Scribd Logo
Upload

Welcome to Scribd!

  • 2K views

    Knitting Burda - Style Special - Autumn Winter 2013

    Uploaded by

    Mihalache Ionut
    Fashion and style magazine

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content

    You might also like

    Knitting Burda - Style Special - Autumn Winter 2013

    Uploaded by

    Mihalache Ionut
    2K views68 pages
    Fashion and style magazine

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    Fashion and style magazine

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    2K views68 pages

    Knitting Burda - Style Special - Autumn Winter 2013

    Uploaded by

    Mihalache Ionut
    Fashion and style magazine

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    of 68
    £550 Pare ot Ne) special Autumn/Winter 2013 ‘OUR HOME 5, INFINITY SCARF, CAPS, COC: PKETS, FRINGED Yee PATCHWORK PULLOVER, INI-DRESS - CHOOSE YOUR FAVOURITE AND START KNITTING NOW! > 8 BLACK & WHITE FROM Tega ae cLassic Cae rags tae To cupbLy, SiMe ener) PAGE 38 Do You know BULKY KNITS WHERE YOUR YARN IN SEXY IS FROM? PAGE 18 come. NATIONS, PAGE10 — % ‘ 5 10 srrones, 10 moe reer AareonvouR (ub buon en 18 20 Py Pa 26 8 “ 2 SMALL WONDERS: ‘THE LOVELIEST NEW YARNS. PAGE 36 INSIDE THIS ISSUE... EDITORIAL, ANEW PASSION FOR KNITING ALITTLE KNITTING LESSON EXPLAINING THE BASICS, STEP-BY-STEP SIMPLY SEXY COOL OUTFITS IN TRENDY GREY LEARN ABOUT YARN. THE MOST IMPORTANTS TYPES, WHERE THEY ARE FROM, AND WHAT YOU SHOULD LOOK OUT FOR. ROMANTIC TRANSPARENT KNITS FOR DREAMY DAYS INSIDE THE STUDIO DESIG) OVE KN. ETHNIC STYLE FREEDOM FOR PATTERNS AND COLOURS GOOD To KNow BEAUTIFUL NEW YARNS BLACK & WHITE CLASSICS, RE-KNITTED ADDRESSES, PUBLISHER'S MASTHEAD YOUR HOME KNIT ART, BULKY-STYLE INSTRUCTIONS burdaknitting 3 editorial € WHAT A QUESTION! BOTH, OF COURSE! IT WAS ONLY WHEN MY TEAM WAS GRIPPED BY KNITTING- MANIA THAT | REALIZED IT WAS TIME TO DO A KNITTING ISSUE AGAIN. AFTER ALL, DIDN'T EVERYONE KNIT EVERYWHERE DURING OUR SCHOOLDAYS — FEELING SUPER COOL AND INDEPENDENT? WE GAVE EACH OTHER HOMEMADE SCARFS, HATS AND PONCHOS OR WORE THEM OURSELVES. DURING THE 90'S KNITTING DISAPPEARED OUT OF OUR LIVES " WE SWITCHED TO.WEARING SWEATSHIRTS OR iy BOUGHT COARSELY KNITTED. COTTON JUMPERS, WHICH NEVER STOPPED STRETCHING:...AND | DIDN'T LIKE WEARING MY GRANDMOTHER'S HAND- KNITS. THEY ITCHED AND WERE UNCOOL. LATER | UNDERSTOOD HOW MUCH WORK AND ABILITY THEY REPRESENTED. TODAY WE ARE KNITTING AGAIN! IT’S TRENDY AND UNBELIEVABLY SEXY. EACH GARMENT IS UNIQUE, WOOL PROTECTS US AND FEELS WONDERFUL ON THE SKIN. WE'VE SELECTED THE MOST BEAUTIFUL MODELS AND MATERIALS FOR BOTH BEGINNERS AND ADVANCED KNITTERS. AND A PLACE TO KNIT CAN BE FOUND EVERY- WHERE, IT’S TIME TO START KNITTING AGAIN! 77 YOURS, DAGMAR BILY, EDITOR-IN-CHIEF i 4 burdaknitting ‘ : step by step ARE YOU A TRUE BEGINNER OR STARTING AGA. DOESN'T REALLY MATTER. LUGKILY, KNITTING CAN BE LEARNED QUICKLY AND EVEN AFTER. LONG BREAK IT’S EASY 10 GET GOING AGAIN THE BASICS ON THE NEXT FEW PAGES - EXPLAINED STEP BY STEP = SHOULD BE KEPT CLOSE AT HAND. YOU CAN REFER TO THEM AGAIN AND AGAIN. THERE IS ONE THING THAT DID CHANGE OVER TIME. YoU WON'T WANT 10 GIVE ALL YOUR HAND-KNIT yumrcrs, SCARVES AND HATS AWAY ANYMORE. THEY ARE JUST T00 COOL, YOU'LL WANT To KEEP THEM YOURSELF! HAVE FUN WITH THOSE FIRST/NEXT STITCHES! Boome ps aoe ey ara sey ter burdaknitting 5 PrPRAOOOM E+ 5 =) U 6 burdaknitting CASTING ON Lay the yarn under the Index finger then ‘around thum of your left hand. The yarn ‘across the index finger comes from te bal, ‘the loop around the thumb isthe yarn end. With your righthand run the needle through the loop around the thumb, from below, catch the yarn on the index finger, and raw itdown, Draw the yarn from the inde finger through the loop around the thumb and tug the yam end tight. ‘Again, ly the yarn end around the thumb and the bal end across the Index finger, Run the needle through the loop around the thumb, ‘rom below. The fist cast-on slit is now on the needle Warning: If you knit very tight, use two needles for casting on. The technique stays the same. Draw the yamn from the index finger through ‘he loop around your thumb. Slip the tum ‘ut of the loop and tug the yarn end tight Continue inthis manner unt the desired numberof stitches have been cast on. KNIT STITCH 7 The