Lipar 56

XVI/ 56 / 2015.
Editorial Board
.
- ,

aslav Nikoli, Assistant Professor, PhD

Faculty of Philology and Arts, Kragujevac
Editor in Chief
.
- ,
Vladimir Polomac, Assistant Professor, PhD

.
- ,
Nikola Bubanja, Assistant Professor, PhD


- ,
Jelena Arsenijevi, Assistant, PhD

Radomir Mitri
.
. , ,
prof. Persida Lazarevi di Giakomo, Full Professor, PhD

he G. dAnnunzio University, Pescara, Italia
.
,
Jelenka Pandurevi, Assistant Professor, PhD

Faculty of Philology in Banja Luka, Bosnia and Hercegovina
.
, ,
Svetlana Kalezi, Assistant Professor, PhD

Faculty of Philosophy in Niki, Montenegro
.
, ,
Ivan Maji, Assistant Professor, PhD

Faculty of Philosophy in Zagreb, Croatia
.

, ,
Ostap Slavinski, Assistant Professor, PhD

Faculty of Philology, Ivan Franko National University of
Lviv, Ukraine
.
, ,
Borjan Janev, Assistant Professor, PhD

University of Plovdiv, Plovdiv, Bulgaria

- ,
Editorial assistant
Bojana Veljovi
, ,
Journal for Literature, Language, Art and Culture
XVI / 56 / 2015
Year XVI / Volume 56 / 2015

University of Kragujevac
A:
............................................ 9
.

................................................................................ 27
.

..................................................................... 43
.

................................................................................. 63
.
, ......................................................... 85

................................................. 101
: , ,
.................................................................................. 127
.

................................. 135
.

............................................................................. 149

:
............................................................ 159

( )............................. 171
.

............................. 183
.

I .... 193
.

........................................... 205
.

A .
.................................................... 215
. ,
.

....................................................................... 227
........ 239

821.134.2-22.09 . .
821.134.2-22.09
. 1

A:

() ,
. .

, (1547-1616) (1562-1635).
, ,
(1609) ,
.
,
, ()
.

, , ,

. ,
, ,
.
: , , () , ,

,
, , , .
,
. , ,
1 vladimir.karanovic@fil.bg.ac.rs
Lipar / Journal for Literature, Language, Art and Culture
: , (paso),
(entrems) / (comedia nueva/espaola)
( 2000: 202, 203).
,
- , XVI
, ,
; , , . ( 1963: 103).

, .
XVI ,

.
(2009: 10), XVI

2. ,
XVI ,
.
3 : corrales de comedias4
2
/ (comedia nueva/comedia espaola),
, XVI , . ,

. (2000: 127), , . ,
,
.
, , .
, , , , ,
. , ,
( 2000: 128).
3 Siglo de Oro ( Siglos de Oro Edad de Oro) . , XVI XVII .
, , , ( , , ,
, ). ,
14921681, .
Siglo de oro , XVIII ,
,
. , (
), I, II, III, IV
II, . (Renacimiento), (Manierismo) (Barroco).
4
XVI
. , , , ,
10
/ , ,
(compaas teatrales)5 ( , 1981: 61).

, , , XVI .
.
,
. , ,
, .

, () . ,
,

, .

(2000: 64), , ,
(Miguel de Cervantes Saavedra, 15471616). ,
,
.6 .
, ,
, .
,
. Corral de la Cruz (1579)
Corral del Prncipe (1583), Corral de las Atarazanas (1574),
Olivra (1584) ( 2009: 18, 19).
5
. ,
, ,
: bulul, aque, gangarilla, cambaleo, garnacha, bojiganga, farndula, compaa.
6
, , XVI XVII .
, , , ,
.
v. Felipe B. Pedraza Jimnez, Cervantes y Lope de Vega: historia de una enemistad, in:
Cervantes y Lope de Vega: historia de una enemistad y otros estudios cervantinos, Barcelona: Octaedro,
2006. 15-62.
11
. (...) (...) .

