This document discusses the elements of effective print advertising and the process of creating print ads. It covers:
1. The key elements of a print ad including the headline, copy, illustration, logo, and slogan.
2. The stages of creating print ads such as thumbnails, rough layouts, dummies, comprehensive layouts, and mechanicals.
3. How color can be used to represent emotions and draw attention in print ads.
4. That 10 print advertisement examples were to be included but are not shown.
This document discusses the elements of effective print advertising and the process of creating print ads. It covers:
1. The key elements of a print ad including the headline, copy, illustration, logo, and slogan.
2. The stages of creating print ads such as thumbnails, rough layouts, dummies, comprehensive layouts, and mechanicals.
3. How color can be used to represent emotions and draw attention in print ads.
4. That 10 print advertisement examples were to be included but are not shown.
This document discusses the elements of effective print advertising and the process of creating print ads. It covers:
1. The key elements of a print ad including the headline, copy, illustration, logo, and slogan.
2. The stages of creating print ads such as thumbnails, rough layouts, dummies, comprehensive layouts, and mechanicals.
3. How color can be used to represent emotions and draw attention in print ads.
4. That 10 print advertisement examples were to be included but are not shown.
Po, Patricia Anne P. August 19, 2014 Prof. Ventura
1. Discuss the elements of an effective print advertising.
A. Headline- The ad title offers a short, snappy preview of what the reader will find in the copy. Your headline explains to the reader the key benefit or offer you are providing. In general, headlines are the largest part of the advertisement. A good headline keeps a potential customer reading; a weak headline and the customer turn the page. B. Copy- The copy or text must communicate in clear, concise and focused language. Start with a headline that grabs the reader's attention, sparks interest in your product and conveys your message succinctly. Potential customers have only seconds to read your billboard. Even in brochures or catalogs, keep body copy brief and on point. Include the company signature -- - your identifying slogan and/or logo. Use fonts (typefaces) that complement your message and are easy to read. C. Illustration- A print ad includes one or two striking pictures that illustrate your offer. If you are offering a free product, your ad should include an attractive photo of the product. If you are highlighting a hot new product or sale, your image should be of that hot new product. If possible, run your images in color to draw in readers.
D. Logo - Photography, illustration and logo symbols like Nike's swoosh raise interest in any ad. Integrate these graphic elements with your headline and copy for maximum effect. A study by Texas State University showed that more attention goes to pictures than words and human models get the most attention in magazine ads. This indicates the value of using models that match or appeal to your target audience to forge an immediate connection between your product/service and your potential customer. Inconsistency between your headline and your illustration will confuse the viewer and reduce the ad's impact.
E. Slogan- that tells potential customers the benefits they can expect when choosing your product or service, or establishes your company brand. Most slogans are catchy, declarative phrases that use devices such as metaphors, alliteration or rhymes with simple, vibrant language.
2. Art of creating print Ads
A. Thumbnail - Thumbnail is a term used by graphic designers and photographers for a small image representation of a larger image, usually intended to make it easier and faster to look at or manage a group of larger images.
B. Rough layout- The main purpose of a rough layout is for internal and external review. A designer might produce a sketch to show an animation artist, while a copywriter might draw in the approximate amount of space to give the graphic artist an idea of information design. Rough layouts are also used for client review. By presenting the basic idea of the advertisement, you can get initial feedback and identify places that need changes or refinement.
C. Dummy- Full size 'model' or replica of a good, machine, publication, etc., built to the exact dimensions of the intended item. A dummy serves as a physical example of the size, shape, layout, outlook, and other elements of the actual thing to be produced.
D. Comprehensive -This is the final layout stage, showing the ad exactly as it will be printed. Comprehensive layouts show accurate placements of the headline, art and copy. Full copy is included at this point. "Comps," as they are often called, are reviewed by all involved at the ad agency and then taken to the client for approval. Final changes must be requested at this point and, if changes are made, revised comps make the rounds again for final client approval.
E. Mechanical- Camera-ready, final layout of all elements of a work to be reproduced through a commercial printing process. It is a paste-up of the typeset text and images on a sheet of paperboard, usually with a clear sheet (called overlay) used as the top cover on which directions for the print shop (printery) may be written. It is used where a computer generated artwork is not available. Also called mechanical art or paste-up.
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3. How does the color affect the overall effectiveness of print advertising?
Color can be used to represent emotions in your advertising that would otherwise be missing. The right color scheme can help to improve the chances that your ad will catch the consumer's attention. Highlighting text or images in a particular color can emphasize a message and draw the reader's attention to key points. Using colors to help structure an ad will draw more attention to it and give it a unique look. 4. 10 print advertisements