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Text Processing
Text Processing
We have typified text- processing as being concerned with three problems-the discovery
of content, purpose and context and would see the process as skilled problem-solving. We shall
end the chapter with a model of the stages which the reader and writer goes through when
processing text and extend the model by focusing first on synthesis (writing) and then on
analysis (reading).
1. Text-typologies
One of the characteristics of text which we noted in the previous chapter was that
individual texts and it is this resemblance which is drawn upon by the text-processor in making
sense of the text. This knowledge is, clearly, of crucial importance to the language user any
attempt to explain how texts are created and used must include an answer to the question How is
it, given that each text is unique, that some texts are treated as the same?
1.1 Formal Typologies
There is, clearly, a substantial degree of overlap which suggests that content is inadequate
as a discriminator. Poetry, for example, can presumably be about anything. It is how the poet
treats the topic which marks it as poetic. Perhaps, then, it is the formal characteristics (the
linguistic structures) which are the defining characteristic. Such an approach will work with
some highly ritualized genre (some types of poetry, for example) but not in the case of the
majority of texts where again, and now at the formal level, there is overlap.
1.2 Functional Typologies
A number of functional typologies have been suggested, a few based on the notion of
degrees of trans latability but the majority organized on a three-way distinction (which derives
from Biihlers organon theory of language ;language as a tool depending on whether the major
focus of the text is on : (1) the producer (emotive), (2) the subject-matter (referential) or (3) the
receiver (conative).
they are only so distinguished in analysis and certainly not in action; the point we have reached
in our discussion of text processing.
There is far more involved than a simple ballistic model of the type
Writer
TEXT
Reader
SURFACE TEXT
Linear sequences
Grammatical structures
Propositions
Sequencing
Main ideas
Synthesis Writing
At the beginning of this section, we proposed a model of text-processing which contained
five stages and was intended to cover both reception and interpretation (reading) and production
(writing).
Let us remind ourselves, to begin with, that we imagine the process to be one which is,
1. Both bottom-up and top-down in which we work out the meanings of the words
and structure of the sentence [and] at the same time, we are predicting, on the basis
of content plus the composite meaning of the sentence already processed, what the
next sentence is most likely to mean.
2. cascaded , i.e. it is possible to move from one stage to the next before earlier stage
has completed its work, i.e. we are able to continue to process on the basis incomplete
analysis or synthesis, come to that) and
3. Interactive, i.e. constructed with feedback loops which allow the revision of earlier
decisions on the basis of the result of later processing.
appropriateness : providing a balance between (a) and (b), i.e. between the
conventional and the unconventional.
We can now begin to work through to process stage by stage from planning to, actual
writing.
Stage 1-Planning
Stage 2-Ideation
Stage 3-Development
Stage 4-Expression
Analysis Reading
Even without a title and in the context of an unclear initial paragraph, the reader has a
number of problem-solving strategies available.
1. To work steadily through the clauses in the order in which they are presented in the
text, holding unresolved problems from later resolution (a breadth-first approach) or
2. To read right through at high speed (skimming), extracting what appear to be the
main points (a depth-first approach), or
3. To combine the two and thereby avoiding the slowness of the cautious first approach
and the danger of understanding getting hold of the wrong stick of the second.
TRANSLATION 2
TEXT PROCESSING
GROUP V
Muhammad Aris
: 10535 3011 08
Diana Novita
: 10535 3008 08
Ikawati Umar
: 10535 3009 08
St. Sahariah
: 10535 3007 08
Herfina
: 10535 3012 08