This document is an unfinished story told in 28 sections. It follows the narrator, who works as a movie usherette, and her boyfriend Uante. They live together in a small room. Uante is studying at the university and writing a play based on the narrator's experiences as a country girl in the city. Over time, Uante becomes quiet and unresponsive. The narrator worries he is not moving forward with his writing career.
Original Description:
Short story by Joy T. Dayrit
Philippine Literature in English
This document is an unfinished story told in 28 sections. It follows the narrator, who works as a movie usherette, and her boyfriend Uante. They live together in a small room. Uante is studying at the university and writing a play based on the narrator's experiences as a country girl in the city. Over time, Uante becomes quiet and unresponsive. The narrator worries he is not moving forward with his writing career.
This document is an unfinished story told in 28 sections. It follows the narrator, who works as a movie usherette, and her boyfriend Uante. They live together in a small room. Uante is studying at the university and writing a play based on the narrator's experiences as a country girl in the city. Over time, Uante becomes quiet and unresponsive. The narrator worries he is not moving forward with his writing career.
(1) 8ore. 1o bore ls Lo Llre oneself Lhru Ledlous lLeraLlon or dullness. 1o lLeraLe ls Lo repeaL. uullness ls dullness. uull, dull, dull. lf Lo lLeraLe ls Lo repeaL, Lhe word relLeraLe ls redundanL, dundanL. 1hls ls Lhe quallLy of sLaLe of my belng. lL sways from Ledlous Lo dull.
(2) When l come home from work Lhere ls my boyfrlend Lo Lalk Lo. Pello, he says, how was work? Ckay, l say, even lf lL wasn'L.
(3) l work as an ushereLLe ln a movle house. SLaLloned aL Lhe loge my [ob ls Lo accepL Lhe loge people's LlckeL sLubs and gulde Lhem Lo a seaL wlLh my flashllghL. uull. LxcepL when Lhey showed Lhe super show "#$ %&'()*+(.
(4) "#$ %&'()*+( ls Lhe sLory of a man who grows Lo be very, very old. Pe grows Lo be one hundred and LwenLy years old and naLurally grows Lo be as wlse. lL ls a rellglon sLory for modern people and everyone came Lo see lL. All seaLs were Laken up for Len days and for Len days l pushed Lhrough Lo gulde people Lo alsle sLeps or Lo a plece of floor on whlch Lo slL. When aL lasL "#$ %&'()*+( wenL on lLs lasL day and Lhey showed ,+-.+, lL was dull agaln.
(3) uull ls noL as bad as Ledlous. 1edlous ls worse Lhan dull. When my work becomes Ledlous l play secreL games wlLh my flashllghL. ln my work my flashllghL ls my only real companlon. l flash lL agalnsL my palm and see Lhe LranslucenL red ouLllne of my hands, lLs green velns, Lhe creases on my knuckles, Lhe flngernall llne on my flnger, or flash lL on and off on someone's fooL resLed on Lhe back of a seaL unLll Lhe fooL sllnks down. Loge people are noL allowed Lo resL Lhelr feeL on Lhe back of Lhe seaLs, alLhough aL Llmes l leL Lhem. l have power over Lhe loge people-l leL Lhem do or noL, and gulde Lhem well or noL. ln guldlng l someLlmes flash a llghL on a sLep shorL of Lhe sLeps down and someone always Lrlps. lL enLerLalns me buL lL neverLheless ends ln boredom.
(6) ln drama Lhere ls an elemenL called comlc rellef. lL releases Lhe audlence form a hold and allows Lhem Lo breaLhe. A flashllghL game l play glves me Lhls rellef, relleves me from boredom. ln guldlng people Lo seaLs l swlng my llghL along a row and as l brlng Lhe llghL back, l flash lL agalnsL a face. 1he face vlewlng Lhe movle reacLs, and as l caLch lLs lnsLanL expresslon, l cllck off Lhe llghL. lL all happens ln half a second, lL Lakes masLered calculaLlon and a qulck Lhumb. 1hen l go back Lo my sLaLlon aL Lhe boLLom rlghL of loge and slL on my sLool and play ln my mlnd Lhe expresslon l 'd seen (no Lwo have been Lhe same) and ln a few seconds l am bored agaln. 1he comlc rellef afLer lLs relaxlng effecL brlngs Lhe audlence back Lo a more lnLenslve hold, uanLe sald. uanLe ls my boyfrlend.
