30282part One Web

FINE & APPLIED
ART AUCTION
24 & 25 SEPTEMBER 2014
FINE & APPLIED ART AUCTION

WEDNESDAY 24 & THURSDAY 25 SEPTEMBER 2014
PART ONE EVENING SALE

NEW ZEALAND & INTERNATIONAL FINE ART
Including works from The Estate of John & Margaret Oakley
Lots 1 94
Wednesday 24 September, 6pm
Part two DAY SALE
New Zealand & International Fine Art
Lots 200 441
Thursday 25 September, 12 noon
PART THREE
STUDIO CERAMICS & APPLIED ART
Lots A1 A99
Thursday 25 September, 5pm
OPENING PREVIEW WELLINGTON

Thursday 18 September 5.00 6.30 pm
Wellington Viewing
Friday
19 September
Sunday
21 September
Monday 22 September
Tuesday
23 September
Wednesday 24 September
ILLUSTRATIONS
Front Cover Lot 12
Inside Front Cover Lot 23
Part One Title Page Lot 14
Part Two Title Page Lot 409
Part Three Title Page Lot A97
9am 5pm
12noon 4pm
9am 5pm
9am 5pm
9am 4pm
LOCATION
7 Maginnity Street
PO Box 224, Wellington 6140
Ph (04) 472 1367 Fax (04) 475 7389
info@dunbarsloane.co.nz www.dunbarsloane.com
ENQUIRIES
Helena Walker
Director, Fine & Applied Arts
helena@dunbarsloane.co.nz
Ph: (04) 472 1367 027 471 3662
FINE & APPLIED ART
NEW ZEALAND & INTERNATIONAL

FINE & APPLIED ART
WELLINGTON
SUMMER 2014
Entries currently invited
ENQUIRIES
Helena Walker
Ph +64 4 472 1367 0274 713662
Email helena@dunbarsloane.co.nz
Dunbar Sloane Jnr
Ph +64 9 630 9178 021 473 998
Email dunbar.akl@xtra.co.nz
Dunbar Sloane Snr
Ph +64 274 713 663
www.dunbarsloane.com
ILLUSTRATED
Russell Clark (1905-1966)
View from Scarborough
Achieved $68,000 + premium May 2014

ANTIQUE &
DECORATIVE ARTS
WELLINGTON
10 & 11 SEPTEMBER 2014
Catalogue now available
ENQUIRIES
Anthony Gallagher & Bettina Frith
Ph + 64 4 472 1367
Email antiques@dunbarsloane.co.nz
ILLUSTRATED
Lot 814
Early C19th British
Portrait of Geo III Naval Officer
Est $1,000 - 2,000
FINE & APPLIED ART RECENT HIGHLIGHTS
3
2
1
8
6
1
3
5
7
6
JEFFREY HARRIS Crucifixion 2 $10,500 2 FRANCES HODGKINS Marrows and Peppers, Tossa $47,000
ANN ROBINSON Glass Amphora $7,000 4 CHARLES BLOMFIELD Gisborne Point, Lake Rotoiti $29,300
GEORGE RICHMOND (BRITISH) Portrait of Norman Lister Meville $9,600 6 Paul dibble Defining the Homeland $54,000
PETER MCINTYRE Boats & Lobster Pots $10,000 8 ANN ROBINSON Handblown Glass Flowers $3,600
DUNBAR SLOANE WELLINGTON
9
10
12
13
11
14
15
9 MICHAEL SMITHER Walnut $18,800 10 DON BINNEY Kereru $82,000 11 PETER SIDDELL Red Roof $22,300
12 RUSSELL CLARK View from Scarborough $80,,000 13 paul dibble The Voyager $61,000
14 SHANe COTTON Untitled (2006) $50,000 15 PAT HANLY Black Model $58,600
FINE & APPLIED ART
mid 20th CENTURY modern design

WELLINGTON
9 september 2014
Catalogue now available
ENQUIRIES
Ph +64 472 1367
Email info@dunbarsloane.com
ILLUSTRATED
Lot 89
Elliots of Newbury, England
Set of eight dining chairs
Est $2,800 - 3,200
estate jeweLlery & watches

costume & estate fashion jewellery
WELLINGTON
11 september 2014
Catalogues now available
ILLUSTRATED
Lot 1257
Karen Walker 9ct & 14ct
Diamond & Uniform Three Strand
Black Fresh Water Pearl Necklace
Est $4,000 - 5,000
MAORI, PACIFIC & TRIBAL ART

AUCKLAND
NOVEMBER 2014
Entries currently invited
ENQUIRIES
Dunbar Sloane Snr
Ph 0274 713 663
Dunbar Sloane Jnr
Ph +64 (9) 630 9178
021 473 998
Email dunbar.akl@xtra.co.nz
ILLUSTRATED
Late C18th Nephrite Hei Tiki
ex Kalimantan Collection
Est $18,000 - 22,000
10
VALUATION SERVICES
Our specialists travel New Zealand wide appraising private & public collections for the following purposes
insurance CURRENT MARKET & SALES ADVISE

