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Traditional Dwelling JAPAN
Traditional Dwelling JAPAN
Traditional Dwelling JAPAN
Prehistoric Japan
During the Jomon period, which began around 10,000 BC, the inhabitants of Japan lived by
fishing, hunting, and gathering. The period is named after the cord-markings (jomon) on the
pottery they produced. In the Yayoi period, beginning around 300 BC, rice cultivation was
introduced from the Korean Peninsula. An account of Japan in a Chinese historical document
of the third century AD describes a queen named Himiko ruling over a country called
Yamatai.
Kofun Period (ca. AD 300-710)
In the fourth century, ancestors of the present imperial family established
Japan's first unified state under what is known as the Yamato court.
During this period, manufactured articles, weapons, and agricultural tools
were introduced from China and Korea. The period is named after the
huge mounded tombs (kofun) that were built for the political elite. These
tombs were often surrounded with clay cylinders and figurines called
haniwa.
Nara Period (710-794)
A centralized government, with its capital in what is now the city of
Nara, was established under a Chinese-style system of law codes
known as the Ritsuryo system. Buddhism became the national
religion, and Buddhist art and architecture flourished. Provincial
temples called kokubunji were set up throughout Japan. It was
during this period that the Great Buddha at the Todaiji temple in
Nara was built. Histories of Japan, such as Kojiki and Nihon shoki
were compiled, as was the celebrated collection of poetry called
Man'yoshu.
Source:
http://webjapan.org/museum/historyofjp/histjp.html 5th
Jan 2015
shoin-zukuri
Materials
In the case of Europe, stone seemed the logical building material, in Japan with its vast
forests it was wood. The architecture of Japan is a response to its natural environment: its
weather, its geography and its harmony with all of those elements. European structures were
built as barriers against the forces of nature. It's the "man with nature, man vs. nature"
philosophies which set the ground rules for differences between Japan and western cultures in
art, literature and also building construction.
Floors
From that time on, the ruling classes always lived in structures elevated from the ground. The
lower classes remained living on mat covered dirt floors for many centuries to come. The
predominant flooring for the nobility was wooden planks.
Tatami
A thick mat base of woven rice straw, toko, covered by woven rush, igusa.. Tatami size is
said to have been determined by the sleeping area of a person. The introduction of the shoinzukuri style expanded the use of tatami as the entire floor covering over the wooden planks.
Tatami became the unit of measure of room size. Many believe that there is just one size of
tatami, approximately six feet by three feet.
Shoji/Fusuma
The advantage of post and beam construction is that there are no bearing walls. The fact that
the building's load is taken by the pillars frees the walls and interior partitions to be not only
light in weight but also mobile as well. The traditional house is really one large room that has
numerous partitions. That is why you can transform a sitting room into a banquet room just
by taking down the shoji and fusuma doors. Fusuma are the opaque sliding doors seen in the
interior of the house. Their origins come from the screens imported from China. Their
function in the house is two-fold. They partition the interior rooms of the house and they
provide artistic decoration since they are usually painted with a scene of some sort. Fusuma
have graced the interiors of castles and temples for centuries. Some of the greatest artists
have painted masterpieces on fusuma doors. Shoji are the lattice frame sliding doors which
are covered with translucent paper made from mulberry bark (sorry, rice paper is a
misnomer). They usually partition the interior from the exterior, and subsequently the outer
bounderies of the tatami. Walking on the tatami side of the shoji requires bare or stocking
feet; on the other side slippers or shoes are acceptable. Shoji's translucence allows diffused
light to filter into the house. It also provides the observer an patterns of shadow and light.
Roof
Straw/shingles then tiles, kawara introduced from 6th century with Buddhism.
Tokonoma
It was not until the shoin-zukuri that the tokonoma became the permanent formal area of art
display. There are several components of the tokonoma that are usually present. First there is
the tokobashira, the alcove pillar or post. The post defines the tokonoma's area as does the
dais or stand. In the chaistu , the tea hut, the tokobashira is usually made from an unplaned
trunk of a tree such as a cherry or cedar. Scrolls are placed in the center wall of the tokonoma.
Flower arrangements and okimono are placed on the dais in front of it. To the other side of
the tokonoma one might find a desk, tsukeshoin , with a staggered set of shelves, chigaidana. On the side wall there is usually a window of some form to let in light. Each tokonoma
is unique to the space available for it.
The main guest of honor is to be seated next to the tokonoma, however, because of the
seating arrangements the guest of honor's back is to the tokonoma. Actually, the host has the
best view of the tokonoma while talking to the guest, which is probably fitting since the host
has spent the time carefully choosing the right scroll for the occasion. The guests generally
have the best view of the garden which is often directly opposite that of the tokonoma.
Source: http://www.yoshinoantiques.com/newsletter_interiors.html at 7th Jan 2015
REFERENCES