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Mouldinca: May Much
Mouldinca: May Much
III.
MOULDINCa 973
30 callec. from its resemblance to a roll of thick paper, the outer edge of which overlaps
the side exposed to view. It was extensively used in the decorated period."
Tlie exquisite skill, taste, and patient labour invariably evinced in the working of early
English mouldings, are truly admirable. The deepest liollows are all as clearly and per-
fectly cut as the most prominent and conspicuous details
;
and as much so in the village
cimrch as in the cathedral. Some examples (of doorways) occur at Bolton and Furness
Abbeys, whose arch mouldings extend 5 to 6 feet in width.
"
Tlie details of decorated mouldings are for the most i)art
identical with those of the
preceding stvle, witii the addition of some new members, and several important modifica-
tions of grouping. The latter will be found to produce an entirely diflferent effect, though
in description the distinction may appear very tritiing. Much greater geometrical precision
in drawing botli the hollows and the projecting members pievailed. Segments of circles,
both convex and concave, were much used, witli an avoidance of strong contrasts of ligiit
and shade, which imparted a more pleasing, though much less striking, effect. The jier-
fection of moulding, as of all architectural detail, is considered by many to have been
attained in this period
;
yet rich mouldings in it are of rather rare occurrence. Very
often plain chamfers are used in all the windows, doorways, and i^ier
arches, wlule minor
parts, such as bases, sedilia, and tlie like, liave fine and elaborate details.
"
There appear to be tln-ee distinct kinds to which decorated mouldings may be generally
referred
: I. The plain or hollow chamfer of two or more orders, which, properly speaking,
is only the stej) preparatory to moulding. II. Roll and Hllet mouldings, and fillets with
hollows between eacli group. III. A succession of double ogees, or double ressants,
divided by hollows of three-quarters of a circle Sometimes the mouldings of 1 1. are com-
bined with those of III. The mouldings of class II. are generally borne by jamb shafts,
now engaged in, and not detached, from the wall. 'J'hose of III. are almost always con-
tinuous, except in pier arches, where they constantly occur. Four or five of these t. gether
give a very deep and rich effect to a doorway. One member of a double ogee is often
considerably larger than the other, or those of one order of different size from the others.
"
Tlie principal forms found in decorated work are :