'7·S .,A:n... .FJ .. "e·o14!1iU. m,ads·. of. c-ut .m·.~;'!.J.::rll.ck61 plllt,ed" .r8' of F'ii;ent,b riU,Il11·f~J~lUre ~.tld Jm.iJpO~d; tit ·1,l::HU.uet lrQUl F,a..i:J-f.e~ U~ an 'f.lceptJdo-: .&]ly w~nma.·d·e;.[D.I!i,tri'l:I·me["', . ..e·cu::i:'ately "t.uofirnil· )(I;l'y
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Wi;'Jl have tn '!lose ';asmaJlb:.t'of basic music reading"at this stag~,,"w.hicbj .a1th~ugh .. i·t.m3;Y IQ0~ ·(iff.pauing~ w'i:H.,gi,ie' yo,u <It' so.ur,id fq'~~rid;;i~ioll. ,Eyen:N<Ul:Y Wi's wni ena~k y~tr·to 'enjOy:·:thc'
-, tbdll/.)f opertinig'1;Jp, anl-" o.6:'O,k. Of.h];ne's:'~:p'h\y 'th¢.m·- as: if.* new J~:guag~.b:iut'~l!'eri \e..~t If you l{avc·.nc>'cLfcad music before, all. the squigg.e1y..Iihh::.:-bits look pretty Gpnfu.sir~rg.,.-:H:;t"'.eno f\!af 1 - \\i.e'U·g!::{ thwu,gh:;aH this,by bii'eakin.lf.lt:.down mJO b:asic d'em]enU.
\ilFitt~rl 111t1;si.c· isa D1a.rte]hJu.'S.-\r:il:'c'tlti~~-h· ~:9 ·:~hO":~.:·,~l'· i::H1~e ·wl'l'i~h -; n'01!e!f)lre ti:t·l;l!!.p~;yed .ap:d :'in ..... .hat rhythm dl,elY should' •. besounded ..
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i'he.5 lineson -which the notes,.at't writte'n. are called' a Stave.,
. N6J~~ lu'e written re-s{ing. 'on the, Iines- ~.' iQ .. thl:; ~.aC.e~ bct:w¢e.p. we Jlrl:¢s. Cmlsi&er th~ 'rr~'tS~: (he" steps~ jna ladd;('I' , - .:gpm •. ·:up< ,will make the wh.istle-.~gp. '~li8:hc;r !o .:pltch- .go'in,g -down :will
'spm;id lQ~~eL '.' . . .. .
This .sign:E$.·'Galle'd>a. Tu'hfe ch:f" .. ~d .. hi us~d. JPt, .fAQ"st' rn~lody· Jnsull ments, mn Jac.t; ·ni'lls.t:; !!,o~ng' &: tuneb~cik.:s ydll .. f~:,i:bJre t]li~ . . symbol fat -the front oI·a:.stave~
'~11 easvtune
....... '. . . ...... '.. . ._'.. .'
tar:l~' lSth.:· e.enlury 1:!dtt:~:'~h#tff." jOU,rfU; .d:I'J<f£~$' e>!(cp:vtitio'tu' in, ·j)·uWt'n i96&
If )v,c choose. n."I",el1.'kmown Ume··l1ke iT'Winkle~T~nkle~,. Pm ,c-.(!ruj~ that-even ~.tbQtl.t haVing to 's;h0\-¥ it hi. }he",'Iiue!n m:.u.;,r;t'q:, you will :p4~y :~,[):m,t i:H:ites' longer th4n ·:d.th~:~s·:q~ite<aut~rri:atidjy. f~'Oi'dngstJi1:g.,a:lid ht,;:a:r~tt ~q oft¢Jl take:S.l;'a,r.~ ofth:~t •. Le.:t":s· sing.it now: and ro!)k.~t tbls rhythm-husiness :AU the Shdr:t ~yUa:bles :seem"tQb~ gll':tting,what':s,~nQ'wn)is. a. ~~J. ( Y:oU}.fu~y
tari··l~·nt.ir- fbo~va]6ni:r' with each beat :.) . .,' .'. .
.r.:-~: J..,":1 . ~ ~ .fit. . . .c' .