SINGLE OWNER SALES PRIVATE TREATY SALES MATRIMONIAL
ESTATE & FAMILY DIVISIONS
ILLUSTRATED
Lot 378
Douglas
Badcock

Dawn, Wellington Harbour
Est $2,000 - 4,000
For more information contact

Wellington Ph (04) 472 1367 info@dunbarsloane.co.nz
Auckland Ph (09) 630 9178 dunbar.akl@xtra.co.nz
FINE & APPLIED ART
11
THE BARRY CASH

PHOTOGRAPH COLLECTION
WELLINGTON
16 OCTOBER 2014
Entries closed
ENQUIRIES
Ph + 64 4 4721367
Email info@dunbarsloane.co.nz
ILLUSTRATED
Glenn Busch
John Mahia, Shiftworker [1981]
PART ONE EVENING SALE

New Zealand & International Fine Art
Lots 1 94
6pm Wednesday 24 September 2014
1
Dick Frizzell (b 1943)
Rowboat
lithograph (triptych), limited edition 26/28
signed, inscribed with title and dated 20/5/87 within print (lower left)
52 x 217cm
$2,500 - 5,000
2
Robin White (b 1946)
Relatives at the Maketu Church
silkscreen print, limited edition 43/50
signed and dated 'ROBIN WHITE NOV '74' (lower right); inscribed
with title (lower left)
76 x 51cm, unframed
$2,000 - 4,000
LITERATURE
Alister Taylor, Robin White, New Zealand Painter (Martinborough 1981),
p. 106, no. 164
14
3
Ralph Hotere (1931-2013)
Anzac I
lithograph, limited edition 6/40
signed and dated 'Hotere '90' (lower right), inscribed with title
(lower centre)
75.5 x 56cm
$2,500 - 4,500
LITERATURE
Peter Vangioni & Jillian Cassidy, Hotere, Empty of shadows and
making a shadow (Christchurch 2005) p. 54. fig 35.
4
Pat Hanly (1932-2004)
Girl Asleep
linocut and screenprint, limited edition 3/3
signed and dated 'Hanly 87' (lower left) and inscribed 'To Judith
for all those tough times.' (lower left)
48.5 x 50.5cm
$2,000 - 4,000
FINE & APPLIED ART
15
5
Pat Hanly (1932-2004)
Bride, Groom, Vacation
screenprint, AP 3 - 25
signed and dated 'Hanly '91' (lower right) and inscribed with
title (lower left)
49 x 63cm
$2,000 - 3,500
5
6
Pat Hanly (1932-2004)
Bride Groom Observer
screenprint, limited edition 19/23
signed and dated 'Hanly '91' (lower right) and inscribed with
title
49 x 69cm
$2,000 - 3,500
7
Pat Hanly (1932-2004)
Vacation
screenprint, limited edition 37/37
signed and dated 'Hanly 86' (lower centre) and inscribed with
title (lower right)
47 x 63cm
$2,000 - 3,500
8
Stephen Bambury (b 1951)
The Captured Imagination
resin and acrylic on aluminium, diptych
signed and dated 'STEPHEN BAMBURY 98' and inscribed
with title to the reverse of each panel
17 x 24cm overall
$3,000 - 5,000
PROVENANCE
with Jensen Gallery, Auckland 1998
Private collection, New Plymouth
7
16
9
Richard Killeen (b 1946)
Fragment
aluminium cut-outs assembled on paper
signed and dated 'Killeen 1981' (lower centre) and inscribed with title
(lower left)
75 x 56cm
$4,000 - 6,000
PROVENANCE
Private collection, Otago
This is a study for the large work Fragment, 1981 which is in the
collection of the Dunedin Public Art Gallery and currently on display in
the gallerys foyer.
FINE & APPLIED ART
17
10
Melvin Day (b 1923)
Cubist Figure
oil on paper
signed & dated Day 54 (lower right)
47 x 34cm
$2,000 - 3,000
PROVENANCE
Private collection, Wellington
11
Melvin Day (b 1923)
A. B. C.
oil and encaustic on canvas
signed and dated Day 66 (upper right); signed and
inscribed with title to the reverse
48 x 100cm
$3,000 - 5,000
PROVENANCE
Private Estate, Wellington
10
11
18
12
A Lois White (1903-84)
Whimsey
oil on board with scratching out
50 x 40cm
$4,000 - 7,000
PROVENANCE
purchased by the vendors father, whom was a friend of the artist
Private collection, Wairarapa
13
Charles Tole (1903-1991)
Locomotive Shed, Helensville
oil on board
signed CHARLES TOLE (lower right); printed label with title and cat no
270 attached to the reverse
14.5 x 17cm
$3,000 - 6,000
PROVENANCE
purchased by the vendors father directly from the artist
12
13
FINE & APPLIED ART
19
14
Peter Peryer (b 1941)
Gone Home Series
set of ten gelatin silver prints taken with a Diana camera
signed and dated ' Peter Peryer, Easter 1976' on introduction sheet attached
to the reverse of #1 & facsimiles to the reverse to other works
each 17 x 17.5cm approx
$3,000 - 6,000
LITERATURE
Art New Zealand 8 1977-8, Peter Peryer, the Photograph as a Portrait of the Self p. 65
20
14
FINE & APPLIED ART
21
15
15
Laurence Aberhart (b 1949)
Castlecliff, Wanganui, 17 August 1986
gelatin silver print
19 x 21cm
$3,500 - 5,500
PROVENANCE
with McNamara Gallery, Wanganui 2007
LITERATURE
Laurence Aberhart, Aberhart (Wellington 2007) p. 254, fig 2.
16
Judy Millar (b 1957)
Untitled (2003)
acrylic on aluminium
signed and dated 'Millar 2003' to the reverse
102 x 80cm
$5,000 - 8,000
PROVENANCE
with Bartley Nees Gallery, Wellington 2003
16
22
17
Max Gimblett (b 1935)
Branching Streams
gesso, acrylic & vinyl polymers, epoxy, oil size on wooden panel
signed and dated 'MAX GIMBLETT 2004' and inscribed with title to the reverse
54 x 54cm, maximum
$10,000 - 16,000
FINE & APPLIED ART
23
WORKS FROM the ESTATE OF john & margaret oakley

