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fresh-winds.com
THE I NTERNATI ONAL ART BI ENNALE
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THE I NTERNATI ONAL ART BI ENNALE
THE I NTERNATI ONAL ART BI ENNALE FRESH WINDS
2014
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Ferskir vindar Gari
Fresh Winds in Garur was a bold idea that developed into an adventure; a workshop
of creativity where the people by the ocean and participants from many countries have turned
the dream into reality. Where before the fsh was treated now Fresh Winds have created
a workshop; the originality of the artists and the values of the community determine the way
forward. Everybody participates, both the visitors and the inhabitants, young and old.
From the very beginning I was inspired by this vision and have enjoyed seeing the Fresh Winds
in Garur grow into an impressive success.
Dorrit Moussaieff
First Lady of Iceland
Patron of Fresh Winds
Ferskir vindar Gari var djrf hugmynd sem var a vintri, listasmiju ar sem byggin vi haf og
tttakendur fr mrgum lndum hafa gert drauminn a veruleika. ar sem ur var verkaur fskur
halda Ferskir vindar smiju skpunar ; frumleiki listamanna og ealkostir samflagsins ra fr.
Allir eru tttakendur, bi gestir og bar, brn og fullornir. Fr upphaf heillaist g af essari sn
og a hefur veri gaman a sj Ferska vinda Gari vaxa og dafna.
Dorrit Moussaieff
Verndari Ferskra vinda Gari
2014
FR
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THE I NTERNATI ONAL ART BI ENNALE
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Curator and Director
The Vastness was this years theme at Fresh Winds, now held
for the third time in Garur from Dec 21 2013- Jan 16 2014,
with the artists making a joyful and creative invasion into
the community.
The emphasis this time around was on indoors artwork and
music. As usual close to ffty artists participated, of almost
twenty nationalities.
The winter didnt shy away from the festival and stirred the
artists into action, many of whom had never seen snow
before, let alone owned an overcoat, and for some of them
this was their frst trip to a foreign country. The nature and
landscape certainly infuenced them, as well as all the others,
in a ferce and magnifcent manner.
Iceland is an endless source of inspiration for foreign guests
as well as Icelanders, and Garur, so spectacularly situated
against natures forces on the rocky and barren edge of
Reykjanes, especially so.
It is a tremendous challenge for the artists to work under
these conditions, and it is easily visible from the artwork that
the creation takes place outside their comfort zone, outside
of their usual approach.
Nothing is held back, the creative fow is absolute, the fow
of each individual artist, but also when looked upon the
group as a whole.
In some amazing way an absolutely limitless creativity fows
between artists and artforms. People with different skills and
artistic backgrounds, who have never met before, start
making art together, sharing and enjoying each others talents.
In this lies, amongst other things, the strength of Fresh Winds,
and this is what makes the festival so special for the artists
and the community at large which benefts greatly from the
creative energy it brings.


A essu sinni var vttan ema Ferskra Vinda sem haldnir voru
Gari rija sinn fr 21. desember 2013 16. janar 2014
me tilheyrandi glei og innrs skpunar listamanna samflagi.
Lg var hersla alls kyns innilistaverk og tnlist a essu
sinni. A vanda voru listamenn htt fmmtu og af fast a
tuttugu jernum.
Veturinn lt ekki sr standa og hristi vel upp listaflkinu sem
hafi sumt hvert mist aldrei s snj ea tt lpu fyrr, ea
hreinlega ekki fari ur t fyrir sna eigin landsteina. essu flki,
sem og hinum lka, er heldur betur blsi brjst til skpunar
af nttrunni og landinu.
sland er rjtandi uppspretta innblsturs jafnt fyrir erlenda
gesti htarinnar sem innlenda og Garur sem er svo srstaklega
stasettur gagnvart nttrufum, vindum og haf yst grfri
og berangurslegri Reykjanestnni svkur engan. a er listaflkinu
gfurleg skorun a vinna vi essar astur og bera listaverkin
ess merki a a er ekki innan gindaramma vinnustofunnar
ea ekktra efnistaka sem skpunin sr sta.
ll hft eru losu og fi er algert, annars vegar fyrir hvern og
einn listamann persnulega en einnig egar liti er til heildarinnar.
einhvern undraveran htt myndast samruni og fi milli
listgreina og listaflks sem sr engin takmrk. Listaflk af
lkum listgreinum og uppruna, sem hefur aldrei ur hist, skapar
sameiginleg listaverk, deilir og ntur hfleika hvert annars.
etta er meal annars styrkur Ferskra Vinda og a sem gerir
htina svo srstaka bi fyrir ttakendur og samflagi
sem fer ekki mis vi fi og kraftinn sem henni fylgir.
mireya@mireya.is
MIREYA SAMPER
oz@oz-te.com
Breath
In Iceland, I feel real nature which I have never experienced
before.
Fresh winds, sky, sounds, clouds, smells, light and dark ...
I want to create breath of the earth by movement
of colors, lines and layers.
So I continued to paint everyday.
Andardrttur
slandi fnn g raunverulega nttru sem g hef hvergi
annars staar upplifa.
Ferskir vindar, himinn, hlj, sk, lykt, ljs og myrkur
g vil skapa andardrtt jarar me hreyfngum lita,
lna og laga.
v held g fram a mla hverjum degi.
OZ - KEISUKE YAMAGUCHI
JAPAN
4
lionelguibout@gmail.com
More light, more freedom.
Meira ljs, meira frelsi.
Plus de lumire, plus de Libert.
From Vincent Van Goghs letters to Tho
r brfum Van Gogh til Thos
LIONEL GUIBOUT
FRANCE / FRAKKLAND
5
k.schnappenburg@googlemail.com
Particle Observation I + II
Material: Tin foil, ink, dust, oil, hair, etc.
Variable size.
I like to observe my close surrounding considering it a smaller
scale of a bigger universe. In this installation I make a stage for
particles around me and recompose them. Chaos and order.
The hidden, small mirroring. Scales matter. The most interesting
object I found in Iceland was the Sextant. The starting point of
the installation.
Sneflrannskn I og II
Efni: lpappr, blek, ryk, ola, hr og feira.
msar strir.
Mr fnnst gaman a vira nrumhverf mitt fyrir mr sem lti
lkan af hinum stra heimi. essari innsetningu skapa g svi
fyrir sneflagnir kringum mig og endurraa eim. reia og
regla. Hi dulda, sma speglast. Str skiptir mli. hugaverasti
hluturinn sem g fann slandi var sextantinn. Hann er
upphafspunktur innsetningarinnar.