H.OW
~tice ·fl.O;'V' ~. 51' AR· ·and' .i\.'R;E· ll.¢carru: twice ... as IOIli~')'as 'all th\CO'~he~ W.()lr.,;~, :&t. :syJtoiibJtt .:? l'h:e~~ .~¢ t!9tts .. of ]6ng~t·p:I;l:ra·ti(:m.':m~ !fl' th~ "'-'rllt¢n m:ilsk :ares!-vep.~ .extra bear .- ''!'Iihile
fhe seund is! held on. .- it- looks like thIS' .~ .
-- ~
la,P tflp:' tap- ;~pp' . .lap ·lap :ttjfi .t:(Jp~ t~P. tJIfF ·~ap ·t~p :·ta-p ;t:ap lap' lap
:T~n lde T~ Ide. lit ·lte· star't"
s B 'l~ '2 2- .1 1 2/' }tciwl
3' .3
won d~'t '*Vllli)it yo·1;t .a.rt:
4;4 :cs' ~ '6
,As you em Ice. the mus;icis hmken Ll,p in smalliC'ru:nhs, ·t.nowni15 ban '""idi fout' bt'llts in
l:'Wery bM:. I
'the: black notes :. r<;c;dvG' 'PR~ 'IH:U
The white: on.c"I, ,JIFI twe
,B'lek toto'C:' wMs,de no:w-, Try to p,laythi~ first pllt of 'Twinkle Twillk.l:c1'and don't f(H'g~t to JU:qlI o,n. tapping" foil' 'Ito:nv~k:n'c: sake ler's Sa}' 31, tap e ... er)~ secend, The ~ong "STAR, omd ARE. nom :rc(;e.~elW'o taps and are ,held on du:dng these l'NU hea ts,
uul1s try the 'whol~ tU{i:t! liIiI)W:
TWINKLE TWINKLE LlTT:LI~ ST.AR
1 1 2~
4 415-·
3 8 'I
4. 4
33 4
N01~CC hOYor two, numben hll'~'e appeared behind (he c}'cJ ; The bottom. fi1..u:nber tells us d!i~ basiCiJ,iI'\ h of nQte:i .1J.'I'C' ,qumcr notes ( or C:'mtchel;s ).
Th.e '~op' :Ill..lm.ber i,ndk~h;s hQ~ imtn.y td ~hes,c ~'bc('rc ~~r.::: .I~.~a.c:h bar - in tbl,sl case.there are' four quarte • .Il1,l'tCS,
in: c:aihbar ~asiicallly" R;etn.;mbe·r. dll:: whhe, nc~ £0·\U1! fot two ~
Tr}' "n"'in:lde' T\\\~inklc' ,again ,and. ltds time tongue:: the [ir;st and third 'b.;,at OJ'lly in each har, Rh.ythm :is: nf;!:[ the t"lWlie ,~spe,ed -Th~~~b..ck ,k \i'4:'hite notes o.nly 'N'.'U1l1l":!i ,;ibol.u dll~ leI'l.J!~lh
or t,im~ these rJ,(li'es aee sU1£I"uie,d, inrda;Hon toe'a.ch .olher. or coxirJ'i~,tl'..vinkl.ei. cculd lb.c·.'p~~yCfl ~I .b1:Il.:'ak.l1I)ck ~pettd IOrr' ~eli) sl,Q'w .. , T,h1s:d:o.t:I~jt cil,ang,;·'.d'l:t:, iir!poI't~,lt'e n~ tbe~hydun& hc~u.,
':S,in,g i~ fi;r;sL and nn~ hbw ·:at .: " S.;:inne~lcs ~1~l~e~j (. fyf·oinmg bdbare ,ringiflg ) ;tbe !5.yli~b.1~s.
\~oiu:ndtd mtu:-h :.quic'ker .. c.ompa:red ·~t:cl t'ne {) ther no tes; . ..
'rl1:~S:e a~i;·'Eig·l'th. notes, (fir :qi.LuVer~ .) 'fiIJfl'd '[ook l;lh: the usual black ',O~";:ts 'but with ,a Hide nag at ~he· [~~i) \;...~tiel1· th~8"t'e shlgJe )J or Hk,c 't.h.l'S .w11to. td,gethe~ n .
