SAN TIMOTEO CAN[YON]TATA

For Chorus, SATB Soli, and Orchestra

MARK ALBURGER, Op. 33
(1988)
















Book I
No. 1. Chorus
No. 2. Recit Rap
No. 3. Duet
No. 4. Chorale
No. 5. Duet
No. 6. Chorale
Book II
No. 1. Chorus
No. 2. Duet
No. 3. Chorale
No. 4. Chorale


NEW MUSIC

MARK ALBURGER

SAN TIMOTEO CAN[YON]TATA, Op. 33 (April 15, 1988)
For Chorus, SATB Soli, and Orchestra
After the Letters of St. Paul to Timothy
Book I
No. 1. Chorus "Immortal, Invisible"
No. 2. Recitative / Rap "Adam"
No. 3. Duet "They Must Hold the Mystery" (Music for Three Deacons)
No. 4. Chorale "The Spirit Expressly"
No. 5. Duet "Use a Little Wine"
No. 6. Chorale "The Yoke of Slavery" (To All Life)
Book II
No. 1. Chorus "As I Remember Your Tears" (Beneath the Cross)
No. 2. Duet "If We Have Died"
No. 3. Chorale "Last Days"
No. 4. Chorale "Being Sacrificed"

A dear friend once remarked that Southern California's San Timoteo Canyon would be a good
place in which to commit suicide. This set the mood for settings of passages from the First and
Second Epistles of Paul to Timothy -- meditations on the divine and mundane, preached
respectively over J.S. Bach's Cantatas No. 140 ("Wachet auf, ruft uns die Stimme") and 80 ("Ein
Feste Burg ist Unser Gott"), with anachronistic sermon substitutions of two 19th-century hymns:
the Welsh St. Denio (1839) associated with Immortal, Invisible (Walter Chalmers Smith, 1824-
1908), and Frederick C. Maker's St. Christopher (1881, a.k.a. Beneath the Cross of Jesus,
Elizabeth C. Clephane, 1830-1869). Other expository diversions include evocations of 1950's rock
and roll, beguine, rap, minimalism, 12-tone tonality, soft-shoe, George Gershwin's Porgy and
Bess, synthetic scales, and Martin Luther.

Dynamics, save Music for Three Deacons, are ad libitum throughout, reflecting Bach's notation.


Scoring

Flute / Soprano Sax
Oboe / Alto Sax
Clarinet / Tenor Sax
Bassoon / Baritone Sax
Trumpet
Horn
Trombone
Tuba
Electric Guitar
Harp
Piano / Harpsichord / Organ (Electric / Pipe)
Strings
Electric Bass
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San Timoteo Can[yon]tata
Mark Alburger
Op. 33 (1988)
Book I
No. 1. Chorus "Immortal, Invisible"
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Copyright 1988 by New Music.
Copyright for all countries. All rights reserved. Printed in U.S.A.
Vocal Score
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No. 2. Recitative / Rap "Adam"
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No. 3. Duet "They Must Hold the Mystery"
(Music for Three Deacons)
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For those who serve well as deacons gain good standing for themselves and also great confidence in the faith in Christ Jesus. (spoken: 2x)
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No. 4. Chorale "The Spirit Expressly"
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No. 5. Duet "Use a Little Wine"
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thine of ten in

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thine of ten in

thine of ten in

fir mi ti es

fir mi ti es

- - - - -
- - - - -
23
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31

J

J

J

J

Some men's sins are ope' be fore hand

!

J

J

J

J

go ing on be fore to judge ment

!

- - - - -
&
V
&
?
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b
b
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33

J

J

J

J

and some men they fol low af ter

!

- -
24
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34
!

J

J

J

J

Some men's sins are ope' be fore hand

J

J

J

J

go ing on be fore to judge ment

- - - - -
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V
&
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36
!

J

J

J

J

and some men they fol low af ter

- -
25
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37

J

J

J

J

Some men's sins are ope' be fore hand

J

J

J

J

Some men's sins are ope' be fore hand

J

J

J

J

go ing on be fore to judge ment

J

J

J

J

go ing on be fore to judge ment

- - - - -
- - - - -
&
V
&
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b
b
b
b
b
b
b
b
39
D.C. al Fine

J

J

J

J

and some men they fol low af ter

J

J

J

J

and some men they fol low af ter

- -
- -
26
880415
&
&
V
?
&
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c
c
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c
c
c
Soprano
Alto
Tenor
Bass

To all

To all

To all
w
To

w
h = 90

life Thou

life Thou

life Thou

all life Thou

giv est

giv est

giv est

giv est

to both

to both

to both

to both great

great and


great and

great and
w
and

w
-
-
-
-
&
&
V
?
&
?
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b
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6

small In

small In

small In

small In

all life

all life

all life

all life

Thou liv

Thou liv

Thou liv

Thou liv

est the

est the

est the

est the

true life

true life

true life

true life

of all

of all

of all

of all

-
-
-
-
27
880415
No. 6. Chorale "The Yoke of Slavery"
&
&
V
?
&
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12

