Random House LLC 2014-2015 Arts Catalog

2014 2015
Recommended Titles
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Criticism & Theory

Reference
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212-782-8482
ART HISTORY & CRITICISM. . . . . . . . . . . . . . . . . .1
BIOGRAPHY, MEMOIRS & INDIVIDUAL WORK. . .5
ART TECHNIQUE & REFERENCE . . . . . . . . . . . . . .8
GRAPHIC NOVELS, COMICS & MANGA. . . . . . . 13
VIDEO GAME ARTISTRY . . . . . . . . . . . . . . . . . . .15
PHOTOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . 15
ARCHITECTURE . . . . . . . . . . . . . . . . . . . . . . . . . .19
INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
ORDERING INFORMATION . . . . . . . . . . . . . . . . .21
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1
ART HISTORY & CRITICISM
ARTIFICIAL HELLS
Participatory Art and the Politics of Spectatorship
by Claire Bishop
A
rtifcial Hells is the frst historical and theoretical overview of socially
engaged participatory art, also known as social practice. Bishop
follows the trajectory of twentieth-century art and examines key moments
in the development of a participatory aesthetic. The book concludes with a
discussion of long-term educational projects by such contemporary artists
as Thomas Hirschhorn, Tania Bruguera, and Paul Chan, among others.
Artifcial Hells calls for a less prescriptive approach to art and politics, and
for more compelling and bolder forms of participatory art and criticism.
An essential title for contemporary art
history scholars and students. Library Journal
Verso TR 978-1-84467-690-3 390 pp. $29.95/$31.50 Can. Exam Copy: $15.00
WITNESS
Art and Civil Rights in the Sixties
by Teresa Carbone and Kellie Jones
O
ver 100 works by African American artists and others from the
Civil Rights movement show powerful responses in art to important
events in black history. Witness marks the fftieth anniversary of the Civil
Rights Act and accompanies an exhibition organized by the Brooklyn
Museum that demonstrates the array of aesthetic strategies through
which artists in the 1960s engaged in the struggle for racial justice.
This richly illustrated catalog will appeal to art and cultural historians,
students, and those with an interest in the representative and political
power of art created during the civil rights era. Library Journal
The Monacelli Press HC 978-1-58093-390-2 176 pp. $40.00/$46.00 Can. Exam Copy: $20.00
INSTITUTIONAL TIME: A Critique of Studio Art Education
by Judy Chicago
C
reator of The Dinner Party, a monumental installation on permanent
display at the Brooklyn Museum, Judy Chicago reviews her own art
education in the sixties, when she overcame sexist obstacles to begin a
career as an artist and become recognized as a key fgure in the California
art scene. She also reviews the present-day situation of aspiring artists and
uncovers the persistence of a bias against women and other minorities in
studio art education.
Chicagos critiques and proposals are powerful conversation-
starters. . . . Disillusioned students and educators will beneft
from this rousing book.Publishers Weekly
ON UGLINESS
Edited by Umberto Eco
R
enowned cultural critic Umberto Ecos On Ugliness is a provocative
discussion that explores the visual and cultural arts (painting, sculp-
ture, performance art, graphic arts, architecture, photography, and decora-
tive arts). Ranging from ancient Greek amphorae to Bosch, Brueghel, and
Goya among others, this book features quotations from the most celebrated
writers and philosophers of each age, and reveals in-depth the concepts of
evil, depravity, and darkness in art and literature.
. . . Provides a wealth of information for more casual readers as well as
for those hoping to delve further into this subject. Choice Magazine
Rizzoli TR 978-0-8478-3723-6 456 pp. $29.95/$35.00 Can. Exam Copy: $15.00
For more books by Umberto Eco, go to: tiny.cc/95mefx
F o r a d d i t i o n a l t i t l e s , v i s i t www. r a n d o mh o u s e . c o m/ a c a d e mi c
2
COLOR
A Natural History of the Palette
by Victoria Finlay
C
olor is an informative account of author Victoria Finlays journeys
to different parts of the globe searching for the physical sources of
various natural colors found in her paint box. Included is the story of how
they came to be used by artists, their development as artists colors, a bit
of art theory, and her own experiences. Each chapter deals with one color,
and is divided further into relevant topics.
Random House TR 978-0-8129-7142-2 464 pp. $17.00/NCR Exam Copy: $3.00
THE HISTORY OF THE NUDE
by Flaminio Gualdoni
T
his illustrated reference book on the historical evolution of the nude
explores a wide array topics: the nude body as the incarnation of
perfect beauty and the suspicions concerning its sensuality imposed
by Christian culture; the triumph of ancient beauty in the Renaissance
and the study of anatomy; ideal beauty, eroticism, and pornography;
the nude as representation of the ugly and its truthfulness in the art of
the twentieth century; the nude that itself becomes a work of art, with
performance, body art, and experimental theater. These as well as many
other narrative threads make for an informative historical exploration of
the nude in Western art.
Skira TR 978-88-572-1352-1 352 pp. $29.95/$29.95 Can. Exam Copy: $15.00
THE LOST PAINTING
by Jonathan Harr
T
he fascinating details of Caravaggios strange, turbulent career come
to life in this synthesis of history and detective story. Jonathan Harr
embarks on a journey to discover the long-lost painting known as The Tak-
ing of Christits mysterious fate and the circumstances of its disappear-
ance have captivated Caravaggio devotees for years.
Will lead general readers to a new appreciation of a long-lost masterpiece
as well as of the potential excitement of art history scholarship and art
restoration. Highly recommended. Library Journal
Random House TR 978-0-375-75986-4 320 pp. $16.00/$18.00 Can.
Exam Copy: $3.00
THE RENAISSANCE
A Short History
by Paul Johnson
T
he Renaissance holds an undying place in our imagination, its great
heroes still our own, from Michelangelo and Leonardo to Dante and
Chaucer. In this masterly work, the incomparable Paul Johnson explains
the economic, technological, and social developments that provide a
backdrop to the ages achievements and focuses closely on the lives and
works of its most important fgures.
Abound[s] in interesting detail and idiosyncratic judgment.
The New York Times
Modern Library TR 978-0-8129-6619-0 208 pp. $15.00/$17.00 Can.
Exam Copy: $3.00
3
THE AGE OF INSIGHT: The Quest to Understand the Unconscious
in Art, Mind, and Brain, from Vienna 1900 to the Present
by Eric R. Kandel
F
rom Nobel Prize winner Eric R. Kandel, The Age of Insight takes readers
to Vienna 1900, where leaders in science, medicine, and art began a
revolution that changed forever how we think about the human mindour
conscious and unconscious thoughts and emotionsand how mind and brain
relate to our understanding of art. Written by one of the leading scientifc
thinkers of our time, the was praised by Oliver Sacks as a tour-de-force that
sets the stage for a twenty-frst century understanding of the human mind in
all its richness and diversity.
