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Masters of Russian Song (c1917) (Vol 2)
Masters of Russian Song (c1917) (Vol 2)
Masters of Russian Song (c1917) (Vol 2)
8
MASTERS OF
)P^USSl5f
RUSSIAN SONGS
SONGS.
1/ J4.50 + M
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The Newark
Public Library
Aator,
The Branch
Libraries
MY
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CALENDAR DAY:
Adult books ili4 Juvenile books 5^
Recordings 10^
Form #0709
MASTERS OF
RUSSIAN SONG
Collected and Edited by
KURT SCHINDLER
The English versions by George Harris, Jr.
Deems Taylor, Sigmund Spaeth and Kurt Schindler
,
I.
volume
G.
SCHIRMER.
INC..
NEW YORK
,f
5?
MASTERS OF
RUSSIAN SONG
Collected and Edited by
KURT SCHINDLER
The English versions by George Harris, Jr.
Deems Taylor, Sigmund Spaeth and Kurt Schindler
<
Vol.
I.
II.
G.
SCHIRMER.
INC.,
NEW YORK
Printed in the U.
S.
A.
PREFACE
"Now
'tis
to
Russian song!
And washed
These opening words
of the collection.
song in the
art thou
clean!"
Great, gigantic has been the development, the forward stride of Russian
last century;
all
all
long-enslaved, highly-gifted people, have been released from bondage and found
outlet in music
tive world
music
and awakened
its
Russian music
preceded
fetters of
in its
when the
thrilled
new messages.
1917,
its
hope,
it
their
bondage
fulfilled in
fell
by the supreme
will of the
"Now
'tis
to
Russian song!
self:
Brought from desert places, thou art white with snow and rain.
Thou
art risen
from
Thou
art risen
the ashes of
In whirls of snow!"
How much
what misery and agony of centuries, have gone into the making
Oppression has moulded Russian hearts and penetrated to their deepest
suffering,
of Russian song
The narrow
vii )
Preface
viii
their soul;
whose wealth
come
it is
to be the
of tyranny,
Thus
impossible to measure.
main
grew
in their hearts
soulfulness
a garden of folk-song,
and profound
sincerity
have
Their composers have often, and very happily, had recourse to the folk-song treasures
of Russia; in fact, the
work
of Balakireff,
is,
to a
again,
works of
towards
it,
It
is
leaning
to appreciate the homogeneity of Russian music in the last century; these composers were
fortunate enough to build their work as on a rock, because they were united by the high
ideal of creating
a national
This development
is
many
new
factions
paths,
and
schools,
(d.
of
of neo-French,
some
are
of neo-
this little
book
it
been easy to cull interesting specimens from the works of Medtner, Vassilenko, Taneieff
(d. 1915), Gliere,
be
it
of
frankly stated
Aryensky and
being
mostly
shallow and sugary, and smacking of "parlor-music," they hardly deserve a place beside
And
the Petrograd Conservatory, has written comparatively few songs, which do not rank
of song,
restricted to the
two acknowledged
popularity in Russia, and whose names already loom large on American concert-programs.
The major
is
To
responsibility.
finest,
choose
3,
making
if
Muse
first
this
are
In later years
Preface
ing
else.
scores!
ix
will
demonstrate
from
his
"Snyegourotchka"
(Little
Snowflake)
"A Century
of Russian
movement
He was
will
draw attention to
spirit of
this
The
Five, which comprised Moussorgsky, Borodinc, Cul and Rimsky-Korsakoff, and though
his legacy
be
less
voluminous and
may
(to
of
some
of his disciples,
we have
and thought
full of
the sweet essences of Asia, which give a special fragrance to this Caucasian's work,
included; while the
name
of Cesar Cui
^The
is
is
and most
special
word
of explanation
The
fact
is,
that almost
American
all
translations.
English-speaking countries, and that they are available in appropriate
To the few songs which heretofore had been undeservedly neglected, because not as yet
"By the Window," with its charming, subtle fragrance and noble,
The Duo from "Romeo and Juliet" contains the melodic substance
enthusiastic swing.
of Tchaikovsky's like-named
(as I
then, which
is
as yet completely
unknown
in
America,
will give to
many
This duet,
the longed-for
it will
become a
time.
In order that the musical public should have a correct evaluation and the right sense of
chronological distance toward
a few
facts
must be borne
in
all
mind, which
may
now
be mentioned here.
The
first
great com-
27750
Preface
X
Anton Rubinstein
the
sallied forth
on
Balakireff's circle
came
five
dream
of
an advanced age, continued their work, with unflagging zeal and inspiration,
after the death of the others, until well into the twentieth century (Rimsky died in 1908,
living to
Balakireff in 1910).
whom
two most
gifted in the
domain
of song are
still
living
The
known
aristocratic family;
and a
spirit of
comes
of
an old
minded aloofness give the stamp to his work. He is closer to Tchaikovsky than any other
modern Russian, and holds the work of the older master in almost fanatical reverence.
From
the pages of his lyrics speaks a deep love for the nature of the Russian countryside,
which
may
of the soil,
uncommon
he
in fact
in
classical ideal of
what a com-
and outside
echo.
heart,
of Russia;
no
not vanishing, a fact attested by his inspired choral creations for the Russian
liturgical service.
and
is
of the
live strong in
is
greatest
many
Russian music
are revealed: the folk-song element, the deep sense for nature, the wild strains of melan-
choly and the subtle, soothing dreams of Asia and the Orient.
The long-drawn-out
in
Rachmaninoff's
last
is
a very free
fji^
Mm
^r
Mus
10%.7g7y'xi
p
,
rreiace
Little-Russian rhythms
affiliated
Mazurka pervade the "Love-Song of Oxana," the village beauty of the Ukraine.
and the boundless longing
strains,
of the
Wild
"My
Native Land;"
while the glowing treasures of the imaginative Russian fairy tale are displayed in such
Maid and
Here
and emeralds;
agination
is
is
all
all is a-glitter
Asiatic borders
much
that
is
dream
of the
most picturesque and exotic treasures. The strains of the mountain-folk of the Caucasus,
the Grusenlans and Armenians, the chants of the conglomerate races of Turkestan, the
miniature imagery of Persia,
in
many
of
all
much
Romance" and
fair
his
of the
itself, like
And
so in
many
songs of Russia
Rimsky's "Eastern
its
characteristic contrast
major key of the accompaniment and the minor strains of the chant), and the same composer's "Songs of Grusia"
these four songs transplant the listener vividly under the blue
its placid,
in its
its
perfume-laden
air.
Boro-
realm of the "Arabian Nights" (note the small compass of the melody, a characteristic
of
Arabian song!); and Rimsky's Air of the Fairy Queen, from his grotesque exotic opera
Russian
Pushkin,
Alexis
Lermontoff,
all
Tolstoi",
Mey,
Koltsoff,
these
are
of the
and
their poetry,
tors, Messrs.
to translate
charm
of these songs
in this
of
Balmont,
Tyutcheff,
by one or more
lyrics
Russian
meaning
of
Jr.,
is
Deems
them
poetry:
Mereshkovsky,
in
Tolstoi's
"Wounded
the
present
Birch."
George Harris,
tlie
Much
Nikitin,
represented
in
them
in
made
as
and
my collabora-
character.
27750
kv-..i ..
at.
^^iK ^<f fir
PBOTOBMHQAIW
ISW 'im. f^Ut mV.fM POR THE
.-. > ...Mbii
Index of Titles
Arabian Melody.
As Fair
By
the
Call of
Is
(Any
A. Borodine
voice)
Window.
(Soprano, Tenor)
Freedom (The).
(Soprano, Tenor)
Hymn
to the Sun.
In Silent Woods.
Isle (The).
All.
(Baritone)
(Coloratura Soprano)
(Soprano, Tenor)
(Tenor, Soprano)
Eastern Romance.
"To
(Baritone,
Risen (The).
Native Land.
Romeo and
(Baritone,
(Soprano, Tenor)
(Soprano, Mezzo, Tenor)
2T7SO
Birch (The).
(Tenor)
(Soprano)
of the Bride.
Wounded
Mezzo)
(Soprano, Tenor)
Song (The)
Balakireff
95
9
6
N. Rimsky- Korsakoff
43
A. T. Gretchaninoff
80
N. Rimsky-Korsakoff
60
S.
Rachmaninoff
90
N. Rimsky-Korsakoff
86
N. Rimsky-Korsakoff
44
Rachmaninoff
Balakireff
Rachmaninoff
82
3
88
(Contralto,
(Coloratura Soprano)
Juliet.
Tchaikovsky
N. Rimsky-Korsakoff
My
I.
S.
Mezzo)
Mezzo, Baritone)
Is
P.
M.
(Tenor)
Lord
Rachmaninoff
S.
(Tenor)
Russia".
S.
M.
(Tenor)
(Baritone)
68
(Lyric Soprano)
(Tenor)
(Soprano, Tenor)
S.
Rachmaninoff
58
103
N. Rimsky-Korsakoff
47
A. T. Gretchaninoff
78
A. T. Gretchaninoff
72
N. Rimsky-Korsakoff
53
P.
12
I.
Tchaikovsky
N. Rimsky-Korsakoff
S.
Rachmaninoff
N. Rimsky-Korsakoff
62
92
61
Rachmaninoff
98
A. T. Gretchaninoff
76
S.
(xiv)
fair is
S.
Rachmaninoff
95
N. RiMSKY-KoRSAKOFF
62
A. T. Gretchaninoff
TO
A. BORODINE
68
N. RiMSKY-KoRSAKOFF
47
lies
S.
Rachmaninoff
88
all
S.
