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Gray Matter
Gray Matter
Gray Matter
Gray Matter
A play in two acts
By Josh Weckesser
Thomas Moore
A tentative dreamer
Daniel Payne
Lisa Simmons
Allison Smith
His girlfriend
Seth Lyons
A survivor
Paul Deters
Cindy Rainard
Popular girl
Kim Kutledge
Her lackey
McConnal
English Teacher
5m / 4w
Gray Matter
ACT ONE
[at rise THOMAS stands center, he is obvious of everything
around him, even believing that the voice of McCONNAL is his
own. ALLISON is directly behind him on his left (SL) looking
lovingly at his back. McCONNAL (with a dictionary) is behind
THOMAS and on his right (SR). DANIEL and LISA are down
left in a comfortable embrace. SETH and PAUL are positioned
near each other, possibly sitting, as are CINDY and KIM. This is a
tableau with THOMAS at its center the other characters are
arranged subtly, as to not draw attention away from THOMAS]
McCONNAL: [behind THOMAS; with dictionary] Love. Noun. A feeling of strong
attachment induced by that which delights or commands admiration; preeminent
kindness or devotion to another; affection; tenderness. Whatever you do in your
life, do it with love.
THOMAS: [speaking to audience] My English teacher told me that on the last day of my
senior year in high school. He always was a bit melodramatic. He believed that
all of his students would change the world one day. He believed that everything
they did was on a grand epic scale. He believedwell, everything. [beat] He
gave us Dum Dums on that last day too saying
McCONNAL: [behind THOMAS] Ignorance is enjoyable for a while, then you just end
up with a wet stick.
THOMAS: [speaking to audience] Ireally dont know what that means. Mr.
McConnal, what a man. There is something about the closing of a book that is
final, the story ends. [McCONNAL closes dictionary; exit] Bam! For good or
bad, right or wrong. When Mr. McConnal closed that book four years of my life
came to a sudden end. What did I get out of it? An education for sure, both in
and out of the classroom. I always thought it was a little ironic that Mr.
McConnal chose the word love on that last day.
DANIEL: [to LISA] I love you.
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THOMAS: [speaking to audience] Love. Its a word that cant be described by words.
Now I cant say Ive loved too much in my life. I love the feeling of a pillow
under my head after a long day. I love cold ice cream going down my throat on a
hot summer night. But thats all different than the way I loved my friends.
LISA: [to Daniel] I love you, too.
THOMAS: [speaking to audience] It was my friends that taught me what love is. All of
what love is. Mr. McConnal didnt have a chance. But I am getting ahead of
myself.
[enter McCONNAL with book]
McCONNAL: Hey there, Tommy Boy!
THOMAS: [surprised] Mr. McConnal?
McCONNAL: Who else?
THOMAS: Thomas.
McCONNAL: What?
THOMAS: I insist on being called Thomas.
McCONNAL: In that case, call me Chuck.
THOMAS: [hesitant] Okay, Chuck.
McCONNAL: Naw, I was just kidding. Chuck isnt even my first name.
THOMAS: Then what is Mr. McConnal?
McCONNAL: Wouldnt you like to know?
THOMAS: Yes, I would.
McCONNAL: Well tough beans, kid. Youre just a freshman.
THOMAS: Thats age discrimination!
McCONNAL: I didnt say you were an uneducated freshman.
THOMAS: Its an unconfirmed stereotype that all freshmen are uneducated.
[enter CINDY and KIM; cross]
McCONNAL: Well, what about them?
THOMAS: Okay, so there may be some basis for the stereotype.
McCONNAL: I knew it.
THOMAS: Knew what?
[exit CINDY and KIM]
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McCONNAL: Yeah. See, I knew you were an educated underclassman. But I need to
get going, Thermos. [exit]
[enter LISA opposite]
THOMAS: Thermos? How long have you known me? Thomas. My name is Thomas!
LISA: I know.
THOMAS: [turning] What?
LIAS: That your name is Thomas.
THOMAS: Oh, do shut up.
LISA: [kisses him on the cheek] You know you love me.
THOMAS: Tell me again why arent we dating?
LISA: Because youre a freshman.
THOMAS: So are you!
LISA: Everyone knows that women act older than men.
THOMAS: With the exception of you.
LISA: I know, I act better.
THOMAS: Are you sure youre a freshman? That was pretty sophomoric.
LISA: Very funny. [beat] Dont you have somewhere to be?
THOMAS: Sure, but class is over and I have this book to read.
LISA: [taking book] What is it?
THOMAS: Love Story.
LISA: [giving book back; uninterested] Oh.
THOMAS: What?
LISA: Love?
THOMAS: [shrugs] Mr. McConnal gave it to me.
LISA: Why?
THOMAS: I think its supposed to teach me to be humble.
LISA: Thats a bunch of crap.
THOMAS: Being humble?
LISA: No, love.
THOMAS: You dont believe in love?
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LISA: Not like that. Romantic love? No. Theres nothing to it. Just people who are too
afraid to live life alone.
THOMAS: Were you planning on living alone?
LISA: [haughtily] I was planning on living with as many men as possible.
[enter CINDY and KIM]
THOMAS: [joking] Youre such a slut.
LISA: I am not. [pointing at CINDY; almost whispering] She is.
CINDY: [turning; to LISA] What was that?
KIM: [impatient] Cindy Rainard.
CINDY: [brushing her off] Oh, Kim, you go on. Ill catch up to you or something.
[KIM snorts; exit]
CINDY: So what was that?
LISA: [embarrassed] Oh nothing.
CINDY: [fake smile] No. Tell meOh, Thomas. [touches his chest] Its so nice to see
you.
THOMAS: [uninterested] Hello, Cindy.
CINDY: My, youre looking fine today.
THOMAS: [monotone] Why thank you, Cindy. You too.
CINDY: [giggles] Thats so sweet of you to notice, Thomas. [LISA makes gagging
noise] What have we here?
THOMAS: [monotone] A book. You dont recognize one?
CINDY: Oh Thomas. [takes book] Love Story. Youre such a dear.
THOMAS: [sarcasm] Well, as much as Id love to continue this witty banter with you
Cindy, I really must be going.
CINDY: Too bad.
THOMAS: [dryly] Yes, quite. [to LISA] Ill see you later Lisa. [exit THOMAS]
LISA: Okay, bye.
CINDY: [all smiles] Well, that was nice. [drops book]
LISA: [outraged] What is your problem?
CINDY: Me?
LISA: Yes, you!
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SETH: Love.
PAUL: Shut your face.
SETH: You dont
PAUL: Shut up! Not another word!
SETH: But
PAUL: It is with noble intentions like [mocking] love that we commit the bloodiest
acts upon each other.
