Clean spring, leaves are just starting to bud. Lumbered, quaint houses line the street, and most lawns have a tall tree or two growing. Its all very orderly and placed, except for the heavily reinforced doors and the iron bars on every window. A pair of children [4 & 5, dirty, gleeful] are playing in the lawn of one of these houses, dancing around a sprinkler. Rows of freshly planted flowers flank the lawn on either side, and the porch windows hold little hanging gardens as well. An older couple, MIREI [51, delicate, sitting] and JOHN [56, same] and a young woman, SUE [27, in gardening gear, exuding calm happiness] watch the children from the porch. Taken as a whole, it could almost be a Saturday Evening Post cover. Sue wipes the sweat from her brow, visibly pleased by the sign of effort. SUE It looks nice, doesnt it? MIREI It does. You did wonderfully. But really, we didnt need you to do this. SUE No, I wanted to. It felt right, you know? She licks her lips. MIREI Theres water and tea inside. SUE Thatd be great. INT. HOUSE - KITCHEN The kitchen is a mix of modern and old appliances, homely and warm. It feels like a safe. lived-in place. The walls are covered in pictures of the Sue and her family. Before she opens the kitchen she takes a moment to go over them. Its nearly all pictures of herself, a smiling 18 year old beside her first car, 22 in a graduation cap and gown, 24 in a wedding dress, 27 besides a pair of smiling children. (CONTINUED) CONTINUED: 2. There is one picture, the biggest, that sticks out starkly, and the one that she hovers over for a moment. Its Sue, 12, with a surprised glowering look, scabbed knees, a moody child. A door somewhere in the house closes loudly. Sue looks around for which door it might have been. INT. HOUSE - UPSTAIRS Shes looking around a hallway. A few toys are scattered around in desultory piles, some clothes as well. She opens the bedroom door, nothing unusual. She opens the bathroom, still nothing. More doors: an art room, a rec room, a storage room full of more toys, chests and plastic covered furniture. Nothing. She comes to a room with SUES ROOM on a bronze placard, where she hesitates upon putting her hand on the doorknob. After a moment, she opens it and steps inside. INT. HOUSE - SUES ROOM The room is a bright, happy place. The wallpaper is yellow and purple flowers cascading down, star-shaped lights hang from the ceiling, a big milky-white armoire, more toys, two beds, an old CRTV, movie posters from the 80s and 90s (Empire Strikes Back, Robocop, Princess Bride, etc.) There is a STRANGER in the center of the room, waiting for her. The stranger is a copy of Sue, but one who has lived a very different life. Her hair is a different color and cut short, she is burnt brown by the sun where Sue is fairer, and her clothes are stiff and bear marks of being worn down by the elements. Sue and the Stranger watch each other for a beat. The Stranger walks around slowly, picking up knickknacks, old books, a framed picture of Sue with her children. STRANGER Interesting that they kept the room like this. SUE They wanted to turn it into a rec room. I told them that I- that I wanted to keep it the way it was. (CONTINUED) CONTINUED: 3. Stranger nods. STRANGER Theres two beds here. SUE Lukas and Robin like to stay over sometimes. STRANGER Lukas and Robin...Good names...did you name them or-? SUE They were young enough for us to name them. STRANGER The look like nice kids. Beat. Sue is slowly losing her composure. SUE Are you here to-? STRANGER To what? SUE I dont know. You said- I cant think of any other reason you might be back. The Stranger groans. She pulls over a chair and sits down, she rests her sword down. Its like shes letting loose a long, pent up sigh, STRANGER Can I have a moment? Just close the door behind you. Please? I wont be here when you open it, I promise. Sue doesnt have any kind of response. She just nods, closes the door behind, and leaves the stranger to bask. END TEASER 4. EXT. SUBURBAN NEIGHBORHOOD - DAY On a black background, white text: 1999 Cut to the neighborhood, largely unchanged from what we saw before, only the doors are wooden instead of metal, and the windows arent covered in iron bars. A lone BICYCLE RIDER [No older than 19, jeans and a jacket, gawking and really smelling the roses] slowly makes his way down the lane. YOUNG SUE [12, loose school uniform and backpack, bouncy and energetic], is walking on the sidewalk, swinging a branch around like a sword, mumbling in that low, self-narrated kind of way. Shes pretty into whatever fantasy shes enacting right now. She spots a crumpled up dollar ahead of her, under a large oak. She quickens her pace. Above, in the tree, a pair of other children, LEE and CAMMY Greymark [13 & 11, smug little shits, also