Soprano Cornet Eb Fantasy-Overture

Romeo & Juliet

Pyotr Ilyitch Tchikovsky

    
q = 108 Andante non tanto quassi Moderato q = 112 Moving on slightly

   30
 
 
mf

   
    
  
A marcato 45

     
pp mp mf

  
 
      
50 B
       
mp

    
     
70

mf p pp

 
    
90 q = 126 Allegro
        
85 C 95

   
mf f


q = 108 Molto meno mosso
 q = 126 Allegro giusto

                          
115

 
f

 D
                   
120

            


f


    
  130
             
      
   
mf

                              
        

                                  
135

    
mf

     
140
                       

        
f
© 2001 geoff_colmer@hotmail.com (duration
2
Soprano Cornet Eb

            145           

E

     

   
 
                  
150 155

      
ff

        
      
F
 
160

      
fff
f

q = 120 Gently, but passionately
             

165 G 185

   
 
mp   
H euphonium

   205
       
       
Muted

    p mp

             210        
I mf

     
mf p

 
f mp J
  
235
    
270 baritone

    
 

q = 126 Allegro giusto once more
       
                 
K 280
 
Muted
 
mp
 
               
      
p

       305  
L

              
300

          
mp 

 310             
M
Open

   
315 320 325
  
p f

       
    
N

     
    330

      
ff

    
              
335

    

f
 Soprano Cornet Eb 3

                     340

               
         

    
O
      
345

                       
 
fff ff
              
   
350

                
ff

                
355 360

             
ff fff
 
P

           
365
        

ff

       
poco a poco cresc. Q

380
      
        
p
(mp)
        
385 R 390
      
       
(mf) f

       
410
  
           
f ff
S
 415
  
                 
p

      
    
420 425 430

 
      
mf mf mf

    
                 
435

    
f mf (sub) ff


f
            
  
440

     
ff
 
f f

               

    
 
T

450

     
ff
4
Soprano Cornet Eb

             

      
                
mf ff

                        
455
 
               
   
mf

 
     
              
460

             
ff  
f

                        
      
465

       

    470     

          
           
U

ff
ff

q = 80 Moderato assai
 
V
 

475 485 crts & troms
   
    
 

    
Horn & Euph  


 
q = 90 Moving on
   
         
495 510

   

mf

      
515

       

    520    
            
ff
Solo Cornets Bb Fantasy-Overture
Pyotr Ilyitch Tchikovsky
Romeo & Juliet
q = 108 Andante non tanto
q = 112 Moving on slightly
 
quassi Moderato

  a1 (one only) 25

           
mp poco a poco crescendo

            

30 35
 
mp p
mf

   

A B a1 65

          
mp poco a poco crescendo

          
  
70 75
 
mf mp p

  
q = 126 Allegro
   
poco a poco stringendo accelerando
    
   
a4 85 C 90

      
mp
   mf
f

            
q = 108 Molto meno mosso 
 
95

             
 s t r i n g e n d o

 
q = 126 Allegro giusto
   
115 
  
     
          
               

f f

       120       D      


                         
 

 a2                              
125

  
mf

 a4       
                            
130
 
mf

       
                 a2
 135

               
mf
© 2001 geoff_colmer@hotmail.com (duration
 Solo Cornets Bb
2

 
                                      

  a4   
E 
               
140

         

 

   

f

   145         150 
                 
        

                         a1        
        
ff f

155                   a4           
       ff           

              a2   
 
F
                    
        
160
 
ff p

       
                
165

          
a1

  mp

  
G q = 120 Gently, but passionately H

170
 185 205

    
   

euphonium   

         dolce   
215

                    

a1

a2
mp mf

 
       
a1

    
220
       
(mf)

 
225 230

                    
a2
     
(mf)

   
I
        
      
235

         
f mf
 Solo Cornets Bb
3

 
240

J 
  
           

q = 126 Allegro giusto once more

 
              
270 K 275
 
baritone

a2

   
p

           

280

         
Muted a2

f p

      
          
  
295
   
Open a4

    mp mf

      300    310     
L
     
               
Muted a2

 p
f

     315 
M
         
  
a4 320

        
Open

mp f

f

        
                 
325

 


   
   
        330   N    

                       
            
ff

      
335 marc.
           
340

           
    
ff

  
 
O
         
 
345

               
ff
  
 
     
      

350

                    
       

                               
355

        
ff ff

                  360     
                    
    
 Solo Cornets Bb
4

       
       
  
        
              

 

P
     365        
   
   




390

       
         
3

Q R 3
     
   

a4 3

  
mf f

   
          
395

       

       
         
400 405

      

      

     
410

        
ff

       
     
S
       
415


p

       
 
 
420 425

      
a1

mf mf


   
         
430

        
mf

    
                
3
 
3 3 3 435
3 3 3
 
a4
  
3
        
mf ff

        
    
3 3 3 3

440

                         
 
f

T 
                             

445

      
 
ff
 Solo Cornets Bb
5

   450

 
              
       
mf ff

                    
455

              

       460 
        
             
f
   
         

mf ff
 

               

            
465

    
  

    
   
                              
 
470
    
    
               

            f   ff    
f ff
 
     
475
    
U
      
ff 


V
 
485 Horn & Euph PLAY 495

        
   
    
q = 80 Moderato assai   p


              
500

      

q = 90 Moving on
     
            
505 510

        
 
 mf

       
515

       
                 
 
 

       

   
520
              
ff   
Repiano Cornet Bb Fantasy-Overture Pyotr Ilyitch Tchikovsky

Romeo & Juliet

q = 108 Andante non

  
q = 112 Moving on slightly

tanto quassi Moderato

  
PLAY 30

  
   
  
baritones mf p

 
     
35 A marcato
     
pp mp

        
     
45 50
      
mf mp

   
 
B PLAY
     
     
 
baritones  mf p

 
70 75

        
pp

 
poco a poco stringendo accelerando
    
   
85 C marcato
    
mp mf mp f

90             
q = 126 Allegro
  95   
q = 108 Molto meno mosso

   

  q = 126 Allegro giusto


                         
115

  
      
120

        

      

f

 
        
D
     
 
© 2001 geoff_colmer@hotmail.com (duration
 Repiano Cornet Bb
2

      
                             
130
 
mf

        
                

135

          

    
E
    145    
                             
f

      
 
                      
150

      
ff



                           
155

 
ff

         F   
160
        
   
  p
ff

165    

           
 


G q = 120 Gently, but passionately H
    
185 205
  
Muted
    
euphonium        p

                       
210

 
mp mf p

     I
solo crts & sop
    
 
   