SETH: [softly] Who said that?
[PAUL points violently at himself; enter THOMAS]
SETH: Hello, Thomas.
THOMAS: Hey, guys. Whats going on? Is Cindy here?
PAUL: No, she just left.
THOMAS: Good. [beat] Did she leave my book?
PAUL: [picking book up] This book?
THOMAS: Yeah.
PAUL: [reading] Love Story. [pause] Are you gay?
THOMAS: I know youd like me to be. Now give me my book back.
PAUL: Why?
SETH: [sighing] Because it belongs to him, Paul.
PAUL: [to SETH] Whos side are you on?
SETH: Its not a matter of sides.
THOMAS: Thats right. Now give it back.
PAUL: [mocking] Give it back, give it back. [throws book past THOMAS offstage]
There it is. Come on, Seth. If we hurry we can catch her.
SETH: So now you want me along.
[exit PAUL and SETH]
THOMAS: [speaking to audience] I never did know what to make of Seth and Paul.
That cap of Pauls was so ugly on him. I think Paul wore it because he was afraid
that if he tried to look good people would still think he was ugly. And Seth. Seth
was half crazy anyway. He once told me
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SETH: [behind THOMAS] You know, Thomas, youre a good guy. Its a shame I cant
like you, it really is. But the problem is you have no passion, no passion for
anything. And I just cant like a guy without passion, it makes me wonder if hes
real.
THOMAS: He was wrong, of course. [doubtful] He had to be, right? How could I be
without passion? Seth just didnt understand me. The whole Paul and Allison
thing an [directly to audience] But here I am thinking you know everything
again. [beat] I mean, how could he understand me? He always thought he was so
much better than everyone else around him. Both he and Paul, like two selfrighteous pigeons.
[enter PAUL searching followed by SETH]
SETH: Give up, Paul What are you still doing here?
THOMAS: [holding up Love Story as a shield] Reading.
[PAUL snorts; starts looking around]
SETH: Youre aware its Friday, right?
THOMAS: I am.
SETH: Schools out?
THOMAS: Yes.
SETH: You know you could go home, right? Maybe spend some time with your
friends?
THOMAS: [sighing] Yes.
SETH: But youre sitting here reading?
THOMAS: I thought I had already made that clear.
SETH: [somewhat loud] Well alright. [THOMAS gives SETH a disgusted look, closes
his book and exit; SETH sees PAUL] Paul, give it up! We lost her!
PAUL: No we havent.
SETH: Yes we have.
PAUL: What makes you say that?
SETH: Look around you. [pause] Look a little harder. [pause] Recognize that chair?
PAUL: Um
SETH: How about this table?
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CINDY: Its more than that. Look at the way hes sitting, back strait, head up. Hes out
of his element, he just moved here and he doesnt know a soul yet he isnt
shrinking from the world, hes staring it right in the face. Hes
KIM: He stared me right in the face.
CINDY: [turning to KIM] What?
KIM: [meekly] Nothing.
CINDY: All of these men today, I cant stand them. They dont know how to treat a
woman if they saw one. Women dont want this equality bullshit; they want
doors opened for them and pretty golden things. They want to know that their
man is strong and proud and that hed humble himself only for her, and only when
theyre alone. Whoever thought itd be a great idea to dominate men in public
was an idiot; it crushes their spirit and makes them worthless for most things.
Women today are too busy squeezing their mans balls and telling him to turn his
head and cough.
KIM: Wait, so women?
CINDY: They dont know how to treat themselves.
KIM: [doubtful] Oh really now?
CINDY: Yes. Take Lisa Simmons for example.
KIM: Is she?
CINDY: The one with Thomas Moore all the time.
KIM: Okay.
CINDY: Shes probably the worst one I know of. She has Thomas wrapped around her
little finger but she wont humble herself enough to admit she likes him.
KIM: Maybe theyre just friends.
CINDY: [totally surprised] Friends?
KIM: [backing down] Yeah?
CINDY: Do you really think a man and a woman can be just friends?
[enter THOMAS]
PAUL: [offstage] Hey Cindy!
CINDY: Thats Paul, its time for us to be going.
KIM: Whats so wrong with him?
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[enter ALLISON]
ALLISON: Thomas, I need to talk to you.
THOMAS: Ah, Allison, Id like you to
ALLISON: In a moment. [to DANIEL] Excuse us.
THOMAS: Allison, whats wrong?
ALLISON: Where were you last night?
THOMAS: At home, doing my homework.
ALLSION: You werent out with Lisa?
THOMAS: No
ALLISON: I kept trying to call but I couldnt get though.
THOMAS: I dont know what to tell you. I would have answered had the phone rang.
ALLISON: [hugging him] You know I couldnt stand to lose you.
THOMAS: Lose me? [pushing her to arms length] What are you talking about?
[LISA crosses upstage, seen only by THOMAS]
ALLISON: Oh nothing. You know I adore you, dont you?
THOMAS: Yes, Allison, of course. I [DANIEL coughs loudly] I want you to meet
Daniel Payne. Daniel, this is my girlfriend, Allison Smith.
DANIEL: [kisses her hand; THOMAS gives DANIEL a hard look] Its a pleasure to
make your acquaintance.
ALLISON: [blushing] Oh my, well, um, yes, uh Same to you.
DANIEL: Its a fine looking woman youve got here, Yankee.
THOMAS: Shes not that fine-looking.
ALLSION: Now Thomas, [nervous laugh] dont be mean. [whispering] You know how I
hate it hate it when you make fun of me in public.
THOMAS: [clearing this throat; looking to where LISA made her exit] Yes, well, I must
be going.
ALLSION: Going? Where? Why?
THOMAS: I have, uh, things to do. Daniel is new to the area, you could show him
around.
ALLISON: [doubtful] Sure
THOMAS: Right. Right. It was nice meeting you Daniel. Im sure Ill see you around.
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DANIEL: Oh, that guy. Yeah, he just walked by, that way, seemed to be in an awful big
hurry.
SETH: Great. Thank you, Daniel. Nice to meet you. And watch yourself. [moves to
exit]
ALLISON: Seth, whered you get that ridiculous limp? Is this another ploy for
attention?
SETH: [not turning back] Hit by a car this summer.
ALLISON: [genuinely surprised] What?
[SETH exits]
DANIEL: [joking] Maybe he could get a handicapped parking space. Wouldnt have to
limp so far.
ALLISON: I wonder if hes serious [to DANIEL] Whatd you do that for?
DANIEL: Do what for?
ALLISON: Help him out. You gotta know he swings the other way.
DANIEL: Hmmm?
ALLISON: You know, against the hinges? [pause] Never mind, just take my word on it.
DANIEL: Careful, you dont want to throw your word around like that. If youre wrong
it wont be worth anything after.
