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Donlan, Walter - The Tradition of Anti-Aristocratic Thought in Early Greek Poetry - Historia, 22, 2 - 1973 - 145-154
Donlan, Walter - The Tradition of Anti-Aristocratic Thought in Early Greek Poetry - Historia, 22, 2 - 1973 - 145-154
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THOUGHT
Historia XXII/2
146
WALTER DONLAN
147
Tyrtaeus
9. 23-44D;
Callinus
1.6-21D:
10*
148
Xenophanes
1. 21-24D:
WALTERDONLAN
149
Phocylides
2. 6-8D:
Phocylides 4D:
150
WALTER DONLAN
this aspect of the tradition what may be called "peasant"virtues are commended: hardwork, thrift, simplicity,cooperation,common sense, utility.
It is reasonableto conclude that such consistency of attitudeover a lengthy period is expressive of a literaryconvention that was critical of upper
class values and that professed the merits of the peasant class. If the lyric
poets of the seventh and sixth centurieswere writing within the context of
such a traditionthese same themes should be reflectedin the literatureof an
display these attiearlierperiod. Certainlythe WorksandDays and Theogony
tudes in abundance,and it is hardlynecessaryto dwell at length on the Hesiodic bias against aristocraticvalues in favor of a peasantsystem of values.
In fact, the close similarityin content and tone between the statementsof the
lyric poets and Hesiod demonstratesthat there was a frameof conventional
attitudeswhich goes back at least to the beginning of the seventh century."
The obvious question at this point is whetherthe traditionoriginatedwith
the Hesiodic school or whether Hesiod was himself a continuatorof a tradition of anti-aristocratic,pro-peasantexpression. It can be shown, I believe,
that the traditionwas operativeearlierthanHesiod, that despitetheirdedication to the value-system of the warrior-nobility,the Homeric epics reveal
significanttraces of an anti-aristocratictradition.
The Thersitesincidentin Iliad2 is the firstrecordedinstanceof anti-aristocratic,anti-heroicsentiment.Despite much controversyconcerningthe role
and position of Thersites in the book, certainfacts pertinentto this discussion are clear. As he is presentedin this episode, Thersites was no novice at
public speakingor at expressinghis discontent.He is called ad4evpoeiu
k, and
had a vast fund of disorderlyinsults, which he used, with apparentregularity, in his role as a crowd-pleaser, against the basileis,especially against
Achilles and Odysseus (lines 212-221). Even Odysseus calls him Avyk
dyopqT4j(246). Thersites'speech is short, eighteen lines, but in it are clearly
expressedsome of the themes familiarin the tradition:the king's greed and
selfishness, his violent disregard of fair-dealing. Another theme, also observed in the later expressionof the tradition,is that the leader (archos,line
234) has a responsibilityto the largercommunityon whom he ultimatelydepends. For unmistakablein Thersites'speech is the implicationthat the rank
and file are the basis of the king's power and wealth.12
11 E. g., WorksandDays. Zeus as protector of the weak and humbler of the proud: 5-8; distaste
for violence and strife: 12-16, 161-166, 182-194, 213-216, 320-322; violence, greed and injustice
of those in power: 38-39, 202-212; divine retribution for injustice: 217-224, 238-273, 333-334.
primacy of justice: 225-235; appreciation of simple things: 40-41; common sense: 293-297; industriousness: 298-309, 381-382, 398413, 493-503; social cooperation: 342-351; thrift: 361-371;
peasant view of women: 60-105, 373-375, 695-705.
19 Booty is gotten by "us," "me" (lines 228, 231); "we" help him (238). In addition, there is the
strongly expressed assertion of the potential of the common soldiery for taking independent
collective action (lines 235-238).
151
6
bt'xrpv
Raaoa,
OeEv O67voViXdAyore5.
injustice!