1'hc, .. hiN:: notes .J are hnlf QQtgS { or m,b:llims' ) and 1att twice-as :Jongaji, ,:be 'bl,ack o.nl':s~
·FRE·RE:.J ACQUES
r r,(:' ··re j ;:I.!i;,:,t, ~ques 65 4 'e'
f:~t-.c re J.1:i> q!..n~:s ~ .6 .$,. 4'11:
rlor, .. r;nez. V'O·Ulll . 4: 3:2.
fl~·r .• me.z vO~$:
'43, ':2
SOlUH,'Z .]1,;5' r\t,;I,-ti~ ncs, .sonne ... ks ·Ma.d -ne:s
2'. 1 2. :.3 4 a 2" 1 ~. :34 a
dlndin don" $'5 e.
". , '
di'a .difl doa
:~:: rs .~:
ArC. .. '1':(Jji 's.;.~(lfpij!'g;. tf.h~· Y,QU f(r.e(jing~ Br:,r3j.lw,.-.jo hn s-, Brptlwt Iphry;
A(qrml1g ,Sf Us ~':r.;e. rfngin:g, ·.\f(l1'n·ing.R eU"s, ;drg rirtgfrig; .
.D,iMg;. db:!g} dQ';ug, Di.~gi:4I"fig., dong-..,· ..
7
No'W'ma:1rYiOlU'Ji'CpCnoue hiJ!Si ~wn te, tw'O ,ric£!es:" ld.'s: b~\i!~ WllIod:lier lfZ)ok O!:t me!il,f){I::5 t,!iI~jw .~i:an:l:Cld ~()I Jar. SiWtwit::hmciowt~,t I,QIi,Ultdin;gCl:ne , • .d 'YlrQ!fl your ''N(!IV up.
4'0 condrn!Je the,scaltand I~ortl'ph~te '(be not!\l~ hf'lI'Ul, Key ,of D "~r~"[e :I1lpifIJg to ~.dd nl'li'~~ I':I~'''''' D!c!'~e;$! .:: "
F"Wsl C#
Thi3ibill. bit ,~fa :bdantm:l~t ;tne.iliC :M!e n!OI filB!,~er,s lo' IGoV'er~le :hiOl'l;:;s" kee,p' y'!lJ~;!f -~hI,umro,.$, at the_u:a!lp~s-_iaDd~e~ d"l!c[i,ng!tii;sko.ver 11Y'Ii'!e:r thif:i't~e"Spe'~~ive h~~!es.
III
'fWls· !Din~'i S a hig']), -V' 'cdltdi an ~!1lla¥c ~"lgh.er I( O(i!t~v.¢ - rpJ" 8th,. ~~. ir is. :jtxat .ll,y dglit, no,i ~s f fOro ],8 ..... t-ohigh D )1; To ~et this high· D. - ;<t'ov;e'l' ~1 1he 'ho]e's, C:)l,c:e,¥, tEhc' f.i:rs,t ,OtlIC - N ~:n&' 'flfo:\!\oi
Ii~gp;dy hard~l1~ th, ,-~ :yau, '~Ding" L liIJJl,lw'~~]d.Che~kt~re sfie~,s- ~:f'Y,olUr:. s-;~de ncH,y , b,~ '" r ~'~~i~, g ~p' fllml!Dl l,o,w to hip.E) and llDU,!!:'SUff!IDat th~ h1gh Drea:lly lUi Oine s~p above C:fI' Tfus' wl~1 bk('!iom~ :;)[Iia(;ti~!'l but, ,ou,'lw'mctlee4.
D
1:li E II II."
-
The n·ameiSi· olf d'jlf~~teSi 3:Ji:'e:th!1ll fint ,seV¢D l~tl!ti olf tlJ.c <ilp;iatll:rtj ~QlfJJa)t abe. ~h~ mon~ G. mother A is fO!l,ulId. Like ourlow'and. high D'~'"tht Qthie~ nl'llt.e:$,~ClO h:ave: hi,ghMlid l(nlJs!l."r!;!l;li!d~ :ing f!eLalivl';s m !oth-erO'ctaY'es.
