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English Reviewer
Middle Ages:
The Divine comedy
- An allegory of a human soul's journey through Hell, Purgatory, and Heaven.
Allegory
- A figurative mode of representation conveying a meaning other than the literal.
- It teaches a lesson through symbolism, symbolic figures and actions.
Dante Alighieri 1265-1321
- Born in Florence, Italy of a prominent family.
- Played a leading part in politics rising to the highest local position in 1300.
- Son afterwards another party rose to power. Dante was accused of a crime and was exiled.
Later, a decree was passed pardoning all exiles on condition that they paid a fine (Amnesty).
- When he died, he was buried with the highest honors.
- Was born into one of the most chaotic periods of Western European history.
- He witnessed the decline of two most powerful social institutions of the Middle Ages, holy
Roman empire and The Papacy.
- Loss of power, control and respect affected Dante emotionally, psychologically and
politically.
La Divina Comedia
- Central poem of Italian literature and is seen as one of the greatest works of world
literature.
- Allegorical vision of the Christian afterlife is a culmination of the medieval world view.
Why is it called Divine Comedy?
- Comedy used in a classical sense
- To denote a story which begins in suspense and ends well.
- Epic used the device of medias res.
- The epic combines mythology, church teachings, political and social issues.
"Divine" was added later (in 14th century) because poems in the ancient world were
classified as High "Tragedy".
Composed of 14,000 lines divided into 3 books.
Inferno, Purgatorio, Paradiso.
each 33 cantos (chapters)
Structure: Terza Rima
- Rhyming
Dante:
- Simplified version of the author.
- Sympathetic, fearful of danger, confused both morally and spiritually by Hell.
As the poem progresses he gradually learns to abandon his sympathy and adopt a more
pitiless attitude toward the punishment of sinners which he views as merely a reflection of
divine justice.
Virgil:
- Proves a wise resourceful commanding presence, but he often seems helpless to protect
Dante from the true dangers of Hell.
- Critics generally consider Virgil an allegorical representation of human reason - both in its
immense power and in its inferiority to faith in God.
Beatrice:
- One of the blessed in Heaven, Beatrice aids Dante's journey by asking an angel to find
Virgil and bid him to guide Dante through Hell.
- Like Dante and Virgil, Beatrice corresponds to a historical personage.
- Viewed as a representation of spiritual love.
Used characters from classical history and mythology as well as individuals of his time.
Divine Comedy, Inferno:
A huge funnel-shaped pit divided into terraces each a standing place for those who were
guilty of a particular sin.
The punishment in Inferno is a contrapasso (A symbolic form of poetic justice).
Dark wood of Error
This is Dante's disorientation on the following aspects: Spiritual, Physical, Psychological,
Moral, Political.
Dante was tempted by the monsters:
Lion - Violence, Ambition
Leopard - Malice, Fraud
Shewolf - Incontinence
"Abandon every hope you who enter", "Abandon all hope, all ye who enter here",
etc. (Depends on which version of the translation of the book ya got)
Neutrals
Opportunists, souls of people who in life did nothing, neither for good or evil.
Have to eternally pursue a banner and be pursued by wasps and hornets that continually
sting them while maggots and other insects drink their blood and tears.
Charon
Ferrying Dante and Virgil across the river Acheron (similar to the River Styx)
First Circle: Limbo
The unbaptized and pagans who, though sinful, did not accept Christ.
Souls there are merely unable to reach Heaven and denied God's presence for eternity.
It is said those in Limbo can go to Purgatory then Heaven.
Minos sits at the entrance to the Second circle which is the beginning of proper Hell. More
times he wraps his tail around himself, that's the corresponding level you will end up in.
Second Circle: Lust
Lust is the self-destructive drive for pleasure out of proportion to its worth.
Trapped in the violent storm forever.
Third Circle: Gluttons
Here are those who have made their reason a slave to appetite and committed the sin of
lust.
Cerberus forced the sinners to lie in the mud under continual cold rain and hail.
Fourth Circle: The Avaricious
Getting its "fair share" or a bit more
Those who hoarded too much possessions.
They are forced to strain giants weights and charge at each other.
Fifth Circle: The Wrathful and Sullen
Impatience with the faults of others is related to this.
The Wrathful, fighting each other in the swamplike water of the River styx.
Sixth Circle: Heretics
The sinners in this circle hold false belief.
Heretics trapped in flaming tombs.
Seventh Circle: The Violent
- Against their neighbors
Tyrants and murderers
Are boiled in the river of blood themselves.
- Against themselves
Suicides and squanderers
Turned into thorny black trees. They will not be resurrected after the Final judgment.
- Against God
Blasphemers, Sodomites, and Usurers
Stay in a desert of flaming sand where fire rains from the sky.
Eight Circle: Fraud
- Panderers and seducers
Whipped by demons while running in opposite directions.
- Flatterers
Sinners steeped in human excretement.
- Simonists
Sinners' heads were placed first in holes. Flames burning on the soles of their feet
- Sorcerers and False Prophers
Heads on their bodies backward
- Barrators
The sinners were trapped in a lake of burning pitch.
- Hypocrites
They were made to wear brightly painted lead colors.
- Thieves
Chased and bitten by snakes, then turn into snakes and chase other sinners.
- Fraudulent counselors
Wrapped in individual columns of flame.
- Sowers of Discord
Forced to run in a circle, upon arriving bodies are sliced from chin to groin, while running
they heal, and upon returning are slice again.
Ninth Circle: Treachery
Yeah I got no notes on this circle, though Lucifer is frozen here while chewing on Judas,
Brutus, and that other guy who's name is hard to spell. But I'm sure you all know that.
Dante was 35 years old during the journey, Easter Sunday
The Empyrean
God's home
Beatrice becomes a more beautiful woman.
Feminist Approach:
Feminist criticism is concerned with the impact of gender on writing and reading. It usually
begins with a critique of patriarchal culuture.
For them gender determines everything.
Sexuality is very strict back then.
No freedom of expression that much.
The oppression of someone's feelings.
Gender determines nothing cause society is dictating the prominence of gender.
Who you are and what you do, defines everything about you.
Feminism movement:
Has gradually become more far ranging and subtle in its attacks on male dominated society.
Literature often reflects the cultural assumptions and attitudes of its period.
The psychological make up between the sexes indicated what anthropologists have long
accepted: the expression of such differences is more determined by cultural factors than
sexually per se.
Feminist Approach:
Feminist criticism is concerned with the impact of gender on writing and reading.
It usually begins with a critique of patriarchal....
Is political and often revisionist.
All gender differences are by society.
Feminist movement:
An attitude favoring the movement to eliminate political social and professional
discrimination against women.
1st wave - Granting women freedom of suffrage.
2nd wave - Beginning of women's liberation movement.
3rd wave - Reaction to the failures of....