. . . This highly readable book presents a magisterial study of
brain, mind, and art. Alexandra Comini, University Distinguished
Professor of Art History Emerita, Southern Methodist University
Random House HC 978-1-4000-6871-5 656 pp. $40.00/$46.00 Can. Exam Copy: $20.00
ANYWHERE OR NOT AT ALL
Philosophy of Contemporary Art
by Peter Osborne
D
eveloping the stance that contemporary art is post-conceptual art,
Osborne assesses art from a number of perspectives, including: the
multiplicity of modernisms; conceptual abstraction; digitalization; and the
institutional and existential complexities of art-space and art-time, among
others. Osborne also maps out the conceptual space for an art that is both
critical and contemporary in the era of global capitalism.
Impassioned yet analytical, Osborne delivers a politically astute
discourse in a prose highly pleasurable for its clarity. It is essential
reading for anyone serious about contemporary artor its philosophy.
Ruth Noack, curator ofdocumenta 12
BEFORE AND AFTER THE HORIZON
Anishinaabe Artists of the Great Lakes
Edited by David Penney
I
llustrated with seventy color images of visually powerful historical
and contemporary works, this companion volume to an exhibition at
the National Museum of the American Indian in New York reveals how
Anishinaabe (also known in the United States as Ojibwe or Chippewa)
artists have expressed the deeply rooted spiritual and social dimensions of
their relations with the Great Lakes region.
Contributors examine the Anishinaabes contact with earth, water and
sky; analyze narrative images of the thunderbird and the underwater
panther; discuss the artists art, agency, and exchange across time; and
elucidate the Anishinaabes artistic consciousness. Book News
Smithsonian Books TR 978-1-58834-452-6 144 pp. $24.95/$28.95 Can. Exam Copy: $12.50
ISMS
Understanding Modern Art
by Sam Phillips
F
illed with reproductions of key artworks and rounded out with a
glossary and index of names, this guide is a concise single-volume
introduction to modern art (from Impressionism to present) for beginners,
as well as a new way of conceptualizing modern art for afcionados and
collectors. Illustrated throughout, the book is structured to give readers a
clear understanding in a short amount of time.
Universe TR 978-0-7893-2468-9 160 pp. $16.95/$16.95 Can. Exam Copy: $3.00
4
I SOLD ANDY WARHOL (TOO SOON)
by Richard Polsky
P
olsky leads the way through the short-lived period when the art
world became the art market. He delves into the politics of auctions
and the shift in power away from galleries. A tell-all about the world of art
collecting, this book takes an unvarnished look at how the industry shifted
from art appreciation to monetary appreciation.
[Polskys knowledge] makes his narrative as informative as it is engaging,
and his enthusiasm for revealing behind-the-scenes tales brings the eclectic
cast of the art world to vivid life. . . Insightful, exciting art-world memoir.
Kirkus Reviews
Other Press TR 978-1-59051-456-6 288 pp. $15.95/$17.95 Can.
Exam Copy: $3.00
SEEING POWER
Art and Activism in the Age of Cultural Production
by Nato Thompson
W
ith the rise of social networking, contemporaries, peers, and
friends are all suddenly selling the ultimate product: themselves.
Curator and critic Nato Thompson investigates the implications of these
developments for those dedicated to socially engaged art and activism.
Highlighting the work of some of the most innovative and interesting
artists and activists working today, Thompson praises sites and institutions
that empower their communities to see power and re-imagine it. From
cooperative housing to anarchist infoshops to alternative art venues,
Thompson shows that many of todays most innovative spaces operate as
sites of dramatic personal transformation.
Melville House TR 978-1-61219-044-0 176 pp. $21.95/$24.95 Can. Exam Copy: $11.00
BORN UNDER SATURN
The Character and Conduct of Artists
by Margot and Rudolf Wittkower
T
his book explores the history of the familiar idea that artistic inspiration
is a form of madness, a madness directly expressed in artists unhappy
and eccentric lives. The Wittkowers present a compendium of information
about artists lives, from the early Renaissance to the beginning of the
Romantic era that is bursting with anecdotes about artists famous and
infamous; about suicide, celibacy, wantonness, weird hobbies, and more.
[A] delightful, scholarly and gossipy romp through the character
and conduct of artists from antiquity to the French Revolution.
The New York Times (Review of Notable Books of the Year, 1963)
NYRB Classics TR 978-1-59017-213-1 360 pp. $18.95/$24.95 Can. Exam Copy: $3.00

MUSEUM OF PROLETARIAN CULTURE
Industrialization of Bohemians
by Arseniy Zhilyaev
T
his book tells of a challenging exhibition held in one of
Russias major museums, the Tretyakov Gallery in Moscow.
Zhilyaev created a conceptual project for an imaginary museum
where the viewer sees into the future after the liberation/revolution
and is confronted with a radically different outlook on the history
of twentieth-century art. What is the relationship between museum
and artist? Is the museum a space in which a happening occurs?
The book includes texts by Russian and foreign art critics as well as
previously untranslated Soviet avant-garde texts about museums and
proletarian folklore.
Marsilio TR 978-88-317-1635-2 96 pp. $19.00/$21.00 Can. Exam Copy: $3.00
5
BIOGRAPHY, MEMOIRS & INDIVIDUAL WORK
JACOB HASHIMOTO
Superabundant Atmospheres
Edited by Luca Massimo Barbero
J
acob Hashimoto is probably best known for his installations. He
simulates nature without pretending to replicate it, and redefnes
Japanese screen painting with his assemblages of paper kites in
undulating, interactive compositions. His works convey an ephemeral
wonder, enthralling the viewer with their continuously shifting illusion
of light, space, motion, and sense of fight. Hashimotos crafting by
hand is central in his works, and the resulting pieces embody the rhythm
of repetitive execution given by the tying and knotting involved in their
making. While examining Hashimotos kite creations, this book also
references the meta-history of contemporary art.
Rizzoli TR 978-88-3171-645-1 144 pp. $40.00/$46.00 Can. Exam Copy: $20.00
KEITH HARING
by Jeffrey Deitch, Julia Gruen and Suzanne Geiss
Contribution by Kenny Scharf and George Condo
C
losely based on Keith Harings own concept for the monograph he
wanted to publish before his untimely death, this volume repre-
sents more than a decade of research and contains a wealth of unpub-
lished photographic and written material including drawings, studio
photographs, and journal entries. From chalk drawings deep in the
New York City subways to murals in Pisa and Berlin; collaborations
with William Burroughs and the famous body painting of Grace Jones,
this book follows the incredible trajectory of Harings artistic career.
Rizzoli HC 978-0-8478-4298-8 528 pp. $45.00/$45.00 Can. Exam Copy: $22.50
BLACK PANTHER
The Revolutionary Art of Emory Douglas
by Emory Douglas
Edited by Sam Durant Contribution by Kathleen Cleaver
Foreword by Danny Glover Preface by Bobby Seale
T
his reformatted and reduced-price edition of the frst book shows
the provocative posters and groundbreaking graphics of the Black
Panther Party. The Black Panther newspaper was founded to articulate
the partys message, and artist Emory Douglas became the papers art
director and later the partys minister of culture. Douglass artistic talents
and experience proved a powerful combination: his striking collages of
photographs and his own drawings combined to create some of the eras
most iconic images. This landmark book brings together a remarkable
lineup of party insiders who detail the crafting of the partys visual identity.