yarns behind the left needle Insert. he right needle from below into the next stitch on the left need. PURL STITCH 10 ‘The yan in front ofthe right needle, Insert the coh needle rom behind into the next site on the left noedle, CASTING OFF vi} de Casting off kit stitches: Knit together the Selvedge stitch andthe folowing stitch. Kit the next sbtch, then pass the 1st stich over ‘the 2nd sith. Knit the next stitch and repeat until stiches have been cast off, step by step (One new stitch has been knitted and is onthe Tight needle ‘With the right needle, draw the yarn through the ln andl te th sie ot eet n "1 12 ‘One new stitch has been puted and is onthe sight needle Draw te yarn through the stitch, from front to back anit te stn seo tet 14 i) Casting off pur stitches: Purl the selvedge stitch and knit the following stitch, Pass the ‘st stitch over the 2nd stitch. Purl the next stitch and repeat until stitches have been cast off Englisch casting of: Knit the first 2 stiches {ogether. Leave the resulting stitch onthe left ‘needle, Throughout the entre row, kit two stitches together in this manner. burdaknitting 7 step by step KNIT ONE THROUGH BACK LOOP Insert rght needle under the back yarn of the loop and draw the yarn through, knitwise MATTRESS STITCH Place tented pees eto eachother with the ht sie feu Sepang ve selvedge stitches selvedge stitch, from wrong side to right sie, and pull the yan though Then insert the needle in the let piece in the Same manner. Repeat unl both edges are sewn together. 8. burdaknitting Todo ts, tread 2 daming needle ‘wt yarn. Fst Insert the needle ne right pecs next to the PURL ONE THROUGH BACK LOOP Lay yarn i front of work, Insert right needle under the back. yan of the loop and draw the yarn trough, purse. YARN OVER Tomek sil sary oe ia the an far and {hen ay it back, over folowing teinstetone the eur rw, work ayn ‘vers as normal stitches; an eyelet is then formed for each yan over. jt needle. Then continue work, DECREASING Decrease one stitch within a row: Kat 2 siitches together. To do thi, inset the right noedle through 2 adjacent stitches, fom front to back. INCREASING / 1 Increase a single stich atthe end ofa row: ‘At the beginning ofa ow, kit the frst stitch but do ot slide te stitch from the lft needle Insert the right needle i the back loop ofthe ‘same stitch and knit again (S28 ilustration, At ‘he end ofthe tow, knit and kot 1 through back loop inthe final stitch ofthe row. TENSION SWATCH step by step Draw the yarn though bath stitches, from back to font, and let both stitches side off the left needle. IMustration 3 shows the knt-together stiles, on the right nee ‘mereage one stitch within a row Pick up the yam between two stitches on the left needle and knit through back top, A tension swatch made with the yam and needles you plan to use for your project is an ‘given in the instructions, you will need to make adjustments. ‘Swatches which measure 12cm x 12.cm (43x 4% inches) are the most common. Caunt the number of stitches and rows over 10 cm x 10 cm (4x4 inches). you count more stitches than given in the Instructions, the swatch i too tight and you should use a lager needle size. Ifthe swatch fs oo loose (ewer stitches than given) a smaller needle size will hep. Altematively, you can use your tension ‘swatch to recalculate the number of stitches and rows which need to Be worked forthe project. ‘you're planning on knitting a pattern, be sure to make your swatch with that pattem because ‘a Stocking stitch swatch may not be comparable in 1:1 ratio, butdaknitting 9 POSSIBLY THE COOLEST SLEEVELESS PULLOVER [1] EVER! THE DARKER EMPHASIS ON THE EXTRA-WIDE NECKLINE DOES IT. WEAR IT WITH A PAIR OF DARK JEANS AND SOME LEATHER BRACE- LETS AND YOU CAN WALK INTO ANY BACKSTAGE AREA! ae. COOD NEWS aus mon IS: GREY IS THE pee ets ioe aaa OE eeeson. ; peer IT MAKES BULKY ee PATTERNS STAND ee OUT. WHEN CLEVERLY COMBINED, GREY Is UNBELIEVABLY CASUAL AND UNBEATABLY SEXY. wy simply sexy THANKS TO GREY, THIS CABLE PATTERN PONCHO [2] COMES ACROSS PLEASANTLY UN-FOLKSY! TIGHT BLUE JEANS AND SNEAKERS ROUND OFF THE LOOK. IF YoU PREFER ALITTLE SOPHISTICATION, JUST COMBINE IT WITH A WHITE BLOUSE AND HIGH HEELS. YARN: “FELTRONE" FROM LANECARDATE, ‘SEE CASHMEREME- RINOYARN.CO.UK. JEANS: MANGO; ‘SHIRT: MINX; SOCKS: HUDSON; CHUCKS: CONVERSE; ‘BRACELET: WERK- ‘STATT MUNCHEN PHOTOGRAPHY: MICHAEL MUNIQUE. PRODUCTION: SABINE MAEULEN simply sexy cap is} THIS CABLE STITCH CAP IS AN ‘ABSOLUTE MUST- HAVE THIS SEASON, WORN CLASSICALLY, AS SHOWN HERE, ‘OR CASUALLY TIPPED BACK, STREET STYLE, YARN: “FELTRONE" FROM LANECARDATE, ‘SEE CASHMEREME- RINOYARN.CO.UK. KNIT JACKET ON PAGE 16 12 burdaknitting HOODED JACKET FOR HIM [4] AGREY HOODY, WILD AND. aupacious? YES, AND COSY AS WELL. WHAT MORE COULD HE WANT? IT LOOKS GREAT. WITH CASUALLY CUT TROUSERS AND SHIRTS. YARN: "ALB MERINO” FROM SCHOPPEL, ‘ORDER AT LANALAM BERTI.DE (CHOSE ENGLISH VERSION). TROUSERS AND ‘SHIRT: 120% LINO; CHAIN: WERKSTATT MONCHEN HOODED SCARF [5] YOu DON’T KNOW WHERE TO LOOK FIRST ~ AT THE HEAVY FRINGES OR AT THE SHOULDERS, WHERE YOU CAN JUST ABOUT MAKE ‘OUT THE BEGINNING OF A CAPE. BUT YOU KNOW FOR SURE, THAT'S PURE REFINEMENT! YARN: *ALB MERINO” FROM SCHOPPEL WOLLE, ORDER FROM LANALAM BERTI.DE (CHOSE ENGLISH VERSION). T-SHIRT AND TROUSERS: MARC O'POLO; SHOES: KENNEL & SCHMENGER INFINITY SCARF [6] FINALLY A SCARF YOU CANNOT LOSE. SERIOUSLY, THIS SCARF IS A REAL EYE-CATCHER. ‘MAKE ITIN GREY, TO WEAR WITH ‘SPORTSWEAR, OR IN FIRE-ENGINE RED TO ACCENT A ‘SIMPLE DRESS. YARN: “RAGAZZA LEI” FROM LANA GROSSA. GLASSES: BOSS ORANGE; TOP: LUISA CERANO simply sexy burdaknittin BULKY KNITTED JACKET [7] SHORTS AND KNEE-HIGH BOOTS JOIN THIS JACKET FOR A SUPER-SEXY OUTFIT, LEATHER PANTS WOULD ‘ALSO BE COOL. IF YOU LIKE CON- TRASTS, WEAR A FLOWERY DRESS AND BIKER BOOTS! YARN: “SOFTY” ‘BY AUSTERMANN. DESIGN BY EVA VARPIO. SHIRT: AND BOOTS: LIU JO; NECKLACES: WERKSTATT MONCHEN 16 burdaknitting y 8 = 8 g Ss 5 2 MUST-HAVES: HOT WATER BOTTLE COSIES FOR EVERY HOME AND EVERY CRISIS... THEY LOOK GOOD AND FEEL GREAT, THEY HEAL AND CONSOLE. "ALTA MODA CASHMERE” FROM LANA GROSSA EVERYTHING ABOUT YARN IN FASHION, WE CAN'T DO without wool, Where does it come from? Which animal provides the most precious wool? What does the label mean? We'll tell you here. WOOLMARK 7, 1. Internationally recognised symbol (woolmark), which guarantees pure, first-use virgin wool 2. and 3. signify Woolmark Blend or Woo! Blend, for = fibre blends with at least 150% first-use virgin wool or ‘a maximum of 50% ‘non-woolen fibres. 3 The part ofthe body from the woo! is sheared determines qualty. The higher the number, the lower the quality IRONING Shows if/how hot ’ theyam may be ironed GEG YARN WEIGHT From 0 (very fine) to 6 (very thick) 1 ~ 4 Fleece: fr fabrics, yams, Sew. nd felt, 8 ~7 Cur, skitngs and ai CLEANING Shows itfhow to 0: insulation fertiliser NY. wastvsry clean | a GAUGE Rows and FROM FLEECE TO WOOL ‘tit 10x 10cm Ae a “i = size for the Fegpective yarn ry COLOUR Eagh producer has itgown eolour numbers L ENCYCLOPEDIA 8 the ‘ofthe dye bath 1 Shearing sheep a 2 Washing The vo shorn or combed once or twice is washed in cod water to IGTH We year. The wool sthen sorted remove dit and woo! grease according to qual (anon) ~ an ingredient of i < = stele vez] MATERIAL Shows fibres used to make the yarn WHERE THE YARN COMES FROM Sheep produce the largest share of our yarn. However, fluffy jumpers and Jackets would not be possible without these specialists: ANIMAL FIBRES: The vicufa (1) is the Bugatti of wool-produ- cers. It is a rare and capricious rela- tive of the camel that lives in the high mountains of Peru. Its wool is lighter, stronger and finer than that of the cashmere goat (2), which produces the probably most famous and most used luxury wool. Similar to cashmere, but more fluffy and more difficult to care ‘for is the wool of the angora rabbit (3). The wool of the alpaca (4) is super- warm and strong. The alpaca lives in the high, cold regions of the Andes, which is why its wool is very long. dense, and fine. OTHER IMPORTANT FIBRES such as linen (3), silk (6) and cotton (7) become important during the summer months. They possess great cooling qualities and are often easy to care for. 3 Combing Now he wool 4 Dyeing The woolis ded 5 Spinning The lose 6 Further spinning is combed to remove any ast in dy baths. When you kt, wool bres are now spun into a —_Lasty, several threads are impurities and to align all be sure that al balls of yarn long, even tread pled to form the yarn The flores in the same direction ae rom the same dye batch tighter the yar is spun, the stronger it becomes. burdaknitting 19 