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    The document summarizes key aspects of Baroque art in Italy and Spain from the 17th century. [1] It describes Baroque art as being dramatic, theatrical, and grandiose in scale, often associated with depicting scenes from the Counter-Reformation. [2] It discusses major artists like Bernini, Caravaggio, and Velázquez, noting techniques like tenebrism and how they portrayed dynamic religious scenes that invited viewer participation. [3] The document also covers characteristics of Baroque architecture, the development of idealized landscapes, and Velázquez's innovative self-portrait Las Meninas.

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    chapter 24 worksheet for art history 1304 at ACC

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    ARTS1304 Worksheet Chapter24(1)

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    The document summarizes key aspects of Baroque art in Italy and Spain from the 17th century. [1] It describes Baroque art as being dramatic, theatrical, and grandiose in scale, often associated with depicting scenes from the Counter-Reformation. [2] It discusses major artists like Bernini, Caravaggio, and Velázquez, noting techniques like tenebrism and how they portrayed dynamic religious scenes that invited viewer participation. [3] The document also covers characteristics of Baroque architecture, the development of idealized landscapes, and Velázquez's innovative self-portrait Las Meninas.

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    © All Rights Reserved
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    22 views2 pages

    ARTS1304 Worksheet Chapter24

    Uploaded by

    MatthewLeonard
    The document summarizes key aspects of Baroque art in Italy and Spain from the 17th century. [1] It describes Baroque art as being dramatic, theatrical, and grandiose in scale, often associated with depicting scenes from the Counter-Reformation. [2] It discusses major artists like Bernini, Caravaggio, and Velázquez, noting techniques like tenebrism and how they portrayed dynamic religious scenes that invited viewer participation. [3] The document also covers characteristics of Baroque architecture, the development of idealized landscapes, and Velázquez's innovative self-portrait Las Meninas.

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    © All Rights Reserved
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    CHAPTER 24 BAROQUE ART IN ITALY AND SPAIN Text pages: 668-693 1.

    With what religious movement is much of the Baroque art in Catholic countries associated? The CounterReformation. List three adjectives to describe its st le! a. "ramatic theatricalit b. #randiose scale c. $laborate ornateness. %. List four major characteristics of Bernini&s scul'ture that are t 'ical of Baroque art in general. a. d namism b. (trong curves c. ) rich decoration d. general com'le*it +. ,n what wa did Bernini de'ict the vision of (aint Theresa -.ig. %/012? 3s a light shining through a window of ellow glass /. While the circle had been the ideal geometric figure to Renaissance architects) Baroque 'lanners 'referred the 4444444oval444444444444444444444444444. Wh ? Because the oval is a more d namic form of the circle. 5. List three characteristics of Caravaggio&s st le. a. injected naturalism in both religious and classical subjects b. shar'l ) dramaticall lite figures emerging from a dar6 bac6ground c. invites the viewer to 'artici'ate in the scene 7. What was Caravaggio attem'ting to 'resent in his religious 'ictures? To com'el the viewer&s interest in the scene

    What 'ictorial devices did he use to achieve his goal? (howing action ta6ing 'lace in the foreground

    1. What is tenebrism? 3 dramatic dar6 and light contrast in 'ainting List two countries where it was 'articularl influential! a.ital b. the "utch re'ublic

    8. Which artists most influenced the st le of 3rtemesia #entileschi? Carravaggio and 9ra:io #entileschi Who were ;udith and <olofernes -.ig. %/01=2? Characters from the 3'ocr 'hal Boo6 of ;udith. <olofernes was a 3ss rian general who was seduced b ;udith. What techniques does 3rtemesia use to 'ortra the drama of the theme? tenebrism =. List three assum'tions that were basic to the teaching of art at the Bolognese academ . a.art can be taught b. both classical and renaissance techneques should be taught c.teaching must also include anatom and life drawings 1>. Who is credited with develo'ing the ?classical@ or ?ideal@ landsca'e? Carracci What were its roots? Bac6ground of venetian renaissance 'aintings 11. What does Aelasque:&s Surrender at Breda -.ig. %/0%=2 commemorate? The ('anish victor over the dutch in 17%5 1%. What is the subject of Las Meninas -.ig. %/0+>2? The ,nfanta Bargarita <ow man levels of realit can ou find in the 'icture? two Briefl describe them. The com'osition e*tends in de'th both in front of and behind the 'ainting.

    What 'ainting technique did Aelasque: use in Las Meninas? B side as Carravaggio did

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