KRISTINE SCHNAPPENBURG
GERMANY / SKALAND
6
kidom.m4@gmail.com
Icelandic Woods
Before I came to Iceland, everyone said there are no
forests in Iceland. But I thought that I would fnd one.
slenskir skgar
ur en g kom til slands sgu allir vi mig; a eru engir
skgar slandi. En g lt mr detta hug a fnna skg.
MIYUKI KIDO
JAPAN
7
artinnature@naver.com
Represents the image of Iceland
Icelands beautiful landscapes, streets, houses common
in Casablanca, everything remains in my memory.
mynd slands
Strbrotin nttra, gtur, hs eins og Casablanca,
allt geymist minni mnu.

SUNG BAEG
SOUTH KOREA / SUUR-KREA
8
mahe.boissel@free.fr
A country, some gods and stories
1. Iceland impresses. Its language is prior to man.
The water, the sea, the earth are exuberance. Here the air
is a vivid and emptying mass. I let it take me.
2. I put in order nights and days so I could move between them.
I resume the thread of my work on the human beings; the gods,
their stories.
3. The mythology is a vast story. Here in Iceland its breath
is strong with the narratives of the northern mythology of
the EDDA by SNORRI STURLUSON . I connect the sky and
the earth, the day and the night; I put in dialogue Icelands
seduction and the magic of the tales whose reinterpretation
I propose. These are three degrees of reading to answer three
essential questions : Where? When? How?
How is the question which concerns the artist and interests
the public. How is a style ... a peculiar version of the universal.
I give you mine,
thank you.
Land, nokkrir guir og sgur
1. sland vekur adun. Tunguml landsins var til undan
manninum.
Vatn, sjr, jr eru alltumlykjandi. Lofti er lifandi og gurlegt fmi
sem g leyf a bera mig brott.
2. g set daga og ntur rtta r til a geta ferast milli
eirra. g tek upp rinn vinnu minni me flki; guum, sgum
eirra.
3. Gosagnirnar eru tmandi brunnur. slandi bls sterklega fr
norrnni goafri SNORRA EDDU. g tengi himininn vi jrina,
daginn og nttina; g set ginningu landsins or og tfra eirra
sagna sem g hyggst tlka upp ntt.
etta eru rjr aferir lestrar til a svara remur kjarnaspurningum:
Hvar? Hvenr? Hvernig? Hvernig er spurningin sem snertir
listamanninn og vekur huga horfenda. Hvernig er afer ...
srstk sn alheiminn.
g sni ykkur mna,
Takk fyrir.
MAH BOISSEL
FRANCE / FRAKKLAND
9
naygistvan@gmail.com
When I meet a foreign culture, I try not to think about
anything. I try to absorb every experience, to be amazed
by all novelties and let every little thing affect me. It is
mainly a psychological impact, which is later transformed
intellectually. These experiences will be built into my
work in a direct or latent way. Is it possible to capture the
ephemeral moment? In our memory we remember/
keep the days, hours and moments as fragments. The
torn stripes are fragments of the Icelandic colors and
the experiences of these days.
egar g kynnist framandi menningu reyni g a hafa alveg
opinn huga. g reyni a anda a mr nrri reynslu, dst a llum
njungunum og lta hvert einasta smatrii hafa hrif mig.
au hrif eru fyrst og fremst andlega sviinu en sar vinn g
vitrnt r eim. Upplifun mn birtist beint og beint verkum mnum.
Er mgulegt a fanga hverfult augnablik? Vi geymum/munum
dagana, klukkustundir, andartkin brotum. Rifnar lengjurnar eru
brot af slenskum litum og upplifun essara daga.
ISTVAN NAYG
HUNGARY / UNGVERJALAND
10
bzilvinas@yahoo.com
Space 1, 2 and 3
Spaces are completely different. Sometimes they just seem
small, but there deep insight hiding the whole world.
Expansion - Listaverkagarur
There is always an opportunity to grow, transform from cold
to warm, discover new spaces, enjoy life, sky and make others
happy.
Uncontrollable scream
Rmi 1, 2 og 3
Mismunandi rmi eru gjrlk. Stundum virast au ltil en
hafa a geyma dpt sinni allan heiminn.
ensla - Listaverkagarur
Alltaf gefast tkifri til a vaxa, umbreytast fr kldu heitt,
uppgtva n rmi, njta lfsins, himinsins og gleja ara.
stjrnlegt skur
ZILVINAS BALKEVICIUS
LITHUANIA / LITHEN
11
myrmann.art@gmail.com
View from the lighthouse
The inspiration for this artwork came to me here in Garur,
where the strong wind blows from all directions.
I was intrigued by the vast horizon that fathoms the
darkness at the twilight. I wanted to interpret both
the force and spirit that this good society has to offer.
Looking into the darkness from the lighthouse, where
it is hardly possible to distinguish between ocean, earth,
man and spirit.
tsni fr vitanum
Hugmyndina a essu verki fkk g hr Gari ar sem sterkir
vindar blsa r llum ttum.
Vttumikill sjndeildarhringurinn, sem famar myrkri
ljsaskiptunum var mr hugleikinn og mig langai a tlka
lguna og andann sem br essu ga samflagi.
Horft er t fr vitanum t myrkri, ar sem vart m greina skil
milli hafs, jarar, manna og vtta.
VDIR MYRMANN
ICELAND / ISLAND
12
leslie.greene@free.fr
A line is a line is a line. Lines of black on white, the trembling
soul, the hungry body, the gravitational pull humbly watching the
Auroras dance in the January skies. Wind like blue bricks, the
delicate fow of water stains falling into obedient grids. Circles
drawn on the lighthouse wall give geometric sign to the vast
chaotic dark. Moved by the story of Icelantic fshermen, who
went out in the raging icy sea to save Marines, I have marked
83 crosses in one of the spheres, painted on the lighthouse
wall, counting and remembering each anonymous one of them.
Lna er lna er lna. Svartar lnur hvtum grunni, leitandi
hugur, lfsyrstur lkami, adrttarafi fylgist aumjkt me
dansi norurljsanna janarhimninum. Vindurinn er eins og
blir mrsteinar, vatni myndar ausveip blettamynstur. Hringir
veggjum vitans gefa hinu grarstra og skipulaga myrkri skr
og regluleg skilabo. g hreifst af sgunni um slensku sjmennina
sem hldu t f og heljarkalt haf til a bjarga sjlium og hef
merkt ttatu og rj krossa einn hnttinn veggjum vitans, til a
minnast hvers hinna nafnlausu manna.
