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Pygmalion (Mythology)
Pygmalion (Mythology)
In Ovid
3 RE-INTERPRETATIONS OF PYGMALION
Re-interpretations of Pygmalion
3.2 Literature
3.2
Literature
Canada
Walid Bitar's poem "Pigmalion" (1993)
Short stories
Nathaniel Hawthorne's short story "The BirthMark" and his similar novella, Rappaccinis Daughter.
H.P. Lovecraft's "Herbert WestReanimator"
Tommaso Landol's La moglie di Gogol ('The
Wife of Gogol')
John Updike's Pygmalion
(Grace
Greenwood)'s
3 RE-INTERPRETATIONS OF PYGMALION
Mary Shelley's novel Frankenstein
Isaac Asimov's novel The Positronic Man
William Hazlitt's Liber Amoris: or, the New Pygmalion (1894).
Richard Powers's novel Galatea 2.2
Amanda Filipacchi's novel Vapor
Edith Wharton's The House of Mirth
Henry James' The Portrait of a Lady (188081).
Laura by Vera Caspary.
George MacDonald's Phantastes
The Phantom of the Opera by Gaston Leroux
Oscar Wilde's The Picture of Dorian Gray.
George Bernard Shaw's play Pygmalion
Tawq el-Hakim's play Pygmalion
William Schwenck Gilbert's play Pygmalion and
Galatea
Willy Russell's play Educating Rita
Rousseau's play Pygmalion, scne lyrique
Villiers de l'Isle-Adam's novel Tomorrows Eve
Jacinto Grau's play El Seor de Pigmalin (1921)
Other
3.6
Television
5
in 'bringing to life' waxwork gures and show-room dummies (see: Waxworks: A Cultural Obsession by Michelle
Bloom). For instance, Karl Freund's 1935 horror lm
Mad Love features an obsessive character named Doctor
Gogol who keeps a wax gure of an actress he is in love
with in his apartment, referring to the gure as Galatea
as he speaks to it and plays music for it. In the climax,
the actress is caught hiding in Gogols apartment and pretends to be the gure in an attempt to conceal herself.
When she nally screams, Gogol mistakenly and insanely
believes that his love has brought Galatea to life at last.
Many horror lms deviate considerably from the original story; for example, in The Stepford Wives (1975) the
creators turn their living wives into inanimate (robotic,
compliant) wives.
Other notable lm adaptations include The Red Shoes, All
About Eve, and Her.
3.6 Television
The American TV series My Living Doll portrayed
a female robot (Julie Newmar) whose creators attempted to transform her into a perfect woman.
The Man from U.N.C.L.E. 3rd season episode The
Galatea Aair from 1966 is a spoof of My Fair
Lady. A crude barroom entertainer (Joan Collins)
is taught to behave like a lady. Noel Harrison, son
of Rex Harrison, star of the My Fair Lady lm, is
the guest star.
W. S. Gilbert's stage version, 1871
3.5
Films
6 FURTHER READING
In Disneys Hercules: The Animated Series, Pygmalion was Hercules art teacher. His success in
crafting a perfect wife for himself prompted Hercules to do the same to create a date for a school
dance, naming it Galatea.
In the "Live Show" episode of 30 Rock the character
Jack tries to give up drinking and asks Liz Lemon
to comfort him by telling a story. She impersonates
Eliza selling owers to which Jack orders her to leave
the room.
3.7
Interactive ction
See also
Agalmatophilia
Narcissus
Pinocchio
Prometheus
Pygmalion and the Image series
Pygmalion of Tyre
Uncanny valley
Golem
Notes
6 Further reading
Essaka Joshua. (2001). Pygmalion and Galatea:
The History of a Narrative in English Literature.
Ashgate.
Kenneth Gross. (1992). The Dream of the Moving
Statue. Cornell University Press. (A wide-ranging
survey of 'living statues in literature and the arts).
Jack Burnham. Beyond Modern Sculpture (1982).
Allan Lane. (A history of 'living statues and the fascination with automata - see the introductory chapter: Sculpture and Automata).
Ernst Buschor. Vom Sinn der griechischen Standbilder (1942). (Clear discussion of attitudes to
sculptural images in classical times).
John J. Ciofalo. The Art of Sex and Violence The Sex and Violence of Art. The Self-Portraits of
Francisco Goya. Cambridge University Press, 2001.
John J. Ciofalo.
Unveiling Goyas Rape of
Galatea. Art History (December 1995), pp. 477
98.
Gail Marshall. (1998). Actresses on the Victorian
Stage: Feminine Performance and the Galatea Myth.
Cambridge University Press.
Alexandra K. Wettlaufer. (2001). Pen Vs. Paintbrush: Girodet, Balzac, and the Myth of Pygmalion
in Post-Revolutionary France. Palgrave Macmillan.
Danahay, Martin A. (1994) Mirrors of Masculine
Desire: Narcissus and Pygmalion in Victorian Representation. Victorian Poetry, No. 32, 1994: pages
3553.
Edward A. Shanken. (2005) "Hot 2 Bot: Pygmalions Lust, the Maharals Fear, and the Cyborg
Future of Art, Technoetic Arts 3:1: 43-55.
(2005). Almost Human: Puppets, Dolls and Robots
in Contemporary Art, Hunterdon Museum of Art,
Clinton, New Jersey. (Catalogue for a group exhibition March 20 - June 12, 2005)
Morford, Mark. (2007). Classical Mythology
Eighth Edition. Oxford University Press
Hersey, George L (2009). Falling in love with
statues: articial humans from Pygmalion to the
present, Chicago, 2009, ISBN 978-0-226-327792
Law, Helen H. (1932). The Name Galatea in
the Pygmalion Myth, The Classical Journal, Vol.
27 No. 5 (Feb. 1932), published by The Classical Association of the Middle West and South, accessed via JSTOR at http://www.jstor.org.libproxy.
usc.edu/stable/3290617
External links
English translation of Ovids poem
English translation of Ovids poem
Latin original, lines 243-297, at The Latin Library.com
Shakespeare reference
8.1
Text
8.2
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8.3
Content license