Parisine Clair Regular

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TYPOFONDERIE Parisine
typofonderie.com
info@typofonderie.com
+33 (0) 146 542 692
Legal
Typeface design by Jean
Francois Porchez. Copyright
1990-2013. All rights
reserved. Disributed
exclusively by Typofonderie.
Help
OpenType font families are
compatible with Mac OS and
Windows platforms. Please
consult our Help secion for
info concerning the language
support, OpenType support,
insallation and use of these
fonts.
Exclusive Pro version
Parisine Pro version is available
from 55 one weight/ one user.
Std version
Parisine Std version is available
from 45 one weight/ one user.
Various ofers available online.
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Parisine Clair Regular
Parisine Clair Italic
Parisine Clair Bold
Parisine Clair Bold Italic
Parisine Gris Regular
Parisine Gris Italic
Parisine Regular
Parisine Italic
Parisine Gris Bold
Parisine Gris Bold Italic
Parisine Bold
Parisine Bold Italic
Parisine Sombre Regular
Parisine Sombre Italic
Parisine Sombre Bold
Parisine Sombre Bold Italic
Clair Regular
Clair Italic
Clair Bold
Clair Bold Italic
Gris Regular
Gris Italic
Regular
Italic
Gris Bold
Gris Bold Italic
Bold Italic
Bold
Sombre Regular
Sombre Italic
Sombre Bold
Sombre Bold Italic
available on this format
not available on this format
PRO STD
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TYPOFONDERIE
Mtro?
Jen pense Quoi de ce caracre
El Estudio
Stations Barbs Rochechouard & Pigalle
La retraite pour tous
Tour Eifel
World news headlines
ESCALATOR
Basille
Artes & Ocios
Te major transit operator
Find Te Torch, Burn Te Plans
typofonderie.com 2
Parisine
Clair Regular
Clair Italic
Sombre Bold
Bold
Sombre Bold Italic
Regular
Gris Bold Italic
Sombre Bold
Gris Regular
Bold Italic
Gris Regular
Sombre Bold Italic
Specimen
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TYPOFONDERIE
Glyph set: Std version
typofonderie.com 3
Parisine
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m
$
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789#$
0123456789#$
%
+=~^<>
()[]{},;:.!?'"
/\|- _* &@
`
fff
fffA
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TYPOFONDERIE
Glyph set: Pro version
typofonderie.com 4
Parisine
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ikjl
mn rs
356
$
ABCDEFGHIJKLMNOPQRSTUVWXYZ
12345678900#$
12345678900#$
12345678900#$
12345678900#$
+=
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%
+=~^<>
(((;))[|]](((}},;:.l?|i'"
/\|l-_*&a
`
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AAAAE
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TYPOFONDERIE
Glyph set: Pro version Glyph set 2: Pro version
typofonderie.com 5
Parisine
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ikjl
mn rs
356
$
fffffffffffff
Tcs
ABCDEFGH
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TYPOFONDERIE
OpenType features: Pro version
typofonderie.com 6
Parisine
{[(abcdefghijklmnopqrstuvwxyz- )]}
{[(ABCDEFGHIJKLMNOPQRST- )]}
{[(abcdefghijklmnopqrstuvwxyz)]}
abcdefghijklmnopqrstuvwxyz no No 1a 2o
abcdefghijklmnopqrstuvwxyz 1 2
fffbffbfhffhfiffifjffjfkffkflfflftfft
12345678900#$ %
12345678900#$ %
12345678900#$ %
12345678900#$ %
1234567890+=() 1234567890+=()
+=
1234567890 1234567890
1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00
12 23 35 56 67 78 89 00
all capitals feature
all small caps feature
sandard
superiors & ordinals
sandard
ligatures
capital tabular gures (default)
capital gures
minuscule tabular gures
minuscule gures
sandard
superscript
& subscript gures
numerator
& denominator gures
sandard
fracions feature
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TYPOFONDERIE
OpenType features: Pro version
typofonderie.com 7
Parisine
discretionary ligatures

sandard
sylisic set 3
+ ligatures
sandard
sylisic set 5
sandard
sylisic set 6
sandard
contextual alternates
sandard
hisorical forms
ctstTh
csT
conneced ligatures
special cedilla
ABCDEFGH
ABCDEFGH arrows
nn HH
nn HH special en-dash with thin space included
s
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TYPOFONDERIE
Stylis sets samples: Pro version
discretional ligatures
typofonderie.com 8
Parisine
sylisic set 5
sylisic set 6
arrows
sylisic set 3
+ ligatures
I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to
see the way they are used in most cases. Once in a while Franois see them con-
densed so much that they look absolutely squished or extended so much that they
look comical, and I dont like that. It ruins the sensitivity of the forms and makes
all my careful work unrecognizable. Id rather people use the faces as they are. If
I aM VeRY PLeaSed ThaT SO MaNY PeOPLe LIKe my typefaces and am
happy to see the way they are used in most cases. Once in a while george
see them condensed so much that they look absolutely squished or
extended so much that they look comical, and I dont like that. It ruins the
sensitivity of the forms and makes all my careful work unrecognizable. Id
see the way they are used in most cases. Once in a while flipe see them condensed
so much that they look absolutely squished or extended so much that they look
comical, and I dont like that. It ruins the sensitivity of the forms and makes all my
careful work unrecognizable. Id rather people use the faces as they are. If they dont
see the way they are used in mos cases. Once in a while lipe see them condensed
see the way they are used in most cases. Once in a while lipe see them condensed
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TYPOFONDERIE
Tabular gures matching weights
typofonderie.com 9
Parisine
Tabular gures widths (in
lining or oldsyle versions)
are compatible in all weight
combinations.