Open
         

 
J
  


235 270
 
baritone
   
  
 Repiano Cornet Bb
3
q = 126 Allegro giusto once more
                 
K
        
275

  


p f


      
      
280

     
Muted Open

p p

L
                    
300

       
mp mf f


 Muted      
      
310 315

 
p p Open

M
                 
320

     
mp f f

         
          
325

  
        




330  N         
    
          
ff

                 
     
     
335
     
f

       
          
     
340

           
ff

                  
345    
            
      
 Repiano Cornet Bb
4

  
                         
350 355

 
  
ff

    
                         
360

ff
 

      
P
          

      
   


365  
          
     

Q
                      

380

    
p poco a poco cresc. (mp)

R
                  
385 390

         
(mf) f

      
       
395

       

       
          
400 405

     

      

     
410

  
     
ff

S
       
             
415


p


     

420 425 430

       

 
mf mf mf

        
  
435

      
    mf (sub) ff
f
 Repiano Cornet Bb
5
         
     
T
      

f f ff

  
                      
450

mf
  
  ff

                         
    
455

   
mf


             
460
       
                  
  ff f

      465           

                      


    470                
                 
U

ff ff

 
V
 

475 485 q = 80 Moderato assai

         
    
 

Horn & Euph

 495 500

    
  
          
p

 
505

                

 mf


q = 90 Moving on
     
510 515

                 
mf

    520    
                   
  
ff
2nd Cornet Bb Fantasy-Overture Pyotr Ilyitch Tchikovsky

q = 108 Andante non Romeo & Juliet

  
tanto quassi Moderato

  q = 112 Moving on slightly 30

  
   
    
baritones mf p

 35 A  marcato
           
pp mp


 
45 50
                  
mf mp

   B  70

    
  
     
baritones    
mf p

   poco a poco stringendo accelerando

 
75

      
pp mp


C
 marcato
   
  
85

   
mf mp f

90
q = 126 Allegro

95

  
q = 108 Molto meno mosso
                

  q = 126 Allegro giusto

 
                        
115

    D       
120

              
            
f

 
E
     
          
 
  
135 div.
          
  
soprano + solo crt f

   145       
                           
   

    
 
150

                            

ff
© 2001 geoff_colmer@hotmail.com (duration
 2nd Cornet Bb
2

155  160   

     
        

            
ff

 
F 165  
            


ff


G q = 120 Gently, but passionately H
    

185 205

Muted
   
     
euphonium  p

             
    
mp mf

  
210
   
        
  
p

 I     
  235    J  270

          
   
baritone 
solo crts & sop

        
K q = 126 Allegro giusto once more


275
             
  p


 280  285

            

         
   
f Muted p


290

                               

   
   
                              
295
 2nd Cornet Bb
3

L


300
                   
(Muted) 310

          
p

                          
315

         
M
   
   
                            
320

Open

f f

           
325

           
    

               
       
330 N

      

ff

                               
335

       
f

                         
340

     
     
ff


O
          
                                
345 350

                         

     
355

ff



               
360

    
            
ff

   
   
P 365 380

                
      
p
Q
           
poco a poco cresc.
    
385

     
(mp) (mf)


R

               
390

 
f
 2nd Cornet Bb
4


410 415

3
 
3

                
mf ff

 
 
  
S 420 425 430

         
p
        
mf


          
435 440

             
f mf (sub) ff
T
                
445

           
f f f f ff

   
450

                          
f ff

                       

     
455

   
f

           
          
460

      
ff f

                                    
465

       


 
U
    
470
    
475

           
   
ff ff


V
 

485 q = 80 Moderato assai

         
     
 
Horn & Euph

 495 500

                  
p

 
505

               


 
q = 90 Moving on

               
510 520

    
mf ff

3rd Cornet Bb Fantasy-Overture
Pyotr Ilyitch Tchikovsky

q = 108 Andante non

Romeo & Juliet
   
tanto quassi Moderato

  q = 112 Moving on slightly 30

  
   
   
baritones
mf

  

A marcato
          
p pp mp

 45 50

          
mf

mp
         

  B 
     
      
baritones mf


70   
    
p pp

  poco a poco stringendo accelerando

 90 q = 126 Allegro

   
C
      
marcato

    
mp f
mp


q = 108 Molto meno mosso


      
95

        


q = 126 Allegro giusto

         
115

                  
   
f f

   

                          
120 D

  

  E 
          
   
135
    
            

soprano + solo crt f 

     
            
145

             
       
© 2001 geoff_colmer@hotmail.com (duration
 3rd Cornet Bb
2

150    

                       
155

  
 ff

           
160

                       
ff


F
  
165

      
      
ff


G q = 120 Gently, but passionately H
  

185 205
   
Muted
    
euphonium
       p

                  
210

        
mp mf p

  
I J
    235  
         
    
   
solo crts & sop

 
q = 126 Allegro giusto once more 275
270 K
  baritone   

 
 
  



    p

  280  285

  

        
f Muted p          


290

            
                                

   
                 
295

       
           
 3rd Cornet Bb
3

L


300 310

          
(Muted)

p
                        

 315

            
                     
M
  
               
320
         
Open

     f
  
f

          
325

   
  
  
  

     

                        
      
330 N

ff

    
335

                                   
f  

  
                          
340

       
ff


O
                   
345 350

                  
        

              
355

                  
 
 ff



                        
360

    

ff 

      
    
365 380
 
P

        
      p poco a poco cresc.
Q 385
      
            
(mp) (mf)
R
      
          
f
 3rd Cornet Bb
4


390  410 415

  
3 3

            

mf ff

 S 420  425  430

             
p    
mf


435

                
         
f mf (sub) ff


440 445

                        
f f f

T                    450

          
ff f


   455

           
                 
ff

              
460

           
f ff f

                              

465

    
    


U
      
                     
470
      
  
ff ff

 
V
 

475 485 q = 80 Moderato assai

      
        
 
Horn & Euph

 495 500

  
 
p
           

 505

  
              


 q = 90 Moving on 
               
510 520

    
 ff

mf
Flugel Fantasy-Overture
Romeo & Juliet
q = 108 Andante non



tanto quassi Moderato
 q = 112 Moving on slightly  
25

       
poco a poco crescendo mf

    
    
30 A

p pp


B
     
65
  
poco a poco crescendo
  
mp mf

 
     
70 75

   
p pp

 poco a poco stringendo accelerando   


80 85

      
mp  mf

C
                 
90 q = 126 Allegro

mp f

95  
 
   
q = 108 Molto meno mosso 105

    
s t r i n g e n d o


p pp p


                         
110
 
q = 126 Allegro giusto

  
mp mf f

  

                         
115 120

 
f

 
D
                  
  
mf

 125 
           

  


