Professional Documents
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The Pentland Theatre
The Pentland Theatre
The Pentland Theatre
OVERVIEW INFORMATION
A raked seated stalls and tiered balcony provides a conventional end-stage auditorium for theatre,
music, dance, drama and conference presentations with a capacity of 400 seats.
A lowered and flat floor stalls, with seating removed, allows for standing concerts with some surrounding
and fixed balcony seats and a total capacity of 500.
A flat floored stalls allows for banqueting, exhibitions, dance, music and activities that require a large
internal flat floor of 320 sq metres.
A fly tower is provided over the main stage, containing thirty single-purchase counterweight flying sets for
lighting, scenery and acoustic ceiling panels along with five electro-mechanical winch sets for stage masking.
The performance area can be framed at each side by portable stage towers. The stage towers will change the
width of the stage and can be moved up/downstage to adjust the depth. The stage towers can be removed
altogether to allow for maximum stage space and concert mode.
The main front of house lighting positions are located above a tensioned wire floor which allows able bodied
and wheelchair-bound technicians to safely use the equipment. Lights can also point in the opposite direction
to the stage when required to light into the flat floor stalls.
The auditorium is provided with a combined lighting and sound control at the rear stalls level; a projection room
at the balcony level and four follow spot positions at the technical lighting level.
ACOUSTICS
The Auditorium has a reverberation time of 1.25 seconds at 500Hz: the shape of the reverberation frequency
curve is progressive, that is to say the low frequency reverberation times are slightly longer and the high
frequency reverberation times slightly shorter.
The sidewalls are designed to present a diffusing surface to incident sound waves, preventing strong specular
reflections that could be audible as echoes.
The balcony fronts are shaped and tilted to prevent direct reflection back onto the stage.
The flytower incorporates orchestral reflectors overhead that can be deployed to partially close off the
overhead opening into the tower and reflect sound directly into the auditorium.
The dimensions of the Pentland Theatre are such that reflected sound paths from all surfaces are relatively
short, leading to a fairly intimate ambience for music. Initial trials by the BBC Concert Orchestra have found
favourable acoustics in this auditorium.
OPERATING POLICY
The operation of the Arts Depot is as a receiving house i.e. as a venue presenting product touring throughout
the United Kingdom. The programme is planned also to include for the use of the theatre spaces by
Community Focus, Barnet College and local amateur groups.
STUDIO THEATRE
The Studio Theatre is a fixed format theatre where staging flexibility is included in the adjustable forestage
planned particularly for presentation to very small children.
The studio theatre capacity is 150 seats in a crescent-shaped, tiered auditorium.
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The stage and auditorium are designed as a single room space with an open-plan lighting and sound control
room adjustable height scenery and lighting bars and follow spot positions at gallery level.
ACOUSTICS
The auditorium has a reverberation time of 0.8 seconds at 500Hz when fully occupied.
Finishes are fairly simple comprising painted blockwork walls, exposed concrete ceiling soffit and linoleum
covered timber floors. Specific acoustic treatment to control reverberation and reflections has been installed in
the form of industrial type wall absorption and acoustic ceiling tiles at the rear over the control area.
The shape of the studio theatre will help prevent strong reflections building up between opposite surfaces.
WHEELCHAIR PLACES IN EACH AUDITORIUM
Access for members of the audience and theatre staff who rely on the use of a wheelchair will find that their
requirements are embedded in the design of the Arts Depot, both in the public and non-public areas and
backstage facilities.
In each auditorium places have been specifically designed for those in wheelchairs. Such locations have been
selected on the need to provide good sightlines and ease of access and egress. Technical facilities are also
provided for those with hearing and visual impairment.
PROJECT DEVELOPMENT
The Pentland Theatre and the Studio Theatre have been designed by ACT Consultant Services in conjunction
with architects Ruddle Wilkinson and with the client/user represented by the Arts Depot Trust.
The provision of these two theatres and related arts spaces has been as part of the overall development on
the site by the London Borough of Barnet, Taylor Woodrow Properties Ltd and Chiltern Investment Properties
Ltd.
DESIGN TEAM
Architects
Theatre Design
Ruddle Wilkinson
ACT Consultant Services
QS/Project Managers
Structural Engineers
Mechanical & Electrical Engineers
Acoustic Consultants
Fire Consultant
Fire Engineering
Principal Contractor
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400
269
320
48
131
4
4
500 maximum
131 maximum
Proscenium adjustable: Adjustable full height towers 6.4m can reduce the proscenium opening to 10.8
metres. The towers are moved on air film and can be stored in the workshop when not required.
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FLYING
ORCHESTRA REFLECTOR: A manually adjustable three-part orchestra reflector with integral down-lighting is
provided over the main stage on counterweight sets 8, 14 and 23.
STAGE MASKING: The Theatre is equipped with a full set of masking drapes including house curtain, midstage travellers, upstage cyclorama (white and black), side stage legs and over stage borders, and
up/downstage black box masking for concerts.
VEHICLE ACCESS: An unloading bay is provided at ground floor level, under cover of the building, which can
accept one vehicle up to 16m long. Within 15 metres of the vehicle unloading point is a scenery lift internal
6.6m long, 3m wide and with 2.3m clear height doors. The scenery lift accesses all key Arts Depot levels
GET-IN
ACCESS EQUIPMENT:
PRODUCTION LIGHTING
LUMINAIRES
STAGE MANAGEMENT
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SOUND EQUIPMENT
CONTROL ROOM
Midas Verona 400 mixing desk
Marantz CD player
Marantz cassette player
Sony mini disc recorder
Signal patch panels
2 Yamaha MSP-3 active loudspeakers
1 x Lexicon MPX1 Multi-effects processor.
LOUDSPEAKERS
CENTRAL CLUSTER
2 x Meyer UPA-2P loudspeakers
SIDE FILLS
2 x Meyer UPM-1P loudspeakers
2no Meyer UMS-1P subwoofers
STAGE FRONT NEAR FIELD MONITORS
6no EAW UB12
STAGE PORTABLE SPEAKERS
2 x Meyer CQ-1 active full-range loudspeakers
MICROPHONES
ACCESSORIES
BACKSTAGE
ADDITIONAL INFORMATION
Piano
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STUDIO THEATRE
Seating capacity, in total
Wheelchair positions
150
12
STAGE
Main fixed stage
Forestage
Wings
Overstage
GET-IN
OVERSTAGE SUSPENSION
PRODUCTION LIGHTING
STAGE MANAGEMENT
LUMINAIRES
SOUND
CONTROL ROOM
Allen and Heath GL3300 mixing desk.
Marantz CD player
Marantz cassette player
Sony mini disc recorder
LOUDSPEAKERS
ACCESSORIES
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BACKSTAGE
Contact details:
RUDDLE WILKINSON
84 Lincoln Road, PETERBOROUGH, Cambridgeshire PE1 2SW
p: 01733 314314 f: 01733 314090 e: jk@ruddlewilkinson.co.uk
ACT CONSULTANT SERVICES
The Old Wood Mill, Church Lane, Madingley, Cambridge CB3 8AF
p: 01954 210766 f: 01954 211466 e:cbaldwin@actconsultantservices.co.uk
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