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yseidiymNOTES TO THE CONDUCTOR
sed by Henry J. (Hank) Levy (1927-2001) and was the opening cut on the trumpeter/
lis version and the Alfred Publishing Co/Bel
jening at wwnw. alfred.com/downloads.
jinal composition alsc featured 14/8 but | simplified it in this arrange-
1urposes. Most of the chart follows the eighth note subdivision of [2+2+242+3+3] or 2/4 + 2/4 + 6/8
\e eighth note remaining constant. | recommend rehearsing this chart at a slower tempo and gradually
the band becomes more comfortable.
+his chart—pay attention to the staccatos. For the solos, there is only one chord change,
to focus on solo development. The solo sts should pace themselves, build and catch the
ts to relax and be free to express!
sat measure 85 where the char
\troduces mixed eighth note subdivisions. The changes in subdivisions are
he score and farts to simplify the learning process. In e
ge band which included strings and a French horn.
it about conducting, try to avoid a symphonic approach by attempting to conduct each beat; instead. strive to
ythm pattern as youconduct. The simpler, the better!
voks harder than its te play. You and the band will discover that after some time spent in these time signatures,
logical and flow quite well.The following isan easy exercise to try with the entire ensemble, Have 2veryone
st eighth note of every subdivided beat beginning with the primary pattern of [2+2+24243431, Then, once
for the band, ‘epeat the exercise with the other subdivisions begi this until
ly execute the axercise comfortably as an ensemble. By doing this exercise the players will gain a better
ve music.
at measure 85.
—Erik Morales
Erik
Morales
Erik Morales began his compos-
ing career shortly after graduation
from high school in south Florida.
He studied composition at Florida
University of Louisiana at Lafayette.
Accessible at all levels, the music of
Erik Morales ras a unique melod-
ic and harmonic vocabulary that
appeals to audiences worldwide.
His published works encompass @
large variety of styles and settings,
including works for concert, oches-
tral, jazz and chamber ensembles
and have been part of featured
performances across the globe. Mr.
Morales currertly teaches and plays
‘trumpet professionally in the New
Orleans area, n addi
taining an acive composing and
conducting schedule,
nto mainconoUcTOR
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