© 2001 geoff_colmer@hotmail.com (duration
 Flugel
2


     
                      
130

    mp
mp


135
  
                    
E
       
f
f

                                            
  
ff

                          
150

   
       
ff


                             
155 160

    
ff


G q = 120 Gently, but passionate

      
       
F 165

            
ff euphonium


185         
  
Muted
 
       p

                    
195 200

    

H
              
    
205

    
Open
 
mp

  
             
210

  
     
mf p p

 I  235

            
p


J
 240

       
      
 Flugel
3


q = 126 Allegro giusto once more

                   
270 K 275

  baritone  
   
p


 
   
         
280 285

       
p
f


L
 
  
290 300

                 

p mf f

  
M
    
320

            
p p f



           
325

         
  
f f


             
N
                 
330

   
 ff
 

       
                              

335

  
  f  

                         
   
340

     
ff

                  
O
            
345

 

ff

                           
350
  
       
ff

 
                      
355

  


 
 Flugel
4

     
                                       
360


P
       

365

                    
    
 p

               
       
370 375

   

                
380
        
poco a poco cresc.
 
p

R
 Q 385
      3   3 
         
(mp) (mf) f sim.

  3   3   3   3   3   3   3   3 
390

3 3
       
(f)


395
           
3 3 3
      
3 3
      
3 3 3 3 3
      


                                
400 3 3
3 3 3 3 3 3 3 3

  3   3       3   3          3       
405 410
3 3 3

 
(f) ff

  
3
  
3
  
3
  
3
  
3
  
3
  
3
  
3

415
 3   3 
 

S

                       
3

3 3 3
3 3

  
     
420 425

     
mf
 Flugel

5

   
   
   
430 435

        
p f ff

        
        
440

       
f f

  
T
                         
450

   
ff f


                            
455

ff

     
          
460

      
f f
ff

        465 
                      
       

 470
     
             
U
          
    
ff f ff

     
             
475
        
f

mf f

 
V
 

480 485

     
q = 80 Moderato assai
     
     
Horn & Euph

                             
510 q = 90 Moving on

           
mf

                  
515

         

        
     
520

    
ff

Solo Horn Eb Fantasy-Overture
Romeo & Juliet
  
q = 108 Andante non tanto quassi Moderato
15
      
    
mp

 q = 112 Moving  30

      
on slightly

 
      
baritones mf p pp

35         
   
A marcato 45

   
mp mf

  

            
50
 
mp

    
    
55 B
    
mp mf

 70
  
75
   
     
mp p

    
  
80 85

      
mp
poco a poco stringendo accelerando mf

     
C
     
       
90 q = 126 Allegro

mp f

  
      
95 105

   
q = 108 Molto meno mosso s t r i n g e n d o

 p
p pp


q = 126 Allegro giusto

                      
110

   
mp mf f

                   
115

              
mf
D
                  
               
120

   
f
© 2001 geoff_colmer@hotmail.com (duration
2 Solo Horn Eb

         
                 
125

   
mf mp

       
130
             
      
     

(mp)

    
 
                        
135
     
mf

   140
           E
                    
f

      
                        
145

    
f ff

                       150    
        
     


                              
      
( ff ) f

  
                                    
155

ff

          
F
          
160

                
        
( ff )


                         
165

 

mp

 
q = 120 Gently, but passionately

 
G
 
185

      
  
euphonium
 Solo Horn Eb 3

 Muted                       
195

 
p

                          
200 205
H

              

210

       
Open
 
mp mf

                  
  
215


p

      
              
220 225

                  
I
  
230


(p)

   
235
  
 245

    
J
   
mf p p

    
250 255 
       
p

          
270 q = 126 Allegro giusto once more 275

  baritone
K
        
    p

       
              
280

        

f p


285

 
                    
mp

        
      
295

 
poco marcato

mf
4 Solo Horn Eb

300 L 305

                       
    
p


                    
315 poco marcato
 
    
mp
M
    320
                      
mf f f

            
325

            
    

   
N
       
                       
330

     
ff

         335             
            
f

               
     
340

          

O
      
   
345

        
ff ff

                          
350
               
   

                                
        
( ff )

                     
        
355

          
ff

         
360
             
               

                   
             
P 365

        
( ff )
 Solo Horn Eb 5

     370    
             
  
p
     
              
375

 

    
380 385
Q
     
       
poco a poco cresc.

       
p (mp) (mf)

      3  3 390 3
R

               3   3   3   3   3 

f sim.

  3  3
395
3 3
      
3 3 3 3
  
3 3
                  

  3   3   3   3   3   3   3   3       
400 3 3

 
(f)

  3   3   3   3   3   3           
3 3
   
405



 3   3         3   3       
410
      
3 3

 3 3 3 3
ff

       415    3   3   3   3 
   
3
  
3
  
3

3 3 3
p

 
   
     
S 420 425

    

 
mf mf

  
  430      
435 
  
p f

       440

  
      



f ff

            
 
445


f f
   
f
6 Solo Horn Eb


T
                   
 
450

       
ff f

                          
455

       
ff

          
  
     
460
  
f ff f

      465                      
            


    470      U
 
           
         
ff ff

     
            
475

     
mf f f

  
      

480

      

V
    
q = 80 Moderato assai

485
    
           
mf

   

    
490 495

          
p

                             
q = 90 Moving on
510

 
mf

                  
515

        

    520     
            
ff
1st Horn Eb Fantasy-Overture
Romeo & Juliet

q = 108 Andante non tanto quassi Moderato
15   
         
mp  mp

q = 112 Moving 

   
30

        
on slightly

    
baritones mf p pp

35 
         
45

A marcato
    
mp mf

 
 
50
               
mp mp 

   
  
55
 
B
  
mp  mf

  
     
70 75
   
p pp

 
C
    
  
poco a poco stringendo accelerando 80 85
     
mp mf

 90 q = 126 Allegro

    
95

         
mf f

 q = 108 Molto meno mosso   105

            
s t r i n g e n d o

p pp p mp

   
110
                   
q = 126 Allegro giusto

    
  
mf f

         
            
115

       
mf
   
D
       
120

                                    
f
© 2001 geoff_colmer@hotmail.com (duration
 1st Horn Eb
2

 
                 
125
 
 
mf

                                  
135

     mf
mp

                          
140

             

            
E
           
145

     
f f

              
                                  
ff

       150               
     
        
( ff )

   
                                       
155

      
160

                                
ff

                      
F

        
              
ff

 
q = 120 Gently, but passionately

 
G
 
165 185

         
euphonium

  Muted                       
195

    
p
H
     200                   205
   
 1st Horn Eb
3

                       
210

 
Open

mp mf p

    
  
215
                 
p

 220 225

                     

 230 I
                       
(p)


J
 235 245

                
mf p p


250

       
  
p

  

255 270

  
 
baritone
  

q = 126 Allegro giusto once more

                           
K 275

  
 p f

  
     
280 285

poco marcato
         
p mp

295 
       
mf    

 
L
 
  
300

      
p
 1st Horn Eb
4
M

  
315 poco marcato 320

                 
mp mf
    f

               
325

     
   
 
f

             
                   
330

   

 335
N
                          
            
ff f

          
340

        

                 

O
                  
345

             
ff

                     
                  
ff

                              
350

                

                             
355

       
( ff )

                     
360

              

            
                 


         
P 365
          
     
 1st Horn Eb
5
                         
370

  
p

  
375
         
380 
            

Q poco a poco cresc. R

      
385

     
           
p (mp) (mf) f


390
              3   3 
3 3

    
3 3 3 3

     
sim.

