This document provides a draft structure and visual plan for adapting the poem "Strange Meeting" into a short film. It outlines 35 scenes or shots ranging from 5 seconds to 45 seconds that would visualize the poem. The shots include close-ups, medium shots, and landscapes to depict the female narrator writing and reminiscing about her husband who went off to war, intercut with archive footage and memories of their time together before he left. The film would start in the present day and use flashbacks to tell the story of the poem about a soldier's death in war.
This document provides a draft structure and visual plan for adapting the poem "Strange Meeting" into a short film. It outlines 35 scenes or shots ranging from 5 seconds to 45 seconds that would visualize the poem. The shots include close-ups, medium shots, and landscapes to depict the female narrator writing and reminiscing about her husband who went off to war, intercut with archive footage and memories of their time together before he left. The film would start in the present day and use flashbacks to tell the story of the poem about a soldier's death in war.
This document provides a draft structure and visual plan for adapting the poem "Strange Meeting" into a short film. It outlines 35 scenes or shots ranging from 5 seconds to 45 seconds that would visualize the poem. The shots include close-ups, medium shots, and landscapes to depict the female narrator writing and reminiscing about her husband who went off to war, intercut with archive footage and memories of their time together before he left. The film would start in the present day and use flashbacks to tell the story of the poem about a soldier's death in war.
This document provides a draft structure and visual plan for adapting the poem "Strange Meeting" into a short film. It outlines 35 scenes or shots ranging from 5 seconds to 45 seconds that would visualize the poem. The shots include close-ups, medium shots, and landscapes to depict the female narrator writing and reminiscing about her husband who went off to war, intercut with archive footage and memories of their time together before he left. The film would start in the present day and use flashbacks to tell the story of the poem about a soldier's death in war.
E/LS (establishing) TRACK shot of Sun set over village. Fade into... On London fell a clearer light; Caressing pencils of the sun 00:00 - 00:05 C/U of female writing poem (have white rose on her) (present tense)
Defined the distances, the white
00:06 - 00:09 E/CU of her writing one by one (archive of war flashback, parallel to one by one) Houses transfigured one by one 00:10 - 00:15 F/BACK (sepia). Husband and wife walking along wide street, holding hands walk past camera into a L/S. The long, unlovely street, impearled. 00:16 - 00:20 (present tense) L/S of her walking alone (start from impearled), same street without husband O what a sky has walked the world! 00:21 00:25 (present) C/U of female writing poem (as if she is reminiscing) Most happy year! And out of town 00:29 00:33 F/BACK. Laying with husband on field. M/LS of them laughing + talking. End with still shot The hay was prosperous, and the wheat: 00:30 00:34 (present) GRAPHIC MATCH last still shot. Zoom out to show it now as picture, until you see females face. L/A C/U of her smiling (reaction to looking at the picture) C/U Stroke the picture frame (made of silk if possible?) The silken harvest climbed the down:
00:35 00:39 C/U Stroke the picture frame Moon after moon was heavenly-sweet 00:40 00:45 GRAPHIC MATCH C/U of stroking going to her stroking her husbands army jacket F/BACK. Moment where husband goes to war. M/S of last goodbye hug M/CU of husband reaching for his pocket, pulling out the red rose Stroking the bread within the sheaves, Looking twixt apples and their leaves 00:46 00:54 F/BACK. C/U of husbands hand giving rose to wifes hand. And while this rose made round her cup, 00:55 01:00 M/S L/S showing husband walk away to go to war. Fade away as it says armies died The armies died convulsed. And when 01:01 01:05 (present)M/S wife sitting on table at night, lonely. Showing darkness if possible.
This chaste young silver sun went up
01:06 01:010 C/U of her kissing her cross O/S C/U of her fiddling with the rose softly F/BACK; archive of soldiers at war. Softly, a thousand shattered men 01:11 01:16 Archive footage switching to and from the C/U of the rose. Rose slowly beginning to die One wet corruption, heaped the plain, After a league-long lob of pain. 01:17 01:26 Cont. of rose slowly dying. Transpose into montage showing female panicking and being paranoid. M/S hands on her head, Flower following tender flower; and birds
01:29 01:33 M/CU her sitting down and quickly getting back up
And berries; and benignant skies 01:34 01:39 E/CU of fear in her eyes. Made thrive the serried flocks and herds. 01:40 01:48
Fade with L/S of her anger: pushing something off a shelf, etc. --Yonder are men shot through the eyes. Fade into C/U her crying on table, hiding her face. O/S M/S showing her cry however then focus onto newspaper next to her + cross. Love, hide thy face From mans unpardonable race. 01:49 01:56 C/U of newspaper showing headline of deaths. Dying/black rose positioned next to headline. Who said No man hath greater love than this, To die to serve his friend? 02:00 02:08 F/BACK; shot of C/U of husband handing over the rose to his wife So these have loved us all unto the end. Chide thou no more, O thou unsacrificed! 02:09 02:18 Fade as the rose is handed to her into black rose. C/U kissing rose. The soldier dying dies upon a kiss, The very kiss of Christ. 02:19 02:29 O/S shot putting rose on remembrance wall. Zoom out and Fade to darkness. 02:30 02:35. END