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Acrylic Paint
Tools, Tips and Techniques

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Acrylic Paint Basics
Developed in the late 1940s, acrylic paint has
only a brief history compared to other visual
arts media, such as watercolor and oil.

In the 1950's, the water-based acrylics were
developed. They became popular in the
1960's when pop artists used them, such as
Andy Warhol. Other art styles that explored
this medium were photorealism and Op Art
2 Your footer here
History
Andy Warhol- Portrait

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Acrylic Paint Basics
Acrylic paints are made from pigment, water
and an acrylic binder, which forms a hard, clear
film as the water evaporates. It is this
transparent film, reflecting light from the pigment
inside it, that gives acrylic color its brilliance.

Acrylics are water-soluble, non-toxic, easy to
clean, and dry quickly. They can be used
opaque (no light shows through) either through
thick paint application or by adding white. They
can be diluted with water and painted so they
are transparent (light shows through).

3 Drawing and Painting II
Contents

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Acrylic Paint Basics
Quick drying
Harder to blend
Harder Wet-On-Wet
4 Drawing and Painting II
The GOOD
The BAD
Use Opaque
Use saturated
Clean up
Cost effective
Durability

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Acrylic Paint Tools
Acrylic paintbrushes come in
various shapes. Some of the
shapes are flat, round, pointed
round, detail round, filbert,
bright, angular flat, and fan.
Each shape comes in many
different sizes and are labeled
as previously discussed.
-Go over worksheet-

5 Drawing and Painting II
Brushes

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A paintbrush is made up of three parts: The handle,
the ferrule, and tuft (brush hairs or bristles).

1). The Tuft
made of synthetic fibers, boar bristles, and various other
animal hairs.

2) The Ferrule
the metal part of the brush that holds bristles to the handle.
The bristles are generally glued and the other end of ferrule
is wrapped around handle and crimped.

3) Brush Handles
available in a short or long style and can be made of wood or
resin.
Short handles are useful if you are not used to holding a
paintbrush. Gives a feeling of control and good for working
up close to the painting.
Long-handled brushes are best for working on an easel
because the angle and distance are more conducive to
using the longer handle
Understanding Paintbrush
Construction & Use
-Fill out Graphic Organizer-
6

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Care of Acrylic Brushes
Always clean your brush immediately
after use.
If color has dried on the brush, it is
ruined; never to be used again.
Do not stand a brush on its handle-will
cause water to leak down into the
ferrule, loosening the glue that holds
the bristles together.
Never leave brushes standing on their
bristles to dry- they will dry to that shape.
Care of Acrylic Brushes
Drawing and Painting II 10

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Brushes should be wiped clean on a lint-free rag and then rinsed under
running water.
Clean brushes gently with cool water and mild soap, gently swirl the
soapy brush in the palm of your hand.
Repeat washing and rinsing the brush until the soap and water run clear.
Take particular care to ensure that the base of the brush head is clean.
Some pigments may stain the brush slightly, but this will not affect the
performance or the life of the hair.
Gently reshape the head and remove excess water from the brush
head.
Dry the handle and ferrule and stand head up to allow the hair to dry
Cleaning of Acrylic
Brushes
Drawing and Painting II 11

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1. Color Blocking
2. Wet-on-Wet
3. Hard Edges
4. Glazing
5. Scumbling
6. Impasto
7. Watercolor Effects
8. Grisaille Painting

Techniques
Drawing and Painting II 12

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under-painting in large flat shapes to lay out composition.

After color blocking start painting details in the background
(like the sky) and then paint the next ground when finished
completely- work from the back to the front.

Techniques
Drawing and Painting II 13
Color Blocking

Keep it simple

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mixing two wet colors/values of paint on canvas to
help blend/gradient colors

Techniques
Drawing and Painting II 14
Wet-on-Wet

Acrylics dry fast- to help
keep paint moist, spritz with
water or use an acrylic
additive called retarder to
slow the drying process
down.

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Creating a clean, straight edge between objects
(colors/values)
Techniques
Drawing and Painting II 15
Hard Edge

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The application of broken color;
letting the color underneath to show
through.
using a dry brush to create stippling
or texture- Dip tips of dry brush in
thin layer of paint and either pounce
the brush on the canvas or sweep
the brush across the canvas to
create different textures.

Techniques
Drawing and Painting II 16
Scumbling

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Techniques
Drawing and Painting II 17
Impasto

thick applied paint- usually done with a pallet
knife

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Transparent layers of paint that create rich color.
Acrylic paint is mixed with a gloss medium.


Techniques
Drawing and Painting II 18
Glazing

Glazing for Depth- glaze is made by
diluting acrylic paint with the help of
water.
This combination of gloss medium and
paint is used to add a depth to the
painting by
making a translucent glaze that can be
painted which gives a 3D appearance.

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By thinning acrylics with water have similar
effects of transparent watercolor.
Techniques
Drawing and Painting II 19
Transparent (watercolor)

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https://www.youtube.com/watch?v=Nj3886C0cVY
monochrome underpainting executed in
one tone ranging from dark to light (1).
Then glazing transparent color on top at
the end (2).

Old Masters called it "dead coloring" which
means colors not used in initial painting

finished grisaille underpainting can stand
alone as a finished
artwork.
Techniques
Drawing and Painting II 20
Grisaille Painting: Grisaille=French word (means gray tones)

https://www.youtube.com/watch?v=Nj3886C0cVY
https://www.youtube.com/watch?v=FdsiwCi6u40

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:
START from the BACKGROUND and work your way
forward. This will keep you from having to paint in
between little details- its faster to work this way!!

Diffuse edges (blend) with a dry brush by dabbing lightly.

Acrylics become darker in tone as they dry, so remember to
allow for this effect when mixing your colors.

Acrylics are resistant to water once dry, which means they
can be over-painted without disturbing the previous color.
Once dry, colors cannot be dissolved with a damp brush.

If trying to remove-While paint is wet, wipe with damp rag.


Helpful Hints:
Drawing and Painting II 21

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Instead of using black and brown out of the of the bottle
you have to mix them from Primary colors.

BLACK: about 90% base color and 10% complement
Warm black: start with red and add green
Cool black: start with blue and add orange

BROWN: about 50% base color and 50% complement
Warm Brown: base is red and little less green
Cool Brown: Base Blue and little less orange
Mixing Neutrals:
Drawing and Painting II 22

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:
1. Create a Graphic Organizer with the first 7 painting
techniques. Make sure to label all 7.
2. Create a 3 value scale of Black/grey tones
3. Create a 3 value scale of Brown tones.
4. Try a script Brush and label it.



Preliminary Work:
Drawing and Painting II 23
5. On a separate sheet of paper try
to replicate the picture of this
pear (provided) using the
Grisaille Painting technique.

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1. 2. 3.
4. 5.