   3
3 3 3
395

3 3 3 3 3 3
                           


400
3 3 3 3 3 3 3 3 3 3

                              
(f)


3 3 3 405
                  
3
              
3 3

3
3

                 3 
410 3 3 3
           
3

3 3 3 3 3


  3         3      3 
415

3 3 3
      
3 3

 
S
 3 3 420 425

        

 


  430
  
   435 
  
p f
 1st Horn Eb
6

          
440

          
  f
 
f ff

                 
445

      
T

      
f ff
f


450
            
          
f ff


455
              
460
  
          
f ff

                       465
     
  
f



      
                          


   
         
470 U
         

ff

   475     
 
                 
mf f f


V
  

q = 80 Moderato assai
    
480 485

            
   
S Horn & Euph


 495  510 q = 90 Moving on

                        
     
p mf


515
   
                              

       
     
520

       
ff
2nd Horn Eb
Fantasy-Overture
Romeo & Juliet

q = 108 Andante non tanto quassi Moderato
15

    
      
mp  mp 
20
 q = 112 Moving  30

        
on slightly

    
baritones
mf p

 

35 A marcato
           
pp mp


   
45 50

        
mf mp
    

  
B
 
     
55
    
   
mp

  
70 75

       
mf p pp

  
C
  

80 85

      
poco a poco stringendo accelerandomp
mf

 90 q = 126 Allegro 95

            
mf
 
f

q = 108 Molto meno mosso   105

       
s t r i n g e n d o

 pp
  p
 mp

p


                     
110

  
q = 126 Allegro giusto

 f
   
mf

         
             
115

       
   
mf

   
120

D
                                   
f
© 2001 geoff_colmer@hotmail.com (duration
2 2nd Horn Eb

                 
125

          
mf mp

 
                                 
135


mf

                              
140

      

         
E
     
145

                 
f f ff

                                
           


                          
150

          
  
( ff )

    155  

                                 
 
f ff


F
  
160

        
                 
  

 
 
                   
165
  



G q = 120 Gently, but passionately

 
185

Muted  
      
         
euphonium p

            
195

        

H
              
     
200 205

   
 2nd Horn Eb 3

 
           
210
     
Open

mp
       
mf p

 

215
 
                   
p

 220 225

                     

I
 230

                       
(p)


J
 235 245

          
    
mf p p


 250

       
  
p

  

255 270

   
baritone
  

K q = 126 Allegro giusto once more

   
275

       

        
 p
f

 280  295 
                
mp poco marcato mf


L
300 315 poco marcato
        
mp mf
    f

     
320 325

    

  

  
f
4 2nd Horn Eb

                               

 
f

N
     
                  
330

         
   
ff

                                     
335

   
  f  

 
                                   
340


  ff

O
        
       
345

               
ff

   
   
350
                           
         

                        
             
355

  
( ff )

     
                                 
ff


360
  P 
       
                              

 
365 370

                    

  
 
  

ff f p


375

                     

 380 
         



    
 2nd Horn Eb 5

Q R
 
poco a poco cresc.

385
       
  
          
mp (mf) f

  3   3      3   3   3 
390

3 3 3
  
3
         
3
sim.

 395 3 3

3 3 3 3 3
3 3
                             
3

 3 3 400

3 3 3 3 3 3
                              
3

 3
405


3 3 3 3
                                
3 3

3
(f) ff

 3
410 3 3 3
            
3 3
            
3 3 3 3
     

S

415 3

                             
3 3 3 33 3 3

(f) p

       
     
420 425 430 435

 
p f
6 2nd Horn Eb

         
440

            

 

f ff f


                
445

   
T
     
f f ff


      
450

 
 
         
f ff


                 
455 460

     
ff

f

              
465

   
  
     

 f

     
         
                      


   
      
470 U 475

         
         
ff ff f


 
 
480

            
        
f


V q = 80 Moderato assai


485
    
          





 
S Horn & Euph p


495    
510 q = 90 Moving on
      
                
mf

      
515

                    

  
 
520

        

   

 
ff
1st Baritone Bb Fantasy-Overture Pyotr Ilyitch Tchikovsky

Romeo & Juliet

         
q = 108 Andante non tanto quassi Moderato

    5
 
    
mp mf mp

         
10 15

      
mp 

           
q = 112 Moving on slightly
  
     
mp
 p dolce

       
   
25
            
mf


30  35  A  marcato

        
p pp mp

      
       
45

     
mf mp

 
50 55

             
mp 

 
                   
B dolce 65

  
p

 

            
70 75
    
mf p pp


           
poco a poco stringendo accelerando

80

     
mp mf

85 C
     
90 q = 126 Allegro
    
 
marcato
 
mp f

 q = 108 Molto meno mosso 

       
   
95
   
© 2001 geoff_colmer@hotmail.com (duration
 1st Baritone Bb
2

  s t r i n g e n d o

    
105 110
   
 
p pp p mp mf

            115  

q = 126 Allegro giusto
 
            
f mf

                      
       
 
f

 
             D           
120

      
  

            
                
mp
          


130
                 
                

                         
135

               
 mf   

       
140
   
                 
 
      

  145             
   
E
            
        
 
f f

                  
       
     
ff

  
 
150
    
               
  
 1st Baritone Bb
3

                                
  
( ff ) f

                             
155

        

ff

       160        
                  
F

      
    

              
   
165 170

     
ff mp

         
               
175

  
q = 120 Gently, but passionately


G
  
185

     
Muted
    
    
euphonium p

                  
      
195

H
          
             
200 205

(p)

                 
210

    
  
Open

mp mf p


I
    
               
230

 
J
  245
     
     
mp

 
250
       260

        
mf pp

 
q = 126 Allegro giusto once more


265 270 K
         
 
ppp
 1st Baritone Bb
4

        
        

          
 
mf f

 