Clair Regular
Clair Italic
Clair Bold
Clair Bold Italic
Gris Regular
Gris Italic
Gris Bold
Gris Bold Italic
Regular
Italic
Bold
Bold Italic
Sombre Regular
Sombre Italic
Sombre Bold
Sombre Bold Italic
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
12345678900#$
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TYPOFONDERIE
Clair Regular
typofonderie.com 10
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
of OpenType Pro features
14 pt
18 pt
24 pt
40 pt
In recent years, a new tendency has become manifest in the decorative arts. While the simplicity
of the lines has been preserved, the straightness is yielding and a distinguished elegance is com-
ing into its own again. Typography has not been neglected in these developments, which have
been expressed by an obvious reversion to certain styles. However, most of the existing types were
old-fashioned and not adapted to todays working methods, owing their fragility. A new typeface
had to be found with a design that corresponded to todays taste. Thus we have created Parisine,
a modern and elegant typeface, both practical and robust In recent years, a new tendency has
become manifest in the decorative arts. While the simplicity of the lines has been preserved, the
In recent years, a new tendency has become manifest in the decorative arts. While the simplic-
ity of the lines has been preserved, the straightness is yielding and a distinguished elegance
A new typeface had to be found with a design that corresponded to todays tase.
Tus we have created Parisine, a modern and elegant typeface, both pracical and
robus In recent years, a new tendency has become manifes in the decorative
arts. While the simplicity of the lines has been preserved, the sraightness is yield-
ing and a disinguished elegance is coming into its own again. Typography has not
been negleced in these developments, which have been expressed by an obvious
However, most of the existing types were old-fashioned and not
adapted to todays working methods, owing their fragility. A new type-
face had to be found with a design that corresponded to todays taste.
Thus we have created Parisine, a modern and elegant typeface, both
practical and robust In recent years, a new tendency has become
In recent years, a new tendency has become manifest
in the decorative arts. While the simplicity of the lines
has been preserved, the straightness is yielding and a
distinguished elegance is coming into its own again.
