This document discusses surrealist photography and the relationship between Philippe Daudet and Germaine Berton. It suggests that Philippe saw himself as a poet in the vein of Baudelaire and had requested Baudelaire's book "Les Fleurs du Mal" around the same time he asked a bookshop for ammunition. The document then argues that Baudelaire's motto printed under Germaine Berton's picture serves as a symbolic presence of Philippe, indicating their relationship ended in a double suicide like Romeo and Juliet. It explores how themes of death, love, suicide and murder emerged from the associative thinking of the surrealist montage works, bringing primal desires and the enigma of
This document discusses surrealist photography and the relationship between Philippe Daudet and Germaine Berton. It suggests that Philippe saw himself as a poet in the vein of Baudelaire and had requested Baudelaire's book "Les Fleurs du Mal" around the same time he asked a bookshop for ammunition. The document then argues that Baudelaire's motto printed under Germaine Berton's picture serves as a symbolic presence of Philippe, indicating their relationship ended in a double suicide like Romeo and Juliet. It explores how themes of death, love, suicide and murder emerged from the associative thinking of the surrealist montage works, bringing primal desires and the enigma of
This document discusses surrealist photography and the relationship between Philippe Daudet and Germaine Berton. It suggests that Philippe saw himself as a poet in the vein of Baudelaire and had requested Baudelaire's book "Les Fleurs du Mal" around the same time he asked a bookshop for ammunition. The document then argues that Baudelaire's motto printed under Germaine Berton's picture serves as a symbolic presence of Philippe, indicating their relationship ended in a double suicide like Romeo and Juliet. It explores how themes of death, love, suicide and murder emerged from the associative thinking of the surrealist montage works, bringing primal desires and the enigma of
53 What is a surrealist photograph by these stories. It vas knovn that Philippe Daudet had aspired to become a poet, so much so that he had vritten a collection ot poems in the vein ot Baudelaire called Les parfums maudits. 77 Also at the same time that Philippe had asked tor ammunition trom Pierre Ie llaouter at the bookshop, he had asked tor the book by Baudelaire, Les Fleurs du Mal. It might then be supposed, conjectured, that the relations betveen Philippe Daudet and Germaine Berton as lovers vere joined in death (like Pomeo and uliet,. Baudelaires motto printed under the picture ot Germaine Berton thus serves as a symbolic presence ot Philippe. 78 In other vords, Baudelaires motto in the montage is not arbitrary, it signites Philippe, an epigraph as epitaph. As tor the tunction ot light and darkness ot Woman, ve only have to reter to light in everyday language, let alone the iconography ot pictures or the visual logic ot dreams, to knov that light is associated vith avakening knovledge and revelation. 79 It has already been noted that darkness and the night are an uncanny teature in tales, the (enigmatic, source ot vhich lreud indicates: the attacks ot night terror accompanied by hallucinations (pavor nocturnus, vhich are so trequent in children In this case too it can only be a question ot sexual impulses vhich have not been understood and vhich have probably been repudiated. 80 Pequired here, to return to Iaplanches proposal, is the move trom the enigma of voman (Germaine Berton, to the tunction ot the enigma in voman. 1his leads back to the surrealists and their group, the enigma in Germaine Berton ot her terrible connicts as the light and dark ot their dreams. Death and love, suicide and murder (criminality and madness,, these are themes ot a dialectics ot desire and patriarchal lav vhich governs them, and all issue torth trom the associative trains ot thought ot the montage. 1he bleak nocturnal existence ot primal revenge (seduction, desire, castration, is brought to the surtace in enigmatic torm, but enlightened by the acts ot Germaine Berton. It is in a perverse tultlment ot vishes that Germaine Berton provided the surrealists vith an allegorical or emblematic image tor liberating the darkness (and light, ot dreams. In the tatal, almost tantastic, struggle ot her desire in the real and its tragic ;; Weber, Action Franaise, p. +;o. ;: lreud notes that vords and speeches in dreams are not invented by the dreamer, but derived trom vords heard the day betore. lor the dream-vork cannot actually create speeches (lreud, The Interpretation of Dreams, p. ,. In a similar sense the Baudelaire text vould be something that had already been heard by the surrealists. ;, 1his is certainly contrmed in literature on dreams. lreuds patients dream at the beginning ot Chapter ; in the Interpretation of Dreams has a tather avoken by the light pouring into his room and the childs immortal demand- ing vords: lather cant you see I am burning (PlI , +,:o,, p. o:. :o Ibid., p. ;:.
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