,
II (15561598). ( 2009:
154). XVII , ,
,
.
, ,
( 2007:
155).
,
, ,
, .
48.
(El ingenioso hidalgo don Quijote de la Mancha, 1605),
, (Ocho
comedias y ocho entremeses nuevos, nunca representados, 1615),
(El rufin dichoso, 1615)
.
48. ,

( 2004: 160). :
-En materia ha tocado vuestra merced, seor cannigo dijo a esta sazn el
cura-, que ha despertado en mi un antiguo rancor que tengo con las comedias
que agora se usan, tal, que iguala al que tengo con los libros de caballeras;
porque habiendo de ser la comedia, segn le parece a Tulio, espejo de la vida
humana, ejemplo de las costumbres e imagen de la verdad, las que ahora se
representan son espejo de disparates, ejemplos de necedades e imgenes de
lascivia. Porque, qu mayor disparate puede ser en el sujeto que tratamos
que salir un nio en mantillas en la primera cena del primer acto, y en la
segunda salir ya hecho hombre barbado? Y qu mayor que pintarnos un
viejo valiente y un mozo cobarde, un lacayo rectrico, un paje consejero, un
rey ganapn y una princesa fregona? Qu dir, pues, de la observancia que
guardan en los tiempos en que pueden o podan suceder las acciones que
representan, sino que he visto comedia que la primera jornada comenz en
Europa, la segunda en Asia, la tercera se acab en frica, y aun si fuera de
cuatro jornadas, la cuarta acababa en Amrica, y as se hubiera hecho en
todas las cuatro partes del mundo?7 ( 1991: 569, 570)
7
,
,
; , , , , ,
12
/ , ,
,
, ,
, ( ),
. ,

,
.
Y que esto sea verdad vase por muchas e infinitas comedias que ha compuesto un felicsimo ingenio destos reinos, con tanta gala, con tanto donaire,
con tan elegante verso, con tan buenas razones, con tan graves sentencias
y, finalmente, tan llenas de elocucin y alteza de estilo, que tiene lleno el
mundo de su fama; y, por querer acomodarse al gusto de los representantes,
no han llegado todas, como han llegado algunas, al punto de la perfeccin
que requieren.8 ( 1991: 571, 572)

,
, .
1615.
, ,
, ,
. , ( ,
2009: 75).
,
,
.
,
(El trato de Argel),
(La destruccin de Numancia) (La batalla naval),
.
,
? , ,
, ? , ,
,
, ,
, , ,
? ( , 1998: 505).
8
,
; , , , , , , ,
; , ,
, . ( , 1998: 506).
13

,
(El engao a los ojos). : XVI ,
9,
() ( ), , XVII , 1615. ,
,
, .
, :
Tuve otras cosas en que ocuparme; dej la pluma y las comedias, y entr luego
el monstruo de naturaleza, el gran Lope de Vega, y alzse con la monarqua
cmica. Avasall y puso debajo de su jurisdiccin a todos los farsantes; llen
el mundo de comedias propias, felices y bien razonadas, y tantas que pasan
de diez mil pliegos los que tiene escritos, y todas, que es una de las mayores
cosas que puede decirse, las ha visto representar u odo decir por lo menos que
se han representado; y si algunos, que hay muchos, no han querido entrar a
la parte y gloria de sus trabajos, todos juntos no llegan en lo que han escrito
a la mitad de lo que l solo.10 ( 2004: 93)

, .
, .
( 2009: 93). , ,
,
, .
9

XVI . , , , , . 6. 1592. ,
, .
, , 50 ,
, ( 2006: 179).
80- XVI
, .
10
, ,
, , .
,
, ,
. , , ,
. (
, 2007: 6, 7).
14
/ , ,
, . ,
,
,

.

, . (comedia
de santos) .
: (Curiosidad) (Comedia).
: ?
?
?
. (2004: 166) (?)
.