Rachmaninoff
90
Blue
the ocean
is
wounded
By
the hatchet
Do
N. Rimsky-Korsakoff
61
Homeland mine,
A. T. Gretchaninoff
78
N. Rimsky-Korsakoff
58
Tchaikovsky
12
N. Rimsky-Korsakoff
53
my
native land
Love,
Now
'tis
P.
singing
lies
Sing not,
my
The Lord
its
now
darling, sleep,
maid
S.
my
Rachmaninoff
A. T. Gretchaninoff
solitude
fair Circassian
S.
silent night
the steppe in
I.
M. Balakireff
Oh, in the
Sad
is
No,
'tis
starling
82
72
98
N. Rimsky-Korsakoff
44
A. T. Gretchaninoff
80
S.
is ris'n
Rachmaninoff
Rachmaninoff
103
N. Rimsky-Korsakoff
50
N. Rimsky-Korsakoff
42
To me
N. Rimsky-Korsakoff
36
To my
sorrow
To
window
The
rose has
the
I fell in
him
S.
P.
rushed
love with
Rachmaninoff
I.
Tchaikovsky
M. Balakireff
(xv)
92
-."
INVOCATION
To Russia
Poem by
L.
(Zapyevka)
Mey
Music by
Eng"lish version by
Geo. Harris, Jr.
Mili Balakireff
Andante
Voice
^
V
(J = 58)
pl
Now
quasi Obo
Piano
^m
I
pp
5^=5
^^
'
quer-ing and
fii
Song of
r
hap
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Song
plen-ti-ful!
^p
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of
cit-ies
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great, of
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ing-
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in_ the
Rus
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rit.
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blood and tears bap
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tized
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time
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for
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Rus-sian song!
Not
M*
p
lone
I*
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hast
m ^
i
Ji-
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Jv
,M
thou ma-tured
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glo-rious
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and
rain,
m n^
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Thou
fc
j^
ff
ash-es
of
i'
our
I>
burn
ing
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i^>
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homes, Thou
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I
art
poco agitato
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A^
^^
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ii
agitato
II
J:
pooo
fe
P^^
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Brought from
self-.
mfP^f^ ^ pooo
des-ert plac-es,
JM
ii
art
poco a poco
frff
Lf
tt
^
ris-en
Adag-io
^^^^
from our dark
up
rit.
fc
,*
^i
P
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pp
E=5
In
whirls
^^
of snow!
^'
The
li
(*'Mnye
Poem by
Freedom
Call of
molodsii razoodalomu>)
Koltsoff
Music by
English version by
Geo. Harris, Jr., and Kurt Schindler
Mill Balakireff
Allegretto
P.
Voice
am_
I,
Piano
41
Long
to
fcxjt
.^0
roam
and_ rove,_
^^ m
^^
my_ youth
^ J
^ JI^ ^
r=T
p
J'
4 Nev
er
P
was
^LfT
^2
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^
I
made
For
to
till
Lr
^cir r^
=s
^1
Jl
^ #
J'
For
J^
to
J^
'
r'
.hi
thrash the_grain,
J jij
5^
the stove.
s^r
and sow,_
i>
by
I ia^i
Loung-ing
^^^
^
For
^ j
to
i
reap
^/
and_mow,
^p
i
1^
to
p r
my need
But
and
Had
bold!
P/
7
^^
stur
i1
p-
so young-
I,
^S
F energico
J^
woods
r.
And a
dy steed
E3=
f=
2
-
ger bright
^^
PPP
by
night!
^2
i
dag-
And dark
^^
A.
VP
1^^
is
'
,y
;.
>b^=
^^
'
.,'ii
iii
n^ulij
*
jooeo
rzY.
a tempo
^^ S
?<
5=
277S0
Then
mount
I'd
J^
J'
Sword
in
^
my_
Don
horse,
\\
hand
I'd
'-t-
rove
my
Cos
^^^
Far
iS
from
care
sack_ dress,.
and_
stress;
&-'
^
a
I,
f poco
^m ^
brave
young
lad,
OJ iJiJ
Known
27730
r\
a^
o tempo
J^
f poco
allarg.
lb
J'
>
'^
mif.
allarg.
i a
'^
^-
jJ
p-|gF
^
Pi^
By
the
Window
("Rastvoril ya okn6>0
Poem by
Deems
K. R.
Music by
Engrlish version by
Taylor and Kurt Schindler
Allegro
Voice
CE
^^
1^
^^ii^pF
m"f
Piano
m m ^^p ^
!>
^f /i'^ppprTo thewin-dow
rushed,
and
sank
to
ly^'i'-i'
r-
iJ-'J'pp
my
And
knees,
I:
^
pow
<
-
er;
>
^j
mJ'PP
And
I felt
^
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i'
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ij
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And the
liCJI
10
it
^' ^'
p p
;?
i'J^
j^
came the
r-
night-
-<Sgn
i:
hj)j^i'j^
And
night-in-gale's song,
^^ ^^
tn^
dolce
r-
^
r
ii
^f
^
m
^^
J^
scent of the
j.
lis-ten'd
j^i'
ing;
Z.
y=
h ff
P?P
voice
his
rit.
^r
made me
Brought the
long,.
^
"/
ffi
te
al i*
Tr
'J:
^J^
^^
mem-'ries
of
^
child
J'
-
i'
hood
'
i'
re
f
turn
I
i'
^t^
17760
i'
w?^ Tempo
7
*?
^^
For
ing.
he
i'
-&-
11
4^
"p
lip
sang
like
the
1?
bird
that
ft
ll^
^P
"P
me
fate sent
r
forth
^^ Pj.J^pV^P
in
a rav-ish-ing
Tempo
r^
flow
"
p
knew
?=;z=F=
as
z^
va
^
On
p^^
a
long
P "^ ^p
When he pour'd
^^m
Ere
go,
grant,
li-lac
r\
fra
my
rit.
so
grant
^
/:>
h=Sm
a^^
27750
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DJ>'cJ-
cU
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*/
**
Romeo and
(Romeo
Juliet
Julietta)
DUET
for
S.Taneieff
IMTRODUCTIOM*
Andante non
tanto, quasi
moderato
Piano
Horn
II
**
Allegro giusto
espress
Horns
III
& IV
* This IntroductioQ, constructed with themes from the Overture (of the same name)amd from the Dnet,was written by
For scenic performance, Curtain here. Juliet's room. Daybreak. Romeo and Juliet seated by the window.
Copyright, 1917, by G. Schirmer, Inc.
S7750
Copyright renewed, 1945, by G. Schirmer, Inc.
Printed in the U.S.A.
Tan^'ieff.
13
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Si ^
^^
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Si
Fl.
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I
i
Cl.Solo
Brt&EEtSEE^EiiE*S^^F
cresc.
Horn
I.II
Horn
bo
1
,
^
'f
Fl.I. in 8've c ol
3^
^^
Andante
i*
t>
(J
1^
^'
^f
^~^
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Oboe
Viol.
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Bssn.I
irn^
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m^
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Z^
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III
TT
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m:
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Bass
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14
Duet
Ilistesso
tempo
t=H=^
'tis
Love,
^
I^istesso
Juliet
nqt
f
night-in
the
day,
gale
is
sing
ing;
tempo
strings
^Sl
no fear-ful.
then be not
Night
Romeo
.P
i^
'^->
fy
cresc.
')\
gale.
m^
P-
Clar.
Eng.Horn
Horn I
^i
/>oco cresc.
I r^^
I.
^^^
'
it
*
No,
^
iir
h f^
*
Tchaikovsky's own sketch
was partly missing.
277S0
f=T
^^
^^
the night-in
is
nf
ff
5Et
w^^
J)
ly she sings on
J>
ft
^^^
tf^^f
beg^ins here. In this sketch the vocal parts were minutely written out, but the
accompaniment
Ia
:;22:
and
ind not
th
he
not
lark,
the
lark!
VI
dim.
721
i
a
no,
gale,
kr
m
m
^
the
'tis
las.
^^^
-^'
dim.
gale
16
S^
Horn
;;a
l5;=C
lark!
Cl.II
m^
3^3
CI.
No,
3 ^
^3
*f-
Bass pisz.
iiM
'tis
the
her
the
lark,
fca
aid
of
the
morn
ing;
dolce
P^
ii.J^i
^^
i ^
Bssn.I
rn
Bssn.II
JT]
Horn
II
A.
nrzi
"f
r^
4r
\f
rfm.
i^
p
No,
^^'p
the night
K
is
end
^^
U'
'tis
J^
p
thenight4n- gale!
(2_
ed.
No,
FI.I.II
3orns
i'
'^IfDiz^
s T^
J:
ESC
i
Eng.Horn
JP^
^
f377-f
.
27760
TSS row
TOM
PUBLIC LIBRARY
16
'tis
S7750
poco
cresc.
(
I
the
m
^
lark,
the
-H^"-M
her- aid
of
the
morn
ing,
17
im
lark!
P5
;^
hat
en
vious
streaks
^^
lE^
Do
there
marcato
Horn
Solo
a"^
'
'Cello
&
Jj
A^
cresc.
^m
^
^^p^
poeo
lace
the
i-]
Bass
pizz
i
t
p=gder
|^yon
in
sev-'ring clouds.
must
East!
be
Oboe
_^
Kn g -Hofg-
^
gone,
f
27750
<//w.
P"
for
death
PP
a-waits
my
stay
ing.
18
>
P
The
_
i'
J'
p
jo
^^-^-^L
moun
ij
love,
the
tain tops,
Violas
J)ii^
gone,
ai
^iiiiiji^^ gfj
27750
the
for death a
Sl^:^^r?r^
waits
my
E
stay
ing.