in uniforms] wait. Cammy is a wolfish, aggressive looking child. Lee is calmer and somewhat on the chubby side. Lee is eating an apple and bites down to the core just as Sue passes underneath to pick up the dollar. He lets the core fall and it plonks right onto Sues head. SUE Ah, shit! Her swear makes Lee and Cammy burst into laughter overhead. Sue looks up with a look of SUE (cont) Cammy! Lee! God, why did you do that? Cammy laughs. LEE Cause it was funny. Not like it hurt anyway. Could have dropped a rock on you. CAMMY Yeah, dont be a baby. The two children let their legs hang from the branches. Sue raises her hand as though to make an impassioned statement, pulls back. (CONTINUED) CONTINUED: 5. SUE Whatever. You guys suck. She starts walking away. Cammy whistles at her. CAMMY Oy, where are you going? Its like pulling teeth just turning around to answer her. SUE What? Beat. CAMMY Youve still got our dollar. Sue looks down, realizes that shes still clutching the dollar in her hand. SUE I found it on the sidewalk. Its my dollar. CAMMY No, its not. I put it there, its ours, you just picked it up for us. Now give it back. SUE No. She turns her back on Cammy and keeps walking. A rock hits her behind the leg and makes her take the knee. She looks behind. Cammy has two stones in her free hand, another one held up to throw it. Lee is impassive. SUE (cont) I said no. LEE Cmon, Cammy, let her go home. Another rock comes flying down, misses Sues head by an inch. Cammy casually plays with the other rock in her hands. Sue leans down. CAMMY Last warning. Staredown beat. (CONTINUED) CONTINUED: 6. SUE Fine. Ill give you your stupid dollar back. Cammy smirks. Sue picks up the stone and blindly flings it back up at Cammy. Cammy dodges, the stone bounces off the trunk, and conks Lee in the head. He cries out and tumbles from the tree, landing inches from the pavement in a sobbing heap. Sue looks with her mouth open, as does Cammy. CAMMY (whispering) Oh shit. Sue looks up, then down to Lee. She turns and starts running. Across the street, the Bicycle Rider is on the curb, watching. INT. LIVING ROOM - DAY Sue is sitting alone on a big couch, her uniform tidied and tightened. Its a very orderly living room, though everything seems a little too big for her, the coffee table, the lamps, the TV. Paint cans are in the corner, and half the room is blue-taped for a new coat, a cold off-white taking over a warmer orange beneath. She dangles her legs from the edge of the couch and picks up one of the mags from the coffee table: Other Worlds. Theres a big grasping headline: "STILL HERE" and a portrait of a man with a hundred-yard stare. She flips through it idly, then tosses it back on the table. A door opens. MIREI (os) Yes, uh-huh, thank you. A door closes. YOUNG MIREI enters the living room [orderly, refined and businesslike]. She doesnt say anything, just kind of lords over as Sue meets her stare. Beat. MIREI You can wait in the garden instead of your room. 7. EXT. BACKYARD GARDEN - DAY Rows of beautiful, delicate flowers make up the backyard. A partial greenhouse covers some of them, and a tall white fence cuts it all off from the rest of the world. Sue has a stick and shes walking around, mumbling under her breath. She swings her stick around and slices the air. SUE Stupid, stupid... She takes a swing and smashes the bulb of one of her mothers flowers. Sue drops her sticks, panics, looks back to make sure nobody can see her. She picks up all of the petals and hurries away to a gate leading outside. Outside the gate, she dumps the petals into the trash. She looks around to make sure no one sees her. On the curb across the street, the Bicycle Rider waves. She waves back, then goes back inside the gate. INT. HOUSE - DINING ROOM Sue, Mirei, and YOUNG JOHN [scholarly yuppie, stick-like], sit around the dining room table. Its a big oaken thing, made to accommodate far more people. Styrofoam containers litter the tabletop. Sue is an object between Mirei and John, and she munches away while her parents barely peck at their dishes. Mireis tone sounds like she learned how to speak to children from Dr. Spocks manual. MIREI Lucy Greymark came over today. Sue threw a rock at Lee. He has a fracture. John pushes his plate aside. He too sounds like he gets most of his child-rearing advice from Dr. Spocks. JOHN Sue, please, remember what we said about things like this. MIREI Thats right. And dont worry, we believe your story, we are not against you. But you shouldnt have hit anybody. You should have just (MORE) (CONTINUED) CONTINUED: 8. MIREI (contd) walked away. Be the bigger one and walk away. SUE I did. Mirei sighs. MIREI You didnt though. JOHN Whenever someone makes you mad, just stay calm and try to be above it. Getting angry doesnt do anyone any good. MIREI So true. Sue finishes her plate. Mirei and John are hanging on for a response. MIREI (cont) So, are we good? SUE I think were good. Beat while Mirei and John look pleased with themselves. Good Parent award ribbons all around. MIREI And, just so you know, I saw you in the garden today. You hit the flower- Sue reddens, aghast and shamed. MIREI (cont) You didnt need to do that, you could have just told me, it wasnt that big of a deal- Sues grasping for something, anything to end this line. SUE Next time Ill make sure that I get Cammy instead of Lee. Appalled looks all around. 