High Light


 q = 60  
Clarinet in Bb     
pp mp pp mp pp mf mp

4     

   
Cl.     
mp p   p  mp
mf


  
   
8

     
  

Cl.

mp mf mp f mf mf mp   

p
     
      
13
  
freely
       
                 

    
     
Cl.
  p
pp pp

 


sub. morendo

                          

22

          
   
                   

 
Cl.
  
sf
sfp


Duration ±20"
Start to blow into the instument, q = 120 quite free

27
increase the intensity
               
Cl.  

gradualy and make small rhythms by
hitting the high keys of the instrument mp
           
 mp
        
31
 
3
     
    
                                   
 
Cl.

  mf 3

  
more rhythmically
     
        

40

              
                       

  
Cl.

   
2
   
                     
           
48
                  
      
    

Cl.
 

3

 very ryhthmically
55      
3
   3
                               
                
         

Cl.

 f

                       
61
      
  
Cl.       
3 3
f

    
64
               
 
     
 
3
         





Cl.


 ff ffff
ff f ff f ff
sff

Duration ±20"

69 Duration ±30"


 
Start to blow into the instument, increase the



Cl.


play very loud and with the most rough sound, repeat the multiphonic freely, intensity gradually and make small rhythms
after ±10'' start to fade out and move gradually to the next section. by hitting the low keys of the instrument
the notes of the multiphonic should gradually become "wind" noise.
ff p mp
 keep on making this soft wind-like noisy sound of the
previous sections and the soft key rhythms but now add
very softly and freely the notes that are following    3
71
       
                
Cl.
    
  p

mp

pp

  
 the wind-like noise should
  

81
   
become ghost notes
Cl.   
    

 
 sfp sfp sfp sfp

mp
 mf p
mf p

   
90
      

q = 120
        
      
Cl.
    mf       
mf mf p
mf mf
mf mf mf mf  mf
mf


 q = ± 90
as fast as possible but
97 very strickt in rythme (groovy)
3

                     
           
3 3

       
Cl.

           
              
   

f f
f ff 

 
104 3
3 3 3

                  
3 3 3
      
                                         
Cl.

                

 

109 3 3 3
3 3 3
                                    
3 3
      
                           
Cl.

 
           

4  
 3  
114 3 3
 3
    3
  3 3
  3 3

                                   

               
      
Cl.

         
 
   
3

119 3
3
     3
        
3

                            
3
   
                        
Cl.

 
  3        
 
3 3
3

  
  
3

3             3            
3 
3 3 3 3
124
       
3 3

                                  

    
 

     
 
   
Cl.
   
 
3



 3 
  
33
     3   3   3         
129
       3         3           
   
3 3
            
3
              
                   
Cl.

 
3
3

      3                   3       3         3 

 
3
134
               
                      
       
       
Cl.
  3 
3

   3 
      
  
139 subito
       
3

                 
 
Cl.

fff fastglissando-like paying up and down

  
in the whole register of the instrument sff sff sff

               
143

Cl.               
       
sff sf mf 