PARIOS 2007 technical rider.

HOUSE P.A. SYSTEM

Front of house speaker system should be of the highest quality possible. It should be a stereo, high fidelity, three- or four- way system plus subs capable of reproducing 30H - !0 kH and sustaining ""#db without distortion at the front of house mi$ position, and should adequately and consistently co%er the audience area in a stacked and&or flying configuration. PREFERENCES: EV-XLINE - Adamson Y10K V !os".

F.O.H.
'I(I)* +,)-,./ 0HI+H, I- MAN!ATORY 1, F2.FI.. 1H/ 1/+H)I+3. -4/+ 56$ input channels 7#( -I ',82./-9, 6$ effect returns, +8, house announce. 5-:and, fully parametric or sweepable frequency /;, 56% phantom power, phase re%ersal, insert point, high pass filter, delay and mute on each input channel min "# $ au$iliary sends 7F2.. 4<,+/--/8 = ! ( (, ',82./-9 at the front off house position and 6 au$ outputs at the stage bo$ 7 " ( ', ',82./-9 , :ack-up 4ower -upply 2nit7s9 PREFERENCES: "$ .e$icon >#0 or !$ 1+ ?000 "$ 1c !!>0 or "$ 8! 1x CD player wired for playback. INNOVASON SY #$ o% SY $0

No portables

MONITOR SYSTEM
'I(I)* +,)-,./ 0HI+H, I- MAN!ATORY 1, F2.FI.. 1H/ 1/+H)I+3. -4/+ ,).@ 1H/ -/+,)8 8/-A 3)8 1H/ +3:./ :ack-up 4ower -upply 2nit7s9 PREFERENCES: INNOVASON SY $0 & STA'E (OX )M*n*m+m ,- a+. o+/0+/s a/ m*. 1o. )XO MO!ULES2 03+s 14 ds0 3*n5 o+/.

! $ multi-effect units PREFSB !$ 1+ #000 or "$ .e$icon >#0 C "$ .e$icon pcm >"

-I8/ FI..- & 8<2' FI.. & wedges & desk monitor B # ( !6 !os" o% SPECTRIXcabinets plus " !6s+1 per side all flying 7-I8/ FI..-9 " ( stereo mi$ plus sub for low end for drums 78<2' FI..9 M17 A!AMSON "? ( mono mi$ for the rest of the band M17 A!AMSON " ( stereo mi$ for desk monitoring M17 A!AMSON " ( mono mi$ four speakers for main %ocals M17 A!AMSON 3ll necessary processing, amplification 7 .3: *<244/)9, and cabling. 3.. 0/8*/- -,2.8 :/ I8/)1I+3. 3)8 3+1ID/ 7!3 ( '"? 383'-,)9

MICROPHONES
PLEASE REFER TO 8Pa%*os -009: STA'E PLOT ; INPUT LIST FOR MICROPHONE RE<UIREMENTS. 4lease be sure to include all necessary stands, cables, clips, and hardware 7drum mounts, etc.9.

PARIOS 2007 technical rider.

NOTES
3ll system components are e$pected to be "00E operational. 3ny and all substitutions to and %ariations from these requirements must be appro%ed by tourFs engineers and&or production manager prior to day of show. If no item 4</F/</)+/are listed, options must be discussed with and appro%ed by tourFs engineers and&or production manager prior to day of show. ), /(+/41I,)-. 1he system must be accompanied by at least 7"9 competent and knowledgeable technician, who may be required to engineer for support acts. 1he tour does ),1 share consoles, either F,H or monitor. -eparate consoles, processing, etc. will be necessary for support acts. 1he tour shall pro%ide intro G outro music for entire e%ening. For aesthetics, promoter&sound company needs to supply black cloth or scrim to co%er amp racks, backs of consoles, etc.

'I( 4,-I1I,) .,+31I,)-B F.,.H.B 4lease consider the mi$ location carefully and arrange seat-kills 7please refer to the tour rider9 as necessary. /$treme mi$ positions, to either the side or rear of a %enue, are unacceptable, as is mi$ing from under a balcony. If the proposed location is clearly not ideal from a sound mi$erHs point of %iew, this must be discussed I) 38D3)+/ between the sound company, the promoter, and tourHs production manager. 'onitor +onsoleB -13*/-<I*H1 4lease make sure that all racks are well illuminated, and located to allow con%enient access to controls and easy %isual monitoring of displays. 8o not locate 3)@ racks under the consoles. COMMUNICATIONS = RETURNS: 1wo-way e$clusi%e communication between the F.,.H. and 'onitor mi$ positions. A /a3>1a"> m*" a/ F.O.H. ?@*"@ s@o?s +0 as an *n0+/ on /@5 mon*/o% "onso35. 4,0/< </;2I</'/)1-B 1he -ound 4ower -er%ice must be on transformer isolated phases, separate from the lighting power ser%ice.