The following lots 18 to 27 and lots 298 to 308 (Part Two/Day Sale) are from the estate of Late Margaret and John Oakley. The works
were collected during their 59 years of marriage and displayed in their Lower Hutt home of 53 years.
The personalities, experiences, goals and visions of John and Margaret are behind this collection. They combined forces, energies,
determination and commitment to create prosperity and something lasting in their legacies both for family and the community and to
inspire others to use all their talents.
Hard working and self-made, John Oakley [J.H.O. as he was fondly called] had a deep love of all the classical traditions and sport; and was
a tenacious Barrister and Senior Partner in Wellington and Lower Hutt Law firms since 1947. He was a generous benefactor to promising
individuals, the NZ Symphony Orchestra, the Wellington Amateur Opera Society; and Co-Creator of the NZ Cricket Foundation and the
National Cricket Museum. He was awarded a CBE for services to Cricket. He strongly believed one should never be confined in life or
told it can not be done, so he pushed all the boundaries in his endeavours and became very commercially astute in investments, including
art. Combined with Johns drive, intellect and single minded focus was Margarets great aesthetic and creative talents, as evidenced in
their magnificent home and garden transformation over the years. Their shared appreciation of the beauty of nature and the diversity of
cultures from their international travels is displayed in their proclivities and choices of art.
They had a deep loyalty to and presence in Lower Hutt and Wellington, including extensive involvement with their three childrens
sporting and educational pursuits and their love of New Zealand life in the cities, the country and the sea from their own personal
younger lives and family holidays, all of which is very evident in their art choices of local history and NZ artists and scenery.
Jenny Oakley, Christchurch
18
Vera Cummings (1891-1949)
Harata Rewiri Tarapata, Nga Puhi
oil on canvas
signed 'V. Cummings' (lower right)
36 x 31cm
$3,000 - 5,000
PROVENANCE
Estate of Margaret & John Oakley, Lower Hutt
24
19
Departed Days
oil on canvas
signed 'V. Cummings' (lower left); inscribed with
title to stretcher
30.5 x 25cm
$2,500 - 4,500
PROVENANCE
Sale, Dunbar Sloane Wellington, 2 December 1998 (lot 148)
20
Maori Woman Smoking Pipe
oil on canvas
signed 'V. Cummings' (lower right)
20.5 x 15.5cm
$2,000 - 4,000
21
William G Baker (1864-1924)
King Tawhiao
gouache heightened with white
signed 'W. G. Baker' (lower right)
37 x 26cm
$2,000 - 4,000
PROVENANCE
PROVENANCE
19
18
20
21
FINE & APPLIED ART
25
22
22
Margaret Stoddart (1865-1934)
Ely Cathedral, Cambridgeshire
watercolour
signed 'M. O. Stoddart' (lower left)
34 x 24cm
$3,000 - 6,000
23
Frances Hodgkins (1869-1947)
Boy in Fez & Robe
watercolour
signed with monogram (lower left)
16.5 x 11.5cm
$15,000 - 25,000
PROVENANCE
PROVENANCE
Mrs W. H. Preston-Thomas, Wellington
by inheritance (1954)
LITERATURE
E H McCormick, Works of Frances Hodgkins in New Zealand
(Auckland 1954) Cat # 206, p. 178-9
This work was presumably painted during Hodgkins Moroccan tour,
hence can be dated to 1903
26
23
FINE & APPLIED ART
27
24
John Barr Clarke Hoyte (1835-1913)
Sydney Harbour, c1879-1882
watercolour
signed 'J. C. Hoyte' (lower right)
38 x 65cm
$30,000 - 40,000
PROVENANCE
This watercolour is painted from the North side of Mosman
looking across Sydney Harbour to the Botanical Gardens &
Sydney City.
The work also illustrates The Garden Palace, a large, purposebuilt exhibition building constructed to house the Sydney
International Exhibition in 1879. It was designed by James Barnet
and constructed by John Young. A reworking of London's Crystal
Palace, the plan for the Garden Palace was similar to that of
a large cathedral, having a long hall with lower aisle on either
side, like a nave, and a transept of similar form, each terminating
in towers and meeting beneath a central dome. The Garden
Palace was sited at what is today the south western end of
the Royal Botanic Gardens (although at the time it was built it
occupied land that was outside the Gardens). It was constructed
primarily from timber, which ensured its complete destruction
when engulfed by fire in the early morning of September 22,
1882. The only extant remains of the Garden Palace are its
carved Sydney sandstone gateposts and wrought iron gates,
located on the Macquarie Street entrance to the Royal Botanical
Gardens.
28
FINE & APPLIED ART
29
25
Nicholas Chevalier (1828-1902)
Surveyors Campsite at Lake Pukaki with Mount Cook in the background
watercolour
signed 'N. Chevalier 1867' (lower right)
49 x 69cm
$30,000 - 40,000
PROVENANCE
Private collection, Auckland c1990