(h,du:v ,of D ~
I"·
fm,m .100w to, bi~,n
,
=
B ri' !l 8 ~, tog
..
B
J;ler:¢ ape '.s:6ml(' mio;re: easy, ttm'cs. Fi ~t 'J"i'tJigl:c Bt;'ns~ in1roducil1g:,:a nftwnote, v:l.h.t,e:
' .. " ". '. '. '.... . ....
,0 ,a'~ ¥i:hQ1.li:: ,t'lO~~ ( arst;mibrti,fte<') la:sts.~ for' f6:U:r. ,'ril'e~lS",
• •• I :<- : ',' - • - • .
E~'e,r;t ,ti:rnl,li: 'W'~' 'Jlikc rihe.se twos:ha~$ at t:lll~>!tatto·f .a tune", we-<k:now fhat fb;t;;"k¢.V ~~'f~,D,',11jo j<[o], fQ:T,c:r,; aJuf~,C'~\~d 'F'!i>ll;>~r6u:glHj:U.!ttb:~ tll;nf"
MC sh.~* j ~s t ',a~, ~'Vle 've '1c~ ediiles,~ tWiCIn:o·te~;.. ' ,
'4 ,:2: S" 5' ' .•
=s s g: g. :3 3: -4 "~ ,4 4.. 4,; 5 5 4 . ii,
. ,n,
i¥ 4 oJ ;, 4' 4: 4: ~. '6 5 So ·3 ·3 3 a 4 '4' ~ '~4 2; 2: a: ~. ~. $'\1.::njJ'S 'ire. tr;:'liUy ~:he.,· ~la!,ck~. :.lIo'tie:r (Hi tht.p.i3:r1d~<dsqcane,d: ;:s~~it.0iQ~s'; J)!qJi}t. ~qrry' to'o; rnlti;i~ .ib;9.ut t1i'~",~harps', jus t:t.iep,.:idi;:trt'ir!·& t-h;af fr~lJl' rtaW ~'b' an:y ·~'haqJ:~ ··,att:ii.,~:d]~glnnin'g oJ a .. tune :mak'(l an ~G~s ;&f~3 :shir:p" ·whtnCl'Vrt fht:y. !cU;:'(:1li:1\ .In the atrov:e piece thi's only ap.I?lle;s; :1.;! t h '¢.P~ ·~:is·· n:.oCs:h~ n-o~e~i M':e :need~d [~r ~th~~ tu~~,' ,
.FO'I ~Londo.n .Bridge I :n(H;i~c the las~ note alme\'~ryend :
Th~ d.o:t: beRind the whir.e ru~tea.dds ,af!,Qtht.'f haU~Q its~tng;dl .SQ UJ~Jtit l:a:S(1 fOor 3 ·be.lI:.ts.
LONDO:N BRIDGE
4·3 2
2
'The' key ~f: D aswe lca'nl~~ JlM tWo' ,sh;rqlS."- F and C. )\. ;gO(}'d n1.an:y IUn~;s, !~a,nIH: played lJ:'Jl. 'o:tn:erk~ys'he!lide D;, in fa,~1:: ,o,fu,tn t;~:rIC~ are' mo:rcor leu SitUlct In m. 41;!"tnac:n key~ u1si,ng certain :n{lltes .and. wi11. simply ba'\M! to be played. like' :tna t,
Dyn::D1Joving the. shaql f~CJim o.lIr C# and now calling it ju:u C. ( ,ore n.;'l,llltl:rai )l!!~'c. ~3:n nO!"ij;' r;i'ta;Y' eveRmore ,11!J~es in diHier,eIru.1I: k.,"~.
c
110
Tnie: C ,we. Just lea:rne;d. together v.:·ith~J the notes-we know alI(:'a~_y;o ¢n.abl~s,.i;i~ ~,Q ph.)" t~.~'i:6nQ~iI:hi'g~.tI:ti~ X\~hj~h is· iE dl~: ~'cy qJ:Pt- wuh onI}' Q!1csharp: sh{ndng in the k.~r :sJ~at'!):re.