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(7) uanLe and l llve ln a room noL far from Lhe movle house l work ln and Lhe unlverslLy he aLLends. Pe ls a scholar sLudylng Lngllsh and urama and one day he would llke Lo wrlLe for Lhe movles. ln a drawer ls hls Lreasured folder of ldeas for movle sLorles, buL more lmporLanL Lo hlm now hls play. 1he play, a lasL requlremenL for hls compleLlon of hls unlverslLy degree, ls abouL a counLry glrl ln a clLy, who comes Lo do any odd [ob [usL Lo eaL, and for shelLer. Per plLlful lgnorance ls abused, buL ln Lhe end she survlves. ln LruLh, uanLe's play ls abouL me, buL he leaves from lL lmporLanL blographlcal lLems abouL my own clLy llfe. (8) lor lnsLance, l bore myself usherlng because lLs pay allows me my room, some food, and a lrlday nlghL maLhemaLlcs course (l am Lo be a cerLlfled accounLanL) aL Lhe unlverslLy uanLe goes Lo. We meL Lhere. Cn a lrlday nlghL, Loo weL ouLslde Lo walk, we saL on Lhe same damp bench aL Lhe unlverslLy faade and Lalked abouL our courses. l undersLood much of whaL uanLe was Lelllng me abouL drama, and when Lhe raln leL off, lL baffled hlm Lo know LhaL l flrsL of all ushered for Lhe movle house a block down. 1he sLrong, unexpecLed raln made my face and bare arms gllsLen agalnsL Lhe faade llghL. l have a flne face, afLer my moLher, whose provlnclal llfe formed year afLer year Lhe ardenL cool ln her expresslon. My eyes, llke hers, slanL sllghLly up, l hardly palnL Lhem, Lhey are of Lhemselves dark. WeL halr pressed agalnsL my nape, l and grew sharply aware of buL lgnored uanLe's lnclslve gaze. ?ou don'L look llke an ushereLLe, he sald. l am ouL of unlform, l sald. uanLe leaves Lhls ouL of hls play. ln hls play hls counLry glrl suffers so much.
(9) Cne week afLer uanLe moved ln wlLh me, we had our flrsL blg quarrel. We foughL over Lhe papaya he had broughL ln wlLh hlm, a glfL for me, whlch l lefL Lo over-rlpen severely on Lhe wlndow slll.
(12) lL was Lhere for a week, couldn'L you even smell lL!
(13) l had lmaglned a flrsL flghL wlLh a lover Lo be ouL of romance, buL ours was exLremely sLrange. As we baLLled, he hoLly asked me Lo a movle house Lo quleLly Lalk our quarrel ouL." WhaL? l shouLed. l was Lhere all day, l wlll be Lhere all day Lomorrow.
(14) We wenL Lo a movle house. uanLe flnds movle houses quleL places Lo Lalk ln. All our flghLs have been flxed, and sweeLly, ln movle houses, alLhough noL once has uanLe broughL me for a Lalk Lo Lhe movle house l ushered for.
(13) 1he room uanLe and l llve ln ls one of flve oLher small square spaces ln an old, leanlng Lwo sLory house, and ln lL we have puL everyLhlng we own. 1wo sLeps from our bed ls uanLe's desk, full of books and papers. Cn our wlndow slll ls a burner on whlch l cook our food. A bureau wlLh Lhree draws sLores our cloLhes and ls also our dlnlng Lable on whlch we place our meals, have coffee, keep our canned or cellophaned food, and occaslonally seL a plaLe of frulL. under our bed are shoes, Lhlngs, newspapers, and our sulLcases. We have a chalr for uanLe's desk. When we Lalk or eaL he slLs on hls chalr and l slL on Lhe floor or bed beslde hlm.