We

We

We

We

blos som


blos som

blos som

blos som

and flour

and flour

and flour

and flour

ish as

ish as

ish as

ish as

leaves on

leaves on

leaves on

leaves on

the tree

the tree

the tree

the tree

- -
- -
- -
- -
&
&
V
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&
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b
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18

And with

And with

And with

And with

er and

er and

er and

er and

w
per
w
per
w
per
w
per
w
w
w
w

ish

rish

ish

ish

but nought

but nought

but

but nought

chang eth

chang eth

nought chang eth

chag eth

w
Thee.
w
Thee.
w
Thee.
w
Thee.
w
w
w
w
- - -
- - -
- - -
- - -
28
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&
&
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?
&
?
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4
4
4
4
4
4
4
4
4
4
4
Soprano
Alto
Tenor
Bass
!
!

Be neath
!
!



Allegro moderato q = 150
!
!



the cross
!
!







!
!

of Jesus
!
!

!
!

I fain would
!
!

!
!

take my
!
!

-
&
&
V
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&
?
6
!

Be neath

stand The
!

.

!



the cross

sha dow
!

of
Jesus

of'a might y
!

I fain would

rock with in (n) a
!

take my

wea ry land (a)
!

-
- - -
29
880415
Book II
No. 1. Chorus "As I Remember Your Tears"
&
&
V
?
&
?
11

Be neath

stand The

home with in the
!

the cross

sha dow

wil der ness
!

of Jesus

of'a might y

a rest up
!

I fain would

rock with in (n) a

on the
!

take my

wear y land a

way From the
!

-
- - - -
- - -
&
&
V
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.
.
.
.
.
.
.
.
.
.
.
.
16

stand the

home with in the







burn ing of the noon tide

Be neath

sha dow



wild er ness

heat and the



the cross

of'a might y

a rest up

bur den

of Jesus

rock with in (n) a

on the
w
of

I fain would

wear ry land

way


the day

take'my stand

- - - -
- - -
-
- - -
-
30
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&
?
&
?
4
4
4
4
4
4
4
4
Soprano
Bass
!
!

"



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Allegro moderato q = 75
!
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31
880415
No. 2. Duet "If We Have Died"
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9
!

"


"


" R

"
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If
If
we
we
have died
en
with
dure
him
we
we shall
shall
al
al
so
so

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-
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10
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We
we
shall
shall
live
reign
with
with
him
him

"


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"
live
reign
with
with
him
him

"

32
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&
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&
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11
.
.


He
He
will
re
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mains
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If
If
we
we
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are
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faith less
him
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- - -
- -
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- - - - -
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.
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12

.
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ny
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so
faith
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for
ny
he can not de ny him
us
self

- - - - - - - -
-
- - - -
33
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&
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13

"

"

"
R

"
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Think of this and charge them be fore the Lord

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14

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to a void dis put ing a bout words which

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- - - -
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15

"

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does no good but on ly ruins the hear ers

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- -
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16
w
oh

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Do your best to pre sent your self to God

n
#


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b

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- -
34
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&
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17

"

"

"

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Stay a way from God less chat ter for it

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18

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will lead peo ple in to more and more un

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- - -
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19

"

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god li ness and their talk will eat its way

"

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like gan grene

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35
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&
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21
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22
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23
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24
w
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36
880415
&
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4
4
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4
Soprano, Alto
Tenor, Bass (8vb)
!

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b
.
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b
Allegro moderato q = 75
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37
880415
No. 3. Chorale "Last Days"
&
&
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9

.
j
. .

But know that
.
.
.

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.
. .
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. . .
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in the last days
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11

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there will come
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b

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times of stress
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38
880415
&
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15

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b
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For men are

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lo
lov
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39
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&
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23

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b .
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un
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3xs
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im pla ca ble
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25

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- -
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27
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40
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&
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29

.
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tre cher ous

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31

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with con ceit

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lov
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33
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D.S. al Fine
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41
880415
&
#
#





















For I am al read y at the point of be ing sa cri ficed for the Lord's sake
Solo w = 75
- - - - -
&
#
#




















The time of my de par ture has come now I've fought the good fight, fi nished the race - - -
No. 4. Chorale "Being Sacrificed"
880415
42
&
&
V
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
Soprano
Alto
Tenor
Bass

For

For

For

For

q = 60

I am al rea dy

I am al rea dy

I am al rea dy

I am al rea dy at

at the point of being

j

U

at the point of being

at the point of be ing

the point of being

sa cri ficed for

sa cri ficed for

sa cri ficed for

sa cri ficed for

U
the Lord's sake

U
the Lord's sake

U
the Lord's sake

U
the Lord's sake

- - - -
- - - -
- - - - -
- - - -
&
&
V
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#

The

The

The

The

time of my de par

time of my de par

time of my de par

time of my de par ture

ture has come now I've

j

U

ture has come now I've

ture has come now I've

has come now I've

fought the good fight and

fought the good fight and

fought the good fight and

fought the good fight and

U
fi nished the race

U
finished the race

U
finished the race

U
fi nished the race

- - -
- -
- -
- - -
880415
43