TOM FRIEDMAN: Up in the Air
by Charlotte Eyerman, David Neuman, and Richard Julin
A
unique insight into Tom Friedmans largest artwork made for
a solo exhibition, this book is a journey from the early stages of
conception to the full-scale fnished work, which was incorporated in a
major retrospective at Magasin 3 Stockholm Konsthall. One of the most
infuential artists of our time, Friedman transforms everyday objects
such as toothpicks and toilet paper into extraordinary works of art. Up
in the Air consists of nearly a thousand meticulously handcrafted objects
and is illustrated with original material including related drawings and
sketches published for the frst time.
6
BAD BOY
My Life On and Off the Canvas
by Eric Fischl and Michael Stone
R
enowned artist Eric Fischl explores his coming of age, and his search
for a fresh narrative style in the highly charged and competitive
New York art world in the 1970s and 1980s. With such notorious and
controversial paintings as Bad Boy and Sleepwalker, Fischl joined a
world of fashion, fame, cocaine, and alcohol that threatened to undermine
all he had achieved.
The same observational frankness that imbues his paintings makes this
a brave and candid book. Its also, in many ways, a painful book: hes
such a deft portraitist that he captures himself at his most unknowing,
wounded, prideful and self-contradictory.New York Times Book Review
Crown HC 978-0-7704-3557-8 368 pp. $26.00/$31.00 Can. Exam Copy: $13.00
THE ART OF IAN MILLER
by Ian Miller
F
eaturing over 300 pieces of artwork, this collection spans Millers
body of workfrom Lovecraft novel covers to Tolkien bestiar-
ies to Warhammer 40,000 concept art, through a veritable trove of
gothic humor, fantasy battles, dragons, beasts, and a world of night-
marish visions. Chronicling his entire career and working process,
this book includes original art never before published.
Titan HC 978-1-78116-779-3 160 pp. $34.95/$39.95 Can.
Exam Copy: $17.50
VAN GOGH
The Life
by Steven Naifeh and Gregory White Smith
S
teven Naifeh and Gregory White Smith, Pulitzer Prizewinning
biographers of Jackson Pollock, have now written a detailed portrait
of Vincent Van Gogh. Working with the full cooperation of the Van
Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth
of previously untapped materials to bring a crucial understanding to
the larger-than-life mythology of this great artist. The authors have re-
created Van Goghs life in a way that will bring new and sympathetic
understanding to this unique artistic genius.
The defnitive biography for decades to come.Leo Jansen, curator, the
Van Gogh Museum, and co-editor ofVincent van Gogh: The Complete Letters
Random House Trade Paperbacks TR 978-0-375-75897-3 976 pp. $25.00/$25.95 Can. Exam Copy: $12.50

AWAKE IN THE DREAM WORLD
The Art of Audrey Niffenegger
by Audrey Niffenegger, Krystyna Wasserman,
and Mark Pascale
A
wake in the Dream World channels the looming, historical grim-
ness of the classic fairy tale, illuminating the dichotomy between
the real and imagined through the context of fantasy, and bringing
to life a macabre ensemble of folkloric characters. The book is a
mid-career retrospective of artist and author Audrey Niffenegger,
refecting her talent for cultivating a captivating narrative exclusively
through pictures and her own confrontations with life, mortality, and
magic. Essays by Niffenegger, National Museum of Women in the
Arts curator of book arts Krystyna Wasserman, and Art Institute of Chicago curator and School of the
Art Institute professor Mark Pascale explore the artists infuences and work.
Powerhouse HC 978-1-57687-639-8 120 pp. $29.95/$35.00 Can. Exam Copy: $15.00
7
FORREST BESS
Key to the Riddle
by Chuck Smith
Foreword by Robert Thurman
P
ainter, fsherman, pseudo-hermaphroditeForrest Bess lived his
life in obscurity at an isolated bait camp off the east coast of Texas.
From 1949 through 1967, Bess showed at the Betty Parsons Gallery
in New York City, alongside superstar artists such as Jackson Pollock
and Mark Rothko. Rediscovered after his death in 1977, Besss small
visionary paintings are now prized by museums and collectors for
their primal beauty, and can fetch over $200,000 apiece. For the
frst time ever in print, Forrest Bess: Key to the Riddle combines the
beauty of Besss art with the drama and tragedy of his personal life.
PowerHouse Books HC 978-1-57687-622-0 168 pp. $40.00/$46.00 Can. Exam Copy: $20.00
THE LIVES OF THE MOST EXCELLENT PAINTERS,
SCULPTORS, AND ARCHITECTS
by Giorgio Vasari
Translated by Gaston du C. de Vere
Introduction by Philip Jacks
A
rtist Giorgio Vasari (151174) achieved immortality for this book on
the lives of his fellow Renaissance artists, frst published in Florence
in 1550. Spanning the period from the thirteenth century to Vasaris own
time, The Lives opens a window on the greatest personalities of the period,
including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael, Michelangelo,
and Titian. This Modern Library edition is abridged from the original text
with notes drawn from earlier commentaries, as well as current research.
Modern Library TR 978-0-375-76036-5 640 pp. $14.95/$21.00 Can. Exam Copy: $3.00
BALTHUS AND CATS
by Alain Vircondelet
A
lain Vircondelet was a close friend of the late Balthus and
originally wrote this text in intimate collaboration with the artist.
He explains the symbolism within Balthuss paintings and draws
parallels between the sleepy, languishing forms of the girls and cats
he painted. Balthus, who referred to himself as the Thirteenth King
of Cats, regularly featured the feline form in his art. Balthuss wife
Setsuko and their daughter Harumi shared his deep affection for cats,
and the familys devotion becomes evident in this volume, which
offers behind-the-scenes access into their home, featuring personal
photographs, belongings, and reproductions of the artists cat paintings.
Flammarion HC 978-2-08020-160-7 96 pp. $29.95/$29.95 Can. Exam Copy: $15.00
THE CAPROTTI CAPROTTI
A Study of a Painter Who Never Was
by Maurizio Zecchini
Foreword by Bernardo Caprotti
L
eonardo da Vinci is one of the artistic geniuses of all time, capable
of exciting the imagination for the many mysterious sides of his life.
Lavishly illustrated with 200 full-color plates, this book is a discovery on
the relations between the master and his favorite assistant and contains
rich and important new discoveries about da Vincis life and work.