                                       
280

p
 


L
                   
285 300
 
          
mf f

              
              
   
p  


305

                   

       


M

   
320 325
              
f
 

      
                  
           
f

        

330
    N          
         
  
ff

 335                       
                  
  
 f

               
   
340

     

O
   
            
345

    
ff
 1st Baritone Bb
5

                            
                 
ff

                 350                        
       


              355     

                    
( ff )

                                
        
P
      
                          
360
    

          
         
365 370

  
  
 
ff f p

    
        
      375
       
  
Q

      
  


 380
  
        

(p) poco a poco cresc. (mp)
   
 
R
                 
385 390

  
 
(mf) f

            
f

      395        
 

       400
             405 
 
 
     410               
3 3
      
 
ff

            
415

 

   
S
     420

     
p
 1st Baritone Bb

6
      
425 430

    
p f

  3     
   
3
 
3
           
   
435
3
   
f ff

     3
3 
       3  3   

440
          
            
f


445
  
T
                 
                
ff mf

     
450       
    
       
          
ff


455
                            
 
          
mf ff

460     
                  
   
f

                
                       
465

   

            
           
U
  
470

    
ff mf f

                
475

         
  
 
V

q = 80 Moderato assai
     
   
480 485

         
Horn & Euph

 
q = 90 Moving on
  
    
495 510

           
p cornets

     520     
               
mf ff

2nd Baritone Bb Fantasy-Overture
Romeo & Juliet
 
q = 108 Andante non tanto quassi Moderato

q = 112 Movin

15

          
mp
 mp


   
   
25

            
    
 
p dolce

        
30 35
    
mf p pp

 
B
 A
    
55

       
mp  mp p


dolce

    
65

                    

     70  75   
poco a poco stringendo accelerando

      
p pp mf
mf

   C
   
  
85 90 q = 126 Allegro
   
marcato

  
mp f


q = 108 Molto meno mosso

 

95 105

        
p pp



110
    
s t r i n g e n d o

     
p mp mf f

  
q = 126 Allegro giusto
        
115

  
         
          
mf

      
                             

f


D
     120
 
                            
© 2001 geoff_colmer@hotmail.com (duration
2
2nd Baritone Bb

                
130

                 
mp     

     
                                
     


E
  145       
                
135

       
f f

  

150

                              
f+ ff 
 
                      
( ff )

 
155
      
                                   
f ff

     
                
160 F
          


 
 
                  
165
   
ff

q = 120 Gently, but passionately


G
    
185

         
Muted
   
euphonium p

  

195
                   
  

        
200

        

H
   
205

          
mp
 2nd Baritone Bb 3


210

                      
Open

mf p


230  
 
I J
            
p p

 

255

      
p


 q = 126 Allegro giusto once more
       
K
        

             

mf f

 

                                        
280

p 


285 
                  
  
mf
L
  
                                   
300

f
 p
305

   
                                   


M

     
320

                  
f

   
             
325 330

                  
ff
N
                          
335

  
   f

                         340       
    
O

                  
345

          
ff
4
2nd Baritone Bb


                         
 
          
ff

         
   
                            
 ( ff )

   
                                      
355

        
360

                                   

P          
365

            
  
ff f p

370          
375
 
            
 

     
380

      










  
  p poco a poco cresc.

Q R
 385
     390

            
(mp) (mf) f

 
395 400

           


          
405 410

       
3 3

   
f ff

             
      
415

       

 
S
  420 425

       
p
 2nd Baritone Bb 5


430 435

                
      
ff
mf f

         
440

       

   
f

                     
445 T
           
  
f ff
f

    
    
450
       
     
f ff


455
  460
  
        
                
 ff
f

              
465

                  
f

   
      
                          
  


                    
470 U 475
  
  
ff f

   

480

   
     
          


q = 80 Moderato assai
V
     
  
485

    
   
Horn & Euph


q = 90 Moving on
  
510    

 
cornets

 
               
520

        
ff

mf
1st Trombone Bb Fantasy-Overture Pyotr Ilyitch Tchikovsky

Romeo & Juliet

q = 108 Andante non tanto quassi Moderato
     
5
     
     
mp mf


 
   
10

         
mp

 q = 112 Moving on slightly 25

  
          
poco a poco crescendo mf
mp

      
A
   
30 35

  
mp p
B
   

65

         
mp poco a poco crescendo mf

  70
    75
    
  
mp p

       90q = 126 Allegro

C
         
    

poco a poco stringendo accelerando    f
mf


95
   100

     
q = 108 Molto meno mosso

        
mp

 
 
 
105 110
    
s t r i n g e n d o

   
p pp p mp mf

                  115  
q = 126 Allegro giusto

            
f f mf

               120      

                 
   
f

            125 

D

                  
mf
© 2001 geoff_colmer@hotmail.com (duration
 1st Trombone Bb
2

                  
130
 
   

         
mf

            
          
135

                 
 mf


                     
140
     

            145       
      
E

      
      
f

      
              
     
150

     
ff

                              
155

      
     
f ff

      160      F      
              
ff


   
       
165 170 175

    

         
p

    
180
    
      
pp

G q = 120 Gently, but passionately

    
            
185
 
p

  
H
      
190 205

      
p
 1st Trombone Bb
3
  I
   235
        

p mf p

 
     
240 J
           

    
255 260
   
     
mp mp pp

 
265 270

          

    
K q = 126 Allegro giusto once more

    
    
280
 
mp marcato

      
285
 290
    
          

p mf

      
L

300
     305   
  
p
mp

        
M
         
320

 
mf f

          325
   
      
        


                    
N

      
330

    
ff

              
         
335

   
    
f

      340         

             
   
 1st Trombone Bb
4
O
                         
      
  
345

    
ff

      
            
       
350

     
ff

355   
           

                        


                                     
P
360

    

365     Q  R   390
  

   
mf f

           
395 400

    



                  
405 410

ff

                  
3
415 S 3

   
p

  3    3    3    3    3    3    3    3    3    3 
420

   
(p)


425
  3    3    3    3    3    3    3    3 
 

    
        
    
430

mf f

          
       
435

   
f mf (sub) ff


440         445

           
f f f
 1st Trombone Bb
5

                         
T
 
450

 
ff f

                                
455


   
ff

      
               
460

   
f ff f

                                      
465

    


         470
          
  
U
     
         
ff

             

475 480

          
f f

V

q = 80 Moderato assai
      
485 490

      
   
mp

            
495

  
  
p


          
500 505
       
 