, .
, (2009: 76),
- :
, ,
,
, .
( 2000: 70).
(2006 : 216),

: , ;
,
,
; ,
, .
, .
,
15
, , ,

, .
, ,
.
,
,
,
,
. , 80 XVI ,
, , - ,
,
.
,
, .
, , ,
, .

?
,
XVI XVII , ,
(2000: 272), . ,
. , , ,
.
,
,
.
(Lope de Vega, 1562-1635).
(Arte nuevo de
hacer comedias en este tiempo) , . 16
/ , ,
1609. Rimas,
1623. ( 1976: 21).
, , XVII .
,
, ,
. , ,
.
, ,
, ( - 2006: 44, 45).

( )
, - ( 2004: 49). ,
, .
(2000: 148), , XVI ,
,
, , ,
, .
(. , ,
),
.
, . ,
,
,
( 2008: 100, 101).
, .
, ,
, . ,

.
.
17
, , , ,
, , .
: , , (
2000: 131133). , ,
.
,
. , ,
(
,
),
( 2005: 121).

(1976: 39), .
, ,
:
. - , , ,
(
1976: 46). :
- ( 1146);
,
.

. , ,

:
y cuando he de escribir una comedia,
ncierro los preceptos con seis llaves,
saco a Terencio y Plauto de mi estudio
para que no me den voces, que suele
dar gritos la verdad en libros mudos,
y escribo por el arte que inventaron
los que el vulgar aplauso pretendieron
porque, como las paga el vulgo, es justo
hablarle en necio para darle gusto.11 ( 2006: 133)
11
, / , / / , , /
; / / ; /
18
/ , ,
, : ,
. , .
- ( 147361);
,
10 : , , , , , , ,
, ,
.

;
,
,
.
, , , ,
, ,
,
, . , ,
: ,
, ,
;
,
, :
Quede muy pocas veces el teatro
sin persona que hable, porque el vulgo
en aquellas distancias se inqueta
y gran rato la fbula se alarga;
que, fuera de ser esto un grande vicio,
aumenta mayor gracia y artificio.12 ( 2006: 144)

:
, / . ( ,
, 2013: 27, 28).
12
/ , , / , , / , / , /
. ( , ,
2013: 39).
19
, , , , . , ,
, , .
. ,
: , , , ,

. , , ,
.
(2000: 76, 77),
. ,
, ,
, ,
, .

,
, . ( ,
,
, ,
).
,
.
, , , ,

. ,
, ,

.
, , .
(16 ) , . ,
,
, ,
:
20
/ , ,
En la parte satrica no sea

claro ni descubierto, pues que sabe
que por ley se vedaron las comedias
por esta causa en Grecia y en Italia.
Pique sin odio, que si acaso infama,
ni espere aplauso ni pretende fama.13 ( 2006: 149, 150)
, .
- ( 362389) , ( 2004: 49).

483 ,
.

. , /
,
.
: , .
, ,
,
( 1976: 47). ,
(1976: 52),
. - (2006: 52),
,
,
.

. ,
,

.14

13
/ , , /
/ ; / , , / . ( , , 2013: 44).
14

(Cristbal Surez de Figueroa, 15711644?),
. ,
.
Plaza universal de todas ciencias y artes (1615).
21
. ,
,
: ,
, , , . ( 2011: 231). , ,
.
,

, .
( 2011: 235).
,
: () ().
, ,

( ).
, ,
.

, , ,
, .
, , .

.
,
,
, , ,

, .
, , ,
, 22
/ , ,
. ,
,

.
, ,
,
,
.

( , 2009: 77). ,
, ,
.

?
.
, , ,
,
. , ,
,
.
,

.
,
, -,
, , , ,
.
, , .
,
, , ,
.
,
, ,
,
.
23

, ,
,
,
. , ,
, , ,
.