(16) AfLer work l help uanLe wlLh hls play. l Lype lL ouL for hlm ln hls renLed ClllveLLl, uslng Lwo or Lhree flngers from one hand whlle resLlng my head on Lhe oLher. 1lred from work l Lype slowly, buL ln Llme uanLe's counLry glrl amuses me, and begln Lo go more rapldly.
(17) She ls abouL Lo begln her fourLh paLheLlc advenLure ln Lhe clLy and she enLers lL wlLh as much enLhuslasm and cheer as she dld her flrsL. She wlll noL learn her lesson. She accepLs work from Lhe nexL sLrange man who shows klndness, and ls agaln used for acLlvlLy oLher Lhan Lhe [ob agreed on. As pub walLress, uanLe's counLry glrl lures conLacLs for her employer, and blg swlndllng occurs. When Lhe syndlcaLe ls exposed, lL ls she who goes Lo prlson. (18) lL ls ln prlson where she ls loved, and flnally survlves, buL uanLe has noL wrlLLen Lhe play's end yeL, and as hls Lhesls deadllne approaches, he rushes hls work, snapplng aL me for Lhlngs l do LhaL mlghL dlsLurb hls Lhlnklng. Pe howls aL me one evenlng for cooklng flsh. lnLense concenLraLlon and Lhe hoL nlghL had made hlm persplre, and l sLand aL aLLenLlon whlle he howls. When he reLurns Lo hls work l Lurn Lo fllp Lhe frylng flsh ln Lhe pan. Pe wlll eaL Lhe flsh when lL ls cooked, and forgeL LhaL lL had fllled our already very warm room wlLh food smoke.
(19) 1wo days before deadllne, mldway Lhrough Lhe lasL acL of Lhe manuscrlpL, Lhe / of uanLe's renLed CllveLLl caLches, and he conLlnues Lyplng wlldly wlLhouL Lhe /s. l am made Lo flll ln Lhe /s wlLh a black felL-Llp pen. lL ls work as Ledlous as lL sounds and soon my /s dance, leanlng all Lo Lhe lefL and Lhen Lo Lhe rlghL, or Lhey sLand very sLralghL llke soldlers.
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(20) uanLe's unlverslLy scholarshlp ls a glfL from hls wldowed cousln ln 8aLangas. ln reLurn, uanLe promlses her hls Lhesls, and ln Lhe summer, a day afLer hls graduaLlon, wlLh hls play ln hls bag, we go on a bus Lo Lhe Lown of 8alayan, where hls cousln llves.
(21) She ls a shorL woman wlLh Lhlck arms and hands, and ls boss of her pollshed house. 1wo servanLs hurry, flxlng our lunch, and she shouLs aL one for noL seLLlng me a place. Shrewdness ls sLressed as she Lalks ausLerely of managlng her small fleld of coffee, of planLlng and harvesLlng, and she shouLs agaln aL Lhe foreman who comes ln, Lardy wlLh hls reporL. neverLheless, she ls obvlously generous. AL lunch we learn of a servanL's Lwo small chlldren she ls carlng for, of oLher young sLudenLs she sends Lo school, of money for a sewlng machlne she has lenL Lhe foreman's wlfe. 1he Lwo small chlldren slL aL Lable wlLh us and Lhey run back Lo play as rapldly as Lhelr meal ls eaLen, buL noL wlLhouL a qulck klss on Lhe guardlan's cheek. Llderly, and loved slmply Lhe way she ls, Lhe woman ls called 1'yang by uanLe and Lhose around her.
(22) AfLer our lunch, uanLe Lakes hls Lhesls from Lhe bag. 1hls ls for you 1'yang, he says, wlLh an arm abouL her Lough shoulders. lL ls a gesLure LhoughL exLremely noble by Lhe much older provlnclal cousln, and 1'yang crles Lerrlbly as she recelves uanLe's xeroxed copy of hls badly LypewrlLLen play.
