Music Video 1 Best Day Of my Life by American authors
This music video uses a combination of narrative and performance based video to convey the meaning of the video to the audience Instantly in the beginning of the video, there is a slow motion effect used and a layer of fogginess put on the first scene as a long shot shows figures of some characters this is foreshadowing the events in the music video, possibly hinting to the audience it is all a dream.
It then cuts to a mid-shot man drinking alone in a bar, the lighting of the image is very low key, the scene appears rather depressing and completely contrasts the upbeat nature of the song which we can start hearing to kick in.The words of the song then begin, the beginning of the song is accompanied by a cut to a close up of a man singing in to a mic, he is different to the man in the bar. This is very generic in music videos as the singer of the band is normally different to the actors who convey the meaning of the song. Close ups are used commonly as they show the expression of the singer. The low key lighting can be seen aswell in this shot and this is also very common in music videos.
The camera then cuts to a mid shot of the man sat at the bar, the camera then pans to the right reaveling a very strange looking thing next to the man, it stands out completely as it looks like some sort of monster. Crosscutting between two different locations is very common within music videos one segment will be of the sctors performing and the other will be the band lip syncing, sometimes the two interlink and they are in the same location.He then touches drink with the monster, this action by the actors conveys to the audience that they are friends but the surprised look In the mans expression means he has never seen this thing before. The monsters meaning is polysemic it could be one of two things, it could represent part of the man that is scared of doing things like going out and having a good time, or it could represent a random person who appears scary to the man because he doesnt know him, but he breaks out of his habits this time and has a good time with him. It then cuts to a two shot of the two both having good time, the expression in the actors face on the right tells the audience this. The next scene is similar to the first scene; there are 4 members of a band walking in slow motion. We can only see the back of them, but we assume that these 4 are the band because of the props they are holding props, which are instruments. This is very common in music videos and it looks to the audience they are playing live. The foggy mask over the first scene is now lifted and we can see them clearly, this could signify that the actor has now entered a dream and none of the events are real. The audience then definitely knows these members are of a band because the camera shows us the front of him and he makes direct address to the audience which is extremely common in music videos and then begins singing towards them. The mise en scene of the characters makes them look very much like a band because of their costume. The image on the right shows the monster & the man getting kicked out of the bar, the lyrics relate to this scene as the man sings Well dance with monsters through the night referring to the thing the man is with. A long shot is used to show the two.
The camera then jump cuts to them playing basketball, the mise en scene of the image is very fun. Jump cuts are used very commonly in music videos as they allow the director to only show the audience what they want them to see, in this video particular it is the man having fun, they didnt want us to see them walk from the bar to that location.This is generic in music videos as the mood changes drastically all the time in them and this video is no exception. The mood changes very suddenly from the gloomy bar to a very sunny outside where the two appear to be having lots of fun. It then cuts to the two at some sort of strip club, throwing money at the woman as if it is meaningless, nothing. Some sort of sexualisation is very common in music videos, and this is evidence of it in this one.
In this image, a montage (which is very common in music videos as it shows a sequence of events quickly) and editing is used to show the two having lots of fun in a photo booth, a collection of videos shows this and editing effects such as a flash show them taking pictures, allowing the audience to realise where they are. The band singer is then walking down the street as a close up is used on him to show his expression, this is extremely common in music videos so I am not surprised to see this element of cinematography.
In the next shot, the two are seen having fun drinking. The monsters mise en scene has changed, he now looks like he is having fun and smiling. The long shot of the two show their surroundings, they have now taken to the streets. The constant change in environment is very effective in making the music video more fun for the audience. It makes it more watchable as we are going to different locations.
