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Ex. 100 chords for Illte/archllltl' - nOIl-slidillg
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Thl; grounds and exercises' which fe,lIow are all designed to show how to put all
these chords together in a musical and 'correct way. Remember the foHowing rules:
(I) A- uid cunsecuti ve 5ths and Xves between the outer voices only. In order to
:lCcon plish this you Illust ue:lte a top voice above the bass and thell till ill
h:lrJl1()ny bcrwel'1l these two parts.
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(2) Create a /IIe/lld;c top voice. i.e. eithLT by step, stay still, or move up or dowll
a 3rd,'with a passing lute whl're
Whell the by step h('I/',m': (a) if the 'top voice is .J 3rd or (lth above
bass thell you ll1ay safely move in the S:lI11l' dir.:etioll; hll( (b) if the top vuice is at :Ill"
other illtLTval :tlhl'.T hass thell (11//(1"111")' '.'/0(;1111 is the best
(.t.) AS':1 guide to formillg a good top voice to, your chords either imagillc that It 1'-
anillg ,as all ,1111
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to the soloist's ml'lody ()r follow the COlltour of thc so.loist's pa


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(;roullds, or groulld basscs, arc a very COJlllllOll li.-aturc ill a cOlltillUO
rcpertory, Not ollly arc therc lllallY scts of dlvisiolls over variot;s basscs, but
JIluch highly dcvL'lopcd lillisic is oftcll cOllstru.:tcd over ,I rq1catl'l1 bass patlcrtl.,
'l'!Ic h(';:I?"lIltIS(tl (,tlw imol/III ,is' Lcs ,
This Ilormally cOllsists of chords l. [V allll V ill thc major kcy. III thl'
cxercises you will havc a ch;lllcl' to k;lrt1 all Illajor alld Illillor chords ;IS till" gmulld is
givell in relative alld millor keys tog,-'t1wr.
[11 ex, 17 (a) shows two parts, avoidillg cOllsecutivl' Sths alld XVl'S. I'kasc Ilotc that,
ill this g'round, chords.:? alld 3 (in both Ill;\jor ;ilHf millOI') movc by StQ1, so rClllclllber
thc rules givell above. (b) shows how to till ill chords bctwccll thc trcbk allll !bass.
Keep to a-maximum of alld four-part (:il'ords 1l0W, therc will too
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many notes to think about: .In (c) some bass Ilotcs arc played down an OCtaVl', and ill
(d) a 4-3 cadence is added. Remember that the 4 ';11l1St be prepared in thl' prl'vious chord.
[n (c) and (f) we find a lower position and go through the same procedure. (g) a
passing note in the 2nd chord, and in (h) we see that, in order to play a the F
must be taken as shown here, so as"to prepare the 4 of the 4-3 on G. :
Ex. 107 (a) (b)
(solu pJn)
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