However, most of the existing types were
old-fashioned and not adapted to todays
A NEW TYPEFACE HAD TO BE FOUND
In recent years, a new
However, most of the existing types were old-fashioned
and not adapted to todays working methods, owing their
fragility. A new typeface had to be found with a design that
corresponded to todays taste. Thus we have created Parisine,
a modern and elegant typeface, both practical and robust
In recent years, a new tendency has become manifest in the
decorative arts. While the simplicity of the lines has been
preserved, the straightness is yielding and a distinguished
elegance is coming into its own again. Typography has not
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ABCDEFGHI JKLMNOPQRSTUVWXYZ &
However, most of the existing types were old-fashioned and not adapted to
todays working methods, owing their fragility. A new typeface had to be found
with a design that corresponded to todays taste. Thus we have created Parisine,
a modern and elegant typeface, both practical and robust In recent years, a
new tendency has become manifest in the decorative arts. While the simplicity
of the lines has been preserved, the straightness is yielding and a distinguished
elegance is coming into its own again. Typography has not been neglected
in these developments, which have been expressed by an obvious reversion
to certain styles. However, most of the existing types were old-fashioned and
not adapted to todays working methods, owing their fragility. A new typeface
had to be found with a design that corresponded to todays taste. Therefore
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TYPOFONDERIE
Clair Italic
typofonderie.com 11
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
ity of the lines has been preserved, the straightness is yielding and a distinguished elegance
todays working methods, owing to their fragility. A new typeface had to be found
with a design that corresponded to todays taste. Therefore we have created Pari-
sine, a modern and elegant typeface, both practical and robust In recent years,
a new tendency has become manifest in the decorative arts. While the simplicity
of the lines has been preserved, the straightness is yielding and a distinguished
elegance is coming into its own again. Typography has not been neglected in
these developments, which have been expressed by an obvious reversion to
certain styles. However, most of the existing types were old-fashioned and not
adapted to todays working methods, owing to their fragility. A new typeface had
to be found with a design that corresponded to todays taste. Therefore we have
However, most of the existing types were old-fashioned and
not adapted to todays working methods, owing to their
corresponded to todays taste. Therefore we have created
Parisine, a modern and elegant typeface, both practical
and robust In recent years, a new tendency has become
manifest in the decorative arts. While the simplicity of the
lines has been preserved, the straightness is yielding and a
distinguished elegance is coming into its own again. Typog-
In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of
the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into
its own again. Typography has not been neglected in these developments, which have been expressed
by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and
not adapted to todays working methods, owing to their fragility. A new typeface had to be found
with a design that corresponded to todays taste. Therefore we have created Parisine, a modern and
elegant typeface, both practical and robust In recent years, a new tendency has become manifest
in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding
Terefore we have created Parisine, a modern and elegant typeface, both pracical
and robus In recent years, a new tendency has become manifes in the decora-
tive arts. While the simplicity of the lines has been preserved, the sraightness is
yielding and a disinguished elegance is coming into its own again. Typography has
not been negleced in these developments, which have been expressed by an obvi-
However, most of the existing types were old-fashioned and not adapted
to todays working methods, owing to their fragility. A new typeface had
to be found with a design that corresponded to todays taste. Therefore
we have created Parisine, a modern and elegant typeface, both practical
and robust In recent years, a new tendency has become manifest in
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TYPOFONDERIE
Clair Bold
typofonderie.com 12
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
In recent years, a new tendency has become manifest in the decorative arts. While the
simplicity of the lines has been preserved, the straightness is yielding and a distinguished
todays working methods, owing to their fragility. A new typeface had to be
found with a design that corresponded to todays taste. Therefore we have
created Parisine, a modern and elegant typeface, both practical and robust
In recent years, a new tendency has become manifest in the decorative arts.
While the simplicity of the lines has been preserved, the straightness is yield-
ing and a distinguished elegance is coming into its own again. Typography has
not been neglected in these developments, which have been expressed by an
obvious reversion to certain styles. However, most of the existing types were
old-fashioned and not adapted to todays working methods, owing to their
fragility. A new typeface had to be found with a design that corresponded to
and not adapted to todays working methods, owing to
their fragility. A new typeface had to be found with a
design that corresponded to todays taste. Therefore we
have created Parisine, a modern and elegant typeface,
both practical and robust In recent years, a new ten-
dency has become manifest in the decorative arts. While
the simplicity of the lines has been preserved, the straight-
ness is yielding and a distinguished elegance is coming
been expressed by an obvious reversion to certain styles. However, most of the existing types
were old-fashioned and not adapted to todays working methods, owing to their fragility. A new
typeface had to be found with a design that corresponded to todays taste. Therefore we have
created Parisine, a modern and elegant typeface, both practical and robust In recent years, a
new tendency has become manifest in the decorative arts. While the simplicity of the lines has
Terefore we have created Parisine, a modern and elegant typeface, both praci-
cal and robus In recent years, a new tendency has become manifes in the
decorative arts. While the simplicity of the lines has been preserved, the sraight-
ness is yielding and a disinguished elegance is coming into its own again. Ty-
pography has not been negleced in these developments, which have been
adapted to todays working methods, owing to their fragility. A new
typeface had to be found with a design that corresponded to todays
taste. Therefore we have created Parisine, a modern and elegant
typeface, both practical and robust In recent years, a new tendency
abcdefghi j kl mnopqrstuvwxyz 0123456789
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TYPOFONDERIE
Clair Bold Italic
typofonderie.com 13
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
While the simplicity of the lines has been preserved, the straightness is yielding
and a distinguished elegance is coming into its own again. Typography has
obvious reversion to certain styles. However, most of the existing types were old-
fashioned and not adapted to todays working methods, owing to their fragility.