:( ,3 't '2, , ,.1 2 :1' l- .e 9·' J' 2 .3 )
3
r ~ ~. ~.- .~. I ~ i1 ~
J 14.J .-~ ,~ J ~ •. ~- ~ I !n
~~ I~
··S. 3 '3 3 ·3 '1 3,' a 2; 2. 2 :2 Q .1 2
2 "1 2
0 0 i- t 2 3. 2
5: 2'
- . " 33' :1
.~.
'2
:2
n ~O. ,~I •• 2
~ .:2 :t:
-,.....-....
{'.t, .ji J.
:-r
1
0- 5.
l
.i.
:3
2
.
In {he next tune t·· A.rna.:G:I,ng.;.Grac:e'· you~-U fjnd a few !'l,f!W thJ:f\i~~ :
;1
m
.J
Ap':arl ft9fl_lt()]jg\-~~:i'llg w:etnay.also p.ray notes in-i'!. smbo-t;!liy., nu.wi~g fas;MOO;;'J.i1:Hime i;I. :sJ~r
app,t"an,. conoC'ctillg., the notes;,: ~' - _ - -
This m tans that .u,5imooth b'<:;iI;r.p;iiiqq f_fOm nne note to_ -dU;! next--i'S -r.equlfcd. There -:aJ'e- ,n()-, 5tfl_ rules that dklatl' when to- esc tOh:goetng :Or I,tgato; ( p:~a;y,i.ng ~'i:th :sl~f.~: .1"_ 9~ner~.ly ,~p-caki'n-ga $h}\vair -dtJt:sl1't tu;:ed---lh~ t}'p,eY:df' Pu.~t!Na~i(m '1l1,at longaei:n,gW{Ju1d bxi;ng to ~t.- The.' bes] Ihfng: is-to fry ~,a:~b p-ie:cE:' in dHfC'I'.~nt w~~-s and get 'inspir'a;ticlIi -:iI,n~ .idc~s fi~m- 9!tb;~r _ p;l~y,~l'l
an d recordings, .
Ifs e~y' $0 ¢,oil,f;usea- i~g,atQlsii~-.wim 01, de.'sjgn .• , They JQok .alikt •. hut Petie ... $. oirl:y: u·:se:d '1<:' show th:?tt.:fb:e o'ne note: i':!i ·to l.a;..,:ft lbttg;e.r L'~g. :frp,:m b:n~ bar into-tae next )
In thisr::ase .tht·Trlo,te is only' blownonc~' .~ '"
FE" ttl r
.:8:.loW' h"eri' P"!'~{Y a*~ h(}:~{(
M1AzI'NG GRAGE
- . . .', . . ~ .... ,- .
r .....
. s
J t~
1
1 '2·.
:3
5
6- :3
1.2 a
" .
.'
.j!: 1·
o 5:
1 O· '5;'
o 5
.1-
1 2.
3
.t '2'.3
1\$ you' :In.~y have spotted', the last bar in some, tuoe's d·o¢sn,.It]J{ik~ good et;>~lti·drig. .~en.~~, but y()U::'lI find ,th~' missirig p'a:rt ;at ·.th~ $tar't; Qf -themUll·iic. Th~: ·ha;ppC:O.'i"b'ften ~ln song!!, 50 that the-
;s{)n~ cah b:l2' ,s·tarted up a:gain. :flilf. the second verse, . . .
I a ,'It" 'I'" 0, ·,t. e.·,'s······ ,&,· .. ·i.,.. more tunes
_~I'.. .' _. '. '. '. l,,, _ ,. . .. ,' ,,'"
Hor~ are some m9"lrc n@'J:csinth',i!' hishot ,o!::t~v,e, ','lihidi., will C'o'mpld~ ,)'Q,ur ra.tJ:ge Ml.d. "'WiD gj,~e' YCM::l access to maD!r htUildrtdii 0'£ tunes; Remembelf to blow dEghtl.., h3!fdcr [01' dtesr Oicrt't5.