CONTACTS
',)I1,< /)*I)//<B )ikko +hronopoulo mobile C30#>3!5""5!5, C30#>3I3#>#0# fa$B C30!"0??>?3>> C30!"06!?I0I! /mailB nikkoJenttech.gr nikolaos.$ronopoylosJontelecoms.gr F,H /)*I)//<B A,)-13)1I),- 1H/,FI.,2 mobile C30#>3!6""050

PARIOS 2007 technical rider.

INPUT LIST

CH
1 , # 7 4 9 $ A 10 11 11, 1# 17 14 19 1$ 1A -0 -1 --, -# -7 -4 -9 -$ -A ,0 ,1 ,,, ,# ,7 ,4 ,9 ,$

INPUT
AI+A -)3</ HI H31 1,' " 1,' ! F.,,< " F.,,< ! ,D/<H/38 . ,D/<H/38 < :3-:,)*,+,)*3 .,0 +,)*3 HI 1I'43./,D/<H/38 4 438 . 438 < 13<:,2A3 F.,,< 4/<+ " F.,,< 4/<+ ! A/@- ! . A/@- ! < 4I3), . 4I3), < 3+,2-1I+ *2I13< /.. *1 . /.. *1 < :,2K,2AI " :,2K,2AI ! DI,.I) 3++,<8/,) DI,.I) " DI,.I) ! +/.., " +/.., ! :3+A D,+3. " :3+A D,+3. ! '3I) D,+3.

MIC
8 ""! or :/13 ?! -'?I or :/13 >6 + 5?" or :/13 >6 :eta ?#- -' ?I :eta ?#- -' ?I :eta ?#- -' ?I :eta ?#- -' ?I + 5?" or :/13 >6 + 5?" or :/13 >6 3+1ID/ 8I -' ?I -' ?I -' ?I -' ?I + 5?" or :/13 >6 3+1ID/ 8I 3+1ID/ 8I -' ?I -' ?I -' ?I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 3+1ID/ 8I 31 4<, 3? 31 4<, 3? 31 4<, 3? 31 4<, 3? :/13 ?6 0I</./-:/13 ?6 0I</./-:/13 ?6 0I</./--

EXTRAS

NOTES

MIC STAN! MIC STAN!

MIC-STAN! STRAI'HT

PARIOS 2007 technical rider.

(ACKLINE RE<UIREMENTS

:3-A/@:,3<8 !

" ( 03<0I+A 3'4 ,< /:- 3'4 C" ( 5("0L C" ( "?L 7cabinets9 " ( (4 30 <,.3)8 " ( 3++,<8I,) " ( 8,2:./ A/@:,3<8 -13)8 2.1I'31/ " ( A2<K0/I. '3<A "?! ,< ""! ,< <,.3)8 A< "II " ( A/@:,3<8 :3-/ 2.1I'31/ @3'3H3 >000 ,< +2-1,' " ( !!L AI+A 0I1H 8,2:./ 4/83. 4/3<. /.I'I)31,< ,< @3'3H3 " ( "5(?,? -)3</ " ( "0 1,' " ( "! 1,' " ( "# F.,,< " ( "6 F.,,< " ( !0 <I8/ ! ( "I +<3-H 1HI) " ( "6 +<3-H 1HI) " ( "5 HI H31 " ( "# +HI)3 1HI) " ( !0 +HI)3 " ( 6 -4.3-H " ( "0 -4.3-H 6 ( +@':3.- -13)8 H/3D@ " ( 8<2' -1,,. C+3<4/1 3m(3m 3.. +@':3.- 3 +2-1,' KI.8KI3)

4I3), 8<2'-

4/<+2--I,)

3 " " ! " ! ! " " " " " " 5

( ( ( ( ( ( ( ( ( ( ( ( ( (

+,)*3 .4 :,)*,- -/1 1I'43./- -/1 +,0 :/.. 438 -48 "? 13':,2<I)/- 0I1H F.,,< -13)8 )38 +.3'4-H3A/<1<I3)*./ +2<13I) +<3-H "#L soft "? +HI)3 "0 -4.3-H "6 <I8/ +@':3.- -13)8

3 ( *2I13< -13)8!0 ( '2-I+ -13)8- 0I1H .I*H1 "5 ( HI*H -1,,.- F,< -13)8I)* '2-I+I3)- 7:3< -1,,.-9

PARIOS 2007 technical rider.

STAGE PLOT
(AN! RISER: 1-m X ,m X #0"m !RUMS RISER: ,m X ,m X #0"m EXTRA

PERCUSSIONS !RUMS (ASS PIANO KEYS -

'TR 1 ACOUSTIC

'TR 1 ELECTRIC

(OUBOUKI 1

(OUBOUKI -

VIOLIN VIOLIN 1 CELLO 1

(ACK VOCALS

VIOLIN -

CELLO -

SI!E FILLS

MAIN VOCAL MONITOR

SI!E FILLS