Sale, Dunbar Sloane Ltd, Wellington, 30 & 31 August 2000 (lot 21)
Detail lot 25
A graphite sketch of this view entitled Mt Cook and the Pukaki Lake
dated 3/6/66 is within the collection of Te Papa Tongarewa
(reg no 1912-0044-188), which was gifted by Mrs Caroline Chevalier,
the artists widow, England 1912.
30
FINE & APPLIED ART
31
26
Girolamo Pieri Ballati Nerli (1860-1926)
Portrait of a Young Sailor
watercolour
signed 'GPNerli' (lower right)
27.5 x 22cm
$3,000 - 5,000
PROVENANCE
Sale, Deutscher Menzies, Melbourne, 25 April 1999 (lot 288)
Sale, International Art Centre, Auckland, 17 March 2005 (lot 99)
27
Possibly Australian, Manner of Frederick McCubbin
Feeding the Chickens
oil on canvas
50 x 75cm
$2,000 - 4,000
PROVENANCE
26
27
32
28
Charles Decimus Barraud (1822-1897)
Hoggard House with Lambton Quay in the Foreground
watercolour and pencil heightened with white
signed and dated 'C. D. Barraud/ NZ 1861' (lower left)
32.5 x 42cm
$40,000 - 50,000
PROVENANCE
inherited from the vendor a direct descendant of the Hoggard family
Private collection, Kapiti Coast
John Farr Hoggards House was built in 1856, north of Clay Point,
approximately where the Bank of New South Wales stood in the mid
C20th.
A copy of this work by either John (Jack) Hoggard, son of John Farr
Hoggard, or by Edith Richardson, sister-in-law of John Farr Hoggard is held
in the collection of The Turnbull Library, Wellington.
FINE & APPLIED ART
33
29
Isabel Jane Field [nee Hodgkins] (1867-1950)
Hedge & Stream, Canterbury
watercolour
signed and dated 'I Field 99' (lower left); inscribed 'Lent by the
Misses McLean/ Isabel Field/ Hedge & Stream, Canterbury; on
original backing board attached to the reverse
72 x 49.5cm
$20,000 - 30,000
PROVENANCE
by descent for the McLean Family, Dunedin
Private collection, Canterbury
EXHIBITED
Auckland City Art Gallery, Frances Hodgkins and Her Circle,
June 1954, no. 19, entitled 'Landscape'.
In their early years it was Isabel, not her younger sister Frances
that was regarded by Dunedin authorities and their father, William
Matthew Hodgkins as the promising painter whom had inherited
her fathers talent. He gave Isabel lessons, took her with him on
sketching excursions and introduced her to the local Art Club.
Isabel began exhibiting at a young age, and by the age of 20
had firmly established her reputation in the local Otago arts
community.
In 1893 married Wellington solicitor and later parliamentarian
Will Field. Her artistic output dwindled as such, although from
time to time she would resume painting, often with great success
and the support of her sister.
34
FINE & APPLIED ART
35
30
Philip Clairmont (1949-84)
Vincent Viki Vivisector
oil on loose canvas
signed and dated 'P. CLAIRMONT 1973' and inscribed with title (lower right);
inscribed with title (upper)
98 x 93cm
together with other work on reserve on canvas [see image below]
$40,000 - 50,000
PROVENANCE
purchased by the current owner from Janne Land Gallery, Wellington 1981
Private collection, Marlborough
36
FINE & APPLIED ART
37
31
Pat Hanly (1932-2004)
Pure Painting
enamel on board
signed and dated 'Hanly 76' (lower right) and inscribed with title
(lower centre right); bears original artist label and inscribed with
title and dated to the reverse
74 x 74cm
$30,000 - 40,000
PROVENANCE
Sale, International Art Centre, Auckland 30 October 2006 (lot 40)
Private collection, Auckland
38
FINE & APPLIED ART
39
40
32
Grahame Sydney (b 1948)
Night Model
watercolour
signed and dated 'Grahame Sydney 1986' (lower right)
20.8 x 50.5cm
$30,000 - 40,000
PROVENANCE
purchased directly from the artist by the current owner
Private collection, Otago
EXHIBITED
Dunedin, Dunedin Public Art Gallery, Grahame Sydney, July-August 1988
[Note copy of original catalogue available]
LITERATURE
Grahame Sydney & Contributors, The Art of Grahame Sydney
(Dunedin 2000) p. 144 & colour illustration p. 132, pl. 104.
'The close-up, cropped image of the body in Night Model (watercolour,
1986), also challenges the convention of the glamorous body beautiful. The
shadows on the outside of the model's arm, concealing her face, render
the model in terms of her jagged skeleton and reinforce the brittleness of
humanity.'
Belinda Jones, 'The Silent Studio', The Art of Grahame Sydney, p. 132
FINE & APPLIED ART
41
33
William Marshall Brown RSA RSW
(Scottish, 1863-1936)
Boys at the Cove Harbour
oil on canvas
signed 'Marshall Brown' (lower centre left); Aitken Dott & Son,
Edinburgh label attached to reverse
39.5 x 60cm
$35,000 - 45,000
PROVENANCE
Collection of Mrs Charles M Wilson, Wellington (original packing
label attached to the reverse)
Sale, Dunbar Sloane Ltd, Wellington, 27 August 2008 (lot 94)
Born in Edinburgh, William Marshall Brown is best known for his