Marsilio TR 978-88-317-1470-9 258 pp. $35.00/$40.00 Can. Exam Copy: $17.50
8
ART TECHNIQUE & REFERENCE
CLASSICAL DRAWING ATELIER
A Complete Course in Traditional Studio Practice
by Juliette Aristides
C
lassical Drawing Atelier is an atelier in a book and the master is
Juliette Aristides, a classically trained artist. Aristides uses the
works of Old Masters and todays most respected realist artists to
demonstrate and teach the principles of realist drawing and painting,
taking students step by step through the learning curve yet allowing
them to work at their own pace.
Watson-Guptill HC 978-0-8230-0657-1 160 pp. $29.95/$36.95 Can.
Exam Copy: $15.00
LESSONS IN CLASSICAL DRAWING
Essential Techniques from Inside the Atelier
by Juliette Aristides
M
aster contemporary artist and author Juliette Aristides breaks down
the drawing process into small, manageable lessons; introduces
time-tested principles and techniques that are easily accessible; and
shares the language and context necessary to understand the artistic pro-
cess and create superior, well-crafted drawings. The companion DVD,
flmed in Florence, Italy, provides real-time drawing lessons.
Exam Copy: $15.00
100 CREATIVE DRAWING IDEAS
by Anna Held Audette
H
ere, in the frst book ever of its kind, is a collection of interest-
ing and original ideas for drawing projects, contributed by art
instructors who have invented successful alternatives to humdrum ex-
ercises. The accompanying illustrations demonstrate ways in which
their students have addressed the assignments and are included to help
the reader visualize what might result from the written description.
Shambhala TR 978-1-59030-105-0 224 pp. $22.95/$29.95 Can.
Exam Copy: $11.50
DRAWING IDEAS
A Hand-Drawn Approach for Better Design
by Mark Baskinger and William Bardel
A
ward-winning designers and workshop leaders Mark Baskinger
and William Bardel bring students this thorough course in draw-
ing to create better graphic layouts, diagrams, human forms, products,
systems, and more. Their drawing boot camp provides essential in-
struction on thinking, reasoning, and visually exploring concepts to
create compelling products, communications, and services. Draw-
ing Ideas provides a foundation in the techniques and methods for
effectively communicating to clients through drawings.
Exam Copy: $20.00
FORTHCOMING NOVEMBER 2014
SKETCH! The Non-Artists Guide to Inspiration,
Technique, and Drawing Daily Life
by France Belleville-Van Stone
Do not order before 11/4/2014.
Watson-Guptill TR 978-0-385-34609-2 144 pp. $18.99/$21.99 Can.
Exam Copy: $3.00
9
DIGITAL PAINTING FOR THE COMPLETE BEGINNER
by Carlyn Beccia
W
ith Digital Painting for the Complete Beginner, students will
learn the techniques of digital painting to unleash the endless
possibilities for this unique medium. Writing for beginners with
little to no experience in digital painting, Carlyn Beccia begins with
the fundamentals, including understanding brushes, canvases, and
available mediawith opportunities to practice and experiment along
the way. The easy to follow tutorials show how to create a diverse
range of art, including drawings, sketches in pastel and watercolor,
oil paintings, and mixed media pieces.
Exam Copy: $12.50
PASTEL PAINTING ATELIER
Essential Lessons in Techniques,
Practices, and Materials
by Ellen Eagle
I
n this comprehensive guide, Ellen Eagle explores pastels rich but
relatively unexamined past, reveals her own personal infuences
and approaches, and guides students with step-by-step demonstra-
tions and lessons on proportion, gesture, composition, and identi-
fying and correcting problems. Works by masters such as James
Abbott McNeill Whistler, Rosalba Carriera, Mary Cassatt, and
Eugene Delacroix augment this guide, as do works by contemporary
artists including Harvey Dinnerstein, Elizabeth Mowry, and Daniel
Massad. Aimed at serious artists, this guide enlightens, instructs, and
inspires readers to create in the historic medium of pastel.
Watson-Guptill HC 978-0-8230-0841-4 192 pp. $35.00/$41.00 Can. Exam Copy: $17.50
ART RULES!
(AND HOW TO BREAK THEM)
How to Think Like a Modern Artist
Edited by Mel Gooding
I
t is one of the liberating ideas of modern art
that everyone is a creative being capable of
making art, but often a mechanical education
stifes the creative impulse, induces anxiety, and
represses the imagination. Making art is a form
of play with techniques, rules, and strategies. Art
Rules! (And How to Break Them) shows readers how to make art as modern artists do, how modern
art works, and how to look at it creatively, with new eyes. Includes 44 color cards and booklet.
Shambhala Boxed Set 978-1-59030-840-0 $24.95/$28.95 Can. Exam Copy: $12.50
CALLIGRAPHY BIBLE
A Complete Guide to More Than 100 Essential
Projects and Techniques
by Maryanne Grebenstein
F
rom ancient to modern times, the art of calligraphy has
brought the written word to life, beautifying folklore, letters,
poetry, and more. Though the book examines the history of writ-
ing and its transformations, it also provides a detailed guide to
materials and tools for setting up a calligraphy workspace and an
Alphabet Workbook for practicing all of the books letterforms,
from Foundationals to Copperplate.
Watson-Guptill TR 978-0-8230-9934-4 256 pp. $24.99/27.99 Can. Exam Copy: $12.50
10
WATERCOLOR PAINTING
A Comprehensive Approach to
Mastering the Medium
by Tom Hoffmann
T
he beauty of a watercolor painting lies in its diaphanous layers,
delicate strokes, and luminous washes. However, the very
features that defne the beauty of the medium can make it diffcult
to master. This complete guide to understanding the relationships
between color, value, wetness, and composition unravels the
mysteries of watercolor to help students evolve. Experienced teacher
and acclaimed artist Tom Hoffmann offers a unique, inquiry-based
approach that shows how to translate any subject into the language
of watercolor.
Watson-Guptill HC 978-0-8230-0673-1 208 pp. $35.00/$41.00 Can. Exam Copy: $17.50
THE ARTISTS MENTOR
Inspiration from the Worlds Most Creative Minds
by Ian Jackman
T
he Artists Mentor is for those who want to create art but do not
know how to begin. Drawing on interviews and autobiographical
writings of more than 100 famous painters, photographers, sculptors,
and flm and video artists, Jackman gets to the heart of what makes
art. Here, Michelangelo Brungardt, Frida Kahlo, Jean Renoir, Andy
Warhol, Ansel Adams, Annie Leibovitz, Pablo Picasso, and many other
visual artists describe the creative process.
Random House Reference TR 978-0-375-72063-5 256 pp. $17.00/$20.00 Can.
Exam Copy: $3.00
THE NEW COLORED PENCIL
Create Luminous Works with Innovative Materials
and Techniques
by Kristy Ann Kutch
P
opular colored-pencil artist and teacher Kristy Ann Kutch
guides readers through the myriad new developments in
colored pencil materials, techniques, and practices, focusing on
traditional, wax, and water-soluble colored pencils. Also included
is information on wax pastelsthe frst time that such crayon-
like products have been prominently featured in a book. With
lessons in color theory, combining color media, creating and
enhancing textures, and experimenting with new surfaces, the
guide culminates in a number of demonstrations to round out the book as a complete resource.