ALLISON: I think Ill take my chances.
[exit DANIEL and ALLISON]
[enter LISA followed by THOMAS]
THOMAS: Hey Lisa, what are you up to?
LISA: Jesus, Thomas, you scared me.
THOMAS: Oh, Im sorry. I didnt mean to.
LISA: No, its okay.
THOMAS: So what are you doing?
LISA: Going home.
THOMAS: You want a ride?
LISA: No, its a nice enough day. I think Ill walk.
THOMAS: Its kind far.
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LISA: You should hear my grandfather. Did you know he walked naked though
minefields to school? Up hill both ways, of course.
[they laugh]
THOMAS: Of course. So do you have any big plans for this Friday night?
LISA: Nope.
THOMAS: Me neither.
[pause]
LISA: Yeah.
THOMAS: Well, you have a good weekend then.
LISA: [tenderly] I will. You too, Thomas. [exit]
THOMAS: Yeah, see ya later. [LISA exits; THOMAS speaks to audience] Daniel and I
became fast friends. To me he was the same as Lisa except [changes his mind
about what he was going to say] except Daniel and I connected on a male
level, or something. There was an inherent equality about the two of us that no
one else could quite touch. Ive never had another friend like him, when youre
young friendship is so easy and so strong and so lasting. A day could be forever,
and I had been thinking that Id invite him to family barbeques when we were
forty. But I think we lost that brotherhood when he met Lisa. [exit]
[enter CINDY followed by PAUL]
PAUL: Cindy?
CINDY: [exasperated] Yes Paul?
PAUL: How are you?
CINDY: [sighing] You just asked me that.
PAUL: I know, Im double checking. Your comfort is my main goal.
CINDY: What?
PAUL: You comfort is my
CINDY: I heard what you said, but whyd you say it?
PAUL: Because it is.
CINDY: [almost to herself] Really now?
PAUL: Why of course, from the moment I saw you
[enter SETH limping]
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DANIEL: You know what they say; distance makes the heart grow fonder.
THOMAS: [looking up from the letter at DANIEL] And often makes the eyes wander.
DANIEL: [shying from THOMAS look] That too.
[enter LISA]
LISA: Thomas!
[THOMAS jumps to his feet]
THOMAS: Lisa! [THOMAS thrusts the letter behind him to DANIEL. DANIEL looks
at it for a second and when THOMAS starts to shake it franticly he takes it and
puts it away] How are you?
LISA: [smiling] Id complain but itd only make me feel worse. Besides, I have a bet
with myself.
THOMAS: Whats that?
LISA: [looking THOMAS all over] Where is it?
THOMAS: Where is what?
LISA: [finding Love Story in his back pocket pulls it out and holds it up to the light] Ah
ha! I should have bet with someone else.
THOMAS: Hey!
LISA: [moving the book away from his grasp] What is this? You still carry this around?
THOMAS: [defensively] Mr. McConn
LISA: [joking; mocking] Mr. McConnal gave it to me. I like it so I carry it around.
Youre like Linus with his blanket.
THOMAS: [taking the book back] Hey, its a good book.
DANIEL: What is?
[LISA notices DANIEL for the first time]
THOMAS: Love Story by Erich Segal.
DANIEL: Really? I love that book. Did you cry at the end?
THOMAS: [pitifully romantic] I still do.
DANIEL: Thats what I thought. Youre a pansy, Yankee.
THOMAS: Wait just a
LISA: Thomas, who is this?
THOMAS: I havent introduced you before? Lisa, this is Daniel. Daniel, this is Lisa.
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LISA: Oh, would you look at the time. Thomas, could you give me a ride home?
THOMAS: [smiling] Id love to.
DANIEL: Leaving so soon?
LISA: Its 4:30.
DANIEL: Yeah, but its Friday.
LISA: Hey Thomas, go get your car, Ill catch up to you.
THOMAS: Umokay.
LISA: Go on.
THOMAS: Okay. See ya, Daniel
DANIEL: Yeah Yankee.
[exit THOMAS]
LISA: My parents like me to come home after school before I go out and do anything.
DANIEL: So how about I call you at home, then?
LISA: Do you have my number?
DANIEL: That was my subtle way of asking for it.
LISA: Is everyone that subtle in Georgia?
DANIEL: [laughing] No, usually theyre a lot more blunt about it.
LISA: [getting a pen] Do you have something I can write on?
DANIEL: [presents the back of the envelope] Here you go.
LISA: [writes her number down] And here you go. Now I really must be going, it was
very nice meeting you. [exit]
[enter PAUL]
DANIEL: The pleasure was all mine. [to himself] I told my mother moving here was a
bad idea. I told her I wouldnt like it, that Id never make any new friends with
these people. But things are looking up. Shit, Im going to have to tell her I was
wrong. I hate that. [DANIEL looks at the envelope in his hand and rips it in half,
keeping the part with the number and throwing the rest of it away. He moves to
exit past PAUL] Wonderful day, isnt it? Wonderful day! [takes off PAULs hat
and ruffles his hair] YEAH! [exit]
PAUL: [adjusting the hat on his head; loudly] You shouldnt mess with a mans hat! Its
inconsiderate and rude!
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THOMAS: Yes Allison, I was. I told you this earlier in the day. I also told you that Id
call you later tonight when I was ready to go out and do something. I just
[enter LISA]
LISA: Thomas, there you are. I thought youd be waiting outside. Ready to go?
ALLISON: [melodramatic look of hurt] Oh, I see how it is. I do. [exit]
THOMAS: No, Allison, you dont see. Allison! [sighs]
LISA: What was that about?
THOMAS: Dont ask cause Id rather not get into it.
LISA: If you say so. Hey, do you think I could borrow that book?
THOMAS: Love Story?
LISA: Yeah, Ill give it back right after Im done with it.
THOMAS: But I thought you didnt
LISA: I know what I said. A girl can change her mind, cant see?
THOMAS: Sure. But youre one of the girls that never do.
LISA: Well maybe Im changing.
THOMAS: Maybe.
LISA: So can I borrow it?
THOMAS: Yeah, of course.
LISA: So you ready to go?
THOMAS: Yeah, just give me a second. The cars unlocked.