-J -" ~T ~M
^ ^
n ~* r1
n ~*
rj r| rj
rS r;
"< ~<
:i
~:^
::i
::;
-^
19
^ ^
^
cresc.
,
me-teor of the
night
shines like a
torch
on thy
my
way,
love;
animando
/>oeo
*
a
ji;ooo
<?;ie*c.
Eng.Horn
^^
*
'Celli
Dasil div.
87760
then
20
ii
iH^i
* *
*
J
'"="
Tlmp.
AUePTO
^
gpF^
pfiusto
espress.
be-
Ah,
=^=y
^^^
^
J)
j) .J)
it
so,
then
r?
death
>
is
wel
come!
espress.
Allegro giusto
,1
P%
r--r
^
9-^
pp
Cl.I.II
H a rp/ - gl
""'.e.'LVi
mn
^*
Bssn.II
Cello
&
BasB
pizz.
i*
I'b
f
lov
ed!
i^
t*
?
Yes,
i^^A
27750
nJ
^
'tis
true,
yon grey
is
MiJ)ir
Yon
^^^g M
f=ff
j:
light
r
is
-p
not
the
^5^
^^
^^
There singsthe night
i^
I
Uhr^^r^
'Tis true,
daj'!
^T^i
in-gale!
hear
night
it!
rmi
^G
^'
of rap-ture,
t4^ -^
T^v^^s ^^ ^ai
^P ^m
^^^^
J^JJ-
i-
-i
j^
cresc.
*^ #
hide us yet!
^^\K
hJ
'H
Then wel-come
^^
am
con-tent!
^
r
death,
night,
night of
love!
^ ^m Vi ^
T^i
T^U
UU
UU
mi
m^
^^
h\K
^>
^^'\K
lEEEi
i.p
'
>_P
nri4J *
gj
'
ti
"i
Bssn.
B&S9
87750
pizz.
te'
j-
22
i^
r
love,
^^
if p
thou must not
stay,,
yet
be
^^
m
g
""^f^i
^M
^
f^^
Faith-ful
gone,.
stay,
night,
i
-e-
tea
^^
xn
"xr
"O"
(C)S
f^
Piu mosso
=^:fe
fF=^
it
\\^
?
^^^^m
the dawnl
'tis
Ah,
rY.
ia
our
love!
Pill
mosso
./'"^-^
*"
'"''^
'"*
Tlmp. -ff
Bass
r\
W"
know
dim.
it!
r\
1S2
E
Yon
ttr
^
^7750
te
I
BES
H:
r
light
is
not
^
^ ^
the
i
^
i
'
day,
r\n
r
no,
no!
Love,
s
f
P
/T^
23
Andante
p dolce
^m
'tis
not day,
the
^m
i>^
f
night-in-gale
is
sing
Then be not
ing.
fear
ful.
Andante
^
dim.
No,
fTTJ^-^
not the night-in
gale.
Night
ly
she sings
on
%dS.
mf
No,
poco
"^m
27750
^'
r^
cresc.
'
P
it
IS
^^
^^
the night-in
2i
*
i
^^
^^
and not
gale
the
^ ^
the
'tis
las,
lark!
No,
dim.
lark.
^^i
;^
'i
mf
i
no,
gale,
dim.
not
the
lark'.
ir^^r
^
P
?_ ^:L
a:
[^^
iJfj
r
^
^'
^oeo
_<2_
No,
No,
'tis
it
Z2I
ife:
Zi /aU
the lark,
the
dim.
jp
ed.
cresc.
'tis
r
-
^
p*
3\
the night-in
gale!
^^i
P^?^TS
-i?
Kfl
#-
3^^
25
cresc.
^^f
^
her
aid
of
morn
the
who comes
ing
^^
love,
is
it
not
^'
to
greet
p r
the day!
i'
the
the
Is7
dear
dawn,
^^
'tis
daw^n,
dear
fr rr
est
J"
love,
f
the
'tis
j^^
dawn!
^S
^
^
not
?fr^;
1 *^
outside)
^
Ju
pp
'tis
jtfi
Nurse (from
i
^^
zt
iDPiu mosso
PP
love.
the
I'r
-
liet
Ju-liet
ta!
'r
-
Piu mosso
u
P
te
Oboe
1^^
Horns
^^
//
.?
J
Timp.
ttez
For performances without available Mezzo-Soprano (Nurse) cut the next-followiug- 10 measures.
87750
dawn!
Tpts
2=
ta!
26
Nurse
Juliet
^^^f=#=4#-^
The nurse
-
call
is
My
ing!
Romeo
^^
Ah!
f^
A
-las!
-y
eresc.
s^
^
P
r^/n/n-j
3:^TJ
?^
pray you
-^^-^
Tpts.
fei
'tis
haste,
^m
time
that
L-
=^
the
dear-est ch
hild,
ci
Your
la- dy
'Cello pliz
Juliet
$
P
i
moth
tr
>
Tpts.
M^ f
X7760
er
m
f
'
km^
P
comes
to
l"p
give you
-1^
li
i'
greet-ing.
If
p
Ah
nf
nurse, we'll
1'
Z7
^^
)
dawn.
b
p
heed
)
:^
Fare
warn-ing.
thy
* ^^
dawn.
I^^
>=!,
J)
])
\R
^^
s
r
.,
|j
i
i
mo
dear
now.
'<
dear
now.
i\>M.
^1
i^ if ^^
p.
^p.
^J
pppr
It
is
It
is
^^
'^
^*
t^
i i i t^
^
the hour
of
^
P
the hour
of
3^
rfm.
Tlmp.
;t
estl
^
fz
-I
est!
ni
ri
cresc.
^
well
fe
well
Fare
yet!
fi
nient
1^
But one
ff
'
"^
lia.
I
I
^
^
*
part
g^
part
ingl
I,
^
^dzr^
inigl
Horns
S
l%ji^^i^
1*1
^^
dim.
:::
rr^
IB
^;
27760
^5
is
cut.
TTQ-
[{^
28
P; t
J?fe
ir
iiJ
Fare
t^
^(h
ti
^
r
out
al
r^
out
al
loy.
Fare
^^^
r^
r
-
loy,
Fare
pi
^
-
ness!
hap-
i4
'p
pi
ness!
i^
Why
Why
T^J
A
fe
^^
^^
j.
A r-A
r^4^.
P
g^Ff
27750
joy,
^J
Of
pj
rap-ture
full,
pj
full,
with-
^
with-
l^i
I'
^
r^v
E^^
^^ ^^
,v^ ^ ^
fond
ca
ress,
^.
r
fond
ca
ress,
i
,
^ ^ ^
i-t
j.
J J
i^
JE^^
fc^^
st
'H\K
j.
hap-
^XJ;
(*
^
p'\K
lov- er's
rap-ture
Vloledlv.
con sord.
^')K
')--\}'iK
pJ
Harp
pJ
Of
,^
Pj
pj
pJ
lov-ers joy,
Allegro giusto
k^,
{AK
1*
^^
Fare
Ig ^
""pj
\r\,
1>P
Allegro giusto
ri
^e
4*-
n
H il
5t^
g
mo-ment
#=T*
stay?
Why
:^S
T^J
J-
ii
flee
be
rJ
be
29
cresc.
rfi'
~^
JAK
fore the
r^
fore the
I ^\K
^>ni-i>L
^m
day? O
fare
night,
well,
night!
cresc. e
Canst
day?
If
poco accel.
thou not
i^.A u
tf%- 13 f 3
t"
I'-p
TTiA^
P
4^MN
}
ff^ffn
e/iesc.
3IM
3
'Celll dlv.
F^^ ^
r
:*
con sord.
e joeo accel
pr^
te
4
p i
T'
^''iH
hide
the dawn-ing
moltoespr^
light?
^t JfTI
g
of
night
;,^^^%
ii
cTf ,r-^
^CT;
love.
?
thou must not
stay,
^
yet
be
gone,.
Faith-ful
espress.
^^^
27750
if
ri
t^
jCE
H/LL
rrrfr
-etj
-e-
30
fe
77~
and
stay,
night,
^
with
thy
now
fare
dark- ness
hide.
J? espr.
And
^^
^
my
well.
IE
our
love'.
Now^,
las,
the
Flute
S
I
jj^j-j j.-[<
^^HMXiAi\
ji,
^'^[>
J
love,
light
M
^'n
*V
t*
_F__^^
las!
of
day
the
i"j
LLiTLLU
^^
Horn
27760
'i
a>''"b
-l
II
poco
cresc.
^O-
of
light
Comes
to
drive
aay
cresc.
Has
come
^
the
night
way.
^
to
31
# ^a
our
end
joy
hp
Cru
*
^^
drive
the
el
hide
dawn,
=l2Ffc=i
rrrr rrr
T^Fyr-^rfr
Ah,
cru
el
of
Ah,
thou
^^
^
dawn!
light?
Must lov
cru
el
f
'
P=l
thy
thou
night!
hide
wilt
dawn.
cresc.
ers
* i
be
i
"^v
If
-
t X \> %
be
part
Must we part be
=^
thee.
fore
thee?.
-^.
ID'
rit.
er
lai
31
jST
^mhb
?P
fore
cresc.
long
gone?
no
rit
rit.
^S
^^i
the
love
Wk-4
veil
our
grant
light,
^
tlr
way.
thy
::a
^'l-^
r^-^
2=^=23
27760
night
^m^ n
\^
im
and
mp
I'.i-.
32
^m
^^
'
a tempo
since
^ ^
hast
thou
Ju
liet
Be
ta!
a tempo
J-^
'i
|i^''l\
Lis
lov
the
Ju
ed!