Watson-Guptill TR 978-0-7704-3693-3 176 pp. $24.99/$28.99 Can. Exam Copy: $12.50
ON BECOMING AN ARTIST
Reinventing Yourself Through Mindful Creativity
by Ellen J. Langer
H
arvard psychologist Ellen J. Langer shows us that creativity is
not a rare gift that only a few are born with, but rather an integral
part of everyones makeup. She describes dozens of fascinating
experiments that are designed to study mindfulness and its relation
to human creativity, sharing the profound implications of the results.
By example, she persuades us to have faith in our creative works, not
because someone else approves of them but because theyre a true
expression of ourselves.
Ballantine Books TR 978-0-345-45630-4 288 pp. $15.95/$21.00 Can.
Exam Copy: $3.00
11
FUN WITH A PENCIL
by Andrew Loomis
A
ndrew Loomis (18921959) is revered amongst artistsinclud-
ing comics superstar Alex Rossfor his mastery of drawing.
Fun with a Pencil, frst published in 1939, is an engaging introduction
to drawing, cartooning, and capturing the essence of a subject, all
while having fun. With delightful step-by-step instruction from Pro-
fessor Blook, Loomiss charming alter ego, Loomis delivers amateur
artists a masterclass.
Titan Books HC 978-0-85768-760-9 120 pp. $39.95/$46.00 Can.
Exam Copy: $20.00
CREATIVE ILLUSTRATION
by Andrew Loomis
C
reative Illustration is considered Andrew Loomiss magnum opus,
which is aimed primarily at the professional-level illustrator. Filled
with 300 illustrations, the book includes instructions, tips, insider ex-
periences, and is divided into seven sections: Line, Tone, Color, Telling
the Story, Creating Ideas, Fields of Illustration, and Experimenting and
Studies.
Titan Books HC 978-1-84576-928-4 300 pp. $39.95/$46.00 Can.
Exam Copy: $20.00
For more books by Andrew Loomis, go to: http://tiny.cc/9am1ex
DAILY PAINTING
Paint Small and Often To Become a More Creative,
Productive, and Successful Artist
by Carol Marine
A
uthor Carol Marine (who is among the most celebrated
daily painters and the curator of the popular online gallery
dailypaintworks.com) was suffering from painters block until she
discovered daily painting. The idea is simple: do art (usually
small) often (how often is up to the individual) and, if desired, post
it and sell it online. In her debut, Marine reveals the tips and tricks
that helped her and other daily painters pick up the paintbrush and
start creating beautiful, bountiful, marketable work.
Exam Copy: $11.50
COLORED PENCIL PAINTING BIBLE
Techniques for Achieving Luminous Color
and Ultrarealistic Effects
by Alyona Nickelsen
T
he new techniques created by award winning colored-pencil
artist Alyona Nickelsen allow artists to achieve radiant color,
painterly fnishes and realistic effects using colored pencils. Her
simple, detailed step-by-step demonstrations ensure that her results
are within reach for every student.
Exam Copy: $13.00
12
PRINTMAKING REVOLUTION
New Advancements in Technology, Safety,
and Sustainability
by Dwight Pogue
E
tching, lithography, and screen printing should not be harmful
to the artist or the planet. Printmaking Revolution provides
artists, students, and teachers alike with safer, environmentally
friendly and non-carcinogenic methods for creating beautiful
prints. With new alternatives for the modern era, and work by
notable artists, including Janet Fish, Louisa Chase, and others,
this book offers safe techniques, materials, and processes for a
time-honored medium.
Exam Copy: $20.00
STORYBOARDING ESSENTIALS
SCAD Creative Essentials (How to Translate Your Story
to the Screen for Film, TV, and Other Media)
by David Harland Rousseau
T
his book is a comprehensive guide to visual storytelling from
Savannah College of Art and Design (SCAD) which covers
everything students and working professionals need to master the
art of writing and formatting scripts, creating frames, and following
visual logic to create a cohesive narrative.
Exam Copy: $12.50
URBAN WATERCOLOR SKETCHING
A Guide to Drawing, Painting, and Storytelling in Color
by Felix Scheinberger
T
his illustrated resource teaches students how to sketch with
watercolor, rendering subjects effciently. Students are guided
through all aspects of the medium, from fundamental techniques
including wet-on-wet, glazing, and washes; materials and supplies;
and little known tips and tricks for getting the most out of watercolor.
A strong focus on color theory provides a solid foundation for en-
hancing drawings with vibrant hues.
Exam Copy: $11.50
THE BIG BOOK OF DRAWING
An Introduction to Essential Materials and Techniques
by Watson-Guptill
W
ith thorough explanations of materials and their composition,
step-by-step demonstrations, and practical advice for creating
compositions, The Big Book of Drawing is a comprehensive authority
on the medium that is the foundation of all other visual arts. Students
will learn how to handle charcoal, pastel, pencil, and an array of
inks; master various shading techniques, including cross-hatching
and chiaroscuro; and discover the secrets to constructing attractive
and unique compositions.
Exam Copy: $12.50
13
GRAPHIC NOVELS, COMICS, & MANGA
T
hese essential resources from comics icon Stan Lee, the bestselling DC Comics Guide
series, and manga master Christopher Hart among others will guide and inspire students
with step-by-step instructions and illustrations through storytelling and techniques for
professional quality comics, anatomy, and more.

WORDS FOR PICTURES: The Art and Business
of Writing Comics and Graphic Novels
by Brian Michael Bendis
Foreword by Joe Quesada
Exam Copy: $12.50
POP MANGA: How to Draw the Coolest,
Cutest Characters, Animals, Mascots, and More
by Camilla DErrico and Stephen W. Martin
Exam Copy: $11.00
COMIC BOOK LOGO AND TYPE DESIGN: Top Artists
Reveal Their Creative Process and Design Techniques
by Jared K. Fletcher
Exam Copy: $12.50
BASIC ANATOMY FOR THE MANGA ARTIST
Everything You Need to Start Drawing Authentic
Manga Characters
by Christopher Hart
Exam Copy: $11.00
MANGA FOR THE BEGINNER
Everything You Need to Start Drawing Right Away!