LISA: Okay. [exit]
THOMAS: [speaking to audience] Im not sure when it was that Allison became friends
with Cindy Rainard but that was our undoing. Im sure of it. I swear nothing
ever good came from Cindy Rainard, just like nothing ever good came from the
plague or pet rocks or the French. There is one thing about Cindy that I
remember above all else. One time she came to me and said
CINDY: [behind THOMAS] Look Thomas, theres no one around so I want to tell you
this so youll know and so I know that I told you. Please dont tell anyone this,
Id like to keep it between you and I. A private matter. The best things in this
world are secrets and the best secrets are those in which you know all of the
people who know. Its an unspoken bond. Besides, if you do tell anyone, they
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wont believe you. [pause] I respect you, Thomas. I know you dont believe it,
but its true. Youre solid Thomas, like a rock in a waterfall; all around you is
chaos and change but you remain self-assured and confident. Its unfortunate that
youre solid in your hatred for me. Youve never betrayed yourself and I want
you to know that Ive noticed. Thats all I have to say. [beat] That and if you
ever change your mind about me, give me a call.
THOMAS: [speaking to audience] I felt sorry for her after that. I was going to go after
her and tell her that I didnt really hate her, that there was nothing particularly
worth despising about her as I person, but that I just couldnt. She had always
used people, not known them or been friends with them, but just used them. I
could never understand it and maybe because I couldnt understand was why I
hated it. But the remorse only lasted for a moment, I let her walk away and I
dont regret it. After I just felt dirty. Like Cindys respect was something to be
loathed. [pause] Even now II dont really like thinking about it. [exit]
[enter KIM]
KIM: Cindy!
CINDY: [offstage] What?
KIM: Cindy, I wrote a poem last night.
[enter CINDY]
CINDY: Oh did you now?
KIM: [nodding] I did.
CINDY: I didnt know you wrote poetry.
KIM: Yes you do. I told you the day that I met you that I was a poet.
CINDY: You expect me to remember the day that we met?
KIM: [meekly] I do.
CINDY: [taken aback by the frankness] Well I [coughs]
KIM: [backing down] Yeah, Cindy, Ive been trying to write some poetry for sometime
now.
CINDY: Oh how romantic.
KIM: I never thought of it that way.
CINDY: Who is it that you wanted to write this poetry for?
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KIM: Myself.
CINDY: Did I say romantic? Thats very selfish of you, Kim.
KIM: Whys this?
CINDY: Good poetry is always written for someone else.
KIM: I never felt
CINDY: Oh who cares how you feel? Im telling you facts, which, as we know, have
very little to do with feelings. A poem that is unshared is like a painting that the
painter burns after finishing it so that he will be the only one to ever lay eyes on
it. A terrible waste. If you keep a poem all locked up within yourself, away from
other people, then its not worth anything.
KIM: Its worth something to me.
CINDY: And who are you worth something to?
KIM: Well me.
CINDY: Are you beginning to see how utterly selfish this all is? The answer to every
question is yourself. You cant be an island any more than a fish could breathe
the air. Man needs other men to survive. Whatever he creates for himself only
becomes valuable when others see the value of it.
KIM: What about a feeling of self-worth? Satisfaction and pride?
CINDY: My dear, pride always comes before a fall. Just think of Socrates.
KIM: Who?
CINDY: Kim, I am shocked and disappointed. Let me hear this poem.
KIM: I dont like reading them aloud.
CINDY: Have you ever read one aloud?
KIM: No.
CINDY: Theres a first time for everything.
KIM: [thrusting paper forward] Would you please just read it?
CINDY: No, I will not.
KIM: Why not?
CINDY: Its for your own good, Kim. This is what friends are for. [exit]
KIM: But no! Friends are supportive, they lend a helping hand. I thought they did,
dont they, Cindy? [exit]
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[during the following sequence DANIEL and LISA do not interact; enter
THOMAS]
THOMAS: [speaking to audience] Ive been wondering recently about the age old
question that, given the chance, if youd do it all over again. I cant honestly
answer that question. If you did it all over again would you do so with the
knowledge of what would happen? Would have you to live it in the same way, or
could you change things? [beat] Lisa and Daniel, they were happy, even in those
first moments I was scorched by their fire. I was right in the middle from the very
beginning and I never did understand why the came to me for advice.
[enter LISA]
LISA: Thomas!
[enter DANIEL opposite]
DANIEL: Thomas!
LISA: Thomas, youve been holding out on me.
THOMAS: Ive what?
DANIEL: Yankee, why didnt you introduce us before?
THOMAS: It hadnt
LISA: Hes cute.
DANIEL: Shes hot.
THOMAS: I suppose?
LISA: Is he single?
DANIEL: Is she dating anyone?
LISA: How old is he?
DANIEL: Whats her favorite flower?
LISA: Does he have a car?
DANIEL: Whats she do for fun? Bowlingmaybe?
LISA: Whats his middle name? I bet its cute, like Joshua
DANIEL: Is she nice?
LISA: How long have you known him?
DANIEL: What has she said about me?
LISA: Does he like me?
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THOMAS: Youre taking that in totally the wrong way. You cant choose what I
sacrifice for the relationship, if you did then I wouldnt be a part of it anymore.
Im not going to take either of those options. I dont want to give you up, Allison.
[pause; THOMAS becomes uncomfortable]
ALLISON: Thomas, do you love me? [pause] Thomas? [slight pause] Do you love me?
[pause] Thomas, can you hear me?
THOMAS: [softly] I can hear you.
ALLISON: Do you love me? [pause] Thomas?
THOMAS: [softly] No.
ALLISON: [angrily] No? No!
THOMAS: [matching her intensity] Thats what I said, isnt it?
ALLISON: [cold fury] You . you [slaps him; turns; exits]
THOMAS: [recovers slowly from slap; takes a deep breath; pained] Allison, you dont
see, you dont see at all. Allison! Hey, Allison! [exit]
[curtain; end of act one]
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Gray Matter
ACT TWO
[at rise THOMAS stands center, he is obvious of everything
around him, even believing that the voice of McCONNAL is his
own. McCONNAL is behind THOMAS and on his right]
McCONNAL: [behind THOMAS] To friends who are more than friends and family that
is more than a name.
THOMAS: That was Mr. McConnals toast at every meal hed eat with my family. I
grew up with Mr. McConnal. He had long been an old friend of the family and,
as he had no family himself to speak of, he spent a great deal of time with mine. I
never thought it was odd that I called him Mr. McConnal growing up. I finally
found out his first name at his funeral. Thomas. Sometimes I cant shake the
feeling that he gave me his name. All my family, which I guess was his family,
too, called him Mr. McConnal. I guess when he joined there already was a
Thomas. Hed shrug it off
McCONNAL: Ive given everything to teaching. Whats in a name?
THOMAS: Thinking about it now I feel that its a little, maybe more than a little; sad
that this man gave even his name to children who will never understand or
appreciate what he did for them. I appreciated him, I had lived all my life with
his little truisms and the first day I entered his classroom I was ready to learn what
he had to teach me. At that point Id been waiting most of my life to sit in one of
his classes. He didnt let me down, he was a wonderful teacher; the best Ive ever
had. I know people say good things about the university and the professors, but it
was at the university that I discovered cocaine and most likely because of the
cocaine that I only spent a year and a half there. Whats a year compared to a
lifetime? One time I asked Mr. McConnal, right before he started the last class of
his I ever sat in, if it was all worth it, all the sacrifices hed made. He gave me a
queer smile, as if he thought I knew the answer to the question before Id asked it.