J^^^
'
') J 'i>i
'Tis
night?
con-quer''d
a tempo
-^
3 ?
when we
^M
if*
love,
hour,.
^^m
liet
ifte
Be
lov
^^
fare
Be
ed!
lov
r^^T
One
ed!
Fare
ff
V7iO
wio/^o strini
well!
last
fare
o
i
Fare
well!
Ffc
well.
cresc.
mo/fo string.
well!
hJ
say
fare
Love,
ta!
p molto string.
'\\
5
must
r
^r
Fare - well,
Ju
f^TT ^
33
^
^
XI
well,
liet
^ ^^
'^i'^-'-
t*
gpp^
^
^
^
.^^
Tpti.
nc
^
iy
iz:
THe
love!
night
has
fled
P-
way,
The
ni
day has
^^
come.
Fare
day has
come._
*
^'1'"^
^iiSJ
^i!'^
Fare
^ T=^
Horns
Strings
pizi.
well!
well!
Wood-wind
'f
Harp
rvN
Tpt.
# i
^
r\
''
llf
S7750
rjr rrfr^tfe
cresc.
^Ffc
,*j:^l-|\
^fr
Horns-
IT
l^
^t=^
34
p.
|i-''i>r^
Fare
r
jli>i^h,
cT"
.)
^ yffJ ffH
now
Love,
the window!
'1^,
well!
le
fare thee
y..
t^
m.
:m.
well!
^r
mar cat
Strlng8__
^s
'Cello
Bssn.
o"
Ej'i'^^
-o-
-o-
Baas
p espress.
5^^^
Ah,
i^
J
Fare
,'^f
^f
:s5i
^f
nn
-
well!.
1^ ^ ^ f if
well!
rfiaL.
1
Fare
well,
well!
fare
_
i?p
dim.
ho
-e-
Fare
well!
fe
'C
^f
Fare
if 1 ***
tl,o-
tA>;
English Horn
VnS>t.
zh
*^
r
* These closing measures, taken from Tchaikovsky's Overture to"Romeo and
the Duet.
27750
Juliet",
35
FP
^
m
^
32:
o-
Fare
Fare
well!
well!
Co:
fare
well,
^T
te=fe^
well!.
^
ci.
-o-
Fare
fe
::a
well!
-a-
Bssn.I
>
XE
Fare
^^
ti
rj
well!
351
331
JO^
Fare
well!
'
'''i
iljil
^^
* ^Fl: I
\^v.
t
1,3
Ml o
-o-
-o-o-
-o-
-e-
pizz.
^^
2>pp
31:
31:
Fare
351
3i;
well!
VTP
C\
-o-
Fare
-o-
-o-
F=^=^
well!
Viol. Solo
t*
rrt
T5
Horns
Harp
-o-
pizz.
27750
/Tn
TT
pizz.
/.h.
r^i
#
Fl-Xl
Ob.
86
Deems Taylor
Allegro moderato
Voice
Piano
Andantino
dolce
^m*
To me give
feS^
^
rrHfi f pr p
ii
poco
*
molto
rit.
p=^ ^
^'t
./'^'
*fe
r
sight
ed!
'
From east-em
lands
re
jjp
-^h-^
^^^fe^
My own
turn;
sfe
^>ft
ll
l
t7750
j, , p
J^ >
p ^
1^ '
clear
i M^^
^
^^
you now
swer, sun
or
an
mm^
rit.
(J: 76)
SE2
>
dear
37
0-^
mw^
have
land
J^ ,
^:tt||ll
JM,
not
you
light
P -^f-^ To
ed?
J)
dreams
its
tell
-4
do
not
you
IZK
p ^
^^ ^
^a ^^
eIe^EJ
jPoeo
e/v?sc.
tf:
>
still
in
f!
Do
yearn?
dour
splen
#p^
j^
r^
./p
yy^r;^Lr'r7rii"r
sheaves?
y
HI
ies'
t|*
f ier
Lb
iflilt
^^
ros
"r
'r
*^
S
jPoeo
fe^
PPF
v.. .Pf
pp
5^
dra
es His
iXt
^^
tempo
grace
/T\
4r^-*m
^
/"ir
27750
j^-^
^^^^
gon-fly re-
/?^
pos
^Jeb
e/ie*c.
^z
pp?
burn the
/T^
a ptacere
i,^
o-
Still
a ptacere
^:*
es?
Kitit
^3
^^
p^-p-n
iir
the_
glow
f
i
iBE
^
^ti^
Jl^
r^^JT^^'ifr
38
/poco
S
rit.
form
dim.
-^
,^
molto ru
a tempo
form on ourform_
pur-ple
ful
leaves?
m^%tU%
*
^I
J^ molto
^:
Zf
m^_
i^
mA
^^
4=^^
ff
AV>ipn
in
the
^
-
eve
^ j^^^j^ ^
'l
ning
^x
r
man
ya_
maid
>
JH
M'
-'
Comes
en
y=ac
^^
^^
tain
with_
^
"
^
r
Bfc
?
la
u3
m^
soft_
-^MT- J^
Is
songs,
* * ^
^a
i)r}
her
Dreaming
of
with
sy=T
r^^
pas
Jij J.
>
him
whom
for
nr^:
^
J)
sion
,. JTl
r
-^-^
**^ i-^t^
Xii
heart
"H^ ^JE^^
den,
^
^
* * ^
r^^^
Jm
J)
still
p
the
J'
to
>^ #
foun
;7750
s^
ftfcs
^m
dolce
^)-y
aF
rit.
o-
'rfi
^^^J
tenijpo
Jt
she
Jt
longs?
P^
And com^?
at
^W
-J
?^
mmq!^rit
'
i
'
fct
night.
tf
-:
p
gstf
bold young
lov
39
poco
1
Am
P^
To
er.
oresc.
tell
new
?P
>
pas-sions
^fil^
^^^^^^p
1
^&^
sweet
5
==
eresa.
poco
!:
r-r
a tempo
7750
"r
40
molto
dim.
rit.
a tempo
rg^
through_ her
jeal
ous
veil?
ptf^
"^
wo//o
^^'Iggjytt?
^
be
CULLl
gins
to.
dark
en
M^
On
si -
^5
dolce
lent
him
to
feet
hi.JM
-^-^
Mw^^^
^
y^hrTi%
^
r^^
3=1
^"
r
J
pas
sion
him
bid
heark
j ii lli
'
^^
Un-to the
ii'l
i^i
f*
M=Tr Ei
:5t
en
^^
i i
Xi
f=^
r
r
/>oco cre*c.
^^
fcS
vow up -on
ii p
her_
lips?
ppir g^^'cr^^^
sion bid
7
9-m)^
5i
Z^^
^=*=^
^
'T
^^^
him hearken,
%f^xfv^^ I
7
she.
^s
^05
i
slips,
27750
^g
^
jH
^
^
night
blue
nY.
And when
a tempo
fet
mm^
-t-^
i^
dolce
^IC.
^ poco
^
-x#^t
cresc.
^m
s ij
un her
ff^r^ntr-^'t^vY^rv^-
g=^
^ ^
fe^ete
^;
i^
?t
j^-^
^?
/o
li
on her
Ah!.
q#
3x5
jDoro
/o//o nY.
r/Y.
r?
lips,
;750
Ah!
isr^^
i
t'p
to the
r
mes
a"&'':r^J
-
sage
^^
J^
tempo
molto
of_ her_
lips?
ff
/^w/?o
^^
[p
^^
rit.
^i
tt
42
the Mountain
Poem by M.Lermontoff
Nicola'i
English version by
Deems Taylor
Op.
Andante
No. 3
3,
(186)
(Ji6)
^^
P
Voice
I'.
J^
Thro' the
r,
Piano
rnight
^
^'^>
a
JM
^'
rest
On
ed
?
a
PP
^
i
lof
31:
r^
r
r
ty
moun-tain, steep-ly
r
crest -ed;
>
J'
Came
fi
p
the
r'
rmorn,
^^^
p
I'
and on
gain she
^^
^7760
p
43
^^
"JT-T-^
On
ed.
lift
^
^m
Z^l
f
moun
^'
-
tain's
crag
^^
f!
there rest
J'
I'l
on
ed
J^
-
ly
Fra
gile
J^p
sil -
^
I
ver
^
1
Wrapt
3E
He
ly
re
J'
in
p
thought, and
h'^
ii
j^
J'
lost
in
si - lent
xn
vi-gil
keep-ing,
weep
Ulf^S^
/7J1^^
legato
^J^pi'^^
his mournful
mained,
27750
dim.
J'
J^
.w.
s^^^^
lone
IE
cresc.
Lorn and
^^rr
W
^
t
p^
dew-drops
^*
19-
i9-
i'
J^-
the
^UH
con 2 Fed.
- -ar^W
14
To Cesar Cni
In Silent
Woods
Poem by
Nikitin
English version by
Geo. Harris, Jr., and
Kttrt Schindler
Music by
NicolaV Rimsky-Korsakoff
Op.4,No.3
Allegretto
(lSfi6)
(i'rias)
Piano
Meno mosso
j^^J^SiJUlttSi
^^
^
^i .r3
m^^
ES
^^r\
^
Ti
J-ite
I
^
T^
7760
^
i
Ff^F-'^
r
^
.
45
^
^
^
dolce
W ^^^
i'
i'
^ji
-
^
'
Falls a
p
star
in
the
J4j[t
T.
