1. This document discusses the technique of using chord progressions to transition between chords, called "walk-downs" and "walk-ups".
2. A walk-down involves playing the note between two chords in the left hand along with the corresponding chord in the right hand to move to the next chord.
3. A walk-up uses the notes between two chords, played as left hand notes with the corresponding chords in the right hand, to transition up to the next chord over multiple beats.
1. This document discusses the technique of using chord progressions to transition between chords, called "walk-downs" and "walk-ups".
2. A walk-down involves playing the note between two chords in the left hand along with the corresponding chord in the right hand to move to the next chord.
3. A walk-up uses the notes between two chords, played as left hand notes with the corresponding chords in the right hand, to transition up to the next chord over multiple beats.
1. This document discusses the technique of using chord progressions to transition between chords, called "walk-downs" and "walk-ups".
2. A walk-down involves playing the note between two chords in the left hand along with the corresponding chord in the right hand to move to the next chord.
3. A walk-up uses the notes between two chords, played as left hand notes with the corresponding chords in the right hand, to transition up to the next chord over multiple beats.
This is a very effective fill-in technique in which you use a chord progression to move from one chord to the next. Lets take our example: C G/B m !air - est Lord "m #$ C %e - sus m "m #$ C F/G - G &ul ' er of all (a - ture C ! C ! C # F/A G/B ) Thou of #od and man the *on+ C ! C $ "m Thee will , cher ' ish- ,n our first walk-down- we are going from a C chord to m- so the note in .etween is /- the corresponding chord to go with the / note in the left hand would .e a # chord- so you would play a / note in the left hand and a # chord in the right. The second fill-in is actually not a walk-down .ut are filler chords you can use when there are two or more .eats to fill and you are staying on the original chord- which is usually the one chord. ,t is called the 0 over 1 chord- .ecause you play the five chord in your right hand and the left hand plays the 0 th note in the scale- or in this case a # chord with an ! .ase note in the left hand. This is also a turnaround chord to use to repeat the song. The third fill-in is a walk-up chord progression. 2e are going from a # chord to the C chord and we have 0 .eats to get there. The notes from # to C are and /. The corresponding chords that go with them are ! and #. *o you would play an note in your left hand with a ! chord in the right- followed .y a / note in the left hand and a # chord in your right. 3ou would play them on .eats 4 and 0. 3ou may also 5ust use the left hand to walk the .ass notes up or down and not play the chords at all in the right hand- or mix and match for variety. ,f you are playing with a .ass player- they can fill-in the left hand .ass notes with you- .ut if you are playing alone- it is particularly important to use these walk-downs and walk-ups to define the movement in the song. Tip: 2hen you are starting out- you might want to make little notes on your chord charts indicating where ou !ight want to use certain of these techni"ues in a song. fter time- it will .ecome second nature to you with no thought needed- .ut in the .eginning it is helpful to plan out your arrangements more. -##-
Wolfgang Rihm's Recent Music Author(s) : John Warnaby Source: Tempo, New Series, No. 213 (Jul., 2000), Pp. 12-19 Published By: Cambridge University Press Accessed: 11-12-2019 15:03 UTC