2010 ENGLISH Level Three QUESTION AND ANSWER BOOKLET (PAPER SAVE VERSION) 90721 Respond critically to written text(s) studied. Credits: Three Suggested time: 45 minutes Answer ONE of the questions in this booklet. Check that this booklet has pages 2-5 in the correct order and that none of these pages is blank. HAND THIS BOOKLET TO THE SUPERVISOR AT THE END OF THE EXAMINATION. ............................................................................................................................................................. STUDENTS NAME NOT ACHIEVED ACHIEVED ACHIEVED WITH MERIT ACHIEVED WITH EXCELLENCE Develop a critical response to specied aspect(s) of written text(s) using supporting evidence. Develop a convincing critical response to specied aspect(s) of written text(s) using supporting evidence.. Develop an integrated and perceptive critical response to specied aspect(s) of written text(s) using supporting evidence. ASSESSORS USE ONLY Overall Level of Performance Achievement Criteria
BBA Educational Resources 2010
2 NOVEL(S) Either: 1. We cannot understand the themes of a novel without a full grasp of the issues within its setting in a particular time and place. To what extent do you agree with this view? Respond to this question with close reference to one or more novels you have studied. You are advised to spend 45 minutes answering ONE question in this booklet. Respond to ONE of topics 1-24 by writing about one or more written texts that you have studied (note that topics 22-24 require you to make specic reference to MORE THAN ONE written text type): You may write about: EITHER: Novel(s) OR Non-ction OR Short stories OR Poetry OR Non-Shakespearean drama OR Print media OR Hyperction OR Intertextual studies An answer dealing with short texts (eg: poetry, short story, print media) should discuss at least TWO examples of the text type chosen. At the beginning of your answer on page 5: circle the text type write the number of the question you have chosen give the title(s) of the text(s) name the author(s) Choose ONE question for your chosen text type. Write AT LEAST 400 words for your essay. Your essay should develop a critical response based on close analysis of appropriate text(s). You should support your ideas with relevant evidence. You will be rewarded for perceptive understanding and sustained insight. Your essay should include: an introduction stating clearly the focus and scope of the argument a range of appropriate points supported by accurate and relevant evidence a reasoned conclusion Your essay should show accurate use and control of writing conventions. Read the whole question and make sure you understand it before you begin your answer. 3 Or: 2. A major determiner of our response to characters in a novel is always our engagement with the voice or point of view of the text. To what extent do you agree with this view? Respond to this question with close reference to one or more novels you have studied. Or: 3. To leave readers uncertain about outcomes is unwise - all conicts should be satisfactorily resolved by the time the novel has ended. To what extent do you agree with this view? Respond to this question with close reference to one or more novels you have studied. NON-FICTION Either: 4. The key to a successful non-ction text is that its subject matter is engaging and at times controversial. To what extent do you agree with this view? Respond to this question with close reference to one or more non-ction texts you have studied. Or: 5. Non-ction uses a combination of hard data and creativity. To what extent do you agree with this view? Respond to this question with close reference to one or more non-ction texts you have studied. Or: 6. Non-ction opens our eyes not only to the lives of individuals but also to their relationship with their societies. To what extent do you agree with this view? Respond to this question with close reference to one or more non-ction texts you have studied. SHORT STORIES Either: 7. Short stories reveal the new insight of a character who experiences an unusual incident. To what extent do you agree with this view? Respond to this question with close reference to at least TWO short stories you have studied. Or: 8. Short stories must be carefully plotted if the reader is to understand the writers point in writing. To what extent do you agree with this view? Respond to this question with close reference to at least TWO short stories you have studied. Or: 9. As in poetry, words in short stories must be carefully chosen. To what extent do you agree with this view? Respond to this question with close reference to at least TWO short stories you have studied. POETRY Either: 10. Poetry shakes people out of their complacency and makes them see the world clearly again. To what extent do you agree with this view? Respond to this question with close reference to at least TWO poems you have studied. Or: 11. The best way to understand a poems meaning is to understand its particular genre. To what extent do you agree with this view? Respond to this question with close reference to at least TWO poems you have studied. Or: 12. Poems are successful because poets are expert wordsmiths, every bit as fastidious as sculptors and painters. To what extent do you agree with this view? Respond to this question with close reference to at least TWO poems you have studied. NON-SHAKESPEAREAN DRAMA Either: 13. A drama is always a time of trial, in which actions, motives and ideas are tested before the jury of the audience. 4 To what extent do you agree with this view? Respond to this question with close reference to one or more non-Shakespearean plays you have studied. Or: 14. Dramas often contain characters with contrasting views, and those contrasts have signicant impact on the storyline. To what extent do you agree with this view? Respond to this question with close reference to one or more non-Shakespearean plays you have studied Or: 15. A well-designed storyline is essential for a play to be a dramatic success. To what extent do you agree with this view? Respond to this question with close reference to one or more non-Shakespearean plays you have studied. PRINT MEDIA Either: 16. Print journalism provides a well concocted mix of information and provocation. To what extent do you agree with this view? Respond to this question with close reference to at least TWO articles you have studied. Or: 17. In print journalism, news is always mediated through a journalists bias. To what extent do you agree with this view? Respond to this question with close reference to at least TWO articles you have studied. Or: 18. Good print journalism gets behind the appearance of things and shows us a much more substantial reality. To what extent do you agree with this view? Respond to this question with close reference to at least TWO articles you have studied. HYPERFICTION Discussion of one of the topics in this section should focus on at least ONE long hyperction text or SEVERAL short hyperction texts. Either: 19. Hyperction offers a unique contract between equal participants. To what extent do you agree with this view? Respond to this question with close reference to one or more hyperction texts you have studied. OR: 20. Character development in hypercition is sacriced for the sake of many storylines. To what extent do you agree with this view? Respond to this question with close reference to one or more hyperction texts you have studied. OR: 21. Within hyperction, the reader is the creator of meaning not the writer. To what extent do you agree with this view? Respond to this question with close reference to one or more hyperction texts you have studied. INTERTEXTUAL STUDIES Discussion of one of the topics in this section should refer to at least TWO different written text types (genres). Either: 22. In order to hold a readers interest, stories must have an alienated character seeking to nd a place in society. To what extent do you agree with this view? Respond to this question with close reference to at least TWO written texts of different genres you have studied. Or: 23. New Zealand writers do not present attering pictures of their fellow countrymen or women. To what extent do you agree with this view? Respond to this question with close reference to at least TWO written texts of different genres you have studied. 5 Question number: ____________ Title(s): ______________________________________________________________ _____________________________________________________________________ Author(s): ____________________________________________________________ _____________________________________________________________________ Novel Non-ction Short stories Poetry Non-Shakespearean drama Print media Hyper ction Intertextual studies Text type (circle one): Continue your answer on the rell provided. Write your name and the topic/question number clearly at the top of EACH PAGE you complete. Hand in ALL rell sheets WITH THIS BOOKLET at the end of the examination to your supervisor.
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Teachers use only Begin your answer here: Planning. (This planning section will NOT be assessed). Or: 24. Texts are best analysed according to the conventions associated with genre. To what extent do you agree with this view? Respond to this question with close reference to at least TWO written texts of different genres you have studied.