by Christopher Hart
Exam Copy: $11.00
STAN LEES HOW TO DRAW COMICS
From the Legendary Creator of Spider-Man, the Incredible Hulk,
Fantastic Four, X-Men, and Iron Man
by Stan Lee
14
GRAPHIC NOVELS, COMICS, & MANGA
STAN LEES HOW TO DRAW SUPERHEROES
From the Legendary Co-Creator of the Avengers,
Spider-Man, the Incredible Hulk, the Fantastic Four,
the X-Men, and Iron Man
by Stan Lee
Exam Copy: $12.50
STAN LEES HOW TO WRITE COMICS
From the Legendary Co-Creator of Spider-Man, the
Incredible Hulk, Fantastic Four, X-Men, and Iron Man
by Stan Lee
Exam Copy: $12.50
FOUNDATIONS IN COMIC BOOK ART
SCAD Creative Essentials (Fundamental Tools
and Techniques for Sequential Artists)
by John Paul Lowe
Exam Copy: $12.50
THE DC COMIC GUIDE TO WRITING COMICS
by Dennis ONeil
Exam Copy: $11.50
MAKE COMICS LIKE THE PROS
The Inside Scoop on How to Write, Draw, and
Sell Your Comic Books and Graphic Novels
by Greg Pak
Exam Copy: $11.50
THE DC COMIC GUIDE TO CREATING COMICS
Inside the Art of Visual Storytelling
by Carl Potts
Exam Copy: $12.50
15
VIDEO GAME ARTISTRY
HOW TO BECOME A VIDEO GAME ARTIST
The Insiders Guide to Landing a Job in the Gaming World
by Sam R. Kennedy
V
eteran video game designer Sam R. Kennedy provides the inside track
on everything students need to forge a career in the world of video game
art. Starting with the basics of game creation and a look at the artistic skills
necessary to get started, Kennedy spotlights specifc, key roles for creators
from concept artists to character animators to marketing artists and beyond.
DRAWING BASICS AND VIDEO
GAME ART: Classic to Cutting-Edge
Art Techniques for Winning Video Game Design
by Chris Solarski
D
rawing Basics and Video Game Art is the frst to examine the con-
nections between classical art and video games, enabling students to
create more expressive and varied emotional experiences in games. Artist
game designer Chris Solarski gives readers a comprehensive introduction
to basic and advanced drawing and design skillslight, value, color, anat-
omy, concept developmentas well as detailed instruction for using these
methods to design complex characters, worlds, and gameplay experiences.
FORTHCOMING DECEMBER 2014
VIDEO GAME STORYTELLING
What Every Developer Needs to Know about Narrative Techniques
by Evan Skolnick
THE NEW ART OF CAPTURING LOVE: The Essential
Guide to Lesbian and Gay Wedding Photography
by Kathryn Hamm
T
he frst guide to posing and sensitively capturing same-sex cou-
ples on their big day, The New Art of Capturing Love shows how
to capture portraits with a new approach to posing, which until now
has been oriented toward pairing a larger man in black with a smaller
woman in white. Hamm rewrites these traditional techniques, giving
students the tools to create images for any couple getting married.
Amphoto Books TR 978-0-8041-8523-3 224 pp. $24.99/$28.99 Can.
Exam Copy: $12.50
GREGORY HEISLER: 50 PORTRAITS: Stories and
Techniques from a Photographers Photographer
by Gregory Heisler
I
n this frst-ever showcase of his work, Gregory Heisler shares 50
iconic portraits of celebrities, athletes, and world leaders, along with
fascinating, thoughtful, often humorous stories about how the images
were made. From his portrait of President George H.W. Bush to his
post-9/11 Time magazine cover of Rudolph Giuliani, to portraits of Julia
Roberts, Michael Phelps, Muhammad Ali, and many more, Heisler re-
veals the creative and technical processes that led to each frame.
Amphoto Books HC 978-0-8230-8565-1 224 pp. $40.00/$46.00 Can.
Exam Copy: $20.00
PHOTOGRAPHY
16
PHOTOGRAPHY
THE BOOK OF PHOTOGRAPHY
The History, the Technique, the Art, the Future
by Anne H. Hoy
S
panning more than 166 years of photographic history and the
work of more than 250 photographers, this comprehensive
and global volume explores every aspect of photographythe
newest inventions, revolutionary past, ever-changing technical
and aesthetic developments, and the personal stories and styles of
photographers worldwide.
National Geographic HC 978-0-7922-3693-1 448 pp. $40.00/$55.00 Can.
Exam Copy: $20.00
A PHOTOGRAPHERS LIFE
1990-2005
by Annie Leibovitz
I
dont have two lives, Annie Leibovitz writes in the introduc-
tion to this collection of her work from 1990 to 2005. This is
one life, and the personal pictures and the assignment work are all
part of it. Portraits of well-known fgures appear alongside pictures
of Leibovitzs family and friends, reportage from the siege of Saraje-
vo in the early nineties, and landscapes. The pictures form a narrative
of a life rich in contrasts and continuities.
Her fans may be astonished both by the range of the work and
the unstudied, everyday quality of some of the imagesa family
day at the beach, a newborn in the delivery room.Newsweek
Random House TR 978-0-81297-963-3 472 pp. $60.00/$68.00 Can. Exam Copy: $30.00
For more books by Annie Leibovitz, go to: tiny.cc/tl5tex
THE LUMINOUS PORTRAIT
Capture the Beauty of Natural Light for Glowing,
Flattering Photographs
by Elizabeth Messina with Jacqueline Tobin
Foreword by Ulrica Wihlborg
F
rom wedding and portrait photographer Elizabeth Messina comes
this guide to shooting portraits exclusively in natural light. The
Luminous Portrait will inspire students with Messinas personal ap-
proach and award-wining images, sharing the art to making portraits
that appear lit from within.
Exam Copy: $15.00
BODIES OF SUBVERSION
A Secret History of Women and Tattoo, Third Edition
by Margot Miffin
N
ewly released and expanded, Bodies of Subversion remains the
only book to chronicle the history of both tattooed women and
women tattooists. It features ffty new photos and full-color images
throughout. In addition, the updated third edition boasts a sleek
design and new chapters documenting recent changes in the timeline
of female tattooing, including a section on celebrity tattoo artist Kat
Von D; the impact of reality shows on womens tattoo culture; and
therapeutic uses of tattooing for women leaving gangs, prisons, or
situations of domestic abuse.
. . . a heavily updated and resplendently illustrated
third edition.The New York Times
powerHouse Books HC 978-1-57687-666-4 160 pp. $39.95/$46.00 Can. Exam Copy: $20.00
NATIONAL GEOGRAPHIC ULTIMATE FIELD GUIDE
TO PHOTOGRAPHY: Revised and Expanded
by National Geographic
T
he National Geographic Ultimate Field Guide to Photography
spells out the basics of fne photographywhether a student
is using a digital SLR or a flm cameraas well as more advanced
techniques. It is carefully designed to lead the student photographer
to better pictures and is comprehensive in scope, explaining the entire
process from choosing a camera to taking the pictures to printing,
scanning, and archiving the images.
National Geographic TR 978-1-4262-0431-9 400 pp. $24.95/$27.95 Can.
Exam Copy: $12.50
WOMEN OF VISION
National Geographic Photographers on Assignment
by National Geographic
W
omen photographers have produced many of National
Geographics most powerful photo-narratives of the
past decade. These talented photojournalists are celebrated in
this photography book, covering places and subjects around the
globefrom the elegant landscapes of the Mongolian steppes to
the war-torn battlefelds of Iraq; from the last great wildernesses
of Africa to the fash and tumult of the Jersey Shore.