eee a= Te) eA) ead 1) Og cs Te Om Ti) eaten BZN aig eM Ir aa ead Og ae 2) Pe aan ynd esr MaerWe Tay} Sea, eT adios ears LIGHT AT THE MOMENT rg crore UA uelialale Bo ee still a little chilly : ae lov mele a aT) Ca already reached the windows. Time to pamper yourself: to dream, to play, to float into the day. / Transparent knits, 4 a treat for your skin , 4 and your soul. fy burdakni transparent eae ey SLIP DRESS [12] Ctr cf a BR Yigg Pr ae rer ats Reece para iaess eras Hirer Hier ean eee attics Pe) ao Cr) eee ao uaa eps nrc COR ig LEFT: XL-CARDIGAN [15] WELL, MAYBE LATER! IHAVEN'T PLAYED FOR SUCH ALONG TIME. XL-JACKET WITH BATWING SLEEVES. YARN: "LACE LUX" AND *SILKHAIR LUX" FROM LANA GROSSA. SLIP DRESS: ‘AMERICAN APPAREL; LEG WARMERS: ESPRIT BUT FIRSTI'LL GET MYSELF INTO THE MooD... BACK OF THE XL-CARDIGAN WITH BATWING SLEEVES PLN ius BoLsTeR [17] AND CUSHIONS [18] IN CROSSED STITCH 3 PATTERN. _ g YARN: “MURALTO" BY . j LANG YARNS, FROM 3 WOLLAND.DE (WEB- SITEISIN GERMAN, : ‘BUTEASY IF YOU KNOW ae z Whar You WANT). DESIGN BY INGE oe Cg east) gern te ze) eral eae annoy hace aaa PNM Prey AOA rea courte Pea poet Cad rey aaa CU AT HOME WITH KAFFE FASSETT. ZIGZAG CUSHIONS AND SANDERSON WALLPAPER ARE PROOF THAT GOOD DESIGN AND 1 ie ea arene ‘SMALL PICTURE, LEFT: Kaffe fASSett ris aioriovacty tied KATE MOSS, 1903, NAN Dreaming 'n Color* ~ and that described the most NOSTALGIC ETHNO- ican textile atist- creams LOOK! stl important aspect ofthis American textile artist ~ Lt een made of colour. Many consider Fassett to be the god- father of patchwork design. In reality, he is a master in just about every artistic discipline, from painting to embroidery, sewing, mosaic and writing, Fassett was born in 1967 in San Francisco and grew up inthe atist colony in California's Big Sur. He studied painting in Boston then, moved to Great Britain in the 60's, where he discovered his passion for designing knitting patterns. His models, designed exclusively for Missoni, fascinated Lauren Bacall and the young Barbara Streisand. Fassett’s bold se of eolour and the luminosity of his ambitious patterns Quickly gained him the reputation of a visionary ~ which he has remained to the present day. Kaffe Fassett’s unconventional designs, fabulous instruction books, and personal dream of a life with colour have been influential for decades. You can learn more about this exceptional artist in the beautiful ilustrated book *Knitting with the Color Guys*, in which Fassett provides exciting insights Into his design work; Guild of Master Craftsmen, £16.99, ColouR and Dreaming n Color, Stewart, Tabor & Chang, £25, OPULENCE, and katfefassett.com ‘AND JOY kate jenkins ALWAYS LOOK considered a genius ever since ON THE BRIGHT she knitted and crocheted an ‘SIDE OF LIFE. entire dinner party including the KATE JENKIN'S, champagne bottles. Her small KNITTED OBJECTS pieces of at, made from wool and ARE ALWAYS: UNIQUE - AND yarn, are something to behold. SOMETIMES VERY Jenkins produces everyday BOLD. objects, packaging, and food stuffs three-dimensionally and in AEE GR coir eee o> l viewpoint are quite distinctive. cardigan ttd.uk % ies ay burdaknitting 29 COLOUR AND PATTERNS REFLECT OUR DESIRE FOR SPACE AND ADVENTURE- folklore reac Caras en greey are ents eee ater renin) yaaa ag ree Pea god rar ead Cara e Tar Presta Casas eda area ee i rn a an nae Dora ETHNO-WAISTCOAT [27] THIS PAGE: ALONG ‘SLEEVE TURTLENECK TOP MAKES THE (DEAL PARTNER FOR THIS LONG SEED STITCH, WAISTCOAT. THAT ALSO HOLDS TRUE FOR THE LAMA ON A LONG " , & see LEAD... eau ns Yann *sorry" FROM AUSTERMANN. TOP: LUISA CERANO Leathe ORANPIPES: RALPH LAUREN, Boors:uce AUSTRALIA, HAT: PRIVATELY OWED; BANGLES & BELT: SEEN, AT CARAVANSERAI: NECKLACE a WRISTLET SEEN ATKWAMSASA eNe; TURQUOISE 9 BRACELET. HARPQ ae igh" MINi-DRESS [28] aan Bee ae Bt Rata Paracas Dorn cali aaah \ Pee CM tars oreo i ace cera Panu uA Cy ta aan Re ren eae as CET aa Orica neh aan SN oe i res B folklore SCARF WITH IKAT PATTERN [28] THIS MAGNIFICENT ETHNIC SCARF WITH ITS IKAT PATTERN NEARLY PASSES AS AWAISTCOAT! YARN: “ROYAL TWEED" AND “"GARZATO FLEECE” FROM LANA GROSSA. WAISTCOAT: BURDA STYLE 9/2010; TROUSERS: ANTIK BATIK; BRACELETS: ‘SEEN AT CARAVANSERAI; BELT: PRIVATELY ‘OWNED burdaknitting 33 folklore SHAGGY JACKET [30] THE BLACK TURTLENECK REALLY SHOWS OFF THIS FLAMBOYANT JACKET