Thro'
wild branch
j^
'
^ i-J
pp
^J
-
p "p
In the grass-es
float,
'j
"
p 'f
I
glistens
J'
-J'
white
i 'fFiij'r'
i
87750
rJb '
^^
>
p p
the dew
2
^'^'p^
moon-beams
es the pale
Tempo
r
iJ
^.
ii''i.'i
"^'
SPTfzr
-"TB r
p
i^i
t*
IiI|
^
1
splen-dor
1 ?
'
^'r^^'.'
of night,
J
1 V ^
"^
note,.
I*
''i''l~ii
last
j<
r f
-'P
his
-1
iz
J^
now
-gale
p
^^'
in
J^
dim.
~i^ii
r-
'P-r
^^'>/?
-/^^
46
poco piu
P
Soft
-f
J^^J)J .M
iy touched by the
v> r
^hJ^-J^J-^^^
fE^EgEJ
How en
-dear
Meno mosso
i^
J*
mU
-T-^
M^^
Wm
P P
p
its
^^
vi-sions of
bliss
"W
.1^
5=S
On
m
.
^P
last in e-ternal
ly
J3 i
f.
27760
face!
Tempo
nY.
nY.
i
^
Vi/
em-
47
the
(Dyeva
Ma'ikoff
Sun
the
Solntze)
Music by
Nicola'i
English version by
Geo. Harris, Jr.
Rimsky-Korsakoff.Op.50,No.l
(Composed
Allegro moderato
1897)
a plena voce
(J ^ s 0)
Voice
Piano
rf'ii'
ji
,n,
way be
w
g
1^^"^
ceans
1^
iM
'?==ii=^
^
MM
fei ^
$
due
Thread-ing jing-ling
IT\
ats
P
gold
en
On
fe:
^^
^''
fine threads of
377K0
maid
k
i^
'S^
93itt^^
i;iien,
i;-|ia
sits
^'^
-
towV there
In
r\
SSt
>
yond three o
"|-
^'
^^
gleam-ing
^^
58
fe
Twelve
J'
her
V'
Six
ment,
^i
and
^^
calls
un
to
S
=
>
>^ftt"
i 3E*
#^
six
for
breast and
^^
Then
tress-es;
she
^
?
^m
^^^
f=^*
sun
the
fct
J'
'
fe
te=^
fe:
'^t
^f^
cresc.
of
^^
Jm
dorn
^yT
the joy
:g:
r
-
J)
p
em-broi- ders For
she
^=4
fct
P
-y-
tt^J^.--^
#
^n^
i"
sil - ver.
>
J)
r\
light:
''
'i
^^
'I
C7
if^
^=*
Meno
ivieno mosso
p
^
^
U^
^
<~^
r\
Tempo
Meno mosso
pt7? i^ffh
am
fcMi
p-i'ppprr^
shining!
Sun, a-rise!for
r^ffm-
r\
27750
ii
tiif-
y~"r\
P.
^
^9-
have ris-en!
li
Ms
Meno mosso
Tempo
espressivo
f,
i>
}>
=^
Tempo
iP
ii'
er,
1 ri"
i' i>
J)
p
t
.f.
^^
van
^^
cresc.
S
quish'd!
a tempo
^--^i-:
IMf-r
jooco nY.
tempo
S5
P=^
pp
my
fc^^^
m^
tf:
'Neath
er,
?oco n#.
fct
ows with
J)
are vanquished. 'Neath thy glow the meadows
Tempo P
f..
S^^^^
I
'Neath
fct
mead
^Ui^-Mppppr
my beauty men
with
-\
i'
nY. assrti
-^
pt
^SE^i
iA
r
IL
i'
jj
49
e ritard.
I 5=
^
f^^f^^
.Je:^
fe
rpT
^
?
27750
_'JS1hS.s's
60
EASTERN ROMANCE
"The Rose has charmed the Nightingale"
(Vostotchnui Romans: *Tlenivshis rosoi, salavyei")
Poem by A.
Music by
Koltzoff
English version by
Geo. Harris, Jr., and Kurt Schindler
,,
Op.2,No.2 (Composed
Moderate
Piano
Nicolai Rimsky-Korsakoft
t^ i
1865)
iss^-
pp
l.h.
l.h.
wn
tf
fi
#=^
^^
ritpp
9^
-^
,11
m
I
h^
p do Ice
'
fet
p
The
night-in
r
gale,
a tempo
g 3
S7760
9-
-s-
3
Copyright, 1917, by G. Schirmer, Inc.
Copyright renewed, 1945, by G. Schirmer, Inc.
Printed in the U.S. A,
P P P
By day and
^^
night
he
51
us
<^j)|j ai)i
'
tells
the
tale;
tf
i'J |i)
in
faS
JM
^'
r^
tf
r'l
^m ^m
i?p
^^
I
IB
/;
'/
fet
ra f
^>^
ai
^'
lyre
^^
"^^^
po
et
^^
r
sings
To
iS
>
a:
::=
-9
-J:
I
U
his
can-not dis
cov-er
y
;^
^
^
,i
27750
For
n't.
iW
feft
whom
the song,
nor
why
hi
So
his tune
i^
J.
sad-ly sounds be
^^
-
neath
the
moon.
a tejnpo '"CZ^^
fcS
^^
%\
iz:
/
^'
itgit
M^
jtprit.
^
s
rs^
^^
21
-n
iz?
S S
ft
f?
l.h.
l.h.
m^
t
m^
1^
ai
ttfe
foft:
^=^
U
nY.
^gtf
27730
-9-
i^tf'
iJtfJ
i^
ppp
IE:
S
^
63
Oxana's Song
(Aria Oksanui)
Music* by
Rimsky- Korsakoff
(Composed 1895)
English version by
Deems Taylor
Nicolai
Andante
Piano
li
i>
>
;z:
i>gttp^ fi
r
ZILL
r]
^?J>
r]
j.^"~?^~j>
Win
m
^T
^ t-^^
1^
WrW
^
i
T'^^
espresstvo
MtUp M
?$
5^
^T
j rfo/ec
No,
Jit'j
J
1^T
i"3
^^
i)
Half so fine
^1
jT-
p
as
r]
my
old
pp
shall
p
find
1 r
r
new
lov
er
legato nssai
Efe
22
ppi^-'P
f One so
lov-er,
j*Jii
^ pp
^
ten
^r
^u
..
3E
^^
^
f=r=T
to
me,
3^
^*
^^
r^^
* From the
opera "Christmas Night" (Notch pered Rozhdestvom);
by Gogol in "The Evenings on a Farm near Dikanka"
t77S0
er
T^
and true
Jl
nev
^^^
i)
H^
pi^-'p
J''
^ ^
^
*W ^^
54
So in-dul-gent,or
i^'P r~p
half so kind.
5^
J _
TT
c=/r
J:
Such an
oth
er
I'll
gV
^^
^
sempre legato
1^
hold
to
so
^ h
za
^
did
^^
pp
i'J)
cold
to
^
I
not for-
.MJ'Lrppmy
jO.
tE^
r3 j- j.
me!
Li^^
Why
IP p^TT^ p
l^-^prtyp
evhim? Why was
un kind and
er
find
11
to
Q^ F^
#^-^I
nev-er
might be near
er he
i?
ig^T^
^^
fi*
^E^
^"
Would that ev
g ^T^
j-
^^
piu
back, oh
ZBL
ry
%
kp'pctyp p^p^:^!!^
come
maid who
*^
to the
espress.
27750
you
m ^i
^^
.S=i:
loves
4m
fc^E^
f^
Vi/
o
^^
>^
so!
njr>rJ> iijr^i^
i ^tlE
WzElJ
i)
1
1'
UT
^
m"
w
^JttjJ:
13^
^^y'-i
p:
on
me,
?>
^1
IS^
SM^
joeo eresc.
mass he
-r
pr
mused and
hile
at
MP
^
O^
r3 J-i) r3
Oft
m
^f^
r
i>
55
^>^^rr'
pray;_
te*
"P
r
"P
Ip
Strange the tricks that
for- got to
^^ m ^ ^
^
rv
p
poco
r^^
MT"^^^
fan- cy plays
my
^n
on
me
tf-y^^:^
cresc.
ti^r
11
!p
v^espressivo
^^
r>
Since
iipp
my dear
d=
r^
*
p
p
When I'm
i tt^
y
i
^'
'
i
I'p
die,
p
I
\i \'fi
^^tt^
S
87750
When
way.
sif^
I
^p
^S
lov- er
.fe *
p^
p'T^r
went a
*p^r"p'ipi
I'm
bus-
^^
P^^
him,
^
w^^
P ^p
How I
'
rJT p
i
sigh
^p
for himl
M
^#
How
^p
I
^^
cry
for him!
J^P^
tU
for
?
^
for him,
'ip^P
y,
^p
^U^i^
''
p ^p
a tpnipo
dolce
p^r
^^^^ *
'
^^''pr
ncv
JrfH
^eS^
Ht;
rrc^cr
was
^
m
and so
^^'p
Would
er
T~
er
I'll
so
B^*^
ii
rttpr it
ffi
.rj^j
^
t/
:zz
CJ
i_r
me!.
near to
iTO
:J~^
F^^^^
^
r::
fJ^X^cr
PP
^ ^^
Why did _
^-^,i.
^^a*
J
S
'
I'
i!^
and so_kind!
lov- ing
^^
lov-er.
L&^^-gff^
Might be
"i
LT [J
he
^^jj"
-j
^^
st
J^s
J.
old
1?
r
N^p
and true
m
^S
1=
c_;r
He was
that ev
\i^^n
i7750
hearted,
^^
^
?^F ^
^'P
.^
iI' tJ^
good
JT^^
c!;r
p-[ST?i [;
i
i4
r^n
p
;pn:.
f
p
my
as
^^
ten-der
so
Half so fine
lov-er
iicw
1>P
J'P
^'pa
er shall find
No, I
a tempo
not for-
^y)
^^
i
f
^
^
|,;ijiTVMiipf
was
ev
er_ hold
to
S ^i
s
J-
him? "Why
so un-kind andcold
to
lad,
lad,
kEE^
^mk m
JiJ-ft
you
Come you
so!
a tempo
p^^
poco
poco
rit.