A new typeface had to be found with a design that corresponded to todays
and robust In recent years, a new tendency has become
manifest in the decorative arts. While the simplicity of
the lines has been preserved, the straightness is yielding
and a distinguished elegance is coming into its own again.
of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming
into its own again. Typography has not been neglected in these developments, which have been
expressed by an obvious reversion to certain styles. However, most of the existing types were old-
fashioned and not adapted to todays working methods, owing to their fragility. A new typeface
had to be found with a design that corresponded to todays taste. Therefore we have created Pari-
sine, a modern and elegant typeface, both practical and robust In recent years, a new tendency
has become manifest in the decorative arts. While the simplicity of the lines has been preserved,
Terefore we have created Parisine, a modern and elegant typeface, both praci-
cal and robus In recent years, a new tendency has become manifes in the
decorative arts. While the simplicity of the lines has been preserved, the sraight-
ness is yielding and a disinguished elegance is coming into its own again. Typog-
raphy has not been negleced in these developments, which have been expressed
In recent years, a new tendency has become mani-
fest in the decorative arts. While the simplicity of the
lines has been preserved, the straightness is yielding
and a distinguished elegance is coming into its own
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TYPOFONDERIE
Gris Regular
typofonderie.com 14
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
simplicity of the lines has been preserved, the straightness is yielding and a distin-
ing and a distinguished elegance is coming into its own again. Typography
has not been neglected in these developments, which have been expressed
by an obvious reversion to certain styles. However, most of the existing
types were old-fashioned and not adapted to todays working methods,
owing to their fragility. A new typeface had to be found with a design that
both practical and robust In recent years, a new
tendency has become manifest in the decorative arts.
While the simplicity of the lines has been preserved, the
straightness is yielding and a distinguished elegance
ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is
coming into its own again. Typography has not been neglected in these developments, which
have been expressed by an obvious reversion to certain styles. However, most of the existing
types were old-fashioned and not adapted to todays working methods, owing to their fragility.
A new typeface had to be found with a design that corresponded to todays taste. Therefore
we have created Parisine, a modern and elegant typeface, both practical and robust In recent
years, a new tendency has become manifest in the decorative arts. While the simplicity of the
tase. Terefore we have created Parisine, a modern and elegant typeface, both
pracical and robus In recent years, a new tendency has become manifes
in the decorative arts. While the simplicity of the lines has been preserved, the
sraightness is yielding and a disinguished elegance is coming into its own
again. Typography has not been negleced in these developments, which have
adapted to todays working methods, owing to their fragility. A
new typeface had to be found with a design that corresponded to
todays taste. Therefore we have created Parisine, a modern and
elegant typeface, both practical and robust In recent years, a
fest in the decorative arts. While the simplicity of
the lines has been preserved, the straightness is
yielding and a distinguished elegance is coming into
However, most of the existing types
were old-fashioned and not adapted to
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TYPOFONDERIE
Gris Italic
typofonderie.com 15
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
In recent years, a new tendency has become manifest in the decorative arts. While the sim-
plicity of the lines has been preserved, the straightness is yielding and a distinguished ele-
both practical and robust In recent years, a new ten-
dency has become manifest in the decorative arts. While
the simplicity of the lines has been preserved, the straight-
ness is yielding and a distinguished elegance is coming
been expressed by an obvious reversion to certain styles. However, most of the existing types
were old-fashioned and not adapted to todays working methods, owing to their fragility. A new
typeface had to be found with a design that corresponded to todays taste. Therefore we have
created Parisine, a modern and elegant typeface, both practical and robust In recent years, a
new tendency has become manifest in the decorative arts. While the simplicity of the lines has
tase. Terefore we have created Parisine, a modern and elegant typeface, both
pracical and robus In recent years, a new tendency has become manifes
in the decorative arts. While the simplicity of the lines has been preserved, the
sraightness is yielding and a disinguished elegance is coming into its own again.