TO CREATE A COOL OUTFIT IN (60'S-STYLE. ETHNO WAS ALWAYS A HOT TOPIC be IN SWINGING LONDON. YARN: “FLOKI” AND is “MERINO 85" FROM pats AUSTERMANN. b DESIGN: EVA VARPIO. g TOP: LUISA CERANO; ‘TROUSERS: ANTIK BATIK; BELT: HOSS INTROPIA; KELIM BOOTS: ETHNIC STYLES; EARRINGS, ANTIQUE RING AND ‘BRACELETS: SEEN AT CARAVANSERAI; NECKLACE: KWAM SASA NENE; TURQUOISE JEWELRY: HARPO PATCHWORK PULLOVER [31] THE MIX OF PATTERNS. (OF THIS PULLOVER IS ‘SO SOPHISTICATED ~ EVEN THE LLAMA LOOKS A LITTLE JEALOUS! YARN: “SOFT COTTON’, "COUNTRY TWEED”, “SIBERIA” AND “MARIANA COLOR” FROM AUSTERMANN. HAT: PRIVATELY ‘OWNED; TASSLES & RINGS: SEEN AT CARAVANSERAI; SHORTS: MANGO; BRACELETS: KWAM SASA NENE SVAN NAVA A DREAM OF A YARN! WITH "SCARLETT”, THE SOFT FIBRES OF WOOL, ALPACA AND POLYACRYLIC FILL A NET OF LUREX WHICH SHIMMERS IN GOLD OR SILVER. BECAUSE THE FLUFFY FIBRES COVER THE LUREX, THE SKIN ONLY FEELS THE SOFT FIBRE MIX. FROM ‘SCHACHENMAYR, AT ‘SELECTED DEALERS, LE. WOLLEREL.AT (CHOSE ENGLISH LANGUAGE VERSION), 50 GRAMS, 7 EUROS “ALPACA COLOUR” FROM ROWAN ALREADY PRESENTS ITS MOST BEAUTIFUL SIDE DURING KNITTING! THE YARN JUST FLOWS SOFTLY THROUGH YOUR FINGERS. WONDER- FUL! AND IT CAN BE EASILY WORKED INTO ADVANCED CREATIONS AS WELL AS BEGINNER (MODELS. FROM ROWAN. FIND DEALERS AT KNITROWAN.COM 50 GRAMS, 11 EUROS ALPACA, CAMEL HAIR. 4 CO.: ONLY THE BEST ARE USED FOR THIS YARN! "SIBERIA" FROM AUSTERMANN ISNOT ONLY. HEAVENLY SOFT AND AVAILABLE IN MANY NATURAL AND TRENDY COLOURS - THE PREMIUM QUALITY OF THE MIX ‘MEANS YOU'LL NEED LESS! LE. FROM ‘AUSTERMANN- WOLLE.DE (ENGLISH VERSION), 50 GRAMS, 6.50 EUROS AVERY FINE YARN — NO MATTER HOW YOU LOOK AT IT. ROWAN HAS REFINED THE ORIGINAL “KIDSILK HAZE" WITHA GLITTERING SILVER THREAD ~ THERE- FORE THE NAME “ECLIPSE”. PRECIOUS YARNS LIKE THIS ARE BEST WASHED BY HAND. SEE KNITROWAN.COM, ‘25 GRAMS, 11 EUROS FOR “MOLLE” IMAGINE A KNITTING DOLLY. THREADS OF ACRYLIC AND MOHAIR ‘ARE KNITTED INA ROUND TO FORM A NET-LIKE TUBE. THIS ‘SOFT, VOLUMINOUS YARN IS PERFECT FOR QUICK KNITTING OR CROCHET PROJECTS. FROM LANA GROSSA, AT LANAGROSSA.COM, 100 GRAMS, 10 EUROS ‘ON YOUR MARK, READY, GO! “SAVANTI” 1S AFOUR-PLY QUICK KNITTING YARN OF 100% VIRGIN WOOL. THE COLOUR PALETTE (OF THIS STURDY, HARD-WEARING YARN RANGES FROM BOLD ‘SOLID COLOURS TO COLOURFUL “SPRAY PRINTS”. FROM SCHACHENMAYR, LE, AT WOLLERELAT (CHOSE ENGLISH LANGUAGE VERSION), ‘50 GRAMS, 6 EUROS. yarns “AKIKO” MEANS “BORN IN AUTUMN" IN JAPANESE. THE MIX (OF MERINO WOOL (70%) AND BABY ‘ALPACA (30%) IS PERFECT FOR THIS TIME OF YEAR AND FOR LACE KNITTING. THE YARN IS AVAIL- ABLE IN NATURAL TONES AND BERRY AND SPICE COLOURS. BY LOUISA HARDING YARNS, LE. FROM KNITTING- FEVER.COM, 50 GRAMS, 8.60 EUROS burdaknitting 37 BLACK witr eR i + Eada inert as rg aaa Asya Crate Cera COOL Coes CONTRASTS, roe WHIRRING Peet PATTERNS ris AND COSY nae CLASSICS. Hevea BLACK AND orate WHITE ARE Pines ALIVE AND fea KICKING! PHOTOGRAPHY: HANNA IMELA PRODUCTION: SABINE MAEULEN 8 burdaknitting contrasts Pa) ae ar re eas Cory aad Paar NICELY. Sasa eas ern Paes ero eas Coals ate LAGERFELD burdaknitting 39 contrasts ena aad eo} Cae Pear ra gerne Lao d eyo n any or Pang rea Tg aorta aA aeRO as gees ence LAGERFELD; eae renner ried 40 burdaknitting SOCKS [25] WARNING: ONCE YOU PUT THEM ON, YOU WON'T WANT TO TAKE THEM OFF AGAIN. EXPERIENCED SOCK WEARERS WILL WANT TO MAKE SEVERAL. YARN: “ALTA MODA ALPACA” FROM LANA GROSSA fashion rr ape een ape, aTCBAT, Yor Pty wr EXSIADERCAARD, weber A mamas BOSS ORANGEEYEREAR, Fo cARAMASERAL Ts 19.9 CONVERSE, Ser bene 4982 Siam meer cries, oaro, 20-420, fens, 88-8800, mans fr 4, wna spc can Seno Sosa wes fee at 500270, anc Pou, 6 09 ae at ean cOmEETON, ‘eng orn Ponsesaremowes Anti so, Ss S0uME, rm Soates Tava 0 yarns & notions usrexwan woe, sin eg Menem, 9-8 anni La a1. 0-2 42021258, no 06 | * seacrennsr, scious sta, Score, wou, ea a 5 20004 wm ange addresses /masthead burda ober ting lapuaane dene tone ip Bt SS, 2 ae ae, (oose ets Srosourg ce sry og ene er cams baler \oran ame Bra G8. 