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Cinematic: Research & Reference
Cinematic: Research & Reference
Primal Futurism
Cinematic
JPEG Gen
Cinema is a frame in which the world is distilled; sharpened into a concentrated reality. The film genres of
a century of cinema evoke many moods, all of them different, all of them poetic and sensual. Light and
colour trigger nostalgic memories that inform palettes and textures. The grain and quality of classic film
stock inspires tactile surfaces and vintage treatments.
From cinema to TV, and PC to hand-held device, the moving image has shifted from a nights
entertainment to an indispensible stream of information. The seductive quality of movies means
designers have started making films instead of catwalk shows, while publishers produce films instead of
magazines.
"No other medium is pushing the boundaries of creativity like video." Nancy Spector, chief curator,
Guggenheim Foundation, June 2010
STYLE IS SUBSTANCE
Creatives are more confident about pushing style for its own sake. A developed and intricate sense of
style has replaced grand concepts within design - it has become the new substance.
Performance
Character coding
I Am Love is a film in which the
style-over-substance approach
references the cosmetic facade
of a Milanese dynasty. The
technique is consciously
employed by director Luca
Guadagnino in everything from
the cinematography to the
clothes worn by the central
characters. His intentionally
over-stylised project sees Raf
Simons at Jil Sander
collaborate with actress Tilda
Swinton to create a wardrobe
reflecting the subtleties of
protagonist Emma Recchi.
Giallo
Quoted images
Like the Mods, these modernday Chinese have a very
particular look, balancing
specific pieces such as the
historical Zhongshan suit with
global style influences from 80s
western capitalist culture. This
style exploration mixes precommunist photographs of their
families, blogs, global style
icons and Chinese old-world
elegance.
WGSN 2014
New purists
The Mod subculture makes a
contemporary return after
emerging in the 60s, having a
UK revival in the 70s and a
Southern Californian revival in
the 80s. The New Faces is a
series of photographs by Dean
Chalkley of a group of young
Mods encountered at the
Boogaloo pub in London.
Intrigued by their extreme
purism within our multireferencing culture, their sharp
dressing and dance skills,
Chalkley immortalises their look
and attitude on celluloid.
Neo-languid
Washed out
Blazing
In 1960 photographer Robert
Doisneau was invited by
Fortune to cover Palm Springs,
the hottest travel destination of
the day. He took hundreds of
photographs, just a few of which
were published in the magazine.
The complete set has been
rediscovered in his archives and
the best are featured in the
book Robert Doisneau: Palm
Springs 1960.
Pastel
WGSN 2014
Fashion film
Book film
YouTube art
FREEZE FRAME
Be inspired by the legacy of decades of film production, capture the cinematic imagery and the storyline
in a single frame. Consider treatments that play with texture, colour and light.
Retro future
WGSN 2014
Framed lifestyles
Dead Eagle Trail sees Jane
Hilton document and explore
one of the archetypes of
American culture and history,
the cowboy. Unlike previous
expositions of the American
West, Hiltons subjects are
photographed within their
personal environments,
surrounded by their artefacts
and memorabilia. This is an
empathetic portrayal of an
American hero today.
Character
Box-office font
WGSN 2014
The icons
Sean Sullivans The Impossible
Cool is a website that attempts
to capture the aesthetic values
of classic film stills and screen
icons. He asks What is cool
and where has it gone? The
website is an open-ended
image collection and study of
the notion of cool, which is more
mystique than tangible. Sullivan
has started another site, A
Conversation On Cool,where
people can contribute and help
define the aesthetic and attitude
of cool.