9. INT. HOUSE - SUES ROOM The door closes with a harsh slam. Sue is sitting at a childs desk, lamp on, blank sheet in front of her. She taps a pen lightly against her forehead before trying to scrawl something out. She groans. She turns on her small TV and flips through the channels, flipping through news and commercials before landing on a movie. Conan the Barbarian is playing, the iconic scene. BANDIT (tv) Conan! What is best in life? CONAN (tv) To crush your enemies- Sue pauses to watch the rest of the scene play out. CONAN -see them driven before you, and to hear the lamentation of their women. She chuckles, she seems happy for a moment, but it quickly fades. She looks back to her paper and groans. INT. SCHOOL OFFICE - DAY Posters and college pennant flags are stapled in such numbers as to cover the wall from floor to ceiling. A large window looks out over a construction site. Sue, John and Mirei sit opposite COUNSELOR KENNY [mid-40s, rough, perfect posture] nicknamed THE BRUCE. MIREI ...and we really wanted to give this to them. She hands over an envelope with From: Sue, To: Lee written on it. (CONTINUED) CONTINUED: 10. THE BRUCE Great, I know that the Greymarks will be doing the same. A nice little exchange and itll all be water under the bridge. Theres a loud racket coming in from the window. He gets up and closes it. THE BRUCE (cont) Right, so, uh- JOHN ...wed hope this whole thing could just blow over. THE BRUCE Ah, right. (Beat) Now, I hope you dont mind my asking, but how are the two of you holding up. I heard that things are- MIREI Oh, weve hit a snag. That wont be happening. The Bruce suddenly feels that he has bumbled into an awkard topic. THE BRUCE Oh, Im sorry. I know how long you were both trying. JOHN Yeah, yeah. But its alright. He pats Sue on the back. JOHN (cont) Weve got Sue. Shes enough of a handful as it is, I dont know how we would have handled three. MIREI Or four. The adults all laugh. Sue could be anywhere else right now. The Bruce notices this and reaches out to her. (CONTINUED) CONTINUED: 11. THE BRUCE Dont be too down about this. A day in class and youll forget all about it. Sue forces a smile and a nod. INT. CLASSROOM - DAY The classroom is dark while the teacher mans a projector showing slideshow images of...things. Bizarre creatures, people rioting in the streets, a great fissure in the earth from which smoke rises up. The LINDS TOLKI [30s, chipper in tone, hip with the students] is in the middle of recounting a personal story. She has that kind of tone where she really wishes she could be doing research instead of teaching middle-schoolers. LINDS ...I was about as old a you all are when this happened, feels like it was so much longer ago now. We had to move pretty quickly when the warning went off. She flips to a picture of a marine who looks more like a big game hunter, smoking a cigarette next to the corpse of a monstrous, horned animal. The children collectively respond with a mix of oohs and a few utterances of sick. Sue watches intently from a middle row. Up ahead, Cammy looks back every so often to throw a glance towards Sue. The teacher continues to regale the class. LINDS (cont) I know, right? Pretty cool. Its like some old monster from Star Wars. Like a rancor. Yeah, the rancor. You kids ever watch Star Wars? Not much of a response. Sue looks around, decides not to raise her hand. LINDS (cont) Right. (CONTINUED) CONTINUED: 12. Next slide. Its just a bunch of people standing around, fresh-faced, college age, in a horrible mix of clothes; half-robes, fresh animal skins, jeans, cheap white-collar suits. Theres a long, dark splatter that stretches across all four of the people in the picture. Not quite so many expletives from the class now. LINDS (cont) These people though. These are the ones you had to watch out for. Sue looks up. Linds shivers and goes to the next slide, a big map of the US. She raises her hand. LINDS (cont) Sue? SUE Who were those people? From the last slide? Back to the last slide. The mood fizzles out. Everyones looking a little closer, taking in all the details, and it doesnt sit well. LINDS Uh, where to begin? Crazies, most of them. Thought the fissure was the end