2005: I. Arellano, Historia del teatro espaol del siglo XVII, Madrid: Ctedra,
Coleccin Crtica y estudios literarios.
et al. 1998: C. Bobes Naves et al., Historia de la teora literaria, Vol. 2.
Transmisores. Edad Media, Poticas clasicistas, Madrid: Gredos.
2006: L. de Vega, Arte nuevo de hacer comedias, edicin, introduccin y n o t a s
de Enrique Garca Santo-Toms, Madrid: Ctedra, Letras hispnicas.
2013:, , ,
, ,
, : , Bibliotheca Hispania.
- 2006: E. Garca Santo-Toms, Introduccin, in: Lope de Vega,
Arte nuevo de hacer comedias, Madrid: Ctedra, Letras hispnicas, 9108.
2000: J. Gonzlez Maestro, La escena imaginaria (Potica del teatro
de Miguel de Cervantes), Madrid/Frankfurt: Iberoamericana/Vervuert.
2008: . ,
, in: , ,
,
, V/ 9, : , 95118.
2000: . , ,
: .
2004: Lj. Pavlovi Samurovi, Knjiga o Servantesu, drugo
dopunjeno izdanje, Beograd: Nauna KMD.
1963: M. Panti, Predgovor: Poetika humanizma i renesanse, in: Poetika
humanizma i renesanse, Vol. 1, izbor tekstova, predgovor i objanjenja dr Miroslav
Panti, Beograd: Prosveta, 7149.
, 1981: F. B. Pedraza Jimnez y M. Rodrguez
Cceres, Manual de literatura espaola, Vol. 4. Barroco: teatro, Tafalla: Cnlit
diciones.
2006: F. B. Pedraza Jimnez, El teatro mayor de Cervantes:
comentarios a contrapelo, in: Cervantes y Lope de Vega: historia de una enemistad y
otros estudios cervantinos, Barcelona: Ediciones Octaedro, 165190.
2006:, Cervantes frente al teatro de su tiempo, in: Cervantes y Lope de Vega:
historia de una enemistad y otros estudios cervantinos, Barcelona: Ediciones Octaedro,
193216.
2004: A. Penas Ibez, Flix Lope de Vega, Madrid: Ediciones Eneida,
Coleccin Semblanzas.
, 2009: A. Rej Asas, F. Sevilja Arojo, Servantes. ivot i
knjievnost, prevela sa panskog Jasna Stojanovi, Beograd: Signature.
2011: E. Rodrguez Cuadros, Introduccin, in: Lope de Vega, Arte
nuevo de hacer comedias, Madrid: Castalia, Clsicos Castalia, 9243.
24
/ , ,
1976: J. M. Rozas, Significado y doctrina del Arte nuevo de Lope de Vega, Madrid:
SGEL.
2000: F. Ruiz Ramn, Historia del teatro espaol (desde sus orgenes hasta
1900), Madrid: Ctedra, Coleccin Crtica y estudios literarios.
1991: M. de Cervantes, El ingenioso hidalgo don Quijote de la Mancha, Vol.
1, edicin, introduccin y notas de Luis Andrs Murillo, Madrid: Castalia.
1998:, , 1,
, :
.
2004:, Entremeses, edicin de Nicholas Spadaccini, Madrid: Ctedra, Letras
Hispnicas.
2007:, Meuigre, drugo, dopunjeno i izmenjeno izdanje, prevod sa panskog
Jasna Stojanovi i Zoran Hudak, Pogovor, bibliografija i beleke Jasna Stojanovi,
Beograd: Itaka.
2007: J. Stojanovi, Servantes i pozorite, in: Migel de Servantes,
Meuigre, drugo, dopunjeno i izmenjeno izdanje, prevod sa panskog Jasna Stojanovi
i Zoran Hudak, Pogovor, bibliografija i beleke Jasna Stojanovi, Beograd: Itaka,
153164.
2009:, pansko pozorite baroka, prvo izdanje, Beograd: Filoloki fakultet.
Vladimir J. Karanovi / MIGUEL DE CERVANTES Y LOPE DE VEGA: DOS CONCEPCIONES DEL TEATRO ESPAOL UREO
Resumen / En el artculo se presentan los postulados bsicos de la comedia nueva
(espaola), gnero dramtico espaol que marc el llamado Siglo de Oro de la cultura
espaola. La investigacin est basada en el anlisis de los textos poticos de dos smbolos de la literatura espaola urea, Miguel de Cervantes (1547-1616) y Lope de Vega
(1562-1635). La potica dramtica de Cervantes, fcilmente recogida de los fragmentos
especficos de sus obras literarias ms importantes, se compara con la epstola Arte
nuevo de hacer comedias en este tiempo (1609) de Lope de Vega, reformador del teatro
nacional clsico y creador de la comedia nueva (espaola). Este anlisis comparativo
posibilita una valoracin ms adecuada de dos sistemas dramticos aparentemente
diferentes, dos poticas y concepciones estticas del arte dramtico, como la cara y
la cruz de la misma moneda, del fenmeno de la comedia nueva (espaola), que dej
huellas tanto en la historia del teatro espaol como en la historia del teatro universal.
La potica dramtica cervantina puede localizarse, segn los criterios dramticos
universales, a medio camino entre la antigedad clsica y las nuevas tendencias del
teatro nacional, creado por Lope de Vega, cuyos postulados, a pesar de la presin
constante y la victoria ya conseguida en las escenas de la poca, jams estuvo dispuesto
a aceptar. Una de las graves faltas de la concepcin dramtica cervantina es el hecho
de que nunca logr superar el impulso de desarrollar abundantemente solo el aspecto
literario de la obra dramtica, afectando simultneamente la trama o la calidad de la
presentacin y la concepcin de la obra dramtica como medio de comunicacin con
el pblico. El Arte nuevo de hacer comedias de Lope de Vega es el primer texto terico
que no parte de los postulados abstractos y especulativos sobre el teatro, sino de la
realidad existente y la praxis dramtica, que segn Lope, estn en conformidad con
el gusto del pblico como uno de los criterios ms importantes y vigentes en el arte
teatral. Es obvio que ninguno de los dos autores dramticos en sus poticas rechazan
los postulados esenciales aristotlicos sino intentan, cada cual a su manera, mostrar
mediante su actividad dramtica, que no es imprescindible dogmatizar ni el proceso
de la creacin dramtica ni el producto artstico final. Adems, de sus postulados
tericos se puede concluir que el arte dramtico debe ser un discurso abierto, adaptable y flexible a los cambios artsticos, lo que otorga a las dos concepciones dramticas
un espritu de modernidad.
25
Palabras clave: Miguel de Cervantes, Lope de Vega, comedia nueva (espaola),