In the image on the left above, the main character is running in slow motion with the monster, this is an effect added in editing. Slow motion editing effects are very common within music videos as it makes moments last much longer. It makes the scene last much longer and appears as if the man is having so much fun he wants to stay here for as long as possible, slowing down time. The scene is constantly crosscutting to the singer of the band, who is in a completely different setting, it is daytime & high key lighting instead of night but the setting is exactly the same, both of them are going across the bridge. Crosscutting is commonly seen in music videos as one section of video acts out the song whilst the other lip syncs to it. In the image on the left, there is a close up of one of the band members playing an instrument. This is extremely typical in a music video; it shows them playing the song it timing to the audio non-diegetic sound which has been previously recorded by the band. Long low angle shot of the band reveals that theyre now performing at a venue, This shot give s them dominance over the scene, almost as if they are the main attraction of the room, everyone is looking at them as they overpower the room with their music. The image on the left is a mid-shot of the two characters, the audience can see they are about to enter a building and we can guess that theyre about to meet the band. The image on the right shows the singer of the band in a big close up directly singing to the camera making direct address with the audience. This is extremely common in music videos and one would not be complete without this aspect. The In the next shot, both the band and the main actors are together, having fun. The long shot of the venue shows the amount of people there and everyone dancing, this shot has an extremely happy mood which directly relates to the lyrics of the song. After a couple of shots of the band performing and the actors having lots of fun, the camera cuts to the man still sat where he originally was at the beginning of the video. The music promptly ends as we cut to this shot, as it is almost as if the man is back in reality. The props such h as the empty glasses of beer and his glasses on the table tell the audience that he hasnt moved at all and has just passed out drunk. In the image on the left, a long shot of the man shows him getting up and the character moves away from the bar whilst diegetically saying sorry. The woman is seen giving the man a dirty look because of the expression on her face. The lighting appears very bright, like we are waking up in a drunken daze. In the image on the right, the camera focuses on the photographs of the man and the monster taken last night, a close up of them reveals them to the audience and the woman takes particular interest in them, picking them up and then giving the man an even dirtier look as if he has been in the bar all night and it never happened, making her wonder how he got them. This conveys to the audience that maybe the events werent a dream. They may in fact be real. This is one of the most important codes & conventions in music videos, the meaning has to be rather blurry & hard to understand, so that the audience keeps re-watching.
Music Video 2 Arctic Monkeys Florescent Adolescent This music video uses just pure performance in which to convey the narrative & meaning to the audience. The music video begins with a non-diegetic sound effect which sounds oddly like a movie reel playing. The shot used for the first part of the video is a POV shot; it seems as if we are tailing a car in front. The POV theme continues as we stop in the car and appear to get out. As the character exits the car, the non-diegetic music begins to play.
The music video continues in POV as the music continues to play we see the man run up to join other people who are running very strangely. They are all dressed in bright colours and appear to look like clowns which are a very strange outfit to be wearing. The camera then cuts from a POV to a long shot showing the mass of the battle, all of the clown characters are running into a group of men in black outfits. The location of the fight appears to be some sort of warehouse in the middle of nowhere. The editing in this section in extremely fast cuts between clowns and men fighting show the scale of the battle and each scene only lasts for 2-3 seconds which conveys to the audience its all happening extremely fast. The fight continues, we see an over the shoulder shot of a clown as he stares at one of the men in suits. Lots of different angles in cinematography is very typical within music videos to keep it exciting for the audience. The man takes off his mask and the clowns expression on his face looks as if they both know each other, the clown then head-butts the man though, showing that even if they know each other, the fight must continue. The quick cuts continue and the men even start to use props to attack each other, one man uses a car door to smack another mans head in. The meaning of this fight has not yet been revealed, but the scale of it would suggest its something important and the way the men are dressed would also suggest its very shady. More shots of the men fighting are used, in the shot on the left a man has someone on the ground, and continues to punch him as he lies there. The expression on the mans face makes him looks extremely angry as he continues to punch the man. The clowns then gather and run after one man, the camera tracks them. The man appears to be very powerful as he fights off all of them, kicking them away and using props to fight them.
The camera then cuts to a slow motion effect which has been edited in by the creator to emphasise the prop of the chair being broken as it slowly tracks to the right away from the two men fighting. In the next cut, the camera tracks a man in black running away very quickly with an important prop; it looks as if it is very important because of how the camera focuses on the suitcase which could be very important. After this an older men gets out of the car, a low angle shot shows his power as he swings a chain around. He then brings the chain down and smacks it on the car window repeatedly until it smashes. The main clown then gets one men to the edge of the land and dangles him over whilst repeatedly punching him. As the mans on the floor he looks up at the clown and an editing effect shows the man blur out and go back into focus, this shows he has been hurt quite a bit. The clown then looks at the man and a superimpose on the screen reads How could it have come to this? After this an editing effect makes the present day fade out and the audience can now see how they used to be, we can tell it is the two men because the clown is still wearing a clown costume and the man is still wearing what he is today. The lighting of this flashback shows a lot more sun, which is extremely different to where the men are today, which is a very grainy grey is looking location. A collage of images is then shown onscreen of the men growing up throughout time. Flashbacks are used a lot in music videos as it gives the audience context to the environment. It then flashes back to present day, the clown fights off all of the men and then grabs the bag seen from before. This makes this bag look even more significant, it could be the reason why the massive fight has actually occurred. The man then joins back into the massive fight and there are lots of slow motion effects, adding to the effect of props breaking on peoples heads, the camera uses long shots & close ups to show the individual fights and people being eliminated.
