1) The document discusses the origins and evolution of the Mod subculture in the UK from the 1950s-1960s based on interviews with early Mods.
2) It describes how Mod evolved from earlier youth cultures like Teddy Boys and Beatniks and how the Mod movement provided British teenagers an avenue for self-expression through fashion, music and lifestyle in a still conservative post-war society.
3) The interviews highlight how Mod offered teenagers like themselves an escape from the constraints of the past and a way to craft a brighter future defined by their own tastes and interests rather than by social expectations.
1) The document discusses the origins and evolution of the Mod subculture in the UK from the 1950s-1960s based on interviews with early Mods.
2) It describes how Mod evolved from earlier youth cultures like Teddy Boys and Beatniks and how the Mod movement provided British teenagers an avenue for self-expression through fashion, music and lifestyle in a still conservative post-war society.
3) The interviews highlight how Mod offered teenagers like themselves an escape from the constraints of the past and a way to craft a brighter future defined by their own tastes and interests rather than by social expectations.
1) The document discusses the origins and evolution of the Mod subculture in the UK from the 1950s-1960s based on interviews with early Mods.
2) It describes how Mod evolved from earlier youth cultures like Teddy Boys and Beatniks and how the Mod movement provided British teenagers an avenue for self-expression through fashion, music and lifestyle in a still conservative post-war society.
3) The interviews highlight how Mod offered teenagers like themselves an escape from the constraints of the past and a way to craft a brighter future defined by their own tastes and interests rather than by social expectations.
Steve Austin - The movement came through when I was 14 or 15, just as I was getting interested in fashion, so I was always a Mod. ut hindsight is a wonderful thing, and I realise now that Modernism wasn!t created in a vacuum. "hat we now call Mod evolved from #indy $o%%ers in the 1&4'!s, via Teddy oys, eatni(s, and $i%sters. ut li(e every other generation, I hated the one )efore. *or me Teddy )oys were li(e +oc(ers, their clothes, music, and )i(es were so old- fashioned, and we were so new, and so cool,-
Sally Stevens (from West Byfleet, near Woking) - I started my adolescent life as a roc(er, influenced mostly )y .ddie /ochran, .lvis, uddy $olly, 0ene 1incent, etc. efore that, at 11 years old, my attire was art school )eatni(. Tight )lac( %ants, long )lac( sweater. My )rother used to call me The eetle. 2This )efore the advent of the eatles, who were also roc(ers until 3strid cut their hair, and .%%y %ut them in /ardin suits.4-
Alfredo Marcantonio - 5eo%le ta(e youth culture as a given, with its many cli6ues, all with their own dress code, clu)s and maga7ines. "hen the Modernist movement arrived none of these things e8isted. There were no decent clothes sho%s, no music stations and television )arely ac(nowledged young %eo%le9s e8istence. :ntil the si8ties swung in, you!d have trou)le telling %ost- war ritain and %re-war ritain a%art. .verything was so grey. *or most of us, the %hrase ;fashion victim! had an unintended accuracy< from toddler to teenager, we were (itted out li(e miniature adults. =ou were forced to wear scaled-down, short trousered, grey wool worsted suits. If you were luc(y, *or most of us, going out in your ;)est clothes! meant donning the dreaded school )la7er. #ittle wonder we sei7ed the chance to e8%ress a )it of individuality.-
David Middleton - It was all new for us )ac( then, we were teenagers and all we heard a)out was war and more fuc(ing war< my dad did not come out of the navy till I was 1> years old. .lvis went into the army and when he came out, he was singing lots of to% ten hits that were just not roc( ;n! roll anymore and were mostly )allads. *or me, ?erry #ee #ewis was the (ing of roc( ;n! roll. y the late-5's teddy )oys had really had their day anyway.-
Rob Nicholls - "hen I met 5at @mitherman at the local fairground in 1&5& I was fifteen and already wor(ing full-time. My )rylcreemed hair was swe%t )ac( at the sides with a rollover 6uiff at the front. I wore a Teddy )oy dra%e jac(et and a homemade )ootlace tie. 5at had a )ouffant and she wore a short white %lastic mac worn with matching high heels. My change of attitude )egan in autumn 1&A1 when I went to lunchtime dances at the #yceum with day-release classmates 3lan /owell and Terry unyan. The )irds there were chic, and for me, 5at com%ared unfavoura)ly. +ichard arnes reminds us that ;in the fifties, girls were still corseted and stra%%ed u% in sus%ender )elts, %antie girdles and all that corrective )rassiere stuff.! "ith her sus%ender )elt, stoc(ings and lace %etticoat, 5at seemed to )elong to an earlier generation. I felt that there must )e more to life than this. I felt confined )y going steady and my future seemed to )e closing in. This wasn!t hel%ed )y 5at hinting that she wanted to )uy some (nives and for(s ;for the )ottom drawer,! which signified a seemingly inevita)le and dismal fate. I!d read a 1&th century )iogra%hy ;The $ouses in etween! )y $oward @%ring and I felt a yen for witty conversations across drawing rooms with %iano nocturnes tin(ling in the )ac(ground and for new styles )ased on fo%%ish +egency fashions. I envisioned a light grey dou)le-)reasted suit with the royal-)lue lining that I would have made as a )adge of my new identity. My )rea(-u% with 5at in 3ugust 1&AB %reci%itated my virtual immediate transition to Mod and I )egan to develo% a new sense of style. I wanted my life to )e e8citing and I %lanned to ma(e it so,-