National Geographic HC 978-1-4262-1272-7 224 pp. $30.00/$35.00 Can.
Exam Copy: $15.00
BOOKS BY BRYAN PETERSON
B
ryan Peterson demystifes the elements of exposure and composition with simple instructions on
how to avoid common pitfalls. His feld guide covers creative techniques for taking better nature
and landscape photos. All published by Amphoto Books.
BRYAN PETERSONS EXPOSURE SOLUTIONS
The Most Common Photography Problems and How to Solve Them
TR 978-0-7704-3305-5 144 pp. $19.99/$23.99 Can. Exam Copy: $3.00
BRYAN PETERSONS UNDERSTANDING COMPOSITION FIELD GUIDE
How to See and Photograph Images with Impact
BRYAN PETERSONS UNDERSTANDING PHOTOGRAPHY FIELD GUIDE
How to Shoot Great Photographs with Any Camera
UNDERSTANDING FLASH PHOTOGRAPHY
How to Shoot Great Photographs Using Electronic Flash
For more books by Bryan Peterson, go to: tiny.cc/gbgefx.
17
PHOTOGRAPHY
18
PHOTOGRAPHY
THE FAST TRACK PHOTOGRAPHER BUSINESS PLAN
by Dane Sanders Foreword by David DuChemin
C
reating a successful business in todays Digi-Flat era requires
a sharp new approach, one that Dane Sanders has practiced
successfully and taught at Fast Track workshops and seminars all
around the world. Topics in the book include: how to turn the very
technologies that are killing professional photographysuch as the
Internetinto your tools of success; how to lead your business, not let
your business lead you; how systematizing, scaling, and outsourcing are
critical concepts even for a one-person business; how to radically rethink
marketing, sales, and customer service; how to hone a creative vision
that worksthe most powerful step one can take as a businessperson.
Unusually forward-thinking and fresh. Danes advice will help prepare
current and future photographers for the ever-changing photography
market ahead. Vincent Laforet, Pulitzer Prizewinning photographer
Amphoto Books TR 978-0-8174-0000-2 256 pp. $16.99/$18.99 Can. Exam Copy: $3.00
FINE ART WEDDING PHOTOGRAPHY: How to
Capture Images with Style for the Modern Bride
by Jose Villa
T
he acclaimed wedding photographer shares his secrets for
bringing a stylized sense of composition, lighting, posing, and,
most important, design to images, while still keeping them organic
and narrative. Students will learn Villas trademark technique of
capturing the more natural moment after a pose, and tips for getting
images right in-camera to avoid the need for heavy postproduction.
Final chapters show students how to integrate design through the
delivered product, whether an album or slideshow.
Exam Copy: $15.00
THE ART OF THE PHOTOGRAPH
Essential Habits for Stronger Compositions
by Art Wolfe and Rob Sheppard
F
eaturing more than 200 of master photographer Art Wolfes
images, The Art of the Photograph helps amateur students of all
levels break bad habits and shatter common yet incorrect assumptions
that hold many photographers back, and transforms their photography
in the process. Wolfe shares the insights and techniques learned in four
decades of award-winning photography. Along with co-author Rob
Sheppard, Wolfe challenges students to stop focusing on subjects they
feel they should photograph and instead, to see like a camera sees,
seek out a personal point of view, and construct meaningful images.
Amphoto Books TR 978-0-7704-3316-1 256 pp. $29.99/$34.95 Can. Exam Copy: $15.00
THE NEW ART OF PHOTOGRAPHING NATURE
An Updated Guide to Composing Stunning Images of
Animals, Nature, and Landscapes
by Art Wolfe, Martha Hill, and Tim Grey
I
n this fully revised edition of the classic bestseller, master
photographer Art Wolfe and former Audubon photo editor Martha
Hill team up to explain the art of composing images of enduring beauty.
Against a backdrop of more than 250 photographs of nature, wildlife,
and landscapes, they share insights and advice about what works and
what doesnt. Throughout, all-new tips from digital imaging expert
Tim Grey show students how to make the most of digital technology.
Exam Copy: $15.00
19
ARCHITECTURE
THE WAY OF ENTHUSIASTS
by Katerina Chuchalina
T
he Way of Enthusiasts details the evolution of art from the
Soviet era through modern Russia. The title is a translation of
the Moscow landmark Shosse Entuziastov, an avenue connecting
the city center to the residential districts. The romantic, impassioned
foundations that were laid under this name in the 1920sas well
as the urban environment it designatedgradually changed as
the Soviet social project evolved. Featuring commentaries by
Russian artists over the last few decades, the book uses urban
and architectural material to contextualize and depict the patterns
underlying artistic practices since the shift from the Soviet era to a
post-ideological society.
Marsilio HC 978-88-317-1636-9 208 pp. $39.00/$45.00 Can. Exam Copy: $19.50
PUBLIC ART FOR PUBLIC SCHOOLS
by Michele Cohen Photographs by Stan Ries
B
eyond the basics of classrooms and library, a good school in-
spires students and teachers and enhances the learning envi-
ronment through its architecture and its art. This principle is best
demonstrated by the New York City school system, where a col-
lection of more than 1,500 artworks ranges from stained glass by
Tiffany Studios to contemporary works by Hans Hofmann, Faith
Ringgold, and others.
There is an extraordinary treasury of artwork, more than a
centurys worth, within the walls of city schools. But because it is
scattered through all boroughs, in buildings not typically open to the
public, there has been no way until now to appreciate the breadth of
the collection or the depth of it. The New York Times
GREEN DESIGN
Creative Sustainable Designs for
the Twenty-First Century
by Marcus Fairs
A
uthor Marcus Fairs helps students understand the shift of green
design from marginal to mainstream by featuring products and
buildings that address immediate concerns about global warming and
environmental degradation. Through vast architectural projects to mod-
est one-off pieces of salvaged furniture, the book shows how the design
world is responding to the environmental challenges of this century.
North Atlantic Books TR 978-1-55643-836-3 256 pp. $25.00/$29.95 Can.
Exam Copy: $12.50
THE ART-ARCHITECTURE COMPLEX
by Hal Foster
H
al Foster, author of the acclaimed Design and Crime, argues that a
fusion of architecture and art is a defning feature of contemporary
culture. He identifes a global style of architecture analogous to the
international style of famed architects Le Corbusier, Gropius, and Mies.
More than any other art, todays global style conveys both the dreams
and the delusions of modernity. Foster demonstrates that a study of the
art-architecture complex provides invaluable insight into broader
social and economic trajectories in urgent need of analysis.