LESLIE GREENE
USA / BANDARKIN
13
akawu47@gmail.com
The best explanation for my artistic works is written by
Herman Melville in his marvelous book Moby Dick:
THERE ARE SOME ENTERPRISES IN WHICH A CAREFUL
DISORDERLINESS IS THE TRUE METHOD.
Thank you Herman.
The poetry Vastness that I used in my painting work is
written by Olga A. Plastira. She is a sculptor living in Naxos,
a Cycladic Island in Greece.
Besta lsingin listaverkum mnum stendur skr af
Herman Melville strkostlegri sgu hans, Moby Dick:
STUNDUM ER VANDLEG REIA EINA RTTA AFERIN.
akka r fyrir, Herman.
Lji Vastness sem g nota mlaralist minni er eftir Olgu
A. Plastira. Hn er myndhggvari og br grsku eyjunni
Naxos.
ANDRZEJ K. WISNIEWSKI
POLAND / PLLAND
14
clairedemonclin@gmail.com
In Gardur, one is nearby the faraway
This oxymoron expresses what I feel since I arrived in Island:
land of contrast. Depending on lights and weather, looking at
this landscape beaten by winds, my heart is shrinking inside me
or a short time later, I feel that Im almost reaching the sky.
I wanted to meet Gardurs people and share my dance with
them. We did an intergenerational performance together,
from the bottom to the top of the lighthouse, trying to catch
the sky.
Gari er fjarlgin nrri
essi mtsgn lsir v hvernig mr lur slandi: landi
andstna. sbreytilegu ljsi og veri lt g landslagi sem vindurinn
hamrar ltlaust og hjarta mr skreppur saman vxl og enst t
svo a mr fnnst a g ni til himins.
g hafi hug a hitta bana Gari og dansa me eim. Vi
dnsuum saman, margar kynslir, upp og niur
vitann, og reyndum a fanga himininn.
CLAIRE DE MONCLIN
FRANCE / FRAKKLAND
15
What I fnd attractive is the hypnotic power of great natural,
virgin spaces. My research is THE RELATION BETWEEN THE
ENVIRONMENT AND THE PAINTING. The SEA is my present
theme. But the discovery of the Icelandic landscapes has changed my
focus. This new focus has also left me with some reservation. I need
to put distance between this new vision and reality to give place to
the imaginary . WHITE has appeared in my palette, unusual colour
for me, its liquidity is like melting snow and fows as tears. Fresh
Winds residence has produced this new vision. Experiencing the
work in progress of the other artists has also inspired my practice.
Magnifcally organised by Mireya, her instigation of Fresh Winds
blows an artistic and warm wind. Daily life takes on a very great
importance with the meals, sharing, food preparation, discussions,
parties, promenades. Inviting artists from all over the world, Fresh
Winds works towards circulation of artists to create friendship
connections and to open the artists community.
g hrfst af dleiandi hrifum strkostlegs, snortins landsins. g
velti fyrir mr TENGINGU UMHVERFISINS VI MLVERKI. HAFI
er vifangsefni mitt augnablikinu en upplifun mn af slensku
landslagi hefur breytt herslum mnum. essar nju herslur eru mr
umhugsunarefni. g arf a fjarlgjast essa nju sn og raunveruleika
til a hleypa myndunarafinu a. HVTT hefur n bst vi litafru mna,
a er venjulegt hj mr, liturinn brnar eins og snjr og fir eins
og tr. Dvlin Ferskum vindum hefur skapa essa nju sn. g hef
lka fengi innblstur af v a horfa hina listamennina vinna. Ferskir
vindar eru skipulagir strbrotinn htt af Mireyu og blsa hljum,
listrnum vindum um landi. Hversdagurinn last ntt mikilvgi,
a bora, deila, tba mat, spjalla saman, halda veislur og sningar.
Listamnnum fr llum heimsins hornum er boi og annig unni
a v a koma sambandi milli eirra, treysta vinabnd og opna
samflag listamanna upp gtt.
DANIELLE LOISEL
FRANCE / FRAKKLAND
16
loiseldanielle@gmail.com
saenne7712@gmail.com
I thought Snow is really white when I went to Iceland.
So, I decided to use white.
In a Japanese magazine, there was a story about a belief that
if a person who goes to Iceland brings back a stone from the
country, the stone will let the person return there. So, I thought
I wanted to use the stone.
It was a new and amazing experience.
egar g kom til slands s g a snjr er verulega hvtur annig a
g kva a nota hvtan.
japnsku tmariti s g jsgu a ef feramaur
slandi kemur me stein fr landinu me sr heim, mun hann geta
heimstt a aftur. annig a mig langai a vinna me steina.
etta var n og strkostleg reynsla.
SAE KANEKO
JAPAN
17
kask.eve@gmail.com
Family of artists
The World ruled by politicians and big corporations might
easily get out of balance. Soft values are not a topic on every
days news.
Im interested in belief and value system of artists. My aim
with this work is to present artists thoughts about creating, to
take cultural values into the highlight and invite audiences to re-
think the dominating value systems that surround us.
Listafjlskylda
Verld sem stjrna er af stjrnmlamnnum og strfyrir tkjum
getur auveldlega fatast fugi. Hin mjku gildi eru ekki daglega
frttum.
g hef huga tr og gildismati listamanna. Me verki mnu
vil g sna hugmyndir eirra um skpun, beina kastljsinu
a menningarlegum gildum og bja horfendum a endurskoa
rkjandi gildismat umhverf okkar.
EVE KASK
ESTONIA / EISTLAND
18
egamihero@msn.com
A power of life is important
But now , I think that we have no power.
In our life we have many problems and much stress.
And we can not fnd new ways .
I feel the power from one wire. This is power of nature.
Once I think that we had strong power like wire.
Please recover your power once more again.
And I want say POWER OF LIFE to you.
Lfskrafturinn er mikilvgur
En n fnnst mr vi hafa glata mtti okkar.
Lf okkar er fullt af vandamlum og streitu.
Og vi sjum engar njar tgnguleiir.
g fnn kraftinn einum ri. etta er kraftur nttrunnar.
Einu sinni ttum vi mikinn kraft slkum rum.
Vinsamlegast endurheimti kraft ykkar.
Og g segi KRAFTUR LFSINS vi ykkur.