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(23) As summer seLs ln more harshly, a change ln uanLe's LemperamenL slowly occurs. All day he slLs quleLly aL hls desk dolng noLhlng. Pe brlngs ouL hls folder of ldeas for movle sLorles, buL does noL sLudy Lhem. Pe geLs up before l do ln Lhe mornlng and has noLhlng for breakfasL. Pe nods goodbye when l leave for work, and greeLs me, noL always wlLh a klss, when l come home. Pe says noLhlng abouL Lhe drled flshes l now fry Lhrlce, or more, ln a week. noLhlng l do makes hlm snap aL me aL all.
(24) Work on your sLorles, uanLe, l scold hlm one mornlng.
(23) l am Lhlnklng abouL my Lhesls.
(26) ?our Lhesls ls flnlshed.
(27) l worked hard on lL, l deserve a resL.
(28) l Lhen plan Lo one day shock hlm ouL of hls complacency, and durlng a quleL Llme aL work, guardlng agalnsL falllng asleep on my sLool, l wrlLe a menLal llsL of posslblllLles: Come home wlLh ClemenL, Lhe downsLalrs malnLenance man. Come home walklng llke ursula, Lhe orchesLra ushereLLe. noL come home aL all.
(29) 8uL l cannoL noL come home aL all because Lhere ls no oLher place l know l can go home Lo, and ClemenL, who ls ln facL more femlnlne Lhan l, already walks llke ursula.
(30) So Lhen l begln Lo Lalk Lo uanLe abouL my lrlday nlghL maLh class. 1he LgypLlans, our Leacher sald, were profound pracLlLloners of maLhemaLlcs. 1he pyramlds Lhey bullL are sLrucLures of preclse and hlghly reflned measuremenL. MaLhemaLlcs was Lhen dlrecLly connecLed Lo naLure and Cod. 1he archlLecL was also a prlesL, and ln some of Lhe pyramlds are felL unLll Loday dlvlne vlbraLlons. Lach lrlday l pondered on whaL our Leacher sald abouL Lhe LgypLlans and Lhelr maLhemaLlcs, and Lold lL Lo uanLe wlLh enLhuslasm. uld you know, uanLe, l sald Lo hlm one evenlng, LhaL Lhe CreaL yramld ls made of over Lwo mllllon blocks of concreLe, and each block welghs beLween Lwo Lo sevenLy Lons? Pow Lhe LgypLlans llfLed Lhe blocks up Lo four hundred feeL ls a mysLery. 1he LgypLlans used a secreL maLhemaLlcal process yeL unknown Lo us, and one Lheory says lL was levlLaLlon. uanLe would slL and llsLen Lo each new plece of knowledge l broughL home for hlm. ln Llme, he began Lo go ouL evenlngs, Lo a booksLore LhaL sLayed open laLe, Lo posL a leLLer, for a walk. 1hen, so palnfully swlfL, he one day dld noL come home aL all.
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(31) AL work Lhe nexL day l load fresh baLLerles lnLo my flashllghL and ln Lhe dark flash lL brlghLly agalnsL my palm, flngers, knuckles, and bllndly lnLo Lhe loge people's faces unLll Lhey squlnL. l flash llghLs on and off anyone's fooL resLlng on Lhe back of a seaL. Loge people are noL allowed Lo resL Lhelr feeL on Lhe back of seaLs. Culdlng a lone man Lo hls seaL l flash a llghL shorL of a sLep up and he Lrlps. ursula vlslLs my sLaLlon Lo belng me cheer. l Lell hlm LhaL uanLe has broughL wlLh hlm my sulLcase lnsLead of hls. Mlne ls of sLraw and hls, of leaLher, and ursula convlnces me Lo uanLe's LhoughLfulness: lL was a glfL, don'L you see? l Lell her LhaL he also dld noL brlng Lhe burner, Lhe chalr, and some books on Lhe desk. ursula convlnces me, before she hurrles back Lo her sLaLlon aL Lhe orchesLra, lL means noLhlng else buL LhaL uanLe wlll come home one day.