            
510 q = 90 Moving on

    
515

mf

        520    
 
             
ff

2nd Trombone Bb Fantasy-Overture Pyotr Ilyitch Tchikovsky

Romeo & Juliet

q = 108 Andante non tanto quassi Moderato
     
5

           
mp mf


10  
             
mp

   
A

q = 112 Moving on slightly
30

      
mf p pp

  
B
   
70
 
       
baritones mf p

       90 q = 126 Allegro

C
   
      
pp   
poco a poco stringendo accelerando mf f

               

95 q = 108 Molto meno mosso

   

  
100 105

           
mp p


 
110
    
s t r i n g e n d o

    
pp p mp mf f

            
q = 126 Allegro giusto

115
        
              
mf
f

                      
120

               
f


D
           
125
        
mf
         
© 2001 geoff_colmer@hotmail.com (duration
2 2nd Trombone Bb

 
                         
130

     
mf

            
          
135

                

mf

 140

    
 
 
           
 
 
 


 
E
    145    
                   
            
f

    
                        
150

        
ff

                      
155

            
   
f ff

                 F   
160

         
    
ff


  
               
165 170 175

         
p


180

              
pp

G q = 120 Gently, but passionately

  185
             
   
p

  
H

190 205

            
p
 2nd Trombone Bb 3


I
 
235

           
p p mf p

 J 
  
240
              

 255 260

       
     
mp
mp pp

 265 270

  
         


q = 126 Allegro giusto once more
K
    
   
280

      
mp marcato

 
     
    
285 290

         
     
p mf

 
L
   305
           
300

  
mp p

 
M
       
          
320
 
p mf f

             
      
325

 
  

 
f

                     
N
   
330

          
  
ff

        
             
335

      
f

                   
    
340

        
     
4 2nd Trombone Bb
O
                         
      
345

      
ff

    
                        
350

   
ff


                              
355
   
   


360
                   P     
     

         
 


   
       
Q

365 R 390

  
mf f

       
395 400

        

      
    
405 410

        
ff

    
S
          
415

     
3

3

3 3 3

3
 3    3 
3 3
     
420
                            
3 3

(p)

425
  3    3    3    3    3    3    3  
    
 2nd Trombone Bb 5

      
430 435

    
     
   
 
 mf (sub) ff
mf f

   440

                   
f

     
 T
                       
    
ff

                       
450 455

   
f ff

                    
460

   
f ff


                                    
465

                  
470

                    
         

ff


U
  
475
    
           
 f
  f
ff


V

q = 80 Moderato assai
   
480 485

       
         
mp

 490 495

             
    p


500

                      

       
505 510 q = 90 Moving on

        
 mf

 
                      
515 520

  
ff
Bass Trombone Fantasy-Overture
Pyotr Ilyitch Tchikovsky
Romeo & Juliet
q = 108 Andante non tanto quassi Moderato
5
            
     
mp mf

10 
         
      
mp

q = 112 Moving on slightly

 30   A 
      
mf p pp

B         70  
       
baritones mf p

C
    90 q = 126 Allegro
        
pp
     
poco a poco stringendo accelerando mf f

95
 q = 108 Molto meno mosso  100
  
         

mp p

105 s t r i n g e n d o 110
            
pp p mp mf f

115
   q = 126 Allegro giusto
            
  
            
        mf   
f

                        120       
       
f

D 125
           
                
    
mf
© 2001 geoff_colmer@hotmail.com (duration
2 Bass Trombone

      130
 
  
                       
   
mf


                   
135
          
      
mf

140
   
      
 
 
 
      
 
 
 


E    145    
                      

            
f

 150
         
         
        
ff
         
155
  
 
                            
      
f ff

160 F
                        
            
ff

165  180
             

pp

G q = 120 Gently, but passionately

185
  

                  
p
H
190  205
              
p mf

210  I 235
        
     
p mp p
mf

         
  

240 J 
     
     
 Bass Trombone 3

  255
  
         
p mp p mp

260 265
 
pp          

q = 126 Allegro giusto once more

270 K  280
    
  p
   

285  290     

                 

p p mf

L
 300  305
           
      p
p
M
      320
 
           
p mf f    
325
            
                  
 
330
 N
         
                         
ff

335
      
                                 
f      

340
       
                             
  ff
O
345   
         
         
ff

       350 
            
        
4 Bass Trombone
355
      
    

 
   
 
   
 

ff
                ff

  360
        
                             
 

       P     365 
                   
 

Q R
380 385 390
       
      
p poco a poco cresc. f
mf

 395 400
     
      

405 410
     
        
(f) ff

415 S
          3    3 
   
p

420 3
     3    3    3    3    3    3    3    3    3     

(p)

425 3 3 3
     3        3    3            3    3 


430 435
              
         
f mf (sub) ff
mf

             
  

440 
  
       
f
 Bass Trombone 5
T 450
                  
             
ff f

455
   
                       
ff

460
  
  

                   
f ff f

465     
                
             
  

U
   470
                           
    
ff

475
    
480  
 
         
    
f f

q = 80 Moderato assai
V
485   495
       
    
p
mp  

500
   
                    

505 510 q = 90 Moving on

   
           
 
mf

515 520 
  
                    
ff
   
Euphonium Bb Fantasy-Overture
Pyotr Ilyitch Tchikovsky
Romeo & Juliet
q = 108 Andante non

 
tanto quassi Moderato q = 112 Moving on slightly

  a1 (one only) 25

 
       
mp poco a poco crescendo mf

 a2 30 35

          
p

 
A
          
40

             
 
  
p 
 sim        45    
 
            
                  

       a1    
50
                 
   

 
mf p (sub.)

     B

 
65

       
a1
   
  mp
poco a poco crescendo
mf

 a2 70 75

      
p
  pp
 

 
 a1        
marcato

80

     
a2 C

mp poco a poco stringendo accelerando mp

  
q = 108 Molto meno mosso

                 
 
90 q = 126 Allegro 95



100

       
p
 pp

© 2001 geoff_colmer@hotmail.com (duration
2 Euphonium Bb

105 
s t r i n g e n d o

     
110
     
pp
  p
  mp
  mf
 f


q = 126 Allegro giusto

   
                               
115

f mf

      
                 
120
 
   
f ff

           
125
 D
               
      
mf

 div.   

                       
     
mp  
    

         

 
         
                       
            
130

      

   
        
     
135 a2

            
mf

           
                 
     
140

       

       E
   
    
                  
     
f

145                                  
             
ff

  
 
150

           
          
 


   
                               
( ff ) f
 3
      
Euphonium Bb
 

155
         
              
f fff

        
F
   
160

             
         
 
ff

          
165

         
a1
  
 p    

q = 120 Gently, but passionately

  
G
  
170 185
          
     
a1

mf espr.