of the world. Thought they could really take everything that was coming out of it and do something with it. Imagine a hundred thousand people with the power to shape the world as they saw fit. What a time, Ill tell you. What a time. Theres a beat while the class just kinda takes that all in. Linds finally notices this sudden mood shift and tries to bring it back down. TEACHER If youd like I could recommend some books on the kinds of thaumaturgy they- The bell rings. The class, and Sue, are all eager to get out, and rush out over the supplications of Linds to come back if they have any questions at all. 13. INT. SCHOOL HALLWAY - LOCKERS - DAY A few straggling students rush out of the hallway, leaving Sue alone to set her books down. A door at the end of the hallway opens up and in walks Cammy. Sue sees her coming, decides to face her. She closes the door to her locker. CAMMY I got your letter. SUE Yeah? CAMMY Yep. Up close, we can see that Sue is actually taller than Cammy by a good few inches. CAMMY (cont) You should have just given me back my dollar. SUE Are you really going to fight me here? In the hallway? CAMMY If that was what I wanted youd already be on the floor. SUE So then what? CAMMY You broke my brothers arm, gave me a scare. That calls for recompense. SUE Thats a big word for you, Cammy. And I swear- Cammy raises a hand. CAMMY No. Youre not going to swear, youre going to listen to me, and youre going to do exactly as I say. (CONTINUED) CONTINUED: 14. SUE And why would I do that? Beat. CAMMY We have at least 6 years left here. How unpleasant do you want those years to be? Weve had our little fights. Do you want those fights to become a war? Because I will declare war on you if you force me to. Sue falters under Cammys icy stare for a painful beat. CAMMY (cont) Lets talk. EXT. SCHOOL CONSTRUCTION LOT - DAY The school construction lot is a dusty, torn up landscape. Equipment and rebar litter the grounds, and caution tape and blue tarp cover much of the superstructure being set down. Sue runs through, tears slowly running down her cheek. She looks around, seeing if shes alone. The grounds are whisper quiet. She sits on a pile of lumber and quietly sobs. She sobs only for a moment. Fear and sadness turns to anger. Shes digging into the earth. A bicycle bell rings. The rider is watching her from across the lot. He waves. She waves back. RIDER You alright? SUE What? RIDER I said- He walks over. Theres a kind of lackadaisical, carefree attitude to his voice, almost hippy-like. RIDER (cont) Are you alright? (CONTINUED) CONTINUED: 15. SUE Yeah, Im alright. RIDER Huh. Funny, you dont look alright though. Id say you look the opposite of alright. Sue wipes away at her face. The rider sighs. RIDER That girl really getting to you, huh? Sue looks at him, nods. RIDER (cont) It happens. It still sucks. Everyone tells you you cant do this, you cant do that, blah blah, bunch of pansy dumb-asses. He chuckles, Sue chuckles a little, breaking out of her somber, angry mood. RIDER You want to show her? SUE What? RIDER I mean, do you really think that anybody will help you out? In any kind of meaningful way? Because I think we could help each other out right now. You know, like, take care of her. Sue tenses up. She tries to keep her reaction under control but she still looks scared RIDER (cont) Oh, no. Not anything really bad. God, you kids watch too many movies, damn... Sue looks away sheepishly. (CONTINUED) CONTINUED: 16. SUE Do you mean...hurt her? RIDER Oh, no. Well, pain is relative, but even so, this wont hurt her. If anything I think shes in more danger from you than from me. Beat. Rider smiles and lightly taps her shoulder with his fist. RIDER (cont) Youre a little scrapper, you know that? I saw you hit that fat kid off the branch. You should be proud of that. Sue reflects on this for a moment, her spirits lifting from the praise. SUE How? How do we do this? The Riders face is blank, utterly unreadable. RIDER Itll be simple. Well just give her a scare shell never forget. Ive dealt with people like her before. They just need a good-(pause while he huntsfor the word)-jolt. But first I want you to do something for me. SUE What? The Rider extends a hand. RIDER I want us to shake on it. I want us both to be in this, together. Partners, just for this. Sue looks at his hand. She looks around. The construction lot is desolate, and wind howls between the bare, skeleton frames. The Rider smiles at her with a gentle, empathic smile. (CONTINUED) CONTINUED: 17. RIDER (cont) Its just a shake. She shakes his hand. The Rider smiles. Hes got perfect teeth. EXT. SCHOOL FIELD - DAY Cammy is walking along an empty field. She has a phone and shes idly snapping pictures of things, an old rusted bike someone left, a piece of playground