Professional Documents
Culture Documents
TayarMinWay - Pyaingmyin
TayarMinWay - Pyaingmyin
(Submility)
(Hyperbole)
(Sensory Data)
(Inspira-
tion)
(Verval Medium)
(Mystification)
Modern Art
Juxtaposition
Ho-
mophonic Music Polyphonic
Music
Homophonic
Polyphonic
Convergence Art
Non-Character
(Being)
(Be-
coming)
(Inspiration)
(Expressional Power)
(Aesthetism)
(Art)
(What is Art?)
(Fine Art) (Useful
Art) (Static Art) (Dy-
namic Art)
(Style)
(Modern Art) (Classical Criticism)
(Mirror Theory)
Art is Mimesis Mimesis
(imitation)
(Rational and Deliberate Process)
Lord Shaftesbury
The true poet is "Sec-
Style)
Subject
Object
(New Typifi-
cation)
(the product of his age)
(The great era of "isms")
This is why the effect of music is more powerful and
penetrating than the other arts
Linguistic Level
Non-Linguistic Level
(How)
(What)
(Ten philo-
sophical mistakes)
(Dr - Mortimer J-adler)
(Horace)
(Maimenides)
(Vico)
(the
original form of religious expression)
(a poem is writing arranged in lines having a
(Creativity)
(Freedom
of Art)
(Poetry
need not necessarily be written in verse)
(Imaginary)
(Secondary important)
(Cervantes) (Fielding) (Melville)
(Scott)
(Express)
(Art is
an activity in which the agent express his feeling)
(not to
A B
A/A
B/B
B/A
A/B
(The Black Arts)
(Auditory art)
(Lyre)
(Lyric)
(Poetry) (To
make)
(Poetry need not necessarily
be written in verse.)
(Reality)
(Appearance)
(Organization)
(Frame)
(Auditory and Visual)
(One-one Rela-
Wallace Stevens
Professor Stoll
Great Ideas from the Great Books,
Dr. Mortimer J. Adler, Page. 245.
(Renaissane)
(Fragment)
(Human Sur-
vival)
(Modern Sensibility)
(Post-
modern)
(Maintenance) (Inno-
vation)
(Multiple causation)
(Single
causation)
(Technomania)
(Techno-
phoebia)
(New Art)
(Nyaya)
(Distortion) (Recreation)
Natya Sastra
I have not tried to reproduce nature: I have repre-
sented it.
adaption to the process of evolution.
(a definite design)
(Premise)
(Crisis)
(Resolution)
(Sigmund Freud)
Neurosis
(Fantasy)
(Artistic medium)
(Form)
(expressive
of emotional impulses)
(Life style)
(Growing complexity)
(God
was dead, all the God were dead)
(Moral Crisis)
(Mechinisation)
(Identity)
(the vertical)
(Atman)
Gross Body
Subtle Body
Feeling)
Imagination
(Order)
For beauty there are three requirements, writes St.
beautiful.
Somerset Maugham, The Summing Up, This is pos
Friendrich Nietzche.
Lindis farre
H.W JANSON
(Frame)
(Space)
(Knower) (Known)
(Knowledge)
Virtual Reality
(Impressionism)
(Reproducing changing effect of light)
(Optical Truth)
(Form)
(Colour combination)
(Language of Painting)
(Meaning of Art)
(Symbolism)
(Expressionism)
(Cubism)
(Futurism)
(Dada, Dadaism)
(Everything is nothing)
(Beauty)
(Ugly)
(Surrealism)
(Post-
impressionism)
Optical Mixture
(Neo-impressionism)
Divisionism
Poin-tillism
Cloissonism Synthetism
(Fauvism)
Analytical Cubism (1909-1912) Synthetic Cubism
'Relativism'
Static Philosophy
Dynamic Philosophy
'Process Philosophy'
(The Age of Plural-
istic Societies)
(Knowledge Explosion)
(The age of complexity)
(Manifeste
du Surré alisme)
(Psychological Sketch)
(Str-
eam of consciousness)
(Inner
thought and feeling)
sion)
(Epiphany)
(Distortion)
(Eikastike) (Phantastike)
Grotesque
Grotesque (Distorted way)
Arabesque
Grotesque
(ver-
bal Art)
Psychic automatism
Atmosphere of Mind
Stream of Consciousness
Technique
Association of Art
Association of Mind
(Psycho chemistry of Hippocrates)
(Psyonic)
Subconscious Mind
A
B
C
A -
B -
Personal Unconscious Mind
C - Archetype
Collective Unconsious Mind
Archetype
(Creativity, it
does not seem to be something we can control)
Formal Art
Informal Art
(Flattering of the space)
Dure
(Flattering of the time )
Time and Space
(Flat-
tering of the value)
(Uncertaintly Prin-
ciple)
(Flattering of the climax) cli-
max
Climax
CLIMAX
(Conflict)
(Climax)
Climax
Ulysses The sound and the fury
(Cause)
(The nightmare quality of Kafka's
novels lies in the fact that nothing that happens has any
apparent cause)
L' Etre et
le neant'
(neither cause nor reason nor necessity)
These actions are governed
>