The camera tracks another man from the men in black suites, he is running out of the chaos and it looks as if he is heading towards a yellow car. The main clown follows him and is seen throwing away the suitcase prop, we know whatever is in it is important but it seems as if it is not worth it anymore, so he throws it and now its personal. Props are used frequently in music videos as it allows the audience to understand the situation better. The man gets in the car and begins to accelerate, a close up on the main clown shows he knows he is about to get run over, the car goes straight for him but the clown gets away just in time by climbing a fence. A close up of the car leaking petrol, the audience now knows that the clown has an idea of how to get rid of this man. The clown drops a lighter, it trails to the car and the man is blown up very quickly, a long shot shows the scale of the destruction. An over the shoulder shot shows the man witnessing what he has done; the non-diegetic song comes to an end abruptly as if it is all over. There is certain sympathy for this man; its almost as if he didnt want this to happen. The camera cuts to a blurry masked video of the two dancing as children, they look extremely happy and the camera angle is a low angle which could signify this shouldve been whats most important, the two of them friends. The camera then cuts to the clowns face, a close up shows instant regret of his actions, but it has already been done. The camera then rotates around the man until we see what is in his vision, which is the wrecked car. Music Video 3 - Bastille Things We Lost In The Fire This music video uses a combination of narrative & performance to convey the meaning of the song to the audience. The video begins with an establishing shot of a very cold environment; there is a ship which can be seen to the left of the screen. The main meaning of this song according to the lyrics seems like a classic breakup about one of the singers exs, the cold environment could signify how the singer is feeling right now. Diegetic sounds of the wind can be heard. The camera cuts to what seem as many men walking hopelessly in one direction. The camera then cuts to an extreme long shot of wolves running towards the camera in slow motion, this is an editing effect.
The camera cuts back to the men walking, they are now in slow motion walking directly from right to left of the camera, one man stops and picks up a golden bullet, the camera focuses on it and a close up of the mans face shows his expression, this is commonly used in music videos. The camera then cuts to a slow pan of a wolf on a car. The song already seems to be favouring this animal.
The singer then appears in the music video. In an extremely dark atmosphere it shows him holding the golden bullet. Lots of men in dark dressed cloaks run past him in slow motion. This is an editing effect.
The music video then cuts to a close up of one man lip syncing; both of these elements are very common within music videos. A close up of the bullet is then onscreen, this golden bullet could relate to the lyrics of the song. The song generally seems to be about a breakup and this bullet could signify the one thing that broke the two up, the golden bullet which brought them apart.
The camera then zooms past the man and the setting slowly evolves in to a bar, all of the men in the bar are starring at this one blonde haired woman, the men have their hands raised whilst looking at the women, it is almost as if they are completely submitting to her beauty. A sort of effect emits off of her, it looks like an aura, circled around the woman and spiralling out. The camera follows the woman until she turns around and the whole settings vanish. This is a very significant moment, it looks as if the whole world has disappeared and all the men who are following this woman mean nothing because she wants him.
The singer then is alone with the woman in the darkness lip syncing, the editing in this section is very slow, the woman they begins dancing in slow motion almost as if the man is savouring this moment of her. It is almost sexual & seductive. Sexualisation is extremely common within music videos A car then appears in the middle of the darkness, the singer enters and it transitions into a real place. It seems like a memory because of the way he just entered it; the expression on his face makes him look very happy.
The singer is then passed a gun by his laughing friends in the car, and then they leave him alone in the darkness. This video is starting to look more like a dream with tattered pieces of a storyline as if the man is dreaming about his breakup. The gun could signify the fact that it was the mans friends that driven him and his girlfriend apart. Crosscuts between the singer and his girlfriend and a car skidding in slow motion shows how they both once caressed each other but a long shot shows her running away and how distant she now is.
The video then cuts to the wolves from the begging, much closer now, they are still running towards us in slow motion. The cloaked men are then seen running even further away. A cut to the singer lip syncing then a car is seen with blood running from it; this could signify how their relationship is now dead. The singer then drops all of the bullets & the gun onto the floor. The singer then slowly walks to the left of the screen, the snow signifies how cold he now is, he appears alone and there is no light in his life. The meaning of this music video is very polysemic, its hard to pin in down to one thing, that is very common in music videos as it keeps the audience watching over and over in attempt to discover the meaning.