~, :f'lt'
G
B
.11
! ;e
I, •
•
01
0'
•
5 4 3 2 1
- :...:.=- - - - 1-3
~The ncx;t- (t:;:adifi~nal 1;iL!.J;l'8,{Scvbor;o,ughFai-fal ti1~ugh. b asicaJl:y u'Sb~¢ - 't'b e B-o,te-s- of t:he- :kc::y 'of' 0.1 "is reaUy l~T .a io..called ""marker. which expJiUns the lo;r.e~y· mda;n~hnly :!loqu:d pJ' thiS: tH~.
TJte .o~¥ ~wliw~d. biftu~re'lie.:sw the 7·il:f·tla.r,wtv!te'im.t~ad ... of'a C .as yo.u.w,o:uld e:xpe·c·t{
,a G:#i:sn.e.eded Go.· slQwly :'an-dcbeck- back to the nfl~e'chan;5' if }'n.u red hd'Q eSri·[,tSipUnd~lgh:t,
S·C· A:'u'B"O"'R"O-'''U' -G-'H" 'EI,,lI-R
.r.., .... ~,.,._ .... !, ~,l, -, ,.:.·."_:,', . F'~~: ",',
_J
=1
~ '0 ,1 '4 3: 4-
'2,· fJ I ~:. ,~ I
r- g ." :F I r1t :Cj§
I ~
i 0 5 0 :1 ,0 2- 1 :~
~ .~ 5
"", .5 0' 1: .1 2 a. ,~
:s
... , ~; ;~ ~=
: I I ~- I. TIjJ
:1 ~-- J; t
"
. -:' ,,'
5· 1 ~ 3 4 ,~ '6' ~5
" ," i;gJllblga:I'e FI,~ge.bhi.ts.
. 8 h'J PiH n ".W ei ;J':ht •. ;8p:e,.nj;:'i!.'
BE 11JlU£i:T.o:,s'F';t.TE K.-EY WUTED.
'-..' "rim1lii ;. i -;:"'.",
, '~~~ llli:R,.3~,sft ~li:b,:tlD5'a':~:.FJal~t1I,et.;',lIi ~,b.¢wn I!-,~~~ • .m'",~, 0 r . "ai.mJ,~~ .- brMt t u.l;ihi,Ii!'~: ·A'llabh3.' :-&oil we I ,l 1:I~;&.d,'e. "iD5,t.~t:'1:e~,t., . .a:cclli:r'a~l~' t.. + .:o·d ~t)~t· not·. be com.;ji:1r:ed .'llrJfb' che.acp'fIllH!I>'. ODS,' .X .:IIh~t of ins:t;tlU.CtJ'OD1!I w:Hh., ~b l.nst,tmnent. FuJ'.nli~he d' ·~tl Lily :o~'t~;e.fpn9:W 11Ic' lie),,:: '.8,;,. 0, ,D.'-'£. )" (;,
~::J~ft~~;~S'rl,~~~~~ ab;:~~·b~oi~i::nh~·ie·i·p,itJ~· ..
Ch~r ,~~y·,.'l(;iil "~:.--""'.' -," .. ~ .. ~.", ;" ~ ~'. '. , , :. , . " ...•• '(1.:
.&icsscntia] p.art. in Y·Qur 'ttp'cabul~ ;,3; l'\i~·e:,'e·V,en. npw' ¥ri'd,a, se,n~e .'O:f whpn'J0 take 'Ii brea~tI· l~~ w.e!:,~ .. ~b ¢ norcsare ,v:e.ry impona:n~I" No· hard O'F.:fast rules. exist .here --: each .player ta£k~es. j·t (HffNen'lly., E~;p~c;j;a:t.l:y .iii dance ltlI;i,S,ic;: ¥o:~:'li hav~ t(jj>fe6i dl,e le.ng:th Qf':a, 'ptir,ase ~an;d q~rk'~.J~:' 'br~:ifh in Q~,twe'e~, i\.V() ph,i'~':·s. :Pr,~ti¢e :qla,k~,~: pertect!
1.4
Jlggit)~ rhv .. tll111S & other things .