HIROSHI EGAMI
JAPAN
19
&
artinfred@gmail.com
A plate engraved by birds beaks
blind masks for ecstatic ladies
skeleton of boat stranded in one abandoned lighthouse
volcanic stone coated with sheep fat
wooden rainbow steps over water
to touch the skull of the giant
From earth to sea to bird to man to boat to fsh to sky
From sky to fsh to boat to man to bird to sea to earth
Plata me ristum eftir fuglsgogga
blindgrmur ngra kvenna
btshr vi yfrgefnn vita
kindamrshjpa grjt
viarregnbogi rs yfr vatninu
og snertir hauskpu risans
Fr jru til sjvar til fugls til manns til snekkju til fskjar til himins
Fr himni til fskjar til snekkju til manns til fugls til sjvar til jarar
Fred Martin & Armando Gomez
Collaboration French and Mexican
Between tides
Fred and Armandos work in the old lighthouse
is a project of artistic intervention in it,
as an allegory of the hard and dramatic process
of settlement of the frst Icelanders.
Thus, we have realized that the old lighthouses
reality is as an object of symbolic character,
which marks the boundary between the sea
(random space, organic chaos, divine, etc.)
and the land (specifc space, non-organic,
organized, human, etc.).
FRED MARTIN
FRANCE / FRAKKLAND
20
&
armandogmster@gmail.com
Fred Martin & Armando Gomez
Samvinna Frakka og Mexka
milli fs og fjru
Verk Freds og Armandos gamla vitanum
er me listrnni hlutun, eins konar
dmisaga um erftt og hrifamiki
lf fyrstu slensku landnemanna.
annig hfum vi tta okkur v
a gamli vitinn er raun srstk tknmynd,
hann markar skilin milli lagar
(sbreytilegt rmi, lfrn ringulrei,
gudmur o.s.fr v.) og ls (afmarka rmi, lfrnt,
skipulagt, mannheimur, o.s.fr v.).
IceMx
The work refers to the main feature that Iceland and Mexico
share: their geological (the North American plate), which
creates a link between various nations and allowed our
territories to emerge from the seabed.
In this art-piece, both territories get mixed by our mountains
chains, so a new territory appears, where the nature of our
physiography will be mixed, creating new landscapes.
sMex
Verki vsar a sem sland og Mexk eiga sameiginlegt:
jarfrina (Norur-Amerkufekann), sem tengir lkar
jir og lyfti lndunum tveimur upp r sjnum.
essu listaverki tengjast lndin gegnum fjallgara og n
svi koma ljs ar sem lk jarfri blandast saman og ntt
landslag verur til.
ARMANDO GOMEZ MARTINEZ
MEXICO / MEXK
21
mail@asri-sayrac.de
I am turning, because you are here
The inspiration of my work has for sure something to do
with love.
And with the sun, shining for everyone, for Human beings
or animals, for everyone at the same time.
What is fascinating for me about this is the fact that the
sun sees no difference. It shines for anybody and everybody.
Not depending on their faith.
Also my propeller is turning for everyone, not depending
on their feelings or personality.
g snst v a ert hr
Innblstur minn hefur vissulega eitthva a gera me st.
Og me slina, sem skn okkur ll, mannverur og dr,
alla sama tma.
Mr fnnst s stareynd hrfandi a slin gerir sr engan
mannamun. Hn skn alla jafnt. Burts fr hverju eir tra.
Og hreyfllinn minn snst fyrir alla, n tillits til tilfnninga
eirra ea persnuleika.
ASRI SAYRAC
GEORGIA
22
uta.heinecke@gmail.com
The Book of Gardur
The diary-like object was made of old wooden planks,
I found in Gardur. They were already formed by the Icelandic
weather and by time. They were partially painted but the color
is weathered. They show traces of use, wounds ... So the diary
was not only created by me ; I just added my personal story
about Gardur, the atmosphere and my impression of the
amazing nature in Iceland by cutting, painting, scraping and
trimming them.
By opening the Leporello you may discover - side by side -
landscapes and symbols like boats, the lighthouse, birds, geysirs,
the sea, colors and the Fresh Winds we enjoyed so much.
Bkin um Gar
etta dagbkar verk var unni r gmlum viarbtum sem g fann
Gari. eir hfu verast tmans rs. eir voru mlair a hluta en
liturinn hefur verast me tmanum. eir bera ess merki a hafa
veri notair, bera sr ... annig var a ekki bara g sem geri
dagbkina, g btti bara vi minni persnulegu sgu um Gar,
stemningunni og upplifun minni af hinni strbrotnu nttru slands
me v a saga, mla, skrapa og snyrta.
egar Leporello er opna kemur landslagi ljs, samt
tknum bor vi bta, vita, fugla, hveri, haf, liti og fersku vindana
sem vi njtum svo mjg.
UTA HEINECKE
AUSTRIA / AUSTURRKI
23
myndhoggvari@simnet.is
Arks
I wonder where we are headed in our creations.
What we want to create.
We have heard ancient stories of the protection of DNA,
and stories of great nature disasters that have practically laid
ruin to our Mother Earth.
Now we gather DNA from plants which we store in an Ark
of some kind in Svalbard in Northern Norway, where the
plant seeds are deepfrozen in a bunker below ground.
Must we not stay awhile, realise that we have to wake up,
to be able to live in peace?
Arkir
Velti fyrir mr hvaa lei vi erum skpun okkar.
Hva vi viljum skapa.
Vi hfum heyrt aldagamlar sgur af sfnun og verndun erfaefna,
og sgur af miklum nttruhamfrum sem hafa nstum spa
llum lifandi verum af yfrbori Jarar.
N erum vi a safna eraefnum plantna sem vi geymum
einhvers konar rk eyjunni Svalbara Noregi ar sem fr
plantnanna eru djpfr yst rammgeru byrgi neanjarar.
Verum vi ekki a staldra vi, gera okkur grein fyrir v
a vi verum a vakna, til ess a lifa frii?
ANNA SIGRDUR SIGURJNSDTTIR
ICELAND / SLAND
24
pandabird@gmx.net
If the actions I did during my time in Iceland were able to
create a memory for the audience feeling good about life - that
would be an achievement for me.
Once upon a time - the story of the book with no name
Performance by Lap Yip (Hong Kong/Berlin).
Participating artists:
Claire De Monclin (France)
OZ (Japan).
Ef gjrir mnar slandi hafa skapa hljar og nrandi
minningar fyrir horfendur er takmarkinu n.
Einu sinni var - saga af nafnlausri bk
Framinn af Lap Yip (Hong Kong/Berln).
Arir listamenn sem tku tt:
Claire De Monclin (Frakkland)
OZ (Japan).
LAP YIP
HONG KONG BERLIN / HONG KONG BERLN
25
mikionia@sweet.ocn.ne.jp
I CHING for Fortune-telling ~ Would you like to have your
fortune read?
This work is I CHING map for divination. 64 hexagrams of
I CHING are represented radially by colored balls 384.
Different colors of eight pieces express the state of mind .
You can read your future in this map.