He thought I was testing him and he said to me
McCONNAL: Ive done it all for love, Thomas. I didnt sacrifice a thing. [exit]
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THOMAS: [reflectively] I think thats the only time in my life Ive ever heard him call
me Thomas. [exit]
[enter LISA followed a moment later by DANIEL]
DANIEL: So, uh . Lisa?
LISA: [turning] Yes?
DANIEL: I was wondering if you were seeing anyone.
LISA: No
DANIEL: You and Thomas arent?
LISA: Thomas? Me and Thomas? [laughs; cuts if off; deadpan] No.
DANIEL: Oh.
LISA: Thomas and I are friends.
DANIEL: Today is Friday.
LISA: [laughing] All day.
DANIEL: Do you have any plans for tonight?
LISA: [doubtful] I was going to get some pizza with Thomas.
DANIEL: Do you mind if I tag along?
LISA: Oh no, not at all.
DANIEL: [smiling] Great.
LISA: But
DANIEL: But?
LISA: I was just wondering if Thomas need to come along.
DANIEL: If you had plans with him
LISA: Im sure hell understand. Thats what Thomas does.
DANIEL: In that case
LISA: Exactly, lets go.
[exit DANIEL and LISA arm in arm; enter THOMAS with Love
Story he sits and begins to read]
THOMAS: [reading] That she was beautiful. And brilliant. [pause; then to himself]
And lovely to talk to and lovely to look at, as if all the poets in all the word
could not capture her beauty. Her smile lights up the room as if by magic and
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makes my heart skip a beat. I am in love with her and she so deeply in love with
me [pause; deep breath] If only I could tell her.
[enter LISA]
LISA: Hello, Thomas.
THOMAS: Well look who it is.
LISA: The great and fearless Lisa Simmons.
THOMAS: Who doesnt call her friends when shes supposed to.
LISA: Huh?
THOMAS: What happened to pizza the other day?
LISA: Oh Thomas, look I
THOMAS: On the plus side I got to read this again. [holds up Love Story] This time I
was crying before I started.
LISA: [laughing; overlapping] And how many times have you read that?
THOMAS: One hundred and twenty seven.
LISA: Exactly?
THOMAS: Exactly. Anyway, I wanted you to come out with me because there was
something I wanted to talk to you about.
LISA: Oh I have news, Thomas! I know youll forgive me once I tell you. Youll just
have to.
THOMAS: [melancholy] I have some news of my own.
LISA: Oh mine first. Mine first.
THOMAS: If you insist. Anything for you.
LISA: Thank you, youre such a dear, Thomas. [takes a deep breath] Daniel and I are
going out.
THOMAS: [shocked] What?
LISA: Daniel Payne is my boyfriend.
THOMAS: From Georgia?
LISA: Yes.
THOMAS: The best friend Ive had besides ever?
LISA: Yes.
THOMAS: Oh my god.
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LISA: I like the sound of that, my boyfriend. Its got a nice ring to it, doesnt it
Thomas? [pause] Why do you look so pale?
THOMAS: [firmly] I dont look pale.
LISA: You do. You look ill. Maybe you should go home. [joking] I dont want you
getting me sick.
THOMAS: [fiercely] Im fine.
LISA: You sure?
THOMAS: Yes!
[pause]
LISA: Oh, can you believe it Thomas?
THOMAS: No, I cant.
LISA: Believe it. Believe it. Its wonderfully true.
THOMAS: Im sure it is.
LISA: So what was your news?
THOMAS: My ahmy news?
LISA: Yeah, you said you had wanted to talk to me about something over pizza.
THOMAS: Oh, I ah, have to be going soon. Its not worth getting into.
LISA: Tell me.
THOMAS: [mockingly proper] On the tail of such joyous news it would be scandalous,
milady.
LISA: I love it when you talk dirty to me.
THOMAS: Dont tease me.
LISA: I live to tease. So I cant stand it when other people do it to me, so tell me.
Pleaseeeeee?
THOMAS: Oh alright. Knock that off.
LISA: So what is it?
THOMAS: Allison and I broke up.
LISA: What? Why?
THOMAS: Because of yoour differences.
LISA: Like what?
THOMAS: [forcing a laugh] For one she didnt like Erich Segal.
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Gray Matter
LISA: Oh come on. What are you always telling me about love being a serious matter?
THOMAS: [forceful; awkwardly loud] We arent talking about love! [calms] Were
talking about the end of my relationship with Allison Smith. I did not love her
because love is
LISA: What is love, Thomas?
THOMAS: I dont know, but I hope its beautiful. It means never having to say youre
sorry. Something. Im sorry about it. What Allison and I had was not beautiful.
LISA: Why not?
THOMAS: Leave it be. I dont want to talk about it. I did my crying, I read my book.
Im over it.
LISA: Youre lying.
THOMAS: Yes, I am. But I dont want to talk about it anymore.
LISA: Thomas, are you sure youre okay? Theres still no color in your face.
THOMAS: I told you before Im fine. I just want to have some time alone, to sort things
out.
LISA: Okay, Ill talk to you later then. [moves to exit]
THOMAS: And tell Danyour boyfriend to give me a call. I havent heard from him in
a bit.
LISA: Ill do that.
THOMAS: Thank you.
[exit LISA; during this sequence SETH and PAUL do not interact;
enter SETH limping]
SETH: Thomas.
[enter PAUL opposite]
PAUL: Thomas.
[pause]
SETH & PAUL: Thomas!
THOMAS: [annoyed] What?
SETH: I need to talk to you.
PAUL: [shyly] I want to ask you something.
SETH: Do you
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THOMAS: [moving to follow] Guys? Do you think I could [stops himself and waves
a dismissive hand at them; turns suddenly to find PAUL right behind him] Paul,
you startled me.
PAUL: I didnt mean to. I was just looking for Cindy. Have you seen her?
THOMAS: Paul, didnt you hear what I said
PAUL: [calmly] I know what you said, Thomas.
[pause]
THOMAS: [sadly] No Paul, I havent seen her.