atmospheric figurative work. He trained at Edinburgh College of
Art and at the Royal Scottish Academys Life School whilst working
as a wood engraver and book illustrator. He also spent time in
London and painted in the Netherlands and France but became
recognised for his figurative work in Scottish landscape settings.
Although he ranged widely across Scotland he, like the Glasgow
Boys, used Cockburnspath as a base and kept a studio there from
which he executed some of his best work. He won the Chambers
Bursary and Stewart Prize and subsequently was awarded the
bronze medal for anatomical studies in South Kensington.
He was elected ARSA in 1909 and RSA in 1928.
42
FINE & APPLIED ART
43
34
34
George W Mote (British, 18321909)
The Deserter Captured
oil on board
signed and dated ' G. W. MOTE/1858' (centre left);
signed, inscribed with title and dated on original paper label
affixed to the reverse
100 x 140cm
$6,000 - 10,000
PROVENANCE
Private collection, Christchurch
35
William Callcott Knell (British, 1830-1876)
Sunset - a line of Battleships at Anchor off Portsmouth;
Evening - a Schooner brig running before the wind in the Downs
a pair, oil on board
both signed and dated 'W. Callcott Knell/1863' (lower left)
28.5 x 59cm each (2)
$2,000 - 4,000
35
44
36
36
George Sheriff (1846-1930)
Land of the Moa, Lake Wakatipu
oil on canvas
115 x 242cm
$12,000 - 18,000
PROVENANCE
by descent to the current owner
Private collection, Hawkes Bay
EXHIBITED
London, Great Exhibition, New Zealand Court, Colonial & Indian Exhibitions, 1886
'The Land of the Moa by George Sheriff depicts a wild lake scene, surrounded by rugged glaciercrowned mountains. The subject is executed, and has a solitary grandeur about its characteristic of
the Alpine solitudes of New Zealand.'
London Correspondent, The New Zealand Herald, 2 August 1886
FINE & APPLIED ART
45
37
37
Sydney Lough Thompson (1877-1973)
On the Quay, Concarneau
oil on canvas
signed 'S L Thompson' (lower right)
36 x 46cm
$10,000 - 16,000
PROVENANCE
Private collection, United Kingdom
46
38
Market Scene, Concarneau
oil on canvas
signed 'S. L. Thompson' (lower left); Lucien Lefebvre-Foinet, Paris
stamp to stretcher
38 x 46cm
$16,000 - 24,000
PROVENANCE
Collection of the Late Ernest W Hunt, former President of the
NZ Academy of Fine Arts (1923-1926) and Board Member
(1919-1927, 1936-1959)
38
FINE & APPLIED ART
47
39
Doris Lusk (1916-1990)
At Robinsons Bay, Banks Peninsula
watercolour, graphite and coloured pencil on paper
inscribed with title and dated 'Calm Morning/ April 11 - 1982/
To Peggy and John - with thanks/from Doris' to the reverse
47 x 37cm
$3,000 - 5,000
PROVENANCE
40
Sir M T [Toss] Woollaston (1910-1998)
Winter Pond
watercolour
signed and dated 'Woollaston 1961' (lower right)
26.5 x 36cm
$3,000 - 6,000
PROVENANCE
Collection of R N O'Reilly (1914-1982), Christchurch City Librarian
& noted patron of the arts community
Private collection, New Plymouth, 1978
Sale, Dunbar Sloane Ltd, Wellington, 5 December 2001 (lot 1)
EXHIBITED
Christchurch Group Show, CSA Gallery, Durham Street, 1961
39
40
48
41
Sir M T [Toss] Woollaston (1910-1998)
McFedries Farm
oil on board
signed 'Woollaston' (lower right); signed, inscribed with title and dated 'Spring 1981' to the reverse
89.5 x 76cm
$20,000 - 30,000
PROVENANCE
with Ferner Galleries, Wellington c1990
FINE & APPLIED ART
49
42
42
Peter McIntyre (1910-1995)
Hanging Out the Nets, Moorea, Tahiti
oil on canvas
signed 'PETER MCINTYRE' (lower right)
76 x 62cm
$8,000 - 10,000
43
Native Americans on Horseback
oil on canvas
67 x 87cm
$6,000 - 10,000
43
50
PROVENANCE
44
Hawkes Bay River
oil on canvas
50 x 51cm
$5,000 - 8,000
PROVENANCE
Purchased approximately 50 years ago by the vendor's mother
from a Hawkes Bay Gallery
Private collection, Hawkes Bay
45
The Drover
ink on paper
signed 'PETER MCINTYRE' (lower right in pencil)
26 x 33cm
$2,500 - 4,000
45
PROVENANCE
44
FINE & APPLIED ART
51
46
47
52
48