FUKUSHIMA-3 ~ Nuclear Free Future
This work is made up of 69 pieces of photos. This year its
been 69 years from Hiroshima and Nagasaki atomic bombs.
People are making the sign of three. This year its been three
years from the accident of Fukushimas Nuclear power plant .
Fukushima and Hiroshima and Nagasaki are connected. Nuclear
Free Future.
I CHING fyrir spdma ~ Viltu lta sp fyrir r?
Verki er I CHING spdmskort. I CHING er tkna me sextu
og fjgurra geisla stjrnu me 384 marglitum klum. tta lkir litir
tkna hugarstand. etta kort snir okkur framtina.
FUKUSHIMA-3 ~ Kjarnorkulaus framt
etta verk samanstendur af 69 ljsmyndabrotum. ri
r er hi sextugasta og nunda fr kjarnorkursunum
Hiroshima og Nagasaki. Flk myndar tkni rj. essu ri eru
rj r liin fr slysinu kjarnorkuverinu Fukushima. Fukushima
og Hiroshima og Nagasaki tengjast ll. Kjarnorkulaus framt.
MIKIO KAWASAKI
JAPAN
26
olsengeorg@yahoo.com
Please forgive me for being what I am,
for what I wish to say.
I am void of riches, but your company
enriches me.
I am amongst you, this is my hope,
that I am amongst you
for I have come to announce
that I am amongst you.
Fyrirgefu mr hver g er,
og a sem mig langar a segja.
g er snauur af veraldlegum gum
en flagsskapur inn er auur minn.
g dvel meal ykkar, von mn er s,
a g s me ykkur
v a g fri ykkur au tindi
a g er meal ykkar.
GEORG OLSEN
GREENLAND / GRNLAND
27
ymkokw@msn.com
Icelands light inspired me.
I have never seen such a lovely, wonderful light.
I mixed impression of this light
and Japanese traditional culture.
Birtan slandi veitti mr innblstur.
g hef aldrei s svo dsamlegt, undurfagurt ljs.
g blandai birtunni saman vi hefbundna
japanska menningu.
SAKURA EGAMI
JAPAN
28
asra.samper@yahoo.com
Hin nyrstu hf,
toga mig. pa.
Klettabrnin brtt,
ntrar.
Tvstgandi,
leikur vi vindinn.
Hrafninn krunkar.
Skurrar mr.
Aldan hvsir,
bls.
Sprunginn hugur.
Uppgefn sl.
Tilhugsunin um
tmarm og myrkur,
strkur mr um vangann.
Dpur tr la niur.
Bli storknar.
Kuldinn er kominn heim.

Haf endurspeglar lan.
kyrr.
Blsvrt, dimm,
aldan.
Lifnar vi,
dansar
vi ystu nf jarar.
ar sem himinn og haf
sameinast.
Eilf.

Vkull maur,
starir.
Votur um augu.
Gran skvettir.
Djpi togar.
Kyrrin logar.
Myrkvi.

Roki svfur.
Nttin rfur.
Kuldinn svur.
Slin svinar.

ldugangur, aldurhaf.
Lfsgl tilvist - uns
aldan verur a brimi.
Brekinn brestur.
Grjt.
Ttir og tortmir.
Aldurlag.

Kuldinn er nstandi.
Hafgangur myrkursins heltekur.
Undiralda skapast innra me,
tekur vi.
Svanurinn fist,
laugar sig kolum.
Brennir upp nttina.
Ljsi lifr ekki lengi.
ASRA RN BJRT
ICELAND / SLAND
29
Waves are like eternity timeless
Aldan er eins og eilfin tmalaus
annakaarma00@gmail.com
Broken Connection
No Trees, No Mountains, But Constantly Blowing Wind And
Roaring Sea. After Reading A Book Flatland By Abbott
I Star ted To Think About This Area As A Flatland. This Is
A Space Specific Work Maquette Under The Glass,
Minimalistic And Primitive. The Hanging Lightbulbs Are Old
Christmas Lights Found In The Trash After Christmas Time
They Have Become Very Symbolic To Wintry Gardur But From
Now On The Lights Dont Have This Meaning . The Meaning Is
Changed, The Connection Is Broken.
Dreamland
Adventure Of Sagas. Unexpectedly Strange, I Have Had
Wonderful Dreams During The Nights In Gardur. A Video
Installation Of Me Sleeping On Icelandic Sagas. This Is Called
Dreamland!
Drawings On Wood
Inspired By Local Profuent Landscapes.
Rof Samband
Hvorki Tr N Fjll En Sfellt Hvaarok Og f Haf . Eftir A Hafa
Lesi Flatland Eftir Abbott Fr g A Hugsa Um etta Svi
Sem Flatland. Verki Er Bundi Vi Rmi Smmynd Undir Gleri,
Ltlaus Og Frumst. Ljsaperurnar Hangandi Eru r Gmlum
Jlaserum, Fundnar Ruslinu Eftir Jlahtina r Eru Mjg
Tknrnar Fyrir Gar A Vetrarlagi En Han Fr Er Merking
eirra nnur.
Merkingin Er Gltu, Sambandi Hefur Rofna.
Draumaland
Sagnavintri. Mr A vrum Hefur Mig Dreymt Dsamlega Hr
Gari. Myndbandsverk Af Mr Sofandi Ofan slendingasgunum.
etta Er Sannkalla Draumaland !
Teikningar Tr
Innblsi Af Landslagi Staarins.
ANNA KAARMA
ESTONIA / EISTLAND
30
einar.garibaldi@lhi.is
I am a painter who makes images of images. I am connected
to the world through the act of painting. From the moment
I take up the brush I fnd myself caught up in the space of
painting. The canvas is far from empty. In the atelier I can
hear voices, I smell odour of colors that bear names of past
masters. The starting point is here, the tradition of painting,
images upon images, where nothing is invented.
g er mlari sem mla myndir af myndum. a er sem
heimurinn opnist fyrir mr gjrinni a mla. Rmi mlverksins
umvefur mig hvert sinn sem g snerti pensilinn. v a hvtur striginn er
aldrei auur. Og vinnustofunni heyri g raddir, fnn angan af litum,
r tbum er bera nfn genginna meistara. a er hef
mlverksins sem er upphafspunkturinn, mynd eftir mynd, ar sem
ekkert er upp fundi.
EINAR GARIBALDI EIRKSSON
ICELAND / SLAND
31
VITI - LEUCHTTURM - LIGHTHOUSE - PHARE -
Spray on wall in Garskagaviti
Sprey vegg Garskagavita, 2014
VTTA - WEITE - VASTNESS
Spray on wall at Hlmsteinn fshery
Sprey vegg fskvinnsluhsi Hlmstein, 2014
I spray words on walls, the text is preferrably in three
different languages which are connected in some way.
