Professional Documents
Culture Documents
Jean Baudrillard - TV Fantasies
Jean Baudrillard - TV Fantasies
3 3
N o t to
3 3 . Canal Plus's satirical puppet show 'Les Guignols de l'lnfo' has been r u n n i n g since 29 August
1988.
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w i t h t h e public, a n d losing all credit in its o w n eyes. In t h e light of t h e latest g o i n g s o n , i t s e e m s i t n o l o n g e r has a n y illusions a b o u t its o w n practices.
T h e v i c e h e r e i s circularity. T h e v i c e o f t h e m e d i u m for t h e m e d i u m ' s sake, a s
i n t h e past w e h a d art for art's sake. I t i s t h e v i c e o f all i n s t i t u t i o n s w h i c h b e g i n
t o o p e r a t e autarkically, n o l o n g e r s h o w i n g a n y c o n c e r n for t h e i r o b j e c t o r t h e i r
f u n c t i o n . I m m e n s e b a c h e l o r m a c h i n e s w h o s e w h o l e e n e r g y g o e s i n t o fuelling a n d
r e p r o d u c i n g themselves. This is o u r dilemma, o n e that c o m e s to us from the
d e p t h s o f s i m u l a t i o n : w h a t i f t h e sign d i d n o t relate e i t h e r t o t h e o b j e c t o r t o
m e a n i n g , b u t t o t h e p r o m o t i o n o f t h e sign a s sign? A n d w h a t i f i n f o r m a t i o n d i d
n o t r e l a t e e i t h e r t o t h e e v e n t o r t h e facts, b u t t o t h e p r o m o t i o n o f i n f o r m a t i o n
itself a s e v e n t ? A n d m o r e p r e c i s e l y t o d a y : w h a t i f t e l e v i s i o n n o l o n g e r r e l a t e d t o
a n y t h i n g e x c e p t itself a s m e s s a g e ? T h i s i s w h e r e M c L u h a n ' s f o r m u l a t i o n c a n b e
s e e n t o b e a b s o l u t e l y b r i l l i a n t : t h e m e d i u m has s w a l l o w e d t h e m e s s a g e a n d i t i s
t h i s , t h e m u l t i - m e d i u m , w h i c h i s p r o l i f e r a t i n g i n all d i r e c t i o n s . A n d w e are,
indeed, seeing terrestrial and cable channels and services proliferating w h i l e
a c t u a l p r o g r a m m e c o n t e n t i s d i s a p p e a r i n g a n d m e l t i n g away t h e T V v i e w e r ' s
almost involuntary c h a n n e l - h o p p i n g h e r e e c h o i n g television's o w n obsession
w i t h its o w n c h a n n e l s .
B u t this i s n o t w h e r e t h e t r u e c o r r u p t i o n lies. T h e secret v i c e , already p o i n t e d
o u t b y U m b e r t o E c o , lies i n t h e w a y t h e m e d i a b e c o m e self-referring a n d speak
o n l y a m o n g themselves. T h e multimedium is b e c o m i n g t h e intermedium. T h i s already
p r o b l e m a t i c s i t u a t i o n is a g g r a v a t e d w h e n it is a single h y p e r m e d i u m television
e y e i n g itself. All t h e m o r e so as this t e l e - c e n t r i s m is c o m b i n e d w i t h a v e r y severe
i m p l i c i t m o r a l a n d political j u d g e m e n t : i t i m p l i e s t h a t t h e masses basically n e i t h e r
n e e d n o r desire m e a n i n g or i n f o r m a t i o n t h a t all t h e y ask t o r is signs a n d i m a g e s .
Television provides t h e m w i t h t h e s e i n g r e a t quantities, r e t u r n i n g t o t h e real w o r l d ,
w i t h u t t e r - t h o u g h well- n o u f l a g e d c o n t e m p t , i n t h e f o r m o f ' r e a l i t y s h o w s '
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1996