Typography has not been negleced in these developments, which have been
typeface, both practical and robust In recent years, a new ten-
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TYPOFONDERIE
Regular
typofonderie.com 16
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
and robust In recent years, a new tendency has become manifest in the
decorative arts. While the simplicity of the lines has been preserved, the
straightness is yielding and a distinguished elegance is coming into its own
again. Typography has not been neglected in these developments, which
have been expressed by an obvious reversion to certain styles. However,
most of the existing types were old-fashioned and not adapted to todays
working methods, owing to their fragility. A new typeface had to be found
elegance is coming into its own again. Typography has not been neglected in these develop-
ments, which have been expressed by an obvious reversion to certain styles. However, most
of the existing types were old-fashioned and not adapted to todays working methods, owing
to their fragility. A new typeface had to be found with a design that corresponded to todays
taste. Therefore we have created Parisine, a modern and elegant typeface, both practical and
robust In recent years, a new tendency has become manifest in the decorative arts. While
tase. Terefore we have created Parisine, a modern and elegant typeface,
both pracical and robus In recent years, a new tendency has become
manifes in the decorative arts. While the simplicity of the lines has been
preserved, the sraightness is yielding and a disinguished elegance is coming
into its own again. Typography has not been negleced in these developments,
fest in the decorative arts. While the simplicity
of the lines has been preserved, the straightness
is yielding and a distinguished elegance is com-
were old-fashioned and not adapted
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TYPOFONDERIE
Italic
typofonderie.com 17
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
ing and a distinguished elegance is coming into its own again. Typography
has not been neglected in these developments, which have been expressed
by an obvious reversion to certain styles. However, most of the existing
types were old-fashioned and not adapted to todays working methods,
owing to their fragility. A new typeface had to be found with a design that
straightness is yielding and a distinguished elegance is
ity of the lines has been preserved, the straightness is yielding and a distinguished elegance is
coming into its own again. Typography has not been neglected in these developments, which
have been expressed by an obvious reversion to certain styles. However, most of the existing
types were old-fashioned and not adapted to todays working methods, owing to their fragility.
A new typeface had to be found with a design that corresponded to todays taste. Therefore
we have created Parisine, a modern and elegant typeface, both practical and robust In
recent years, a new tendency has become manifest in the decorative arts. While the simplic-
both pracical and robus In recent years, a new tendency has become mani-
fes in the decorative arts. While the simplicity of the lines has been preserved,
the sraightness is yielding and a disinguished elegance is coming into its own
again. Typography has not been negleced in these developments, which have
yielding and a distinguished elegance is coming into
cdefg
TYPOFONDERIE
Gris Bold
typofonderie.com 18
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
In recent years, a new tendency has become manifest in the decorative arts. While
the simplicity of the lines has been preserved, the straightness is yielding and
straightness is yielding and a distinguished elegance is coming into its
own again. Typography has not been neglected in these developments,
which have been expressed by an obvious reversion to certain styles.
However, most of the existing types were old-fash-
ioned and not adapted to todays working methods,
owing to their fragility. A new typeface had to be
found with a design that corresponded to todays
taste. Therefore we have created Parisine, a modern
and elegant typeface, both practical and robust In
recent years, a new tendency has become manifest in
the decorative arts. While the simplicity of the lines
has been preserved, the straightness is yielding and
the simplicity of the lines has been preserved, the straightness is yielding and a dis-
tinguished elegance is coming into its own again. Typography has not been neglected
in these developments, which have been expressed by an obvious reversion to certain
styles. However, most of the existing types were old-fashioned and not adapted to todays
working methods, owing to their fragility. A new typeface had to be found with a design
that corresponded to todays taste. Therefore we have created Parisine, a modern and
elegant typeface, both practical and robust In recent years, a new tendency has become
preserved, the sraightness is yielding and a disinguished elegance is
coming into its own again. Typography has not been negleced in these
new typeface had to be found with a design that corresponded