     
H

    
190 205 3

         
a2


p mp

      215          
        
a1


mp

     220                 

225

 
a1

mp

 
I
                  

230

                
  235
   240   

mf mp

         

J
   
mp
  

 

255 260

      
    p
p mp p
4 Euphonium Bb
K q = 126 Allegro giusto once more

 275

  
     
p
           
mf f

                 
280

          
  

p

                  
                    
p


285  295

                   











p

L
 300
       
     

     
  
   mf  
f

                
               
    p
p

             


305 315

                      
p  
M
 
320

                             
       
f

        
325

          

    
       
f

N
  
                
330

  
     
ff
   

    
335

    
                    
f   

  
                  
340

    

 
        
 Euphonium Bb 5
O
   
              
345

     
ff
           

                                   
            

                           

350

       
     


 
                             

355

 
ff ff

     
360

                   
   
fff


P

mf p
        
365 div.
      
3

              
3

 
ff f
3 3


370
 
3 3 3 3
            
3 3 3 3

       
3 3 3 3 3 3 3 3

 3 3 3 3
                                  
3 3

 
3
     
3
3 3 3 3


375

3

3 3 3 3 3 3
                                     
3 3

        
3 3 3 3 3 3 3

3
 3
380
3 3 3 3

                           
         
3


3 3 3 3 poco a poco cresc. 3

Q
 3 3 3 3 3 3

                                      
     
3 3 3 (mp) 3 3 3
6 Euphonium Bb

R 3
 3 3 a2

385 3

                                     
  
(mf) mf
3 3

    390             
   
            
3 3 3

          395              
 


400
             405      
 

       
      3   3     
                        
410


ff

                 
         
415

                       
p

S  a1         
3

420
          
3 3
 
a2
     
mf
p mf

      
3

3  

425 a2
    
      
a1 3

   
mf p mf

    
430
      
     
    
 
 
   
mf f

       
      
3
  
3
   
435
 
3 3 3 3 3 3

              
mf ff
 Euphonium Bb 7

   
440
    3
3 
         3 
3

              
        

 T
                     
445

           
   
ff

                          
               
450

mf
ff


   
          
455

   
                    
mf
460
 
                       
 
          
  
ff f  

               

            
465

    


               
 
470
 
                         

   
ff


U
       
                   
475

              

ff f ff mf f
f

  
             
      
 f
mf

         
480

             
pp
8 Euphonium Bb

q = 80 Moderato assai
V
   
485 490

         
a1
       
mf

  510
q = 90 Moving on

               
a2

 
mf


515

         
 


520 
            
ff
       
Bass Eb Fantasy-Overture
Romeo & Juliet
 
q = 108 Andante non tanto quassi Moderato
15

         
p p

  q = 112 Moving on slightly

20 25

    
       
pp

 30 35

      
    
pp
mf p

   
          
A
      
40
   
sim

 
                
p 

          
45

  
 mp
     
    
mf

  
     
50 55
        
a1 a2
           
p p


B
 

60 65
           
p
p
mf p

   
70 pp 75


        


C
  

90 q = 126 Allegro

poco a poco stringendo accelerando

          
mp f

 95 100
    
q = 108 Molto meno mosso
       
 p  pp

 105 s t r i n g e n d o 110

         
   pp 
 p 
   
mp mf
© 2001 geoff_colmer@hotmail.com (duration
2 Bass Eb


   
q = 126 Allegro giusto 115
            
f
                     
f mf

      
                        


 f


D 
   
120

          
               

 130
 
                     

mf         

   

       
                       
135

    
E
              
145
        
f
     

 
 
150

           
      
   
    
  ff        

 155
   
             
            
           
f


            
160

 

  


ff
               
F

165

                    
  ff p


170 175

            
pp pp

 180

                    
 q = 120 Gently, but passionately Bass Eb 3
G
 

185 190
             
a1
    
p  

H
 205
               
a1
   p mf

 
210  215 220

     
a2
      
p




225 230

          
I
 235

     
       
mf p

J

240 245

     
 
 pp
      

 

250 255

     
      
mp p mp

 260  
       
p
 pp


 270

             
   p

 275 
K q = 126 Allegro giusto once more

                   
p mf f

                      
280

  
a1
    
   p

 
   
285

     





   

 
4 Bass Eb
L

                   
300


a2
  
       
mf f

 
             
305
    
a1

       

p

M
320

  
    
   
    
  
f
        
325
      
      
    
   
 
  
    f

 
330
 N
 
                            
ff
  
335

                              
      
f      
340

                               
  ff
O
        
345

               


       
   

   
350

          
    
 

 

  ff          

                         
355

  
          
   

 
                                  
360


P
  
        
365

              
  
f mf
 Bass Eb 5


Q  R 3 3   390

    
3

mf
   f
    


395 400

              


405 410

          
ff
     

 415 420

       
S
       
p


425

            
   p
     

 
430 435

     

      
 ff
f


440
    
445

T

      
 mf f f      
ff


450

    
                
      
   
f
ff

    
455

    
           
 
          

 460

    
 
f    
ff
6 Bass Eb

      
465

  

                   
f


        
470

                                    

ff

       
U
475

                 
       
f ff f

  
        
480

     

   
     
 
f

V q = 80 Moderato assai

 

485

   

  
   
pp

  

    
       
Horn & Euph


510 q = 90 Moving on 515

               
  
mf

 
         
520

       
  
  ff 
 Bass Bb Fantasy-Overture
Romeo & Juliet

q = 108 Andante non tanto quassi Moderato

 15

  
   

p
 

  20
 q = 112 Moving on slightly 25

         

p pp  
  

30

 
    pp
 
mf p


A
           

sim 45
       
    
p   
   
 
    a1  

                   
     
mp mf p (sub.)


50 55 
   




      p
    
B


60 65

           
p
p

   

70

      
p pp
mf


poco a poco

 
stringendo accelerando


C 90

  
q = 126 Allegro

      
mp
         
f



95 q = 108 Molto meno mosso 100

     
   p
    
© 2001 geoff_colmer@hotmail.com (duration
2 Bass Bb


s t r i n g e n d o


105 110
        
     p  mp   mf  
pp pp


     115      
q = 126 Allegro giusto
   
                     
f  f mf

     
                                    
 
f


D
  
                       
120

     
mf

        

                           
130
 


   
             
135 E
          

            
f

  

                 
145 150

             
       ff

155
       
                                   
f

   
                               
   
ff

   
F
                       
160 165
 
 ff
    
 Bass Bb 3

 170 175

     
p
   pp
     


180

 
                   
pp

G q = 120 Gently, but passionately

  185

            
a1

      
p
 

 
H
   
190 205
      
a2

  p 
  

 215 220

      
      
  p 

 225

              
          