A similar concern with this kind of social justice is even more evident in
the Odyssey. Thus in 18. 138-142 Odysseus obliquely warns the suitors
against violence and lawlessness, hinting that these will bring punishment
1'
The fact that Thersites is described in odious terms by the poet, and is ignominiously silenced
by Odysseus does not lessen the impact of his outburst. On the contrary, the savage caricature, the
beating with the sceptre, and the acquiescence of the rank and file to his silencing serve to underscore the seriousness of the conservative reaction to that kind of anti-aristocratic display. The fact
remains that for the poet and his audience it was possible for a man to step out of ranks and berate
his betters. To argue that what Thersites did was highly unusual is not sufficient - if what he did
was unthinkablc, then neither poet nor audience could have contemplated it. In a provocative
book, Hesiods Erga in ibremVerhdliniszur Ilias (Frankfurt 1959), H. Munding maintains that M. 2
is a post-Hesiodic addition, composed as a travesty of the peaceful, unwarlike peasant ethic of Hesiod. In this "Hesiodreaktion" Thersites is an epic caricature of Hesiod himself (pp. 110-150).
Munding's views seem to have found little acceptance, but his companion thesis that Work: and
Days self-consciously opposes a peasant morality to Homer's aristocratic ethic (pp. 12-96) is in the
right direction. Munding wants to believe that the legendary contest between Homer and Hesiod
may actually havc occurred; it is simpler, as I have tried to show, to believe that Hesiod expressed
themes that were in a conscious tradition of anti-aristocratic thought, and that this tradition was
not wholly lacking in the epic poems.
" Abovc, note 3, 69.
152
WALTER DONLAN
from the gods. And, in lines which recall a fragment of Archilochus (94 D),
the gods are said to wander in disguise (17. 487):
i'fptv Txate em'o
eopwvrer.15
&vO9pLnwOv
jvu'
In another arresting simile, Odysseus likens Penelope to a "blameless
king" who, because he is god-fearing, just and a good leader, prospers along
with his people (19. 109-14). This combination of social virtues which produce prosperity for the whole community is also important in Hesiod and in
the lyric poets.16
Of even greater significance than these manifestations of the tradition are
the incidents in the Odysseythat concern Odysseus, in his disguise as a beggar, the swineherd Eumaeus, and the cowherd Philoetius. A very large portion of Books 14-22 is devoted to the curious friendship that develops between the returning king and his loyal slaves. Eumaeus especially personifies
the virtues of the peasant ethic: cooperation, thrift, hard work, piety, common sense. He, above all, is scandalized by the behavior of the suitors, and
the qualities of character he exhibits are set off against the violence, greed, arrogance and impiety of the aristocratic suitors.17Their actions are not only in
contrast to Eumaeus' peasant soundness but also do violence to the heroic
code, which they, as the "best men of the community," the aristoi, are supposed to embody.18
Eumaeus is much more than a good servant - Homer explicitly states that
he was a trusted friend to Penelope, Telemachus and Laertes.19He becomes
a close friend of the beggar Odysseus, and when Telemachus arrives at the
swineherd's hut Eumaeus functions as the courteous host, observing all the
rules of heroic etiquette (16. 46 ff.). A further, important, implication of
these episodes is that men in lowly positions, by their own good qualities, can
excel in an aristocratic society. This is done pointedly in Book 22, where
Odysseus, Telemachus, the swineherd and the cowherd fight shoulder to
shoulder (all four, incidentally, equally armed as heroic warriors) against
a superior force of suitors. Twice Eumaeus and Philoetius get their man
with accurate spear casts; Eumaeus, like Telemachus, receives an honorable wound, and Philoetius is allowed an heroic vaunt over a fallen
Cf. 14. 83-84.
16 Theogony
80-92; WorksandDays 225-237. In 238-247 (Cf. 260-262) where the "whole polis"
suffers for the violence and injustice of its leaders the point is made strongly that such behavior is
antisocial - a prominent theme in Solon (fr. 3. 14 ff.).
17 E. g., his industriousness, skill and success as a peasant: 14. 3. ff., 524 ff.; his piety:
14. 388 ff.; his indignation with the suitors: 14. 80 ff.
18 See Jaeger (above, note 2) 20-21. Jaeger is forced by his assumptions to maintain that although "the shameless behaviour of the suitors is constantly stigmatized as a disgrace to them and
to their class" the poet's admiration for the nobility is not diminished.
19 Od. 15. 353-379; 16. 11-29, 135-145; 17. 505-552, 589-597.
153
prowess (dVE,' Eu4g dfpETr, line 212) he was able to marrywell, and to become eminent among the Cretans, even attaining international prominence
20 Lines 108-115, 265-268, 277-291. Homer's favorable depiction of Eumaeus has often been
explained by the fact that he was of royal blood, and, therefore, "noble" by birth. But the qualities
most in evidence are those of a good servant, not of a high-souled aristocrat. In any case, Philoetius, whose character is the same as Eumaeus', and who also proves capable of competing as a warrior, has no claim to gentle birth.