J)
\ ^rr
It H'
i
back,
poco
lad,
pooo
dear
lad,
Q'
n r7*
p
Come you back for
rit.
Jm
<
1-T 5F*g f
Sfe ^
p*
fc*
^^ ^
nr^n
tff
ev-er,dear-est
lov
er
3d
^=^ dE^
iP
*^egjW|
^
TT
"^
-^' dim.
mine!
27750
^=f
r\
68
blistayet**)
Poem by Lermontoff
Music by
English version by
Geo. Harris, Jr., and Deems Taylor
Andante
Voice
Piano
te
^m
(J.
Nicolai
(Composed
=
f]
^^
i^^m
clear;
Thy
is
blue
Er'
and
T^
4J^j^''J'iiJi^i
Like
to
kiss
T-
with
^
^F
^fe?F=EE
T-
27760
W^
^0
T-
glance
Tm
^n,
^te
m
smil-ing,
se
sky.
^3
{M n^^h m
m^
T-
T-
ite
to the
^^
Wr
pj)
ly
No. 4
66)
Like-
rene
7,
1K67)
ij:]J_>J'j)iJij
^
^m^
'
iJj^^^
soft.
^*
be
i ^W ^
59
te
gull
ing
For
Ji^
Thy
thy
lips
have
>
For thine
en
ear.
spo-ken,
AtI
3
r.h.3
^M
^=^
ij
i)
g >4^^
'
"ii\ti
chant-ing
glance, Would
m^
m
^5
^vtL^
laydownthis glo-rious
y7
^
J)
ft
Tempo
97750
IX
1^
i',tj) j)
"
i
to -ken, My proud
Sllrr
Gru
se
^
nian
^
"I
60
ujL
fe ^3
Thy
Z.A.
27730
glance
^^
is
blue
l.h.
and
i
clear
T s^T
Like.
rpf!
to
61
The Song
of the Bride
(Piesnia Lubashi)
English version by
Voice
(J: 48)
(unaccomp.)
Help
_
_
j,J)J'J)
j;^''V
*t
ill
assai
Largo
^piJ'.^'
te?i.
te9i.
_hJ'l
ten
I'U
shall not
p p
lead
to
Soontheycome
ten. assai
|^
J>i' J)lr
Ij,
me,dear-est moth-er, to
assai
me
be
To my true be
tell;
ten.
r
i>
J
lov
J:
-
ed
J,
f
[Tej
tress
es
"^"'
fast;
^^
^^
Wind
7
well.
^'
J)
lin
en
J)
1-7
now
my
cold
bed,
^^
a shroud of
J'
Stretchme on
Voice (unaccomp.)
.1''
a last fare
said
I've
J^
J-
^^
a
bout
my snow- y
Jll
p
holds my_silk-ei
lungn assai
breast, Cross
tjiat
te7i. assai
ie7i.assat
p
jt
maysleepat
^^t
my arms_be
last.
,-
neath_in their
ten.
pale, e-ter-
nal_
rest;
Light the
wax - en
ta
pers
and
place them
at_ my_
ten.
jU
J)
May
i>/3J'
he
stand in
awe.
pJ^ IM
may
he
won-der
cJ^
my
by
side,
lunga assai
As
27760
in
vir
gin
beau
ty
lid
bride
62
English version by
Geo. Harris, Jr., and Deems Taylor
Moderate
Voice
MW
Vn
Piano
(J-: 72)
pp
dolce
m.
(Opera-Builina) "Sadko"
Nikolai Rimsky- Korsakoff (1896)
i}
^^
By
73~
1.
Blue
IS
the
2.
Heav'n
burns
with
al
jn
cean,
change
less
and
sun
light.
down
here
is
i-
ik
I
sempre legate
SI
i
t
V
?y
bound
sun
L^^^
7760
-nz
zz:
?
less,
light;
Vagt
depths
of
Heav'n
gleams
with
-ni
wa
ter,
moon
light,
wu
sun
less
and
sound
less,
down
here
is
moon
light;
J'^
J ^^ a
'
i T
Vast
Heav'n
XE
351
tt
*
what
down
cean,
light,
shall
mea
sure?
here
is
star
light;
T^.
^^
a:
^-r
iffi^
lU-
P
eresc.
*ft
^^^^^^
Dark glow-ing cav
Heav'n has
-'raid
erns,
twi
its
?
em
light,
down here
'M
J ^=J^
wm
*A
ii^tf
Who
J
is
down here
i
is
a
twi
zure.
m
thun
der:
iilTmiTJg
^i
m
/
y^^
der.
IMi
ri
?
-
er?
331
'Tis
All
poco
i^L^
thun
its
ter?
r "r
Who was your
build
XT
^
your mas
is
and
cresc.
"XT
27750
man
^^^
tf
3i:
d:
o
star
of
with
^^
?
"i.'^
bi"i'
realms
glows
"/[
^fe
'P
63
piu
the
do
main
of
force
in
^T
that
is
the
the
f^iii'
>
cean-King!
-
ni
verse!
^i
^S:
dim.
z:^^
~:
Z7
64
M^K f
Fr
Glo
1-2.
ry to
the
y^
^^
m
A=qs
Glo
to
JTJ J
his
^j
T
Jl
U^l^m
kho
^ fo r-
va!.
c^^TO^-^
io_
lL-U
-ilJ-
r\
m
r\
-
^
3.
^^
F=^
^M
27750
31
zz:
i'
sun
that
r
burns
(i
rs
r^
That
^y
A ^
!
cresc.
i^
diant!
nu
n:^
UZL
^fe
-o-
^m
tt
^^
Queen, so_ ra
rr^
cm I
ry to
^^
^
o'
tt
J-
the
x&i
c^
^m
ry
^
nP
r^^
WKS
Glo
cean-King!
"msm
V9
r
here,
^
lo!
'tis
the
xzacM
CLCLT'LaiEr
sempre legato
a:
ir^^
ar
dent King!
65
T
moon
that
^
gleams
J J J ^
122
pur-ple
of
twi
light,
I22I
'tis
lo!
here,
^^ -J-J-Jl^J^
^^
the
smile of
^p "^p
*
li
J~3-
fa
their
J--r
27750
the
'tis
vor
pw
i)ij
66
H
i
ftA=^
Mm
frown of
pp
their an
1
-
ger
^mjtt
bi~ai
^^
Queen, so
,#^S
L
ra
diant! Glo
j:
Jflf!^
ffi
277.-.0
3E
^
to
ry
the
Prin
cess
Vol
kho
.uss
jSC
?>
^^
HA
r
wW/d'
^f
-i
f--
'm&
^^
^t*
9-
M
p
MZi:
^=^
67
U. &.
im
Hail
^
iA
xc
i
to thee,
i^
^ft
blue
cean,
less
and bound
rn^sin
^F
^^
i
87750
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rrnirrry
less!
68
Arabian Melody
(Arabskaya Melodia)
Words and Music by
Alexandre Borodine
Jr.
Allegro passionate
^^
Voice
i :^
Piano
:2S
in:
^^
r~T
^rr
:z
^^
(J: too)
JT]
r~T
^^
r"T
l;JT3
/r\
dolce
S
Do
s
S
f
not
jooeo rzY.
dim.
^
J:
l/JljJ
l^
rA.
^p
r
(J
rs
:U
Z2I
r^
Andante amoroso
IS
66)
x:
I
l^it
leave
me,
be
^1
lov
ed!
J ^
*
ii
Oh,
p
in
'lp
^r
27750
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"f>
^.
f!
to
1^
mel
^*
=lj
li
-yr-
GO
dolce
'ij^
syffV
IJ]
rit.
r
-
est
gic,
:3
lU
pooo
sweet
ma
sweet
love's
3^^
131:
r.dolde
^^
^
know
me
Let
m^
S
r
i-TT]
JT]
J^5-J^
c-EJ*"
pas
sion for
joco nY.
thee!
^.
^
E^
JP AJ
rr T"T ^^ r^
r ^^
i.iT] i.JTl
plena voce
=?F
Oh,.
pooo
rit.
^^
^
^
^
^
^^
:-S^
a.
dim.
'r.
>>:,
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t;^giigE |feES
r
r\
r~T
rr
h.
r\
r??~
=S=
70
Andante
k^vJ
give
(J
ee)
me
thy
^
,1
of
spell
^
beau
th}'
^ ir^
pp
'
lost
ZIZ
pray
y,
rr^-
M
i
cresc.
:n
M
J|T
pp
me!
slay
sea
of
fpoco
^^
burn-ing
^^F^
-
pas
sion
for
t
thee!
iJr
ts
die,
my
allarg.
^
27750
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^^
-S
/
assai
allarg.
ed,
if
there
[T
"P
be
no
assai
nY.
^-
lov
See,
accel.
ten.
S
be
am
rit.
allarg.
^m
ZSL
m
T-TTf Cr V
cresc.
poco accel
poco
^m
dolce
will.
ty
^^
^^
'Mr
^^
&
The
thee!
^
^
pit
poeopiu
^^
hi
B=
t^f
hope
^^i^
me,.
ten.
allarg.
hg
p-ffor
71
1
Tempo
m ^^
^
^
V
4
I*
to
Oh,
i^
sweet
r^
r
jooco
^r^
Death
die!
were
^
T
f3=t
reY.