I fnd the texts and remove them from their context.
For Garskagaviti I made a simple and plain text and this
time in fve different languages.
g spreyja texta veggi, textarnir eru gjarnan remur
tungumlum og tengjast einhvern htt. etta eru fundnir textar
og teknir r ru samhengi.
Fyrir Garskagavita geri g einfaldan og augljsan texta og
a essu sinni fmm tungumlum. www.hallsson.de
HLYNUR HALLSSON
ICELAND / SLAND
32
hallsson@gmx.net
pascalepeyret@gmail.com
Fossilization
I am moved by the memory charged objects as well as actively
involved in the process of capturing mother nature.
For my second participation in the Fresh Winds Festival
I continue my experiments with ancient techniques of
photography and create fossil prints in the industrial plastic box
used by the fshing company.
Steingerving
g hrfst af hlutum sem hlanir eru minningum auk ess
sem g vil fanga kjarna nttrunnar.
etta er anna skipti sem g tek tt Ferskum vindum og g
held fram tilraunum mnum me gamaldags ljsmyndatkni og
b til steingerar myndir fskikr.
PASCALE PEYRET
FRANCE / FRAKKLAND
33
damienpeyret@gmail.com
I produced BLIND, a video showing a young woman who is
losing her sight.
She has given an appointment to her sister in Iceland who
witnesses the last day that she sees.
Her subjective vision is blurred spots of black ink that invade
the landscapes and her feld of vision.
With Naomi Greene and Julia Vaidis-Bogard.
Music Samuel Guibout, Alexandre Ayed & Tomoo Nagai.
g geri BLINDU, myndband sem snir unga stlku sem er a
missa sjnina.
Hn hefur kvei a systir hennar slandi muni vera vitni
a sasta deginum sem hn sr.
Sn hennar er skr og svartir blettir r bleki leggjast yfr landslagi
og sjnsvi hennar.
Leikendur Naomi Greene og Julia Vaidis-Bogard.
Tnlist Samuel Guibot, Alexandre Ayed og Tomoo Nagai.
DAMIEN PEYRET
FRANCE / FRAKKLAND
34
vaidisbogard@hotmail.fr
Vastness - outside and inner landscapes
The winds sing, with a single breath, endless.
Tomorrows fowers tremble, they embrace under the ice
of Earth. Everything is both empty and full.
Having returned to the very frst sound. To the noises
of the immense wave with the arrow made of clay.
Tense, fragile.
Eternal renewal of each and every sun. each and every instant,
a little piece of buried truth, glows in the darkness.
The strange light of a sky, closer than ever.
To stagger under the squalls, almost fying away at times.
So simply, without even a future, without a past, feeling alive.
And maybe on the path, to dive. to fall in the well within.
To let die here, everything . All of myself.
To give up on, until the hopes of a fnal breath.
To go away. Thereto. God knows where. To the other side.
Answering the call.
Come back then, with bursting hands,
splattering love onto the clouds and the pebbles.
The world around. all the ones I carry within.
In one way or another,
to offer myself to the One who sees.
Gmald - ytra og innra landslag
Vindurinn syngur n ess a draga andann, endalaust.
Blm morgundagsins titra, au famast undir s jarar.
Allt er autt og yfrfullt senn.
Sni aftur a hinu allra fyrsta hlji . A ni hinnar
gnarstru ldu me r vum r leir.
Spennt og vikm.
Endurnjun eilfrar slar. Hvert andartak,
rlti brot af gleymdum sannleik gljir myrkrinu.
Annarleg birta himinsins nr en nokkru sinni fyrr .
A ria til vindinum og feykjast nstum brott.
Svo einfalt a fnna lf jta um ar,
n framtar og fortar.
Og kannski a stinga sr af slinni, falla hyldjpa lindina.
A glata hr, llu. Sjlfnu heild sinni.
A gefast upp, von eftir sasta andvarpinu.
A fara burt. anga. Gu m vita hvert. Yfrum.
Svara kallinu.
Koma svo aftur me yfrfullar hendur,
skvetta st skin og steinana.
Heiminn kring . Alla sem g ber hjarta mr.
einn ea annan htt,
a gefast eim sem sr.
JULIA VAIDIS-BOGARD
FRANCE / FRAKKLAND
35
pandabird@gmx.net
Before I came to Iceland, I picked up leaves
from the streets in Berlin, where I live, and
brought them with me to Gardur.
ur en g kom til slands tndi g fallin lauf af
gtum Berlnar, ar sem g b, og hafi au me
mr Gar.
ALMUTH BAUMFALK
GERMANY / SKALAND
36
In a dream I looked up at a spiral staircase
that led up to heaven
Angels were dancing there
Everything was emitting sound
Stairs, stone, grass, book, trumpet, gong,
angels ...
Sound was coming out of everything
It was chaos, all had beautiful resonance
The heavenly music had become the origin
of my music
draumi leit g upp og s stiga
sem l hringi til himins
ar dnsuu englar
Allt gaf fr sr hlj
Stigar, steinar, gras, bk, trompet, tromma,
englar ...
Alls staar endurmuu hlj
Mikil reia rkti en bergmli var undurfagurt
Himnesk tnlistin var orin uppruni minnar
eigin tnlistar
YASUYO ISO
JAPAN
37
yasuyoiso@gmail.com
mail@tomoonagai.com
Someday I want to create sounds without
instruments.
Einhvern daginn tla g a skapa hlj
n hljfra.
TOMOO NAGAI
JAPAN
38
meusah@gmail.com & alexandre-ayed@hotmail.fr
U.N.T.U (Universe Next to Universe) is a live research
project based on rhythm and time-traveling experimentations.
Artists and scientists are invited to defne a common
research playground in order to create tools, objects or music
instruments that will allow unpredicted actions and powerful
forms of experience when they are used by performers.
H.V.H. (Heimur vi heim) er lifandi rannsknar verkefni sem
byggir takti og tilraunum me tmafakk. Listamnnum
og vsindamnnum er boi a skilgreina sameiginlegan
rannsknargrundvll til a skapa tki og tl, hluti og
hljfri sem bja upp fyrirsjanlegar agerir
og hrifamikla upplifun mefrum listamannanna.