Brimming with ideas and analysis. Library Journal
20
INDEX
100 Creative Drawing Ideas . . . . . . . . . . . . . . . . . . . . . . . . 8
Age of Insight, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Anywhere or Not at All: Philosophy of Contemporary Art . . 3
Aristides, Juliette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Art of Ian Miller, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Art of the Photograph, The . . . . . . . . . . . . . . . . . . . . . . . . 18
Art Rules! (And How to Break Them) . . . . . . . . . . . . . . . . . 9
Art Wolfe, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Art-Architecture Complex, The . . . . . . . . . . . . . . . . . . . . . 19
Articial Hells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Artists Mentor, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Audette, Anna Held. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Awake in the Dream World: The Art of Audrey Niffenegger 6
Bad Boy: My Life On and Off the Canvas. . . . . . . . . . . . . . 6
Balthus and Cats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Barbero, Luca Massimo . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Basic Anatomy for the Manga Artist . . . . . . . . . . . . . . . . . 13
Baskinger, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Beccia, Carlyn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Before and after the Horizon . . . . . . . . . . . . . . . . . . . . . . . 3
Belleville-Van Stone, France . . . . . . . . . . . . . . . . . . . . . . . 8
Bendis, Brian Michael. . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Big Book of Drawing, The. . . . . . . . . . . . . . . . . . . . . . . . . 12
Bishop, Claire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Black Panther: The Revolutionary Art of Emory Douglas. . 5
Bodies of Subversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Book of Photography, The . . . . . . . . . . . . . . . . . . . . . . . . 16
Born Under Saturn: The Character and Conduct of Artists 4
Bryan Petersons Exposure Solutions . . . . . . . . . . . . . . . 17
Bryan Petersons Understanding Composition Field Guide 17
Bryan Petersons Understanding Photography Field Guide 17
Calligraphy Bible. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Caprotti Caprotti, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Carbone, Teresa A.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Chicago, Judy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Chuchalina, Katerina . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Classical Drawing Atelier . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Cohen, Michele. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Color: A Natural History of the Palette . . . . . . . . . . . . . . . . 2
Colored Pencil Painting Bible . . . . . . . . . . . . . . . . . . . . . . 11
Comic Book Logo and Type Design . . . . . . . . . . . . . . . . . 13
Creative Illustration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Daily Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
DC Comics Guide to Creating Comics, The. . . . . . . . . . . 14
DC Comics Guide to Writing Comics, The . . . . . . . . . . . . 14
Deitch, Jeffrey. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Derrico, Camilla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Digital Painting for the Complete Beginner. . . . . . . . . . . . . 9
Douglas, Emory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Drawing Basics and Video Game Art . . . . . . . . . . . . . . . . 15
Drawing Ideas: A Hand-Drawn Approach for Better Design 8
Eagle, Ellen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Eco, Umberto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Fairs, Marcus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Fast Track Photographer Business Plan, The . . . . . . . . . 18
Fine Art Wedding Photography. . . . . . . . . . . . . . . . . . . . . 18
Finlay, Victoria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Fischl, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Fletcher, Jared K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Forrest Bess: Key to the Riddle . . . . . . . . . . . . . . . . . . . . . 7
Foster, Hal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Foundations in Comic Book Art . . . . . . . . . . . . . . . . . . . . 14
Fun With A Pencil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Gooding, Mel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Grebenstein, Maryanne . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Green Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Gregory Heisler: 50 Portraits . . . . . . . . . . . . . . . . . . . . . . 15
Gualdoni, Flaminio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Hamm, Kathryn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Harr, Jonathan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Hart, Christopher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Heisler, Gregory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
History of the Nude, The. . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Hoffmann, Tom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
How to Become a Video Game Artist . . . . . . . . . . . . . . . . 15
Hoy, Anne H.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
I Sold Andy, Warhol (Too Soon) . . . . . . . . . . . . . . . . . . . . . 4
Institutional Time: A Critique of Studio Art Education . . . . . 1
Isms: Understanding Modern Art . . . . . . . . . . . . . . . . . . . . 3
Jackman, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Jacob Hashimoto: Superabundant Atmospheres . . . . . . . . 5
Johnson, Paul. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Julin, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Kandel, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Keith Haring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Kennedy, Sam R. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Kutch, Kristy Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Langer, Ellen J.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Lee, Stan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13, 14
Leibovitz, Annie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Lessons in Classical Drawing. . . . . . . . . . . . . . . . . . . . . . . 8
Lives of the Most Excellent Painters, Sculptors, and
Architects, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Loomis, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Lost Painting, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Lowe, John Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Luminous Portrait, The . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Make Comics Like the Pros . . . . . . . . . . . . . . . . . . . . . . . 14
Manga for the Beginner . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Marine, Carol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Messina, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Mifin, Margot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Miller, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Museum of Proletarian Culture: Industrialization
of Bohemians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Naifeh, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
National Geographic Ultimate Field Guide to Photography 17
National Geographic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
New Art of Capturing Love . . . . . . . . . . . . . . . . . . . . . . . . 15
New Art of Photographing Nature, The. . . . . . . . . . . . . . . 18
New Colored Pencil, The . . . . . . . . . . . . . . . . . . . . . . . . . 10
Nickelsen, Alyona . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Niffenegger, Audrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
On Becoming an Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
On Ugliness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
ONeil, Dennis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Osborne, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Pak, Greg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Pastel Painting Atelier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Penney, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Peterson, Bryan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Phillips, Sam. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Photographers Life, A: 19902005 . . . . . . . . . . . . . . . . . 16
Pogue, Dwight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Polsky, Richard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Pop Manga . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Potts, Carl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Printmaking Revolution. . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Public Art for Public Schools. . . . . . . . . . . . . . . . . . . . . . . 19
Renaissance, The: A Short History. . . . . . . . . . . . . . . . . . . 2
Rousseau, David Harland. . . . . . . . . . . . . . . . . . . . . . . . . 12
Sanders, Dane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Scheinberger, Felix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Seeing Power: Art and Activism in the Age of
Cultural Production . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Sketch! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Skolnick, Evan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Smith, Chuck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Solarski, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Stan Lees How to Draw Comics . . . . . . . . . . . . . . . . . . . 13
Stan Lees How to Draw Superheroes . . . . . . . . . . . . . . . 14
Stan Lees How to Write Comics . . . . . . . . . . . . . . . . . . . 14
Storyboarding Essentials: SCAD Creative Essentials). . . 12
Thompson, Nato. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Tom Friedman: Up In the Air. . . . . . . . . . . . . . . . . . . . . . . . 5
Understanding Flash Photography. . . . . . . . . . . . . . . . . . 17
Urban Watercolor Sketching. . . . . . . . . . . . . . . . . . . . . . . 12
Van Gogh: The Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Vasari, Giorgio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Video Game Storytelling. . . . . . . . . . . . . . . . . . . . . . . . . . 15
Villa, Jose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Vircondelet, Alain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Watercolor Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Watson-Guptill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Way of Enthusiasts, The. . . . . . . . . . . . . . . . . . . . . . . . . . 19
Witness: Art and Civil Rights in the Sixties. . . . . . . . . . . . . 1
Wittkower, Rudolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Wolfe, Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Women of Vision . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Words for Pictures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Zecchini, Maurizio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Zhilyaev, Arseniy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
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