6 8
Trynu.t th,is, ne'';;'[hythm uS'in;g tile :~:a.t!c 5e;an. ,0 Riad·a·s ,method :for expbiri"mg ".-helii" '~b:e notes QEi!gh.,( ro he st:'(:sscd. Tap twice (Dr e¥ery har :mel say 'the words.
'I • I
'~,I' ~·ml " ~'lhml I ~ JI
,.' " ~" ",::,~ ,_. ,J. ,.) ,.'" '.,' ; tJ.: :.,
I' -
H3,m and. 'elYs aDd, bu.U:e:t .wd !!a~I~s,. Ram arul .(:~Iffee and buadl with c!heele
:::> :> > ':;::" .> > ':> ::>
AldUJugh ther,e are ['ed.'· . 6 e.iightb noees to mU,e u.p each bar, in Rlnty th:cre shoahl be a sustain.ed [WO~Eyp'e' feel. Try tappi.ng lit the .m ar k.ed netes and put. some stress on the' fDt and! 'fourth q:Ii(I~Vler ,pCl'S~t:ion.
for the; 'flie~x,t,song . sing: h first a few time~ and try' to. get: ,this two-,feel, 'then,pI'a'¥ .it:
ffERE WE GO GA~THERING NUTS IN l\1A.Y
a 3, 0 >'
a 2; 1 >-
o 15
1
3 >-
-
:>-
I' Jl k }iJ7 '~7.J',.- :J. iI
,)f -=
....
2 2 e " 4 a :8
>- >- '> > 0 :1 a 3 :3
5
15l ,-
::>- > N,eXl. wetll try .t.o. Icom~bint'l".~ th,ls new ltlowlcd~g~;, Tb..~ new ihigh:' f:l{)ltesE:i F# ;6. A? &: B •
. Ah~·Jlu~ Pf.¥=t$iirig 9I the :;·8 th)':Win.·sh~~lij came"ju, hindy rww: as we attf'inpt. qu:h~ slQw.lY~ bu t-in :stric,t timma' the' [nUowinj· well-known Irish j ig ~
b , ~" ~ ...
THE.lRISH WASHER\VOMAN
~~. . .".' ".. . ' .
"0 0 ~ 3 ,S' a Jl a 1 ~3 1
;lS 2 The. :11 sign. at th~.:eIic;l 'Q1~'i!J\S' i(;p.¢at"·thi~ >s,ei:fion; - spi "go 'back 1,0 the' v'e:f~: be.ginn.ing-and
play h. -a. second time, .
S'o tat $O,;g{lO.d.I.·.,~art from :the j it}"gi:.ay~ J~g~gi.dy rhythm and the hJg~. E ln th~~tb.: bat· th:e~' are· niQt~oOTQany: .1il.if.ficCnlt~es her~ e- ·.N~w ~gi~t: Y9~,~ li!ee;th for'the Sei;Ci"nil'p~ri'-~'hich, .~ J~ us}.iil \Vltll'this.,·ype'6f tune usesalot of thehi~~be.r octave notes,
·3 I) :3' l' 2 3.-.' 4 b 4 4_,.;· '~,',_ 4.'_ .. ' '.
-- ·5 ~ _ ,_, _ _ '5' .... v
.- ,--. .
2 3-4
"!!!III' -- -
:OrH~e/ agaln tllts .';se:ctjoH is ·i'epea;ted~.1i.:f~e:r Which .}·o.lt<iI"e~Jree to ~S{(fP' bt·do;.sbme mote :,·.jf
the first part, .. . .. .'.
1"6
The rOilpwingthy.dl,lnsare (Qmmo-n1y foundin.l~~itl(linal tu~n~s :
. , . . .
.3 beats in a barr'
·.i.J,ip.)igs
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all U 1[11' IS need ed to" mas , .r th e basi cs , . :'.\
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ofTin Whist.le playitn~~~:-~t;, ' I',~_g, off with easy,
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nbout many , ~'}T ,e cts of reading and playing the must . c;irnple melodies are used that gradually introduce many facets of playing the ever-popular
.rnn - or If.! .nny' Wbistle. In addtnon a large repertotrr- of Traditional tunes from many shores t as been mcluded. The required whistle
to us' 'lit This book is ,e, -'1"uning 1110deL