46
Tom Esplin (1915-2005)
Arbroath, Scotland
oil on board
signed 'Esplin' (lower right)
23.5 x 35cm
$3,000 - 6,000
PROVENANCE
with Rosslyn Gallery, Dunedin
47
Nuremburg Tower
oil on board
signed 'Esplin' (lower left)
32 x 43.5cm
2,500 - 4,000
49
48
Cosenza, Italy
oil on board
34 x 24cm
$2,000 - 4,000
49
Corner of Orvieto
oil on board
32.5 x 23cm
$2,000 - 4,000
FINE & APPLIED ART
53
52
50
Colin Wheeler (1919-2012)
The Township, Kurow, North Otago
oil on board
signed and dated 'COLIN WHEELER 1998' (lower left)
52 x 70cm
$4,500 - 8,000
PROVENANCE
purchased directly from the artist
54
53
52
An Oamaru House with Petrol Pump
oil on board
signed and dated 'COLIN WHEELER 2004' (lower centre); inscribed
on original artist's label 'An Oamaru House with petrol pump
(ex Enfield Store) and old car from a local farm' to the reverse
71 x 52cm
$4,000 - 7,000
PROVENANCE
purchased directly from the artist; Private collection, Wellington
51
No 72, Dunedin
oil on board
signed and dated 'COLIN WHEELER 2001' (lower left)
58 x 53cm
$4,000 - 7,000
53
Glendhu Station
oil on canvas board
signed 'COLIN V. WHEELER' (lower right)
60 x 47cm
$3,000 - 6,000
PROVENANCE
PROVENANCE
Private Collection, Kapiti Coast
50
51
FINE & APPLIED ART
55
54
54
Guy Ngan (b 1926)
Sunscape II
acrylic and polyurethane on board
signed, inscribed with title and dated 'GUY NGAN/ N.Z. 1976'
(lower right)
58.5 x 119cm
$6,000 - 10,000
PROVENANCE
with Antipodes Gallery, Wellington c 1977
56
43
55
Jeffrey Harris (b 1949)
Crucifixion 3
oil on board
signed and dated 'Jeffrey Harris/ 2002-2006' and inscribed
with title to the reverse
31 x 22.8cm
$10,000 - 15,000
55
FINE & APPLIED ART
57
56
Jeffrey Harris (b 1949)
Couple with Baby [1977]
oil on board
bears John Leech Gallery to the reverse
39.5 x 39.5cm
$2,500 - 4,000
PROVENANCE
56
57
Allen Maddox (1948-2000)
Untitled [1983]
watercolour & graphite on paper
signed with initials and dated 'AM 27.1.83' (lower centre)
41 x 57.5cm
$2,000 - 4,000
PROVENANCE
58
Allen Maddox (1948-2000)
Blue Cross
oil on canvas
signed with initials and dated 'AM 88' (lower centre)
48 x 39cm
$2,000 - 4,000
57
PROVENANCE
with Williams Gallery, Petone
58
58
59
Darcy Nicholas (b 1945)
Memories of a Summer Landscape
oil on board
signed 'Darcy Nicholas' (lower right)
97 x 97cm
$5,000 - 8,000
PROVENANCE
with Antipodes Gallery, Wellington c1977
EXHIBITED
Waikato Art Museum, Contemporary Maori Art, 11 September - 17
October 1976, no 35
LITERATURE
Contemporary Maori Art, Waikato Art Museum Catalogue p. 17.
(colour illustration)
This is a New Zealand landscape based on the earth and sky theme,
where man and nature are one. The three crosses reflect the importance
of religion to the New Zealander. The man lightly shadowed reaching
beyond the earth reaches to give life to the universe as well as to increase
his knowledge and status. The young Maori children are spiritually bound
to the earth and grown out of the landscape.
Darcy Nicholas
FINE & APPLIED ART
59
60
Michel Tuffery (b 1966)
Turtle Shell
found herring tins sculpture
140 x 105 x 30cm (maximum)
$3,500 - 7,000
PROVENANCE
Sale, Art+Object, Auckland, 3 May 2007 (lot 36)
EXHIBITED
Sydney Olympic Opening Ceremony, 2000 (the piece was used as
a mechanical turtle emerging out of the water)
Christchurch, SOCA Gallery, Sculpture Invitational Group Exhibition,
2005
61
Michel Tuffery (b 1966)
Mt Taranaki
acrylic on tapa cloth
signed 'M TUFFERY' (lower right)
47 x 105cm
$3,000 - 5,000
60
61
60
PROVENANCE
with Williams Gallery, Petone
62
Hariata Ropata Tangahoe (b 1952)
Hinenui te Po
oil on canvas with hand carved frame
122 x 60cm
$3,000 - 5,000
63
John Walsh (b 1954)
Haere Tawhiti
oil on board
signed, inscribed with title and dated 2001 (to the reverse)
58 x 112cm
$18,000 - 25,000
62
63
FINE & APPLIED ART
61
64
64
Peter Robinson (b 1965)
Abstract
mixed media on paper
75 x 57cm
$5,000 - 8,000
PROVENANCE
with Brooke Gifford Gallery, Christchurch
65