SAMUEL GUIBOUT & ALEXANDRE AYED
FRANCE & TUNISIA / FRAKKLAND & TNIS
39
martiacq@orange.fr
Master coal, I always wanted for different reasons to cook
with coal in Iceland. But in this windy area of Garur it seems
impossible. Luckily the sea is everywhere on this edge of
the end of the peninsula, bringing the important thing, the
wood. Driftwood, comes from nowhere, Les bois des mers
, certainly some parts of the big world tree Yggdrasill. I am
very inspired to use this wood so important for Icelanders
in old time. Coast farmers often plant the tree upside down,
roots in the sky. This act, very symbolic in my mind, gives my
carbonization an initiatic character.
Af msum stum hefur mig alltaf langa a elda me slenskum
kolum. En a er svo vindasamt Gari a a virtist mgulegt. Sem
betur fer er haf hr allt um kring essum oddi enda skagans,
og frir okkur mikilvgasta hrefni timbur. Rekaviur kemur
hvergi fr, viur hafsins og er reianlega a hluta til af hinu stra
heimsins tr, Yggdrasil. a er frbrt a nota ennan vi sem var
svo mikilvgur fyrir slendinga fyrr tmum. Bndur vi strndina
grursetja oft essi tr hvolf, rtur tt til himins. etta er mjg
tknrn athfn huga mr og gefur kolager minni undirstu.
MARTIAL ACQUARONE
FRANCE / FRAKKLAND
40
meusieutom@gmail.com & kahfrancoiskah@gmail.com
A leurs place les choses everything in its proper place is a
scream aiming at disturbing for a moment the established order.
Question whats not questioned anymore because its just the
way it is.
Be where you belong! Is told to the dog, to the poor, to the
traveler, the gypsy, the punk, the Arab, to our urges, our desires,
to each and every one. Go ft nicely into the designated box,
nice and clean, good dog, be where we expect you to be with
your individual microwave dinner, sorted garbage, valid visa...
Men, animals and things all alike, at their right place. Each thing
has its place, each place its thing.
Actually in progress,the show will be made in three different
countries, Belgium, Iceland and Italy. In Garur with sound,
videos and physical performance, we will show the frst step.
For this, we have explored the case of a polar bear whos
drifted to Icelands shores on the remains of an iceberg ...
Allt snum sta er skur sem er tla a koma llu uppnm
eitt augnablik. Efast um a sem aldrei er dregi efa lengur v
a a er bara svona.
Vertu kyrr num sta! Er sagt vi hundinn, vi ftku,
vi sgauna, pnkara, araba, vi rr okkar og langanir, vi okkur
ll. Vertu inn gilega kassanum num, svo snyrtilegum og
hreinum, gur hundur, vertu ar sem vi viljum hafa ig me
rbylgjumltirnar nar, fokka rusl, gilt vegabrf ... Menn, dr og
hlutir snum rttu stum. Fyrir hvern hlut er tiltekinn staur, fyrir
hvern sta kveinn hlutur.
Sningin verur reyndar haldin remur lndum, Belgu, slandi og
talu. Gari snum vi fyrsta skref me hljum, myndbndum
og gjrningum. v skyni hfum vi kynnt okkur sbjrn sem rak til
slands sjaka ...
TOM MANOURY & FRANCOIS KAH
FRANCE & ICELAND / FRAKKLAND & SLAND
41
42

Who lives without a shell these days?
In this dark space I am flling,
I drop the veil...
No skin! No skin! No skin...
Hver getur veri n eirrar varnar
sem hin veitir?
g fylli dkkt rmi, lt varnirnar falla ...
Engin h! Engin h! Engin h ...
NAOMI GREENE
FRANCE / FRAKKLAND
clarew@dircon.co.uk
Gathering
Names of artists in Fresh Winds 2014
Statement
I am inspired by the elemental, by place and by collaboration
with people. I wanted to make something to celebrate each
artist here so I wrote their names in silver wire, tied them to a
rock from Gardur, and joined earth and air.
I also made a Found Poem from listening to the artists
speaking, it is their words joined together,
The Wind Is A Structure In Vastness.
Samkoma
Nfn listamanna Ferskum vindum 2014
Yfrlsing
g f innblstur fr frumkrftunum, fr umhverf mnu og
samvinnu vi ara. Mig langai a skapa eitthva sem vegsamai
hvern listamann hr fyrir sig svo a g skrifai nfn eirra me
silfur vr, batt au vi steina fr Gari og tengdi himin og jr.
g samdi lka Fundi lj t fr v a hlusta listamennina tala
saman, a er r orum eirra tvinnuum saman,
Vindurinn er mannvirki auninni.
CLARE WHISTLER
UK / BRETLAND
43
The wind is a structure for vastness
found poem from artists words, Fresh Winds, Gardur
vastness is a clap ripple
a chaos pocket
sleeping time
vastness is not a straight line
a sharp view
too much light
memories or myths
lost in silence
vastness is a white circle drum
a downward halo
where all the captured moments go
tick of the lighthouse
lost as an eyelash
je regard la vastness
the almost silence
vastness is ellipsing geometry
of night constellations
arc shapers
to be bored can be lost vast lost vast lost vast
I walked to the sea
that stone wall of vastness is not easy
a boat and all those crosses
end in silence
there needs to be an opening in the vastness
though vastness stole my people
maybe I fnd forests in vastness
or even casablanca
there is a small cooking of nature in the vastness
when the sun rises its for you
stamp leave partir
we are sound singers
in the vastness
sailing in a breaking vessel
under the sky
we are a slow body
too heavy to stand
when the light shifts
new vastness
The Film Water is life the Ship of Fools
A Supertoxic & Eyebird production, London, UK/Naxos,
Greece.
Eskimos have 200 different words for SNOW - Greeks have
1340 words for WATER. Manolis Glezos in his book Water.
They were the frst to build ships, curved on both ends,
and they frst put up sails, the wings of a seagoing ship. Hesiod
(fragm. 205).
Every day 6000 children die from illnesses coming from
polluted water!
Every year 2,2 million people die from polluted or no
drinking water and no sanitation! Every human has to have at
least 50 liters water per day for cooking, drinking and washing!
It is known that people in industrial countries use 150 liters of
water per person each day! In dry regions a person has often
only 5 litres per day - for drinking, cooking, personal hygiene
and cleaning of all sorts - in contrast, a washing machine uses
at least 40 ltr. per cycle, modern toilets use a minimum of 3
litres with each fush, this is 75 % of the daily water people have
per person in the dry regions of earth! Some small islands in
Greece are reliant on imported water! The next big war will
be - not about oil - but ... WATER.