potica, teatro del Siglo de Oro
: 20. 2015.
2015.
26
/ , ,

821.163.41-14.09 .
. 1

,
: (1981), . (1983),
(1986), , (1990), (1990), (1993) (1995),
20. . 21. : (2007),
(2010) (2014) ,

. ,
,

.
: , , , , ,
(1981),
. (1983), (1986), , (1990), (1990), (1993), (1995),
(2002, ), (2007), (2010)
(2014), - , ,

2.
,
, ,
.

,
, ,
, . , ,
1
mitojelija@gmail.com
2
,
(2012).
27
.
(2002, XIII) , ,
,
, ,
, , ; ,
,
( 2002, XIII). , ,
.
, , , ,
, ,
. ,
, (. , ),
.
,
.
, , , ,
( )
,
- 49, 56 .
,
( 2002: , XII),
.
, - , .
,
sui generis, (
1988: 260). , (
) ,
?
.
/
:
: , ,
: , , ,
28
/ , ,
: ,
...
,
, ,
. : (), , ... , , .
, ;
, ,
, . .3 , ,
.
, ,
/ /
, ,
, . . ,
, ( , ),
: () (). , , , .
, .
,
: 1, 2, 3: - , : (...)
/ (...) //, (...).
, , 5: - , - , - , - , - . ,
/,
( ) , .
. / , / ,
.
//. , , ,
.
, ,
,
.
, : ()
3
,
-, .
, ,
,
.
29
( , . ).
, .
. , .