1, er Ps 20770 Oot, Gerny ows 2,025 Me Gem l-00/9250-0, Fa o8/s050- 538, taent wrens ia povryesturacom 1 213 rene Sir Ca Foonder: eoea Bata Pusan Draco Prot: Maen ta tats evo! angi ata: eke ate tor icit Su in Bet apna ny managing Deetor enim Wott Sedneagermrodcton Thorsen Laie Fersign anguge su re sr, ‘nen Serb. tan vast: ery ee, ear Wee mas procesngpotucton: These Lote, Wry Pez ese! Srv: esr cas, Cetin usa cm Drouin Pv wes Git ante, Gamay Gresinton Detar nnd Onsore oy, ave ous Wes ain, som, UBB 207 ‘She oe 4198 6722 Prone st 6 area ‘omar Baa Svs orforay gttons Crcorar yoo acter esr ona Dsiovon 8 Sateen ne USA sant ‘Senate -on8 A Soe ons 40 we gpm (Cnt secs “te ses ato ald eon lec ape sey uo cents bors ‘Merson. Trott os voy en Gani we ny wh he wesc Senasos sep cian ten Be CE ‘sodas yay eos, ay Bra pane nee wean ‘Sr wes re ino oat ta cris as O-ROM DVD-R fee nat efor nst rm pobre pur ae ep ty nace uses on pts am nn an mans, ee ‘ren ear stern ote air os ern ponte cls ret Oras tan, Rae 29,07799 Le Ftd Gory. {213 ERLAG AEE BUROA G&A. aber 2 0-752 Orb German burdaknitting 41 9 THE BIGGERI'THE STITCHES, THE MORE DRAMATIC THE EFFECT. JUST TAKE EXTRA THICK KNITTING NEEDLES AN LAVISH AMOUNTS OF YARN AND. THI RESULT WILL BE DESIGNER OBJECTS FOR WHICH EVERYONE WILL ENVY YOU! PHOTOGRAPHY: MATTEO MANDUZIO. * nails TEA GLASS COSIES [33] KNITTED TUBES (MADE WITH A KNITTING MILL) ARE FINGER CROCHETED INTO (CHAIN STITCHES THEN WRAPPED AROUND TEA GLASSES. YARN: “BINGO” FROM LANA GROssA; KNITTING MILL FROM PRYM FLOOR CUSHION [32] ‘OPPOSITE PAGE: CIRCLING THE ‘SQUARE. THE SHORT EDGES OFAKNITTED RECTANGLE ARE STITCHED TOGETHER THEN THE LONG SIDES ARE GATHERED! USE 2 ‘STRANDS OF YARN TO MAKE THIS A QUICK, EASY PROJECT! YARN: “LEI” FROM LANA GROSSA; 12 MM CIRCULAR KNITTING NEEDLE: PRYM decorating burdaknitting 48 WOODEN ORNAMENTS 5) ‘MODERN ART FOR YOUR HOME AND ALSO A TRENDY WAY TO RECYCLE LEFT- OVERS OF YARN! KNIT OR CROCHET A FEW “SCARVES” AND ‘SEW THEM AROUND WHITE LAQUERED BRANCHES. THE RESULT COULD EASILY BE DISPLAYED IN A GALLERY. GLASS VASE AND YELLOW CUSHION: IKEA; WOODEN STOOL: BOCONCEPT; TEAK BOWL: LADOUG 44 urdaknitting ‘Abbreviations: ch =chain ont = contine/continuously Se = double crochet dec = decrease fall =folowising Ime =increase k et sso _ = pass sipped stitch over patt rep = pattern repeat p= put ' rep =repeat ‘md{s) = rounds) RS =rightside sist = ip stitch sts) = sites) thi = through back loop ‘i tog = together i" tr ‘vebie ‘ Ws = wrong side t yo =yamover ' 1 SLEEVELESS PULLOVER ‘om page 10 | Pe Size: 34/3, 3/40, and 4av44, Figures for sizes 38/40 and 42/44 are given in parentheses, in ascending order, separated by {Edash. I only one figure is given, it applies for al thre sizes. Materials: Schoppet “IN Sik” yarn (7536 virgin ‘Wool, 25% sik, approx. 200 222 yd/100 9) 00 (500-600) 9 of ray mated, col 9093, and Gradient” (100% virgin wool, approx. 260 mv 290 ys/100 @) 100 9 of Shadow, col 1508; rym eveularknting necte size 7 rm (US 10/3), 80 e732" long. Basie pattern: Row 1 = RS row: k all sts tb. [Row 2'= WS row p all sts. Rep rows 1 and 2 cont. Full-fashioned increases: In BS 1, 0 right edge: savage st, k 1 tbl, pick up yam between, 2 sis and k 1 tb. On lef edge: work up to 2 sts before end of row, then pick up yarn between 2 ss and k 1 tl kth, salvage st In WS row, on Fight edge: p 1, pick up yarn between 2 sts and 1 Tol On let Sdge: work up to2 stsbefore end ff row, then pick Up yam between 2 sts and pt tbl pt, selvage st. Full-fashioned decreases: In FS ron, on right fxdge: sevage st, k1 tbl, work skp = sip 1 st ese, k the following st, then psso. On left ‘edge: work up to 4 sts before end of row, then 2 tog, kt tb seivage st In WS row, on right edge: p 4, p2 tog. On left ‘xdga: work upto 4 sts before end of row, then 2 tog tb, p 1, selvage st ‘Tension gauge: 115 sts and 17 rows of basic Pater with 2 strands of yarn = 10x 1D cra" ‘Attention: Use 2 strands of yarn to knit this sleeveless pullover! Back: With 2 strands of gray marlad, cast on 62 (66-72) sts. Werk in basic patter, begining with 1 WS row. To shape the piece, work 1 full fashioned inc on each sie ofthe dth row, then ‘work 1 fll fashioned inc an each side of every ‘th ow 2 times and on each side of every 2nd row 6 times = 80 (84-80) sts. When work ‘measures 42 on 16)5"= 71 rows trom cast-o, ‘change to 1 strand of gray mare and 1 strand ‘of Shadow and cont in basic patter. When ‘Work measures 48 cm 19" =B1 rows trom cast- ‘on, work 1 fullfashioned dec on each side, to begin shoulder shaping, then work fuHashioned ‘dec on each side of every row 13 times and on ‘each side of every 2nd row 1 2-8) more tims) '50 (62:56) sts. Contin basic pattern. When work measures 17 (18-19) emi6M" (7"-7") from colour change, change to 2 strands of gray mmarled and cont work. Wien work measures 5 env 2" of gray maried, cast of al sts. Front: Werk as for the back, but when work ‘measures 96 om/ 44" = 61 rows from cast-on, cast off 11 sts at beginning of next 2 rows, #0 ‘begin armholes. Then bind of 1 stat beginning ofthe following 2 ows ~ 56 (60-66) sts. Work 4 ‘mare rows then work 1 fulHashioned ine on both sides of the next row and work 1 fuk fashioned Inc on each side of every row 11 ‘more times = 80 (64-80) sts. At the same time When work measures 42 cm/ 16Ys" = 71 rows ‘om cast-on, change to 1 strand of gray marled Diagram for Sleeveless Pullover 1 [_22@324) ho (14-151 5 Liz q819) 42 22 | ees) | 8 | instructions fand 1 strand of Shadow and cont in basic patter. When work measures 48 crv 19° = 81 ows fom cast-on, work shoulder shaping as for back: When work measures 17 (18-19) cm {63 (7-74) from colour change, change to 2 ‘sands of gray marled and cont work. ‘After 5 em 2" of gray mated, cast of al st. Finishing: lock proces, dampen, and let ory. ‘Sew shoulder and side seams. The upper and lower edges wil ol, cue to the pattern. 2 PONCHO ‘on page 11 Chartand diagram ‘on the next page. Size: 34/96, 98/40, and 42/44, Figures for sizes 38/40 and 42/44 are glen in ‘parentheses, in ascending ordr, separated by 2 dash. I eniy one figure & given, applies for al thre sizes. ‘Materials: Lanacardate “Feltrone” (75% viein ‘wool, 25% angora, approx. 45 50 yds/100g) {650 (700-750) 9 of Avon: addi circular kiting needles, size 15 mm (US 19), each of 50 env 20" and 80 env32" long: 1 cable needle. Fib pattern: k 1, p 1 alternately ‘Stocking stiteh: when working In rds, k all mes Cable pattern: Work in rnds, follwing the ‘chart. Read each pattern ma from right to lf. In the intermediate rds (not shown), work all sts as they appear. Horizontally, work the 10 sts once; verbally, rep nds 1 = 4 cont Tension gauges: 6 sis and 9 mds of stocking stiten = 10 x10 om/4" x 4. The 10 sts of the Cable patter are 10 cmi/4" wide. The poncho is worked in one pace, in nds, Instructions: With the longer circular noodk cast on 92 (100-108) sts. Close to a rnd and place marker at beginning of rnd. For the hem Band, work 4 ond Tis" = mds of rib pattrn, Ten cont work wih the following st placement 26 (40-44) sts of stocking ttc, 10 sts of cablo patter, 36 40-44) st6of stocking stitch, and 10 5s of cable patter. Inthe Srdd atte the her ‘band, begin the decs. To dec, work skp (= sp 1 sthwiso, k 1, and peso) over the 2 k sts before teach cable pattern and k tog tho 2 sts after teach cable pattem = 4 sis les5 por dec ma. Fp these decs 8 (7-6) more times in every Ath ‘nd, 0 (1-2) mets in every 2nd md, and (7-9) times in every rid = 36 ss. As the numbor of sts dees, change tothe shorter circular needle, as burdaknitting 45 needed. Now work 2 more ds and in each of these nds, work the described decs only belore and after the back cable = 32 sts. In the {allowing ind, work no decs, but cross the sts ‘one more time in the cabo pattern. For the colar, work 5 cm/2" = 5 ends of stocking stitch ‘then cast off al st loosely Finishing: Block piece, dampen, and let dry. ‘The upper and lower edges wil rl, due tothe pattem, 'AS7F¥ = slip 2 sts onto the cable needle and hold behind work, K2, then k the 2 sts ‘tom the cable needle. f= slp 2 sts onto the cable needle and holdin front of work, 2, then k the 2 ts rom the eable needle, Diagram for Poncho 2 [sseeaq | 3 CABLE PATTERN CAP on page 12 Chart on this page. | a ‘Siz: orhead crcumterence of approx. 48-5 om! 19" ~ 20%, 81 em/t2%" long. Materials: Lanecardate “Felons” (75% vigin woo), 25% angora, approx. 