Peter Robinson (b 1965)
Abstract
75 x 57cm
$5,000 - 8,000
PROVENANCE
with Brooke Gifford Gallery, Christchurch
62
65
66
Seraphine Pick (b 1964)
Ricordi, Dusk
oil on paper
signed and dated 'PICK 96' (lower right)
53 x 74cm
$3,500 - 6,500
This work was commissioned in response to Ricordi! written
by Peter Wells, based on stories by Katherine Mansfield,
showcased at The New Zealand International Festival of the
Arts, 1996
67
Tony Fomison (1939-1990)
Lizard of Death
oil on board
83 x 122cm
$4,000 -7,000
PROVENANCE
most likely purchased CSA, Durham Street Gallery,
Christchurch c1961
66
67
FINE & APPLIED ART
63
68
69
64
68
Helen Brown (1917-1986)
Hokianga
oil on board
signed 'HELEN BROWN' (lower right)
45 x 90cm
$2,000 - 4,000
69
Markey Robinson (Irish, 1916-1999)
Wandering Home
oil on board
signed 'Markey' (lower right)
40 x 77cm
$2,000 - 4,000
PROVENANCE
with John Leech Gallery, Auckland
PROVENANCE
possibly purchased Dublin, The Oriel Gallery, 'Exhibition of Recent Paintings
by Markey' 1980
70
Eric Lee-Johnson (190893)
The Kindling
watercolour and indian ink
signed and dated 'Lee Johnson 50-51 (lower right)
46 x 56cm
$5,000 - 8,000
ILLUSTRATED/REFERENCE
M K Joseph, 'Five Pictures from the Annual Exhibition of the Auckland Society of Arts', Arts Year Book 7, Wellington 1951, p.64-65
Edward Simpson, Art Review, Design Review, Volume 4, Issue 5 (October-November 1952) p. 120.
EXHIBITED
Annual Exhibition, 1951, Auckland Society of Arts
Eric Lee-Johnson is a modern romantic; and it is characteristic of him thatunity of mood appears to control unity of structure. The picture
space is treated as a single indivisible whole, and is completely filled with fine and nervous calligraphy, almost like a well-written nineteenth
century letter.
From passage to passage, this writing changes into a variety of manners. At least three main variations can be distinguished
The drawing knows its own mind. It is the colours that give much of the romantic suggestiveness and lack of definition. They blur and blend,
each appropriate to its place. The dark stuff of the girl's dress, the muted greens and whites of the old woman, have a proper natural warmth,
different in kind from the glowing oxidised red of the house. When looked at directly, individual colours are sometimes startlingly vivid, as in
the electric blue on the underside of the fallen stump, or the lichenous whites on the trees to the left.
In the end the colour, like the calligraphy, unifies and gives emotional tone, the sense of warm and living colours faded together into the
uniform texture of old things - worn cloth, dead leaves, wind -bitten deadwood, and unpainted weatherboards.
M K Joseph, Arts Year Book 7 (1951), p. 64-5.
FINE & APPLIED ART
65
71
Maud Sherwood (1880-1956)
Silo with Cows
oil on board
signed 'Maud Sherwood' (lower right)
36 x 42cm
$2,500 - 4,000
PROVENANCE
Private collection, Dunedin
71
EXHIBITED
Christchurch, Robert McDougall Art Gallery,
Maud Sherwood (1880-1956), April 1985, no 18.
72
Charles Blomfield (1848-1926)
The White Terraces
oil on canvas
signed and dated 'C.BLOMFIELD/1886' (lower right)
42 x 57cm
$3,000 - 6,000
PROVENANCE
72
73
Frank Barnes (1859-1941)
Four Masted Ship, Hinemoa, Off NZ Coast
oil on board
signed 'FRANK BARNES' (lower right) and inscribed with
title (lower left)
48 x 73cm
$1,750 - 3,000
PROVENANCE
Private collection, South Canterbury
73
66
74
74
Wind in the Willows, Lake Wanaka
oil on canvas
signed and dated 'SL Thompson/ 56' (lower right)
52 x 63.5cm
$7,500 - 10,000
PROVENANCE
by descent from the owner's father
75
Still Life with Pink Roses
watercolour
signed with initials and dated 'M.O.S. 1890' (lower right)
52 x 37.5cm
$5,000 - 8,000
PROVENANCE
75
FINE & APPLIED ART
67
76
The Old Lock House
watercolour
signed 'M.O.Stoddart' (lower left)
24 x 34cm
$3,500 - 6,000
76
PROVENANCE
Private collection, Marlborough
77
Farm Houses, Canterbury
watercolour
signed 'M. O. Stoddart' (lower left)