^
r
dim.
::^:
er,
death
from
sion
pas
for
3e:
v%
^^
iiJ
Allegro passionato
ZM
poco
rit.
dim.
;^
(J: loo)
in:
I;
T" T
l^
1;J
is:
t;J
T"
rn^
r\
r>
^
s
>at
t;
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17
:2::
^
T
r.h.
lh\
1^'C
72
Over
the Steppe
Pleshtche'Yeff
Music by
Alexandre T. Gretchaninoff
English version by
Taylor and Kurt Schindler
Deems
Andante
Op.
5,
No.
sa
Voice
Piano
pooo marc.
^^
Sad
lies the
r~3
^^5^^
Steppe_ in
its
1^
ji;) ji
j^jiJ
Night comes on
sol-i-tude;
shad
ow-y
-&
^^ S
^^
3ir
3ir
r^ ff
jpp
rtt^r
^
J
3ir
-a-
^^
wings
^M
r^^r VT ^
n
^
XT
f^p
Ji Ji J
Nev
er
Ji.
nor
tree
J^iJOOm
a
31
let,
JO sempre
sir
TT
Xr
Copyright, 1917, by G. Schirmer, Inc.
Copyright renewed, 1945, by G. Schirmer, Inc.
27750
flow- er-
ji
73
m ?^
S's'
Nev'
^5
M-(
er
Dark- ly
h=4
^r
-%^^
^r ^
337
J J
i:
rrrF
'
3:
i^^g?^
JUU
J ji
Ivgubre
3r
327
*T^
TV
r?
TV
jporo string.
^5
M
No
where
S5
O^
star_
the
in
8?
^:
r^r
H:
'
Hard
skies.
ly
;?
^i^^i^:3
^ _
*
I
'
ft'^"
"1"
ZT
know__ why
so
%2:
^
w
i'
3sr
5=fe=5
sions of
Tthee
now
ir
-
rise:
'0~
'^
1X7,,
:a:
--
^
CAO-VvV.-.-^
^^
ip
^Li5
znho
74
ffcon
H
liber ta
a tempo
li^'
f
Vi
p
of
sions
be
my
thee,
IL
P
lov
P
ed one,
a tempo
r\
ir
J.
fe^
rfo/re
=^=S
"XT"
m"f
colla parte
4^^./f_
rs
^^&
^^
'/
Lim
If
pid
^t
^^
and
as the
fair
1^
^^
f^i
,s
^^f
ii
Smil
day;
'"^
ing
>j.^"1^
j^ji
up
me
on
thine
^?
'-J
(
;i
cresc.
poco
rg
25
ll3
:4
<?f*c.
ff
e/pw a
/>oco
^oco
puvu
r
\
-~
-?---
im - age brings
Bright
ness that
pierc
es the
gray.
*^%.^^^%^^^^^'
a.
zn:
a poco
m
87750
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^
7
v1
T~f
75
r
ift Comes
P'
now
the song
^
of the
ff^
j^=j-
night
Melt
in-gale,
r
Flow
sigh;
prnod
p-
ers
pp
are
^^^
ing a
way
like
if'p
^'%p^i^^V^^*'<^V^^^^%%%%.%.'
fes^ -
mz^zmzmm
mrs^zmmi^iM
m-m-m.
dim.
tte
m^
A*g*
*
^1
PP
:*
"^
stud
p-
a tempo
molio rit
ded
with stars
r
is
^
the
i
p
sky.
>
8"
/T
^1)
27750
76
Music by
Alexandre T. Gretchaninoff
Tolstoi
English version by
Deems Taylor and Kurt Schindler
Op.
(J
1,
No. 2
3)
Voice
Piano
By
the
hatch -et
a tempo
t t t t
P
Ian
^
ed,
i^
guish;
From
p
its
bark of
ir
sil -
Jn
ver
See
the
birch-tree
t=r
t=t
pr^
i
Fall
the tears of
an-guish.
^^
r\
r*=t
^^ ^* ^^m
cresc.
37760
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'~r-'
t:^
ir
wound-
ff^
77
^^
Do
not
VsX
-^^
:3
'^
moum-ful
^r-S
r\
t:
Sum-mer soon
ing!
^:
5E=S5
cry
s^
?//?-
?^
heal
will
*-s^
tzz
not
art
^^
dy
ing!
^
T
^^
^^m
^m
^
r\
a tempo
tit.
In thy lof- ty
^^
glo
t
Ir=f
ry
Thou
shalt
greet
mor
''P
But
heart
once
a tempo
mf
the
P^
row.
rit.
/a.
^^^ ?
^
/?\
I'*
r
wound
7760
p
-
ed
ii^'
J'i'
Fades
be-neath
|jj>
its
i'
iitJ^
sor
row.
78
My
Land
Native
Deems
Music by
Alexandre T. Gretchaninoff
Tolstoi
English version by
Taylor and Kurt Schindler
Largfo
Voice
(J
^^
(J
t,
Beat
p
land
p
my
mine,
na
ing
land!
tive
I7\
i
/Cs
No. 4
n\
^^
Allegro
1,
b)
Homo
Piano
Op.
186)
j)
hoofs
i'
of
J-'
hors
J)
-
es,
J^
Scream
j,
^1
of
ea
J'
-
gles
J^
i>
the
in
J,
sky,
i
/it
*
i
Howl
IS
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P
of
wolves
in
^^
^^
g
win
^^
^
-
ter!
i
#
^
Copyright, 1917, by G. Schirmer, Inc.
Copyright renewed, 1945, by G. Schirmer, Inc.
Printed in the U.S.A.
TT"
79
Largo
ffr
p
thou
Hi!.
u;
p
na
tive_
^m
land
r\
of
mine!
r\
i
/
r\
^^
^^'l'j'
Dream
J-_J
,h
ing_
vir
^t^
-
gin_
for
:J''
J,
-
ests,
Mid
''"'^L
H^
^^
-N
J-
night
songs
JJ^''
of
night
i-J
-
in
>
>
gales,
L
fc
Piu animato
molto cresc.
i
87750
i^
80
Cradle -Song
(Koluibelnaya)
Poem by A.
Music by
Alexandre T. Gretchaninoff
Le'rmontoff
English version by
Schindler
Op.
1,
No. 5
(J: 58)
Voice
Piano
'
i' J)
Bye,
277S0
E5
my ba
by,
?MJ'j>JO'
bye,_
Bye,
my ba -
Pd-TcJi
?
hy, bye!
Soft
ly
glis
tens
81
and
Moon,
lis
tens,
i
i
fe
^
From
the
i
-
lof
ty
sky.
i^
/J-j J-j/ J^
LtU ffrf ^rj-^r
rf/>.
ri
r-
/r\
P p
Cra
Eyes_
^frT ipzij'j
die
swing-
Moth
eth.
are
^gg
fe
^i^
ies
k^
ther nigh;
ga
fif-
<T
rit.
ing:
Bye,
my_
ba
by,_
tempo
ten,
a piacere
r\
I
AT
^ul
PZE
la
feW/)0
t=
=f i
rit.
Bye
bye!
a tempo
ro"
bye,
rit.
^
-
1/
a tempo
tempo
I*
fall
Fair
er sing- eth,
/e.
-Mj
by
a tempo
r\
JE
uU
^
smorz.
ilr
lis
VPP,
~rv~
<s-
-e-
-r
r-
27/50
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82
(V moltchanyi
Poem by
notchi tainoi)
Music by
Sergei Rachmaninoff
Fet
English version by
Geo. Harris, Jr., and Deems Taylor
Op.
4,
No. 3
Lento
Voice
^^
i
'
{)
Piano-
^^
ppp
^
')--h
i',
ii
^^
aP % y
?
'
^^
^i=-p^
CT
Oh,
"A
m]
i^
f.
:pg<yggi^ _r3yZ__
T5
^>ftl
ii
s
^Iji-^^*^^- ^ iii if 13 13
'
'
^^
the
SI
3=1=^^?
kl
^=j-
in
rit
lent
^ i
m:
night
Wi 1 a
^11
^SI
III
r
_p
<
tl
^1^^
see
m
^
p
your
*r:^p
83
mm
r
near
sion
VI
a=i=^^
* #
With your
ing,
^-J
4r^^
^^
J^
1-r
^^
I
ca
ress
ing voice,
jn
"r
mf
-J
\&
i'
'M'
P
your
art
ful
Your hair
:i=*:
PP
2_ ^
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that
smile
en
dear
ing,
:3=
^^
I
"r
smile,
^
I
^
^
"
>
^^tfJ
was
wont
to
stroke,
#^#^
w"/
^
3x:
*=*
8'
^^
^
your
flow
in
ir^
r=f
'
ing strands
of
I i
^t=:i
oft
you
'I
^^
7^
III
rt.fl.^.fi
m:
xn
how
\>
^
g",
I
oft
call
back!
you
m.
7
^^^^H
'^
*^^^^H
*^^^^*
Sii^
''
:.
J^
J^
>
iii
cow /no^o
j>
The
_^
j^
phras
J^
i>
es
of
J''
the
^^
J
past
con moto
fl
7
dim.
Jl
351
^jo
p
^
r.h
rpp
I.h.
f^m\,f^n
r
27750
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f=t
"^J
w^/
_p/>
J
bid
r=f
fc
b^ii
How
black:
cresc.