PAUL: [icy; suspicious] Okay. Thanks. [exit]
THOMAS: Paul, whats going on? [speaking to audience] I should have known then
what was going to happen; I could see it in his eyes. Im no clairvoyant or
anything, but there are some things that are plain to read on a mans face. I guess
I was just used to Paul being closed to me that I figured there was nothing I could
do. Seth blamed it on Cindy, but I think that was one of those moments when the
opinions of anyone else are shut away and Paul looked himself square in the face
and made a decision. I believe he tried to explain it to me once. He had said
PAUL: [behind THOMAS] You know why I wear this hat, Thomas? I know itd old and
dirty, but its mine. Its mine in way more real and more tangible than anything
else Ive ever owned. My dad, when he was still around, took me to a Dodgers
game; a father-son bonding experience. The Dodgers won so he bought me this
hat. Ive worn it almost everyday since. Ive lost it once or twice but someone
always brought it back to me. Thats why I know its mine, like my hand is mine
or the stars and stripes are Americas. People associate this hat with me.
THOMAS: [speaking to audience] Then I asked him, Dont you think you hide behind
it? And he told me
PAUL: [behind THOMAS] You just dont get it, do you?
THOMAS: [half a moment behind PAUL] You just dont get it, do you? [speaking to
audience] I think that was that last time he truly opened up to me. After that there
was simply the cold admittance that he had once known me very well and things
had changed since then. For the worse. Thinking back it was plain to see, and
what I wouldnt give. [to himself] What I wouldnt give. [exit]
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KIM: Because when I see that its broken, that it doesnt work anymore, then I know I
changed it. Its a horrible thing to feel completely unimportant. I dont think Ive
ever changed anything in my life.
LISA: Im sure thats an awful way to feel, but I dont think its an excuse to talk about
killing yourself.
KIM: Thats not what I meant. Do you understand what Im saying?
LISA: I dont think so.
KIM: I dont either. I just [beat] Im just trying to warn you about Cindy.
LISA: But you just said
KIM: [sounding like CINDY] I know what I said.
[pause]
LISA: Uh-huh. Thank you for your concern.
KIM: Youre going to keep your eyes open? [exit LISA] Lisa IIIm a poet. Ill
read you something. Something I wrote, anything. I want to read it to someone.
[enter CINDY]
CINDY: Hello, Kim.
KIM: [surprised] Cindy.
CINDY: What are you doing here?
KIM: Me? Oh nothing.
PAUL: [offstage] Cindy? Is that you?
CINDY: Do me a favor.
KIM: No, I dont think I could. [CINDY is amazed] Yeah, I got to, uh, go somewhere.
Somewhere away from you. [exit KIM; enter PAUL]
PAUL: Cin
CINDY: Paul, we need to talk.
PAUL: [excited] Talk? What about?
CINDY: Us.
PAUL: [brightening] You want to talk about us? Theres an us?
CINDY: No.
PAUL: Couldnt there be?
CINDY: No.
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CINDY: Youve been following me around for years, even though I make it plain I dont
want you do. You say the strangest things, you know the weirdest things. We
havent really talked in years and now you say you love me?
PAUL: Sometimes it hurts, especially before I go to bed at night. But the more pain
youre willing to take for someone the more you love them, right?
CINDY: [firm; tender] No, Paul.
PAUL: [becoming agitated] No? Thats all I ever hear, no! No, no, no! What, am I not
good enough for you? Am I out of your league?
CINDY: [frightened] I didnt say that, Paul. What I meant was
PAUL: Then what did you say, huh? That Im a loser? [beat] Was I not understanding?
CINDY: Understanding?
PAUL: That was it, wasnt it?
CINDY: No Paul, its just [CINDY realizes she can dominate to interaction playing
off of PAULs heightened emotional state; clears her throat] Not that at all. You
were right; it is only the skin deep beauty that matters these days. Just look at
yourself. Those shoes, that shirt. [tisk] And your hat, Paul? No.
PAUL: [begging her to take it back] My hat?
CINDY: Yes, your hat. Now, if youll excuse me, I need to be somewhere else. [turns;
exit]
PAUL: [gently removes his hat and holds it tenderly looking down at it] My hat? [he
glances up to where CINDY made her exit then back to his hat; a change comes
over his face and he lets the hat fall to the ground] Look, Cindy
[pause; enter SETH limping]
SETH: [searching] Paul? Paul, you here? Paul I [sees hat; picks it up; looks around;
worried] Paul? [looks at hat] Shit! Shitshitshit! [shouting] Paul! [exit]
[enter THOMAS who is almost spun around by SETHs exit]
THOMAS: [speaking to audience] Like I said, I should have seen it coming. The past
unalterable, like a book youve read a thousand times in which the hero loses,
every time you read it you want it to end differently but it never will. The biggest
problem is that when things have ended the shadow of the way that ending took
place is cast upon every memory you have before, like a family dog that bites you
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Gray Matter
after being in your house for ten years. It was at this very turbulent time in my
life that I kept replaying something Lisa had told me when she started dating
Daniel. It was a sort of self-torture slash self-analysis thing. She had said
LISA: [behind THOMAS] Thomas, can you believe it? Me, in love! I cant be in love,
can I? I dont believe in love, do I? I mean, I just met him oh, who gives a
damn? Not me, Thomas, not me. You hear me, Thomas? I dont give a damn! I
am in love with Daniel Payne! There, I said it. What could go wrong?
THOMAS: [speaking to audience] It was a pretty logical argument at the time. Granted
I had just gotten out of a pretty brutal break up, but I figured that Allison and I
didnt work out because I didnt love her. I had agreed with Lisa, she loved him
what could go wrong? You cant trifle with love. The one thing I realized later
was, sure, shed said it, but not to him.
[enter LISA]
LISA: Oh I could just kill him!
THOMAS: Whoa there, kill who?
LISA: Daniel, I could kill [pause] Daniel.
THOMAS: Really now?
LISA: No. Butoh Thomas, what are we going to do? We got into a fight last night. A
real fight. Its not like we havent fought before buthow long have we been
going out now?
THOMAS: Two years. Eight months. Fifteen days. But whos counting?
LISA: Youve always been a good friend.
THOMAS: Sure, it pays well. So tell me what happened.
LISA: We were at the movies and we were going to see that one movie. [distracted] Um,
you know.
THOMAS: The one that I wanted to go see with you guys.
[pause]
LISA: Yeah.
THOMAS: Yeah.
LISA: Yeah, so anyway he got into line to get our tickets while I went to the bathroom. I
ran into Allison Smith, you know, your ex-girlfriend?
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Gray Matter
DANIEL: Kissed you! And I thought you were my friend! I thought you were better
than that! I thought that
THOMAS: I am!
[pause]
DANIEL: Friends dont try to steal friends girls.
THOMAS: I am your friend, Daniel. And Im not trying to steal anyones girl. But Im
her friend to. So as her friend, and as your friend, Im telling you she needs some
space right now. Give it to her.
DANIEL: Space huh? What for? Who from?
THOMAS: From you.