24.5 x 35cm
$2,500 - 4,000
PROVENANCE
Collection of Ernest W Hunt, former President of the NZ
Academy of Fine Arts (1923-1926) and Board Member
(1919-1927, 1936-1959)
77
78
Old Wharf, Akaroa
watercolour
signed 'M. O. Stoddart' (lower right)
25 x 34.5cm
$2,750 - 4,500
PROVENANCE
Private collection, Manawatu
78
68
79
Dorothy Kate Richmond (1861-1935)
Queens Wharf, Wellington Harbour
watercolour
signed and dated 'D.K. Richmond 1920' (lower right)
24.5 x 23cm
$3,000 - 5,000
PROVENANCE
79
80
Yachts, Wellington Harbour
watercolour
signed and dated 'D. K. Richmond 191' (lower left)
24 x 34cm
$3,000 - 5,000
PROVENANCE
Collection of Ernest W Hunt, former President of the NZ
Academy of Fine Arts (1923-1926) and Board Member
(1919-1927, 1936-1959)
81
Lake Kaniere
watercolour
signed and dated 'D. K. Richmond 1926' (lower right)
23.5 x 31.5cm
$2,000 - 4,000
80
PROVENANCE
Sale, Dunbar Sloane Ltd, Wellington, 28 July 1999 (lot 3)
81
FINE & APPLIED ART
69
82
82
Robert Ellis (b 1929)
Nga Taonga
acrylic and pastel on paper
signed, inscribed with title and dated 'Robert Ellis Nga Taonga
3 Oketopa 1993' (upper left)
94 x 74.5cm
$2,000 - 4,000
83
Richard Killeen (b 1946)
Corporeality
signed, inscribed with title and dated 'Killeen/ Nov 7 1987'
(lower centre)
37 x 56cm
$1,750 - 3,000
83
84
70
84
Philip Trusttum (b 1940)
Toss
acrylic on canvas
signed & dated 'P.S. TRUSTTUM 1993' (right lower edges)
212 x 198cm
$3,000 - 5,000
85
85
Tony Lane (b 1949)
Landscape with Two Figures
oil, schlag-metal on gesso panel
signed with initials (lower left) and dated 7-98 (lower right);
signed, inscribed with title and dated 1998 to the reverse
79 x 76cm
$5,000 - 7,000
86
86
Tony Lane (b 1949)
A Range of Hills
oil and gold leaf on gesso panel
signed with initials (lower left); signed, inscribed with title
and dated 2001 to the reverse
77 x 61.5cm
$3,000 - 5,000
FINE & APPLIED ART
71
88
87
87
Michael Smither (b 1939)
Woman Breast Feeding
oil on board
signed 'M. D. SMITHER' (upper left)
84 x 47cm
to the reverse Don Driver, Abstract, enamel on board, unsigned
(images available)
$5,000 - 8,000
88
Alan Pearson (b 1929)
Self Portrait (no 22)
oil on board
original label with title affixed to the reverse
45 x 37cm
$2,500 - 4,500
EXHIBITED
with Brooke Gifford Gallery, Christchurch, One Man Show, July 1975
89
72
89
John Parker (b 1944)
Plain Song Autumn
oil on canvas
signed and dated 'J S Parker 92 (lower left)
182 x 120cm
$2,500 - 4,000
90
Piera McArthur (b 1929)
Observers, Dante and Beatrice
oil on canvas
signed and dated 'McArthur '81' (lower right); inscribed with title
to the reverse
89 x 69cm
$3,000 - 5,000
PROVENANCE
91
Jane Evans (1946-2012)
Landscape, Marlborough Sounds
acrylic on board
signed and dated 'Jane Evans '77' (lower right)
60 x 76cm
$6,000 - 10,000
PROVENANCE
Private collection, Nelson
90
91
FINE & APPLIED ART
73
92
92
Old Man with Pipe
acrylic on board
signed 'Jane Evans' (upper right); signed, inscribed with title and dated
1981 with ref no 81A004 to the reverse
65 x 45cm
$5,000 - 8,000
PROVENANCE
purchased Suter Art Gallery, Nelson c1980
LITERATURE
John Coley, Jane Evans (Christchurch 1997) p. 67 (colour illustration),
entitled Old Man with Pipe, portrait of the artist's father in a blue cap
74
93
93
Untitled [Portrait of a Child]
acrylic on paper
signed and dated 'Jane Evans '74' (lower right)
54 x 37cm
$3,000 - 5,000
PROVENANCE
purchased Suter Art Gallery, Nelson c1977
NOTE: Lots 281-288 (Part Two/Day Sale) and select

lots in the Pottery & Applied Arts section are from
The Jane Evans Artist Estate, Nelson.
94
Rooster
gouache on paper
signed and dated 'Jane Evans '93' (lower right);
signed, inscribed with title, dated with ref no 93G049
inscribed to the reverse
79 x 60cm
$8,000 - 14,000
PROVENANCE
purchased directly from the artist, October
1996, where the work had been hanging in
the artist's kitchen
FINE & APPLIED ART
75

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