This document introduces 15 contributors and provides brief biographies for each. Eric de Bruyn teaches art history and has published on land art and cinema. Helene Furján teaches architecture and has a practice with Jeremy Leman. Alexander Galloway teaches media ecology at NYU. The contributors include artists, writers, professors and researchers in fields related to art, architecture, media and the life sciences.
This document introduces 15 contributors and provides brief biographies for each. Eric de Bruyn teaches art history and has published on land art and cinema. Helene Furján teaches architecture and has a practice with Jeremy Leman. Alexander Galloway teaches media ecology at NYU. The contributors include artists, writers, professors and researchers in fields related to art, architecture, media and the life sciences.
Original Description:
Index of a Green Room magazine. Fall 2003. Number eighteen. Aesthetics.
This document introduces 15 contributors and provides brief biographies for each. Eric de Bruyn teaches art history and has published on land art and cinema. Helene Furján teaches architecture and has a practice with Jeremy Leman. Alexander Galloway teaches media ecology at NYU. The contributors include artists, writers, professors and researchers in fields related to art, architecture, media and the life sciences.
This document introduces 15 contributors and provides brief biographies for each. Eric de Bruyn teaches art history and has published on land art and cinema. Helene Furján teaches architecture and has a practice with Jeremy Leman. Alexander Galloway teaches media ecology at NYU. The contributors include artists, writers, professors and researchers in fields related to art, architecture, media and the life sciences.
Eric de Bruyn teaches art history at the University of Groningen.
His recent publications include Land Art in the Mediascape in Ready to Shoot: Fernsehgalerie Gerry Schum (Dusseldorf 2003) and The Expanded Field of Cinema, or Exercise on the Perimeter of a Square in X-Screen (Vienna 2003). Helene Furjn is Assistant Professor of Architecture at Rice University. She has a practice with Jeremy Leman, received her Ph.D. from Princeton University in 2001, and has taught at UCLA, SCI-Arc, the Architectural Association, the Bartlett (University College of London), and Princeton University. Her essays and reviews are published in AAFiles, Assemblage, Casabella, and Journal of Architecture, and she is currently working on a book on John Soanes house-museum, and a second project with Sylvia Lavin, Crib Sheets (forthcoming from Monacelli) tracking the contemporary. Alexander Galloway is Assistant Professor of Media Ecology at New York University and a founding member of Radical Software Group. His book Protocol: How Control Exists After Decentralization is published by The MIT Press. Dan Graham is an artist-writer living in New York. Widely recognized as a leading member of the 1960s conceptual art movement, his present work is situated on the boundary between art and architecture. His collected writings have appeared in two volumes, Rock My Religion and Two-Way Mirror Power. Christopher Kelty teaches the history and anthropology of science and technology at Rice University in Houston, Texas. He researches and writes about free and open source software, intellectual property, software and culture, and the history of software and linguistics. Together with Hannah Landecker he has made a short film about cells. Hannah Landecker, Assistant Professor of Anthropology at Rice University, is a historian and anthropologist of the life sciences. Her work concerns the history of tissue culture, the origins and use of microcinematography, ethnography of contemporary life sciences, and social and cultural meanings of biotechnology. James Meyer teaches contemporary art at Emory University. He is the author of Minimalism: Art and Polemics in the 1960s (Yale University Press, 2001) and editor of Minimalism (Phaidon, 2000), as well as Gregg Bordowitz, The AIDS Crisis Is Ridiculous and Other Writings 19862004 and Carl Andre, Cuts: Texts 19592003, both forthcoming from The MIT Press. 4
Eugene Thacker is Assistant Professor of New Media in Georgia
Institute of Technologys School of Literature, Communication, & Culture. He works with the Biotech Hobbyist collective, and his book Biomedia is published by the University of Minnesota Press. Bernard Tschumi exhibited and published The Manhattan Transcripts (Academy Editions) in 1981, and is the author of Architecture and Disjunction (MIT Press, 1994). In 1983, he won the competition to design the Parc de la Villette in Paris and established his architectural office there, followed by a New York office in 1988. He is currently designing major museums in New York, Athens, and So Paulo, as well as buildings in Cincinnati and Geneva. He was Dean of the Graduate School of Architecture, Planning and Preservation at Columbia University from 1988 to 2003. Enrique Walker is Adjunct Assistant Professor of Architecture at Columbia University, and also teaches at the Pratt Institute. He is currently completing a Ph.D. thesis on the work of Georges Perec in the Histories and Theories Programme at the Architectural Association, and has published interviews with architects since the mid-1990s, some of which were collected in the book 12 Interviews (1998), of which he is coauthor.