DANIEL: Bullshit.
THOMAS: Daniel!
DANIEL: Im dating her, for Christs sake!
THOMAS: I know, Daniel.
DANIEL: What the hell do you know, Yankee? Why am I even talking to you? [moves
to exit]
THOMAS: [grabs his arm] Because Im your friend. You know what that means, right?
Im trying to help.
DANIEL: Help?
THOMAS: Yes, help. Daniel, you have
DANIEL: Then let me go!
THOMAS: No.
DANIEL: Yankee, take your hand off of me.
THOMAS: Im not going to do that.
DANIEL: [warningly] Thomas.
THOMAS: I cant do it.
DANIEL: Yes, you can.
[DANIEL punches THOMAS in the face; THOMAS recoils letting
go of DANIEL; DANIEL moves to leave then notices his hand still
clenched in a fist, he looks at it as if it has betrayed him in
someway and slowly opens it up; DANIEL turns back to
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DANIEL: and candy and sweet nothings whispered in their ear. You know what? I
was wrong. You didnt want that, you didnt want me. You never did. [beat;
slower] Tell me its over? Hell, I already knew. [exit]
LISA: Daniel [to herself] Daniel, II love you too [crying] Goddammit, I love you
too. [exit]
[enter THOMAS]
THOMAS: Daniel, there was one more thing that I [looks around; throws arms
up helplessly; enter SETH limping]
SETH: This fucking limp!
THOMAS: [warningly] Seth
SETH: Fuck you, Thomas! Ill curse as much as I goddamned want to. And right now I
fucking want to.
THOMAS: I dont think
SETH: I dont give a damn what you think, Thomas. Pauls dead.
[long pause]
THOMAS: [softly] What?
SETH: [unnaturally loud] Hes dead, gone. Shuffled off his mortal coil, bitten the big
one, kicked his boots up. Hes gone off to meet his maker, if we have a maker,
and Charon is taking him there. [THOMAS is staring at SETH in disbelief;
THOMAS is wrapped up in his own confusion and dont realize SETH is yelling
until half way though the following rant] This limp, its a curse, goddammit.
God damn you, Paul, why didnt you see me, we [beat] No! no, dont damn
Paul. Damn God! [looking up; staggering around] You hear me? Go piss on
yourself! While youre at it, piss on me too. Piss me six feet under and bury me
next to him! Damn you for this limp and for Cindy and for taking him away from
me! I know you hear me; you hear everything. I condemn you! Thats right, you
bastard, with my mortality, with my humanity, I condemn you. Whatever my
soul is worth I point it as a poisoned arrow at your very core. I hope you rot
because of it and fall from your perfect world and bring down all of your perfect
angels and your streets of gold so that they may die and be taken away from you.
[beat] He was beautiful, you know that. He was too beautiful for this world.
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Gray Matter
Given time he would have filled it up with his beauty and then there would have
been nothing left for ugly people like me. Thats why you took him, you made a
mistake by putting him here. Youre not infallible, not one bit and maybe my
curses hurt. Damn you for letting me see his beauty before you took it away.
Damn you damn you [SETH lets out a throaty, grief ridden scream until
THOMAS touches him]
THOMAS: [overlapping] Seth. Seth! Calm down, its going to be okay.
SETH: [shrinking from his touch as if it burns] No. Dont touch me. Dont. And dont
you fucking tell me its going to be okay. Okay? Dont do it. [beat] I couldnt
catch him, Thomas. I tried, dammit, I did. But this fucking limp.
THOMAS: Seth, tried to catch who?
SETH: Paul. I found his hat just lying here the other day. It was like he dropped it
there for me to find. I went running all over, as much as I can say what I do is
running, and I finally found him in his car driving away. I tried to catch him, but
this limp. I was waving his hat and making more noise than I thought possible for
anyone to make. He still drove off. This fucking limp, hed still be alive.
THOMAS: You cant blame yourself; it wasnt your fault.
SETH: Im not blaming myself. He died in his car. [pause] Or when he was thrown out
of it or when he hit the ground or whatever. If I had stopped him at least he could
have died with his hat on.
THOMAS: Seth, come here. Its going to be okay.
SETH: [screaming] No! No, no. Its not going to be okay. Its never going to be okay,
Thomas. Pauls dead, hes gone and hes not coming back. Its not okay. [moves
to exit; turns] I love him Thomas, with all my heart. And I never told him. [exit]
THOMAS: [speaking to audience] Naturally this news hit a lot of people pretty hard. It
happens when young people know other young people that die. Their sphere of
immortality is shattered for a moment and some of them never recover, spending
the rest of their days staring death in the face. Or perhaps running from the face
of death. Let me, tell you though, as far and as fast as you run youll never outrun
it and youll miss most of what is going on while youre doing it. Seth said
something like that to me after the wake and the funeral and after we found out
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that there was going to be a memorial page in the yearbook. Seth had come up to
me and said
SETH: [behind THOMAS] Ive never told anyone this and I never really intended to. I
need to tell someone and Im going to tell you, Thomas, because you watched me
throw away whatever grace I once had. I think God really does exist, Thomas. I
had this dream, the night that Paul died. It was just Paul standing on nothing
talking to me. He even had his hat on.
THOMAS: And then Seth told me what Paul had told him in this dream. I want to
believe that dreams mean something, and this dream means more than any other
dream anyone has ever had. I remember what Seth told me, word for word. So
much that I think I dreamt it myself. Paul had come to him and said
PAUL: [behind THOMAS] Hey Seth, how have you been? Long time; no see. I guess it
hasnt been too long for you, has it? A lot has happened to me. Youre going to
find something out tomorrow that Im hoping will upset you. I didnt mean to
upset you but I hope you care enough to be upset. As much as I dont really
want to say it, I want you to be upset. I know its selfish, so, while Im being
selfish, I want you to understand, too. You know how I usually go for a drive
when Im upset. So I went driving well into the night. The road opened up
before me, strait and narrow and black. It was raining. No, it was more than
raining, it was storming. The road looked so lonely and defiant. It shouted
silently that it wanted a test, it was challenging someone to brave its loneliness so
that it could prove its ability to withstand not only the storm but the vehicle that
was thundering over it as well. Somewhere, in my heart of hearts [pause; beat]
Heart of hearts. Ive never really taken the time to think about it before. It kinda
says that theres a heart inside your heart that you might not know. And what if
[beat] Like I was saying, I knew that I could tame it. I, Paul Deters, for once in
my life, I was going to do something that no one else had done. Even if no one
else knew; even if no one else saw, Id be able to wake up everyday and
remember I had done it. If I was going to wake up everyday, or even another day.
You might think Im crazy, Seth. Thats okay, I kinda think Im crazy myself.