to todays taste. Therefore we have created Parisine, a mod-
ern and elegant typeface, both practical and robust In recent
cdefg
TYPOFONDERIE
Gris Bold Italic
typofonderie.com 19
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
straightness is yielding and a distinguished elegance is coming into its own
again. Typography has not been neglected in these developments, which
have been expressed by an obvious reversion to certain styles. However,
most of the existing types were old-fashioned and not adapted to todays
working methods, owing to their fragility. A new typeface had to be found
elegance is coming into its own again. Typography has not been neglected in these devel-
opments, which have been expressed by an obvious reversion to certain styles. However,
most of the existing types were old-fashioned and not adapted to todays working methods,
owing to their fragility. A new typeface had to be found with a design that corresponded
to todays taste. Therefore we have created Parisine, a modern and elegant typeface, both
practical and robust In recent years, a new tendency has become manifest in the decora-
preserved, the sraightness is yielding and a disinguished elegance is com-
ing into its own again. Typography has not been negleced in these develop-
cdefg
TYPOFONDERIE
Bold
typofonderie.com 20
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
the decorative arts. While the simplicity of the lines has been preserved,
the straightness is yielding and a distinguished elegance is coming into
its own again. Typography has not been neglected in these develop-
ments, which have been expressed by an obvious reversion to certain
styles. However, most of the existing types were old-fashioned and not
and elegant typeface, both practical and robust In
recent years, a new tendency has become manifest
in the decorative arts. While the simplicity of the
lines has been preserved, the straightness is yielding
the simplicity of the lines has been preserved, the straightness is yielding and a dis-
tinguished elegance is coming into its own again. Typography has not been neglected
in these developments, which have been expressed by an obvious reversion to certain
styles. However, most of the existing types were old-fashioned and not adapted to todays
working methods, owing to their fragility. A new typeface had to be found with a design
that corresponded to todays taste. Therefore we have created Parisine, a modern and
elegant typeface, both practical and robust In recent years, a new tendency has become
A new typeface had to be found with a design that corresponded to to-
days tase. Terefore we have created Parisine, a modern and elegant
typeface, both pracical and robus In recent years, a new tendency has
become manifes in the decorative arts. While the simplicity of the lines
has been preserved, the sraightness is yielding and a disinguished el-
egance is coming into its own again. Typography has not been negleced in
to todays taste. Therefore we have created Parisine, a modern
and elegant typeface, both practical and robust In recent
In recent years, a new tendency has become man-
ifest in the decorative arts. While the simplicity
A NEW TYPEFACE HAD TO BE
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TYPOFONDERIE
Bold Italic
typofonderie.com 21
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
the decorative arts. While the simplicity of the lines has been preserved,
the straightness is yielding and a distinguished elegance is coming into
its own again. Typography has not been neglected in these developments,
which have been expressed by an obvious reversion to certain styles.
and not adapted to todays working methods, owing
to their fragility. A new typeface had to be found with
a design that corresponded to todays taste. Therefore
we have created Parisine, a modern and elegant type-
face, both practical and robust In recent years, a new
elegance is coming into its own again. Typography has not been neglected in these devel-
opments, which have been expressed by an obvious reversion to certain styles. However,
most of the existing types were old-fashioned and not adapted to todays working methods,
owing to their fragility. A new typeface had to be found with a design that corresponded
to todays taste. Therefore we have created Parisine, a modern and elegant typeface, both
practical and robust In recent years, a new tendency has become manifest in the deco-
preserved, the sraightness is yielding and a disinguished elegance is com-
ing into its own again. Typography has not been negleced in these develop-
and elegant typeface, both practical and robust In recent years,
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TYPOFONDERIE
Sombre Regular
typofonderie.com 22
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
In recent years, a new tendency has become manifest in the decorative
arts. While the simplicity of the lines has been preserved, the straight-
new tendency has become manifest in the decorative arts. While
the simplicity of the lines has been preserved, the straightness is
yielding and a distinguished elegance is coming into its own again.
