UNIVERSITI TEKNOLOGI MARA Faculty of Artistic and Creati e Tec!

nolo"y COURSE OUTLINE

Course Course Code Credit Hours Contact Hours Semester Status Prerequisite Effective Date Lecturer

ANIMATION HISTOR ! TECHNOLO" CTA#$% &% &% &% E'ective None

S NOPSIS T!is course introduces students to t!e !istory of ani#ation and its tec!nolo"y of different tec!ni$ues and stylistic a%%roac!es fro# t!e early days of %aintin"s on ca e &alls' &ayan" (ulit to t!e conte#%orary CGI ani#ation) It includes t!e de elo%#ent of ani#ation in t!e &est' studio*+ased %roduction' Euro%ean ani#ation' e,%eri#ental and A ant*Garde ani#ation' Asian and -a%anese as &ell as Malaysian ani#ation &!ic! also sees t!e influences of society' culture and e ents and its i#%act on ani#ation) COURSE OUTCOMES U%on co#%letion of t!e course' students s!ould +e a+le to. /) reco"nise t!e !istorical trends in ani#ation and identify its ori"ins) 0) identify t!e different ty%es of ani#ation fro# !and*dra&n to CGI co#%uter ani#ation) 1) reco"nise t!e relations!i%s of aest!etic' $uality' artistic' tec!nolo"ies and t!e ad ance#ent of ani#ation) 2) assess t!e directions of ani#ation' t!e tec!ni$ues and its future)

COURSE CONTENTS Learnin" %rocess includes. /) T!e Silent Era /

ANIMATION PROGRAMME

0) National Fil# 3oard of Canada 1) T!e Era of Ani#ation Studio 2) Masters of Ani#ation 4) Euro%ean Ani#ation 5) E,%eri#ental and A ant*Garde Ani#ation 6) Ne& Generation of Ani#ation 7) -a%anese Ani#ation 8) Asian Ani#ation /9) Malaysian Ani#ation //) T!e Electronic A"e /0) Co#%uter and Ani#ation LEARNIN" ! TEACHIN" METHODS /) Lecture and notes) 0) Fil# Screenin"s) 1) :iscussion) ASSESSMENT ! MAR(S ALLOCATION On)oin) Assessment Indi idual Assi"n#ents Grou% Assi"n#ents ;resentation +ina' Assessment Final E,a#ination Tota' TE.TS / RE+ERENCES /) 3enda<<i' Giannal+erto) /882) Cartoons. One =undred >ears of Cine#a Ani#ation) 0) :ou"las Go#ery) /88/) Mo ie =istory. A Sur ey) California. ?ads&ort! ;u+lis!in" 1) Grant' -o!n) 099/) Masters of Ani#ation) London. ?atson*Gu%till 2) =alas' -o!n) /889) T!e Conte#%orary Ani#ator) Great 3ritain. Focal ;ress 4) Lent' -o!n A)) 099/) Ani#ation in Asia and t!e ;acific) -o!n Li++ey @ Co Ltd COURSE SCHEDULE / CONTENT O+ THE COURSE 0EE( / DATE CONTENT Course 3riefin" @ Introduction NOTES / TUTORIALS/ SCREENIN"S -&&* ,&* $&*

ANIMATION PROGRAMME

T!e Silent Era 0

Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion)

T!e Era of Ani#ation Studio MGM ?arner 3ros) :isney ;i,ar National Fil# 3oard of Canada

Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion)

Masters of Ani#ation ?an 3rot!ers ?alt :isney =ayao Miya<a(i Euro%ean Ani#ation

E,%eri#ental and A ant*Garde Ani#ation 6

Ne& Generation of Ani#ation 7

-a%anese Ani#ation. Ani#e 8

Ani#ation in Asia and ;acific /9

Malaysian Ani#ation //

ANIMATION PROGRAMME

Co#%uter and Ani#ation. T!e :e elo%#ent of Tec!nolo"y /0

Lecture and notes) Fil#AAni#ation Screenin"s) :iscussion) Lecture and notes) :iscussion) Lecture and notes) :iscussion)

;resentation / /1 ;resentation 0 /2 STU:> ?EEK FINAL EBAMINATION SEMESTER 3REAK

ASSI"NMENT 1RIE+ ! ASSESSMENT CRITERIA Students are re$uired to co#%lete t!e follo&in" assi"n#ents. On)oin) Assessment Indi idual Assi"n#ents Grou% Assi"n#ents ;resentation +ina' Assessment Final E,a#ination Dead'ines Students #ust treat t!eir deadlines seriously) Late su+#issions &ill not +e entertainedC neit!er &ill t!ey +e assessed) P'a)iarism ;la"iaris# #eans co%yin" or i#itatin" ideas of ot!er aut!or and %resentin" t!e# as your o&n &or() T!e #ost co##on for# of %la"iaris# is co%yin" ideas or &or(s of art fro# +oo(s' articles or internet sources &it!out %ro%er ac(no&led"#ent of t!e source) T!e source #ust +e cited +ot! in cases of a direct $uotation and in cases &!ere students !a e re*&ritten or %ara%!rased t!e ori"inal) It is usual and indeed co##enda+le to refer to t!e &or( and ideas of ot!ers as &ell' +ut for t!e #ost %art t!e analysis' ar"u#ent' and lan"ua"e #ust +e your o&n) ;la"iaris# is totally unacce%ta+le +ecause it is a for# of intellectual dis!onesty' +ecause t!e %erson concerned is not learnin" to do t!in"s for !i# A !erself' and +ecause it is e,tre#ely unfair to students &!o do t!eir o&n &or() ;la"iaris# Dt!e intellectual dis!onesty resultin" fro# a studentEs failure to ac(no&led"e inde+tedness to sources usedF is a serious acade#ic offence t!at &ill result in a%%ro%riate %enalties' to +e deter#ined at t!e discretion of t!e course lecturer in consultation &it! t!e facultyEs di isional c!air) ;la"iaris# includes su+#ittin" t!e sa#e &or( to #ore t!an one lecturer for credit in different courses &it!out %rior &ritten %er#ission fro# t!e lecturers) 2
ANIMATION PROGRAMME

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_____________________________________________________________________ ;re%ared +y GGGGGGGGGGGGGG) Lecturer. :ate. Certified +y GGGGGGGGGGGGGG) =ead of ;ro"ra##e Ani#ation :e%art#ent

ANIMATION PROGRAMME