[beat] Im scared of my own heart. Remember what you were always saying
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about passion and how its the truest of emotions? I was afraid that I didnt
believe in anything like that. I was afraid because my heart trembled at the
thought of anything daring. I refused to be afraid anymore, so I turned down this
lonely road and stepped on the gas. I never knew anything could move so fast. I
felt as if I was standing still and the world was spinning beneath me. This
undefeatable road was moving for me, the whole universe was moving for me. It
was daring and my heart did not tremble. Then it all stopped. And you know
what it was? Youre going to laugh, I know you are, but there was this rabbit.
Yeah, a little white bunny. It was just sitting there on the road, in the rain. It
looked so pitiful, it was all wet and one ear was dropping and it couldnt have
eaten in days. I couldnt stay in control of the car without hitting it. It was at this
moment that I felt the hand of God, or maybe an angel, or maybe it was just a
flight of fancy, asking me which one I was going to choose, him or me. I chose
him. Just looking at him, so lost and alone, he reminded me of me. I didnt
have the heart [pause] the heart to hit him. I suppose thats it. Thats all I really
remember and all Im going to tell you anyhow. I dont know what happens now
and I dont really care. Give Cindy my regards, okay? And tell her I ruled the
universe, if only for a short while, for her. I want you to keep my hat, I know you
found it. I dont really need it where Im going, besides. [motions to the hat on
his head; pause] Youre a good man, Seth Lyons, dont let anyone ever tell you
otherwise. Dont miss me too much; I wont be far.
THOMAS: [speaking to audience] I cried when Seth told me that. It was the first time I
realized Paul was actually dead. When he got done with telling me about the
dream Seth said
SETH: [behind THOMAS] I wonder if this is what theyd call a tragedy.
THOMAS: [speaking to audience] Its a shame I cant really say one way or the other.
[exit]
[enter CINDY and ALLISON opposite each other]
ALLISON: [excited] Cindy, Cindy!
CINDY: Allison, I uh
ALLISON: Did you hear?
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ALLISON: Oh dont get all Zen on me. You know Im right and just hate to admit it.
CINDY: Ive spent most of my life not saying what I mean and not meaning what I say.
ALLISON: And just what do you
[enter SETH limping]
SETH: [pointing at CINDY] You! [starts advancing]
CINDY: [forcefully pleasant] Why hello Seth, I
SETH: You murderer!
ALLISON: Just what are you
SETH: [to ALLISON] Shut up. [to CINDY] You killed him. You werent in the car with
him but it was you that killed him. He gave his heart to you and you did a tap
dance on it.
ALLISON: What are you
SETH: Shut up!
CINDY: Seth, thats a little unfair of you.
SETH: Unfair? Youre going say its unfair of me? You know whats unfair is that Paul
is never going to see another sunset and its all your fault.
ALLISON: [to CINDY] Whats he talking
SETH: Shut up!
CINDY: I didnt mean
SETH: You didnt mean? My best friend is dead and you didnt mean?
ALLISON: Dead?
SETH: Are you deaf? Shut the fuck up! In fact, get the hell outta here before I do
something to you that wont feel good in the morning.
ALLISON: What are you
SETH: [yelling] Im fucking threatening you. Get out of here! [exit ALLISON] You
didnt mean. I could say I didnt mean to fail my last math test or I didnt mean to
drop my lunch on the floor, but I cant say that I didnt mean to kill someone.
Mainly because I havent killed anyone. You drove him to it. [exit CINDY] His
blood is on your hands. I hope you cant sleep at night, I hope you cant sleep at
all. I hope he haunts you too! Go ahead and run, I said what I needed to say.
You heard me. [pause] Im sorry, Paul, I think I handled that badly. [exit]
(62)
Weckesser
[enter THOMAS]
THOMAS: [speaking to audience] He went on that way for a while. Just walking around
and yelling at everyone. I had really thought hed lost it. They had to take him
out of school for a couple of weeks, he was disrupting the learning environment.
He almost hit Mr. McConnal one time in the hallway. Just as well though, I had
enough problems.
[enter LISA]
LISA: [running into his arms] Oh Thomas.
THOMAS: Whats wrong? What is it?
LISA: Thomas.
THOMAS: [pushing her to arms length] Bad news?
LISA: [whipping tear] Its Daniel.
THOMAS: [somberly] Howd it go?
LISA: Ihewere through.
THOMAS: Youre what?
LISA: We broke up.
THOMAS: But why?
LISA: [shrugging] It wasnt working out, I suppose. Just another high school romance.
THOMAS: I guess, but
LISA: There are no buts, Thomas. There is nothing epic or grand about this, nothing for
Mr. McConnal to sink his teeth into. There is nothing special about this, it
happens every day.
THOMAS: Maybe it shouldnt. You two were happy.
LISA: For a while.
THOMAS: Not long enough, huh? How high up is happiness that falling brings you so
low? I warned you about putting him on a pedestal, about
LISA: I still love him.
[pause]
THOMAS: Yes, I know.
LISA: I still care for him.
THOMAS: Yes, Lisa, I know.
(63)
Gray Matter
[pause]
LISA: [wipes tear] Thank you, Thomas. [kisses him on the cheek] Youre a good friend.
[turns; exit]
[THOMAS makes a motion as if he is to follow her or say
something, but stops himself; enter SETH]
SETH: Thomas.
THOMAS: Huh? What? Oh, hey Seth.
SETH: Hey.
THOMAS: How are you feeling?
SETH: They wanted to send me to the hospital. When I heard them say that I just kinda
snapped out of it. I feel kinda numb now. I know it hurts somewhere, but thats a
part of myself I just cant touch right now.
THOMAS: What are you doing here?
SETH: I just came to, uh [pause; extends a hand] to thank you.
THOMAS: Thank me?
SETH: Yes.
THOMAS: Well. [takes hand] Youre welcome?
[they hold hands for just a moment too long; an awkward silence arises]
SETH: So what do you have there?
THOMAS: This? Its, uh, Love Story by Erich Segal.
SETH: Hmm, whats it about?
THOMAS: Its a love story.
SETH: [laughing] No shit?
THOMAS: [humorless laugh] Yeah, no shit. [beat] Here, take it. I dont want it
anymore.
SETH: Really?
THOMAS: Yeah, its a good book, but I dont think I could stomach it right now.
SETH: [taking book] Why not?
THOMAS: I want to say Im sorry.
SETH: What?
THOMAS: [quoting the book] Love means never having to say youre sorry.
(64)
Weckesser
(65)
Gray Matter
(66)
Weckesser
to observe the frozen people around him] After everything thats happened, I
dont know if thats such good advice. [slams book closed]
[curtain]
[end of act two]
[end of play]
(67)