equipment, a squirrel that runs by. She looks up from her phone to see Sue looking at her from across the field. Cammy smirks. CAMMY What do you want? SUE Just letting you know that I thought about what you said. CAMMY Hmm? SUE I remembered when I hit your brother with that rock. It was pretty funny when he fell out of that tree. She makes a few mocking yelps and acts as though shes falling from a branch. Cammy puts her phone away. SUE (cont) I mean, hes such a- She hesitates and her face looks a little pained. SUE (cont) -your brothers such a fatass that I was surprised he was able to climb up that tree at all. Cammy is absolutely itching to make Sue eat the floor right now. They both stare each other down. Sue is the first to bolt, Cammy gives chase. 18. EXT. SCHOOL EXPANSION LOT - DAY Sue leads Cammy through the construction lot, under beams and around rebar until she takes a turn into a completely tarped wooden frame. Cammy chuckles as she slows down to enter. CAMMY Alright, you ready to- Sue jumps her. She has a piece of stone in her hand. She scraps with Cammy, eventually kicking her off and holding the rock piece over her haed as though to strike. Cammy prepares to rush her when the Rider sneaks behind her and pushes a rag to her face. Cammy panics and starts to struggle. SUE Thats right. Take that you stupid- She hesitates, like its a sudden escalation of bad words. SUE (cont) ...B-bitch! Cammys eyes close. The Rider gently lays her down on the floor. RIDER Cool. He wipes the sweat from his forehead and laughs. RIDER (cont) Well you really clocked her, Ill give you that much. Like I said, a scrapper. SUE Ok, now what? Do we tie her up or something? RIDER Well, your job is done. You can leave if you want. SUE But I thought-? The Rider pulls out a strange device from his pocket, a kind of translucent tube with a needle sticking out of one end. He jams it into Cammys neck, who jerks when he does. (CONTINUED) CONTINUED: 19. SUE (cont) What? The Rider is not listening to her. The vial slowly fills with amber liquid, eventually filling the entire receptacle. He slides the needle out and holds it to the light. RIDER That is beautiful. Really beautiful. He regards Cammy. RIDER (cont) Sorry, kid. Back to Sue. RIDER (cont) Thanks for the help. Shell be alright, just give her a few minutes and shell come around. SUE What did you do to her? The Rider slides the receptacle back into his pocket. RIDER Held up my end of the bargain. She wont be bothering you any more. He looks up to the sky with a broad smile. He jumps onto a beam leading out of the tarped frame. He takes a moment to look back and give Sue a parting salute. RIDER (cont) Really, thank you. He jumps away, leaving Sue and Cammy alone. Sue watches Cammy for a moment. SUE Cammy? Cammy breathes raspily. Shes deathly pale and sweating. Sue pokes her with a piece of rebar. Cammy twitches, but is otherwise unresponsive. Sue reels back, drops the rebar. She looks around to see if anyone else could possibly be around. 20. Cammys leg starts kicking, trying to get her body back up. Sue slowly walks away, then runs as Cammy starts to rise. EXT. SUBURBAN NEIGHBORHOOD - SUNDOWN Sue is walking in a daze. She looks down at her filthy uniform. MIREI Sue? MIREI (cont) Sue? Whats wrong? Are you okay? What happened? Sue, you need to tell me. Sue snaps to attention. SUE I saw Cammy, at the construction site. INT. SUES HOUSE - LIVING ROOM - NIGHT The room is a bustle of activity. The red and blue of police lights are shining through the windows. Uniformed officers shuffle in and out. Detectives and operatives in strange gear, like a cross between SWAT gear and a late medieval witchfinders armor. HUNTER Can you describe him? Any details at all? She looks past the door. A small crowd has gathered, a tape line keeping them at bay. Lee, with his arm in a cast, crying, and a woman in her 40s are yelling at a police officer. SUE I...I dont remember. INT. SUES HOUSE - SUES ROOM - NIGHT Mirei holds Sue close to her. John stands in the doorway. Mirei kisses Sue on the head and looks visibly shaken. She goes over to the window and makes sure the locks are set. Mirei kisses Sue again and she leaves with John, closing the door behind them. (CONTINUED) CONTINUED: 21. Sue is alone in the quiet. She breaths out and reclines onto her bed. She puts a hand to her heart and breaths in an out slowly. She has a strange look, like shes just exited from a dream, a faint smile. She takes her hand away from her heart. Her voice is a whisper. SUE I did it. I really did it. She exults for moment, the thrill of the moment pulsing through her. But its quiet, and we linger. Theres a white noise in the room that grows oppressively louder. The light smile fades. Her breath quickens and dread arrives. END ACT 1