Kvikmyndin Water is life The Ship of Fools
Framleidd af Supertoxic & Eyebird, London, Bretland/Naxos,
Grikkland.
tungumli inta er a fnna 200 lk or yfr SNJ - Grikkir
eiga 1340 or yfr VATN. Manolis Glezos bk sinni Vatn.
eir voru fyrstir til a sma skip, bogadregin ba enda, og eir
drgu fyrstir upp segl, vngi sjfarenda. Hesiod (brot, 205).
hverjum degi deyja 6000 brn r sjkdmum vegna
mengas dr ykkjar vatns. hverju ri deyja 2,2 milljnir manna
vegna mengas dr ykkjar vatns, ea skorts dr ykkjar vatni og
hreinlti. Hvert mannsbarn arf a minnsta kosti fmmtu ltra
af vatni dag til eldamennsku, dr ykkjar og votta. Vita er a
flk invddum rkjum notar 150 ltr af vatni mann dag.
urrkasvum hefur flk oft aeins fmm ltr mann daglega -
til a drekka, elda, sj um persnulegt hreinlti og rif af llu tagi
- samanburi vi vottavl sem notar a minnsta kosti fjrutu ltr
af vatni hvern vott. Ntma salerni notar a minnsta kosti rj
ltr af vatni hvert sinn sem sturta er niur, a eru 75% af v
vatni sem hver einstaklingur urrkasvum hefur til daglegrar
notkunar! Sumar af minni eyjunum vi Grikkland reia sig innfutt
vatn! Nsta stra styrjld verur ekki um olu - heldur ... VATN.
klaus_pfeifer@yahoo.com
KLAUS PFEIFFER
NAXOS-GREECE / NAXOS-GRIKKLAND
44
gallllego@hotmail.com
Daisy Gardur. On my frst night in Island, I dreamed that
I was dancing with a beautiful lady wore in an elegant dress
embroidered with shells St. Jacques (coquilles St-Jacques).
As I tried to touch her, I understood she didnt have
a porcelain skin and her shells St. Jacques will eat me alive as
a sashimi.
Phew! I managed to seek shelter in Gardurs lighthouse, since
then I havent left the second foor, watching the sea, being
afraid that scary sea creature comes and carries me away.
Daisy Gardur. Lors de ma premire nuit en Island, je rvai que je
dansais avec une belle Dame habille dune lgante robe brode
de coquilles Saint-Jacques mais je compris en la caressant quelle
navait pas une peau de porcelaine mais de coquilles Saint-Jacques
et que celles-ci allaient me dvorer tout cru comme un sashimi.
Ouf! je russis me rfugier dans le phare, depuis lors, je ne quitte
plus le second tage du phare de Gardur surveillant la mer de peur
que cette effrayante crature marine ne vienne memporter.
Daisy Garur. Fyrstu nttina mna slandi dreymdi mig a g
dansai vi fallega konu, kldda burarmiklum kjl sem skreyttur
var me hrpuskeljum (coquilles Saint-Jacques).
g reyndi a snerta hana en s a h hennar var ekki
postulnssltt og mjk og skeljarnar hennar myndu ta lifandi eins
og sashimi.
Pff! Mr tkst a fja vitann Gari og ori svo ekki a vkja af
annarri hinni, starandi t sjinn, dauhrddur um a hrilegt
sjvarskrmsli kmi og nmi mig brott .
ANTONIO GALLEGO
FRANCE / FRAKKLAND
45
Artists / listamenn
OZ - Keisuke Yamaguchi
Lionel Guibout
Kristine Schnappenburg
Miyuki Kido
Sung Baeg
Mah Boissel
Istvan Nayg
Zilvinas Balkevicius
Vir Mrmann
Leslie Greene
Andrzej Wisniewski
Claire De Monclin
Danielle Loisel
Sae Kaneko
Eve Kask
Hiroshi Egami
Fred Martin
Armando Gomez Martinez
Asri Sayrac
Uta Heinecke
Anna Sigrur Sigurjnsdttir
Lap Yip
Mikio Kawasaki
Georg Olsen
Sakura Egami
Asra Rn Bjrt
Anna Kaarma
Einar Garibaldi Eiriksson
Hlynur Hallsson
Pascale Peyret
Damien Peyret
Julia Vaidis-Bogard
Almuth Baumfalk
Yasuyo Iso
Tomoo Nagai
Samuel Guibout
Alexandre Ayed
Martial Acquarone
Tom Manoury
Franois Kah
Naomi Greene
Claire Whistler
Klaus Pfeiffer
Antonio Gallego
2014
FR
ES
H
W
IN
D
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THE I NTERNATI ONAL ART BI ENNALE
tgefandi / Publisher
Mireya Samper
Netfang: mireya@mireya.is
Staur: Kpavogur
Ritstjri / Editor
Mireya Samper
Graphic design / Hnnun
Lucie Jean
www.kaminoto.com
Layout and texts
Umbrot og textavinnsla
Lucie Jean
Mireya Samper
Translation and
proofreading
ingar og prfarkalestur
Ingunn Sndal
Print / Prentun
Prenttkni, Kpavogi
Photos / Ljsmyndir
Cover: Alix Marie
sta Gumundsdttir
Junko Yamaguchi
Nishizawa
Mikio Kawasaki
Fred Martin
Samantha Claire Zaccarie
Zilvinas Balkevicius
Goddur
Special thanks to
Srstakar akkir
Jn Garar gmundsson
smundur Fririksson
Brynja K. Kristjnsdttir
Vir rnason
rni Gunason
Sigrur rhallsdttir
Gubjartur J. Stefnsson
Gurur Brynjars
sta Gumundsdttir
lfar Eysteinsson
Gaiva Lingiene
Daiva Radaviciute
Ochi Bjarnason
Jenn K. Harardttir
Samantha Claire Zaccarie
Special thanks to / Srstakar akkir
Portraits of artists by Mikio Kawasaki are part of the artwork Fukushima-3
Ljsmyndir af listaflki eftir Mikio Kawasaki eru hluti af listaverkinu Fukushima-3
Fukushima-3 ~ Nuclear Free Future
This work is made up of 69 pieces of photos. This year, its been 69 years from
the Hiroshima and Nagasaki atomic bombings. People are making the sign of
three.
This year it has been three years from the accident of Fukushimas Nuclear power
plant. Fukushima and Hiroshima and Nagasaki are connected. Nuclear Free Future.
Fukushima-3 ~ Kjarnorkulaus framt
etta verk samanstendur af 69 ljsmyndabrotum. ri r er hi sextugasta og
nunda fr kjarnorkursunum Hiroshima og Nagasaki. Flk myndar tkni rj.
essu ri eru rj r liin fr slysinu kjarnorkuverinu Fukushima. Hiroshima
og Nagasaki og Fukushima tengjast ll. Kjarnorkulaus framt.
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