-i^}'
m m
Se31
1
hair
s:
new
try
^^
cresc.
to fash
our pas
ion,
sion
whis
R^==E
-
per
and
Wild
i
ag
re -call
and
the
de-spair-ing,
cresc. e rit.
i
s
p
I
S;a
^
27750
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Sr-
\^A^
^'
p-
sum - mon
past
de -light,
a
^
d'
With your
be
lov
ru
y
J>
J^
J^
r^
?^X
cresc. e Ht.
fc3
rzL
ed
^^
name
r>
MU
^^
^'P
wake
the
si - lent
With
night!.
your
be
:?:
J/i
.vj^j^.![j
in
m.
flf
!fi
lov
J I
ed
^ :&
'g
j^
i^fffi
s ^
4 t
tiffl^nfi xc
h^
dim.
^
name
N
wake
the
^
si
lent
3^.
if
fc=t^
o-
ir
iz:
"S*
UJ.
JJ:
9^^^
^/M
ilil
3r:
rfm.
>> >
on:
w:
t'?t'0
night!
Oh,
3^
iS
3^
^iJ^ Jl
:^
.il^J3.^i^^i^
ppnj^ivo^
iifi
i?=^= --
TT
a77.->n
7 akst^
#M*
P
r
h^ i ^
^r"^
87
^^
the
>
si
lent
i >
Y^
^''t
J~
''
J]'
.
;E*
^
-
^
^^^m
rrrf
E5
vi
sion near
* *
^
(^
nY,
^
be
your
lev
name
ed
^
I
^
wake
^ ^
the
si
lent
ro I
2^
i^
nY.
r
flf
ing-
\J^^flr
:fl:fl J7?
I'"
see your
XT
With
'
J^h
i>
PJL_t_*
^^
night
iiliilUZB
r"**?
tempo
-o>
night!
a tempo
EE
*
i iS
fe-
ppj)
^N
27750
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-<s
<s-
"XT
88
The
Isle
(Ostrovok)
Poem by Konstantin Balmont
Music by
Sergei Rachmaninoff
(after Shelley)
English version by
Geo. Harris, Jr., and Deems Taylor
Op.
14,
No. 2
Lento
*?ffi=^
Voice
^^
^i^^
Far out
*PS
K i> .
sea an
is -
land
>t*i
/j^
\\
i'.
i
J^
legato
With gen-tle
lies,
J^ J^
W^
Piano
ff
;l
but
>
^'
^^ ^^ J^ "^'^^
r^
r r
']>
And
ter- flies
andsweet
vio-lets
grass-es.
=^z=
}>}>
'i
i I ^^
^^
J''
^\^\ ^j^'p^^y
^ ^
If
^5
piu decrescendo
l
l^l
7'''J^^
J^
(T
f>
fe4^=^
g^ii.^
piu rallentando
IWi
^^
g
With scarce a
pies,
^=1
rip-pie
]^
>
stirs the
^.
S7730
J^
^r
cean,
.^
vztf
^
i'
89
TJ^
"ii
J^i
J>
^^
fl
fc
trees,
IDI
X-T
v^^
h|]
1,
With nei-thersound
^=
rr
JUiii^
3r
S^
J'J'-jt
nor
mo-tion.
S:
1"
dim.
3t
f
31=
^3
jyp
B-1^ 5
gj
i^^,
Here Na-ture
Meno mosso
-^i::
^p= SE^
^'
^
So
lies
jMiJ^^f;
ev-er seems to
^J'-<
smile, _
^iiJ^ J^
jjj, j,^jiY^-4^
No storms a
rise,
M^
there tran-quil-ly
the
^^
?
For
isle,_
ten.'-
no
ev-er
PF^
-e-
jyprit.
h rjQj-
j^
m
27750
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^^^
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Jr
-^
iP^^JJB
!
# ^
90
Me Mine
All"
Music by
Sergei Rachmaninoff
Op. 26, No. 2
English version by
Taylor and Kurt Schindler
Voice
Tempo moderato
(J
fagitato
96)
^MM^p
?^=ff
God
Piano
''
')^i^
all,
27750
in ^fe
5
^
3
took from
judg
mine
//
ment
^^
P^ ^
in
me
stern:
Took
91
a tempo
^td.
piu commodo
nif
^^
t
^n
ggtf
g
5i(x
IS
So
wealth,
my
on
ly
rit.
J^
J'
that
il
IJ^'
to
still
colla
;fe
left,
p sempre
He
lone
thee
Lo,
!i
P^^
^^
Him
in
XE
prayer.
parte
5g
dim.
sempre
rit.
^'^^^
/^.
^P
*i
5S J
< '/
may
turn.
l.h.
-;
^mm
E xn
-e-
l.h.
^ii
'Mm
dim. e
rit.
ill
^UJ
i*
55:
:a.
"!.
=3F
^^
277S0
^
.0
92
The
Soldier's Bride
A. Pleshtcheieff
Music by
Sergei Rachmaninoff
English version by
Harris,
Op.
Jr.
8,
No. 4
Adagio sostenuto
M
mf
Voice
^"''
To my
sor
^^
i
Piano
^^
^
poor
f^^
-
row
w^\i
8^5
With a
him,
s^
a^
-o-
:2
/=
J'
ff
or-phan,home-less and
J^-
J^J
pen -ni-
J'7
>
^^^
Such the
less
^?
^^
E
late
that
IZ^
irh
zz:
^ co
J^
now_
i'
/p- JU
has be -fall
'
Now
en me!
/wo^o
P
the
ir
cj i
hand
of
27760
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\^\i
nr
i#
^''
love with
in
fell
man
has
di
93
i ^m
vid
i^
s
-
ed
US;
jr
Far
^
way
y-TTTTj
they
_ ,
him
dragg'd
fc/T^^J
_ ,
to
.Meno mosso
mr
mf
rit.
h
I
,ii^
f
shall
i'
end
my
J^~i^
days
in
i'
^
ff
stran
ger's
g
house:
t
tz=
:22=
27750
lOT ITBW YOTvK PUBLIC LIBRARY
liS&ART OF TBT FEJirOMING ARTf
flnntBiAL
111
AMSTBRDAM ATI.
KIHY lOIlK. N. T.
1002J.
94
ten.
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Such
the fate
that
en me!
Ah!.
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95
Poem by
N.
kak
Noonday- Light"
poldyen, kharasha")
Music by
Minsky
Sergei Rachmaninoff
Op, 14, No. 9
English version by
Geo. Harris, Jr., and Deems Taylor
Lento
Voice
*te
^5
- s
d'5 f^_^^'
fair
she
is
'
^ibJ J'
ii'
t^.
As
'
as
noon- day
light,.
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Piano
Mi
ii
^5
More mys
m ^^^^^^^
tic
_ cresc^
deep
sleep-ing;
/
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1
Her eyes have nev-er burnedwith
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mi
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weep
ing,.
96
cresc.
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Her
soul has
^^
no
felt
f
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I
i
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sor- row's
blight.
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my
her
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p
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my
heart
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woos
Thus, weep-ing,
a tempo
i^ m
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the rest-less
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98
The Songs
of Grusia
Poem by Pushkin
English version by
Deems Taylor and Kurt Schindler
Op.
4,
No. 4
Piano
Jii-rii
iJfT^TOni
^
*/
ten.
P"
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ffi
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rit
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dim.
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if
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JH^min
fair
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Cir-cas-sian
The
maid,
old
p
Gru
fT-
J^^
se-nian songs.
^-=-
*
If
ScMrmer,
Copyright, 1917, by
Copyright renewed, 1945, by G. Schirmer, Inc.
G.
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love
99
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fill
my
4-
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mf.
p
f ^
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r-
life
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un- daunt
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dreams.
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pj,
and
p
with
soul.
Of
100
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my
tear
f
i
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heart,.
-
=
are
la
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y-
mem-o-
ries
Of
den
^^
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tr
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r
f
of nights
plains,
be-neath the
'li'
maid
en!...
Meno mosso
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Tempo P
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my
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see
2
3
'
'
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thee
ing
f-
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now
But
be-fore
-C'
thy
song.
^o
un
locks
the
past,
And
once
^fjjjlfl^
a- gain
the
spell
m
"f
f
^t &
ten.
fe
o'er
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me.
mm
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Sing not,
fair Cir
cas
sian
P.
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maid.
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m
to:
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Pold
p
Gru
pse
nian songs.
love
haunt
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ff
on-
ly
102
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lOS
"The Lord
is
-Risen"
("Christds voskres")
Poem by
Dmitri S. Mereshkdvsky
English version by Geo. Harris,
te
Music by
Serge'i Rachmaninoff
Moderato
Voice
(J
ss)
Hur~rj
n
^^ N
i
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Piano
Jr.
J.
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mf
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"The Lord
is
His praise
ris'nl'
is
But in
ring-ing.
my
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PP
OT
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jy
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soul
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104
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And
sting- ing,
the
at
al
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Seems
like
^K
j^
pf
an
in
suit to
His
S5
3^^
cresc.
mW
-e-
Tempo
j^p
And
should
He
choose
the
5r
cresc.
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J.
.l'ir
wor
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J^
-
^
from
thy
fi
Who
us
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lU
should e
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t,
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i
It
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Piu vivo
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nal light at
tain,
He
cresc.
cresc.
And
broth-ers wran-gle,
cresc.
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ter
3:
^
i
y
WW
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K ^^
y'
S^
to
His pain;
E
ij
105
cresc.
.//
to
where
ring-ing "The
is
juj^H^
m
i
t*
i#
rit.
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lJl
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poco
poco
rit.
s
from one and
is ris'n"
all,
5 =3
S==1 E
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dim.
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53
"Would
ing
^;
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dim.
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Lord
m^
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ff r=?
poco a poco
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pesante
J'
p
fill
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His
sad.
Siii
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s
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i
cresc.
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r
eyes^
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at
our
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fall!.
l=g
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13
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