21 In addition, Eurycleia is presented as a paragon of common sense and loyalty. Penelope exemplifies in all respects the peasant view of a good wife. It is also worthy of note that Laertes is essentially a small farmer, not a royal person (1. 189-193; 24. 226 ff.). Is it entirely coincidence that
two demiourgoi,Phemius and Medon, alone of the group in the hall, are considered guiltless and
spared (22. 330-377)? The children of Dolius, Melanthius the goatherd, and Melantho, Penelope's
serving girl, are wicked, and suffer grim deaths (22. 465477). Both are closely allied to the
suitors. Eumaeus rebukes Melanthius for his violence (iiflptCwV),pride and wastefulness
(17. 244-246); Melantho is the type of the "bad" peasant woman: insolent, faithless, promiscuous
(18. 321 if.). Dolius, on the other hand, is a faithful servant to Penelope (4. 735), and retainer to
Laertes (24. 222). Originally, perhaps, there were two - one, the father of the bad servants (who
lived up to his name) was superseded by Dolius of the (probably later) final book, who, with his
six sons displayed the same courage and loyalty as the good servants Eumacus and Philoetius. The
rag-tag "army" of Odysseus, Telemachus, Eumaeus, Philoetius, Laertes, Dolius and his sons,
which confronts the relatives of the suitors fits very neatly into a propeasant tradition (24. 496 ff.).
22 Cf. 18. 351-386, the exchange between Odysseus and Eurymachus. The suitor taunts Odysseus with being a beggar and not wanting honest work; Odysseus retorts that he is a good farmer
and a good warrior as well.
154
WALTER
The Traditionof Anti-AristocraticThought
DONLAN,
as a hero in the Trojanwar. Both Odysseus'fictionalaccountand the narrative of Eumaeusand Philoetius show that even in a "closed society," commonly assumed as the normal situation in the epics, socio-economic advancementon the basis of personalmeritalone was a literarymotif.
Whilenone of the examplescited constitutesby itselfdefiniteproof thatthe
epics were influencedby a tradition of anti-aristocraticsentiment,taken together they form a clearand coherentpatternof awarenessof such attitudes.
demonstratesthat duringthe
Certainlytheir existencein the Iliadand Odyssey
eighth century the chief themes of anti-aristocraticexpression had already
been formulatedand were sufficientlypowerful to intrude even the aristocraticepics.23
In conclusion, the fact that there was an early, sustained,and well-articulated anti-aristocratictradition, coupled with a conscious emphasison the
values of the common man, is significantto any historicalassessmentof the
so-called "socialrevolution"of the archaicperiod. The existenceof this dual
traditionimplies that the basis for social change was deeply rooted in a firm
sense of identityand self-esteemof the peasantclass,and, further,that a feeling for justice,equalityand common dignity formeda stratumof democratic
orientationwhich found constant public expressionduring the seventh and
sixth centuries. The social historian may well caution himself against emphasizing the weakness and discontent of the "masses"during the archaic
period, and should stressmore the positive forces which producedso much
important social, economic and political change.24
The Pennsylvania
State University
Walter Donlan
'
It has been well-established that peasant views and attitudes permeate both epics. Sec H.
Strasburger, ,,Der soziologische Aspckt der homerischen Epen," Gymnasium60 (1953) 97-114,
who gives many examples. For further examples see also H. Levy, "Odyssean Suitors," TAPA
94 (1963) 145-153 and P. Walcot, Greek Peasants, Ancient and Modern(Manchester, Eng. 1970)
16-20. These agree generally that the economic and social background of the Homeric epics and
of the Hesiodic poems is essentially the same, but the evidence they give shows mainly that the
cconomic-cultural milieu of the poems is simple and rural, and that the upper layer of society had
many values in common with the peasants.
24 Contrast the view of Forrest (above, note 3) 65-66, for whom the task of the archaic period
was "to create, virtually ab initio,the idea of a state composed of citizens who by virtue of their citizenship alone had certain unquestionable rights ... In a word, to invent the notion of an autonomous human being and to apply it rigorously throughout all levels of society."