Typography has not been neglected in these developments, which
have been expressed by an obvious reversion to certain styles. How-
ever, most of the existing types were old-fashioned and not adapted
However, most of the existing types were old-
fashioned and not adapted to todays working
methods, owing to their fragility. A new typeface
had to be found with a design that corresponded
to todays taste. Therefore we have created Paris-
ine, a modern and elegant typeface, both practical
and robust In recent years, a new tendency has
become manifest in the decorative arts. While
the simplicity of the lines has been preserved,
the simplicity of the lines has been preserved, the straightness is yielding and a
distinguished elegance is coming into its own again. Typography has not been
neglected in these developments, which have been expressed by an obvious rever-
sion to certain styles. However, most of the existing types were old-fashioned and
not adapted to todays working methods, owing to their fragility. A new typeface
had to be found with a design that corresponded to todays taste. Therefore we
have created Parisine, a modern and elegant typeface, both practical and robust
A new typeface had to be found with a design that corresponded
to todays tase. Terefore we have created Parisine, a modern and
elegant typeface, both pracical and robus In recent years, a new
tendency has become manifes in the decorative arts. While the sim-
plicity of the lines has been preserved, the sraightness is yielding
and a disinguished elegance is coming into its own again. Typogra-
In recent years, a new tendency has become
manifest in the decorative arts. While the sim-
plicity of the lines has been preserved, the
straightness is yielding and a distinguished
However, most of the existing
types were old-fashioned and not
In recent years, a
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TYPOFONDERIE
Sombre Italic
typofonderie.com 23
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
has become manifest in the decorative arts. While the simplicity of
the lines has been preserved, the straightness is yielding and a distin-
guished elegance is coming into its own again. Typography has not
been neglected in these developments, which have been expressed
by an obvious reversion to certain styles. However, most of the exist-
ing types were old-fashioned and not adapted to todays working
and elegant typeface, both practical and robust
the simplicity of the lines has been preserved, the straightness is yielding and a distin-
guished elegance is coming into its own again. Typography has not been neglected in
these developments, which have been expressed by an obvious reversion to certain
styles. However, most of the existing types were old-fashioned and not adapted to
todays working methods, owing to their fragility. A new typeface had to be found
with a design that corresponded to todays taste. Therefore we have created Paris-
ine, a modern and elegant typeface, both practical and robust In recent years, a
A new typeface had to be found with a design that corresponded to
todays tase. Terefore we have created Parisine, a modern and el-
egant typeface, both pracical and robus In recent years, a new
tendency has become manifes in the decorative arts. While the sim-
plicity of the lines has been preserved, the sraightness is yielding and
a disinguished elegance is coming into its own again. Typography has
not adapted to todays working methods, owing to their fra-
gility. A new typeface had to be found with a design that
Parisine, a modern and elegant typeface, both practical and
manifest in the decorative arts. While the sim-
plicity of the lines has been preserved, the
straightness is yielding and a distinguished ele-
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TYPOFONDERIE
Sombre Bold
typofonderie.com 24
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
years, a new tendency has become manifest in the decorative
arts. While the simplicity of the lines has been preserved, the
straightness is yielding and a distinguished elegance is coming
into its own again. Typography has not been neglected in these
developments, which have been expressed by an obvious rever-
sion to certain styles. However, most of the existing types were
fashioned and not adapted to todays working
methods, owing to their fragility. A new type-
face had to be found with a design that cor-
responded to todays taste. Therefore we have
created Parisine, a modern and elegant type-
face, both practical and robust In recent years,
a new tendency has become manifest in the
decorative arts. While the simplicity of the lines
todays taste. Therefore we have created Parisine, a modern and elegant type-
to todays tase. Terefore we have created Parisine, a modern
and elegant typeface, both pracical and robus In recent years,
a new tendency has become manifes in the decorative arts.
While the simplicity of the lines has been preserved, the sraight-
ness is yielding and a disinguished elegance is coming into its
manifest in the decorative arts. While the
simplicity of the lines has been preserved,
the straightness is yielding and a distin-
types were old-fashioned and
In recent years, a
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TYPOFONDERIE
Sombre Bold Italic
typofonderie.com 25
Parisine
8 pt 6 pt
10 pt
12 pt
with a selecion
14 pt
18 pt
24 pt
40 pt
years, a new tendency has become manifest in the decorative
arts. While the simplicity of the lines has been preserved, the
straightness is yielding and a distinguished elegance is coming
into its own again. Typography has not been neglected in these
developments, which have been expressed by an obvious rever-
sion to certain styles. However, most of the existing types were
fashioned and not adapted to todays work-
ing methods, owing to their fragility. A new
typeface had to be found with a design that
corresponded to todays taste. Therefore we
have created Parisine, a modern and elegant
typeface, both practical and robust In recent
years, a new tendency has become manifest in
the decorative arts. While the simplicity of the
While the simplicity of the lines has been preserved, the straightness is yielding
and a distinguished elegance is coming into its own again. Typography has not
been neglected in these developments, which have been expressed by an obvi-
ous reversion to certain styles. However, most of the existing types were old-
fashioned and not adapted to todays working methods, owing to their fragility.
taste. Therefore we have created Parisine, a modern and elegant typeface, both
to todays tase. Terefore we have created Parisine, a modern
and elegant typeface, both pracical and robus In recent years,
a new tendency has become manifes in the decorative arts. While
the simplicity of the lines has been preserved, the sraightness is
yielding and a disinguished elegance is coming into its own again.
manifest in the decorative arts. While the
simplicity of the lines has been preserved,
the straightness is yielding and a distin-
types were old-fashioned and not
In recent years, a

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