I

 
230 235
          
        
mp mf p



240
       
    
    
  pp

 J 245 250

    
        
pp
         
  

255 260

   

   


    
mp   
mp p
p

 

270

           
   
pp
   
4 Bass Bb
K

q = 126 Allegro giusto once more 275

  
     
p
           
mf f

  
280

    
                   
a1

  
p    



      
285

       
a1

     
   p

L

295 300
     
                
a2
   
     
mf f


305

                       
a1

  p          




315

                     
a1

p        
M
 a2 320
             
                   
 f

      
325

                    
  

f    


N

330

 
   
    
       

            
ff   
  
                                
335

f  

  
                   
340

   
      
 Bass Bb 5
O
      
        
345

      
ff
         

      
     
350

              
   
     ff

       
                                   
355

   
                               
360

   
P
 
365

                      
        


 Q 
           

f mf
R

3

     
3 390

  
3

3 3

   
mf  
    f
  

395 400

    
          


405 410

        
       
ff

 S
415 420

   
     
       
p


425

             
          
p

 430 435

      
   
  ff
f

 440

     
   
 
mf
6 Bass Bb

 445 T
                   
      
  
f ff
f

450

455

  
                      
f ff

  460

              
        
f ff

 
                  
465

                
f

     470
                                   
 
ff  


U 475

          
    
 
 ff
 
f

 
480

                      
f        
V
  485 q = 80 Moderato assai
     

                 
p 
pp


490

                      





495  510 q = 90 Moving on

   
            
mf   

515  
 
     


 520 
            
       
ff 
Timpani

Fantasy-Overture
Romeo & Juliet
q = 108 Andante non tanto quassi Moderato
A B
   

         
     
baritones
baritones

poco a poco stringendo accelerando

 PLAY 80
         
        
ppp
C q = 126 Allegro
85 90
       
         
(ppp) f

q = 108 Molto meno mosso

95
    
         


 
  
p

q = 126 Allegro giusto

 115  120


                  
f
f
D
 135          
       
    
         
soprano + solo crt
E
PLAY 145
                          
f
        

 150
    
 


                      
ff

155
                           
      
f ff
F q = 120 Gently, but passionately
160  G 185
          
                  
euphonium
205 H I solo crts & sop  235
  
         
         
   
© 2001 geoff_colmer@hotmail.com (duration
2 Timpani q = 126 Allegro giusto once more
 J

  270
 
K 
      
baritone
L M N
300
              320 bass end  
              
bass end

335 PLAY  
   
                                     
f

340
   
                          
  ff
O
345 350 
                     
         
355
 

                            
ff

360
                             
      
365 P  Q 
                     
     
   
R  405 410
      
          
mf f

 S  425   435
   

        
mf
f
T  455

   
 
   
              
ff ff


                       
  f
 
465
 
                               
    
 Timpani 3

U
470
                         
     
     
ff ff

V q = 80 Moderato assai
475  485
 3 3 3 3
                        
f
   p
f pp

3 3 3 3 3 3 3 3 3 3 3 3
                                            

490
3 3 3 3 3 3 3 3 3 3 3 3

                                           

3 3 3 3 3 3 3 3
  
                                

q = 90 Moving on
495  510   
      
cornets

 PLAY
  520
 
  
    
p ff
Bass drum
Cym, Triangle

q = 108 Andante non tanto quassi Moderato q = 112 Moving on slightly A

  
 

© 2001 geoff_colmer@hotmail.com (duration

B C
  


q = 126 Allegro giusto

  


 120 D  E
Bass drum       
  
Cymb.          

 f    
Triangle  
         
f 
   

 145  150
  
      
  ff
                  
         ff
     

  155 
          
  

    

  

 
       
ff
  
 Bass drum, cymb & triangle
2
G Love theme H
 160
 F   205 

 ff        
   
   
   
      
I J K q = 126 Allegro giusto once more
  
 L M N
 300  320  330
      335
   
BD   ff
  f
 
Cm           
ff
 
Tri       

                     340        
      
      
      
O
345
            
   ff   
                   
       
ff
      

 350     ff 355
           


            

  


ff
    

      

     360
 
     

        
  
         
ff    
P Q
 365  

           
    
   
 
   
 Bass drum, cymb & triangle
3
R S
 415 


f
         
     
 
        
 
        

T
 425  ff 
BD         
 ff 
Cm         
 
Tri         
 
f

455  460
 ff
               
  

       

         

ff 


f 465
                       
f
     
                       
     
      

U
          470 
        

        ff 
                     

     
    

q = 80 Moderato assai
V
 485  510
    
 q = 90 Moving on
    

                    
mf
       

 515 
      
       

                      
      
 Pyotr Ilyitch Tchikovsky
Glockenspiel Fantasy-Overture
Vibraphone
(if no Vib then cue on Glock) Romeo & Juliet

      
q = 108 Andante non tanto quassi Moderato

q = 112 Moving on slightly
 PLAY
Glock     
    
Vib.       
baritones

 
    
mf

   
   
       
30

    
p
 
pp
    
mp

         
 
   

p
pp

  
A B
  
   
 70

   

  
mp
  
     
baritones

       

 
mf

   
    

p

  
   
   
 
p  pp 

   
C q = 126 Allegro
q = 108 Molto meno mosso
     
 
90


pp

      
  
 

q = 126 Allegro giusto

   D  
    
  

basses & trombones

  

   
     


© 2001 geoff_colmer@hotmail.com (duration

2 Glockenspiel & Vibraphone

 
E
   135  
 
 
        
  
        
soprano + solo crt


F G
 
  185

      
 
q = 120 Gently, but passionately

     
      
euphonium 

  
H
            

PLAY 205 210

  
  
p mf
 
         

p 
mf
 
I
       
235
 

 
solo crts & sop

p
      
     
 
 
     
    

  
J
  
PLAY
                   
 245


   
pp

                    

pp

       250                  
 
                    
    

  
255 260

                       

                        
 Glockenspiel & Vibraphone 3

     
265

     
          
    

                

  

270

   
          
 
               

  
K L M
 
 300 320

   
  
q = 126 Allegro giusto once more

  bass end bass end

 
        

          

  
N O
 

 345

  

  
   
bass end
   
          


P
  365 PLAY
    
Q
      
      poco a poco cresc.

 
mp
       
   
solo crts


R
                 
 385

     
(mf) f

     

  
f
4 Glockenspiel & Vibraphone

 
S T
 
 425

    

      
      

  

band

 
U V q = 80 Moderato assai
  

485

       

  
  
Horn & Euph
   
  
     
       

    510
q = 90 Moving on
   
PLAY mf
   
 
 
  

 
 
  


  
                 
mf
   

 


        
     
515

      
  
 
   
            
     