45 1/50 yds/100 450g of Grigo3; 1 Prym circular kiting noodle, 820 15 mm (US 19, 40cm 16" long, and 1 eet of Prym double pointed needles (dpn), sae 15 mm (US 19) 1 cable needle Rib pattern: 1, p | alternate ‘Stocking stiteh: when working in mds, k all mds ‘Cable patter: Werk in nds, folowing the char. ‘Al mds are shown, Road all ms rom right let Horizontal rep the 18 sts 2 times Vertical, rep nds 1~6 cont Tension gauge: 8 sts and 10 rows of cable patter = 10x 10 om/a" x 4", Instructions: With the circular needle, cast on {32 sts. Close to.a ma and place marker at bo- {giming of ma, For the band, work 8 cm/3¥" = mds of rie patom. Thon wotk 1 ral of stocking Stitch and inc 4 sts, evenly spaced = 96 sts Now cont in cable pattern, working the pat rep 2iimes. When work measures 22 omy 83" = 22 _mds from bagi of cable patter, divide sts on 4 13) moee times = 64 (68-70) sts. Include the inc sin the sod etch, When work measures 60 md 234" = 168 rows from hem band, cast off 4 sts [at beginning of next 2 rows, to begin sleeve cap, [and shape sleeve cap as folows: cast of 3 sts at beginning of next 2 rows, 2 sts at beginning Of fol 4 rows, and 1 stat beginning of next 2 (= 8) rows, then dec 1 ston each side of every sth ‘ow 7 times, and cast off 2 sts at beginning of {oll 4 rows. Ia fll RS row, cast ofthe remaining ‘8 sis. Make the 2nd sloove identical Pockets: For each pocket, cast on 24 sts with the shorter sie 5 mm circular noodle. Work rid pattem for 1 cm "= 3 rows, then change to S86 stitch and size 6 mm needle and work ‘4.cmi 5) = 40 rows. Place al sts ona holder. Make 2 identical pockets. Finishing: lock proces, dampen, and et dry. (Close shoulder seams (sts on inolders) with ‘grating (Kitchener stitch). Sew side seams. For Food, use the 6 mm circular needle to pick up 30 (32-3) sts from ight front neck edge, 22 (4-26) sts ram back neck edge, and 30 (32-24) ‘i from left font neck oogo = 82 (8-9) sts ‘Werk 29 cm 15" = 82 rows of seed stich ther 2} time) = 16 sts. After 14 (15-16) cSt" (B= {'e) = 16 (18-20) rows rom begin of armholes, place remaining 16 sts on holder. Make 2nd ‘Seve identical, Finishing: Block pieces, dampen, and let dry. ‘With the longer cular need, pick up the 10 (11-12) sts of right front, the 16 sts ofthe rghit sleeve, the 24 26-28) sis of the back, the 16 fs ofthe let sleove, and the 10 (11-12) sts of, ‘the lft front ~ 76 (80-84) sts. Work stipe pat- tern 3, inthe 1st row of the stipe patter a= ways k the selvage sts of adjacent pieces 109 2°72 (76-69) sts, For the raglan shaping, work | ful-ashioned dec belore and after each pair cof tog seivaga sts, n every 2nd row, 4 times. In the p rows, p these ss tog = 40 (44-48) ss, Diagram for Mini-Dress 23 ore (5-1 h Bee Peet Hsaei | | 5er29 | When number of sts decs, change to shorter Ccreuar needle. After completing the 11th row ‘of stipe pater 3, work more rows of k 1, p 1 ‘aterately, then cast of all sts in patter. Sew ‘agian, eloeve, and side seams. For the band (on front sit, pick up 26 sts. Work 2 rows of ‘stocking eltch with chocolate brown, p 1 pur Ble row 1 purple row, work 2 rows of stocking ‘ttch wth chocolate Brown, then cast of al sts. Fold band in hal to inside and sow in place 29 SCARF WITH IKAT PATTERN’ ‘on page 12 Tegend on this page, chart on the nest page. ‘Size: approx. $1 x 20 om/12/" x 87" (without ‘nge) Materials: Lana Grossa “Royal Tweed" (10036 merino fine vgin wool, approx. 100 mitt 'y88/50 150.9 of gray, co 06, and 50 g each fred, col 71, ight brown col 7, and black, col 20, and "Garzato Fleece" (70% baby alpaca, 50% polyamide, approx. 225 mv250 yds/50 a} 4100 ¢ of gray, col 10, and 60g each of red, col 5 ght brown, col 6, und black, co 8; ad Kit- ting needles, size 10mm (US 15), 1 add crochet hook, size 9 mm (US M13), Double cast-on: Soe right Stocking stitch: k RS rows, p WS rows ‘Seed stitch k1,p 1 alternately; stagger sts in every row. Basic pattern: Work fol chart. Work al gray ‘areas in stocking stitch and work remaining ‘areas = zigzags in seed stitch. Read AS rows from night olf and WS rows from let to right. ‘All rows are shown. The st symbols indicate how sts are to be worked. 1 square represents 1 ‘stand 1 row. For colour placement, see legend. Colour areas are outined. Numbers within the ‘areas Indicate colours. When changing colour {twist the 2 yarns tog on back ofthe work 80 ‘that no holes are formed. When working larger colour areas, wis the colours tog ater every 3 Sts 20 that sretcned yarns on the back of the ‘work are not too long. The chart shows all sts horntaly, Vertically, rep rows 1 to 46 cont Brioche selvage: In RS rows, work the frst 8 and lst 3 sts ofthe row a fol 1, sip 1 pwise With yarn in front of work, Ke In WS rows, work the frst 3 and last 3 sts of the row as fol slip 1st pe with yar in front instructions Cf work, K 1, sip 1 st pwise with yarn in front of work. ‘Tension gauges: 10.5 sts and 11 rows, of seed

    You might also like