,
,
.
: , ,
. ,
: , ,
4 (, : 1, 2, 3) , ( . , ) (...) (...) (...)
(, . / ) (, . )
(/ . )
(. , ) , . , (...)
. , . , :
. / . , / . ( / .
, ).
,
. , , - , , , , ( )
. , ,
, -
, , . ,
(, ) , , , : .
. , , , , . ,
/ .
.
, .
,
, :
( ) ( ) /
4
, :
, , !, ...
30
/ , ,
( )
()
( ) /
() (...) ( )
/ ()
( )
().
,
,
.
, : ,
! : . . ,
, . ,
. ,
- ,
. , . (
. , ),
( ).
,
, .
1986, , , , ,
- . :
, , . :
, / . :
, , ( , )
, . , : , , , :
. , , .
, .
,
, - .
, Barcarola, , , , :
, : :
. ,
, : / , :
/ / .
31
, -
, , , ,
. 4. , , : 1, 2, 3: ,
, , ,
(2. . , 32, 19).
, , , (2. . , 32, 16). ,
. ,
,
. , , : 1,
2, 3, 6. ,
: ,

.
,
, . , ,
( ),
( , ), , . , , ( ) ( ). :
: / , : / /
/ , . , , :
/ , / / - ,
: , , ,/
/ .

,
, ,
( 1990: 8-9), , :
. , ,
-, . .

. , -.5
,
. , -,
5
, ,
, .
32
/ , ,
, , , , . , . , ,
,
.
, ; , .
, ,
. - ,
. (1983: 611)
, .
, ,6
, .
, .
: , : / /
, / , ,/ ,
: , , / , , ,/
, -: / / /
, //, : -/
. , . , 1995. ,
,
. ,
,
, . , ,
.
, , , ,7
, ,
.
, , , , . , , ,
8 - , ,
, .
6
.
7
, , , ,
, - .
8
.
33
,
, (, , ; In/ Ri, ?) (, )
. , .
,
, . , .
, 1981. , , ,
. ,
, , (21. ),
, 1995. .
, .
, ,
. : , , . : /
/ /
/ / / /
/ /
/ / /
/ / / / / .
, , .
,
,

: ...
, ,
, ( 2009: 17), - , ,
. , ,
,
. ,
,
, . , ,
:
/ , ,
34
/ , ,
.
. , , ,9 ,
,
( 2008: 48),
.
, N 1,
: , : ,
: .10 ,
, Light show-, ,
:

/ . , ; , . ,
. 11
. Nicolo Tomaso Morus (1879-1953).
, : ,
/ , ,/ / , / .
, ,
12 , , , :
13:/ ,
.
. , , ( 1983:
609),
. : . .
, . , . ,
. , . , . . , . . .
9
-, .
10
,
, .
11
, ,
,
. Light show,
, , , .
12
,
, , , ,
.
13
:
, . ,
?
35
(1988: 250-254)
, , ,
. .
, , ,
, ,
. ,
,
,
.
,
.
( 1990: 68-70).
,
, .
() , ,14 ,
,15 . :

, . ( , ,
.) ( 1990: 70), .
, ,
, , ,
.
. ,
. . , , ( )
, , .
, ,
,
. ,
: , , . / , , .
, -. 80-, , . ,
. , . , , . , , : .
.
14
/ / . .
15
,
36
/ , ,

,
: , ,
/ / / . ,
- , , , : ,
, / , ,/ .

, , , ,
, , ,
.
, , . /
, , . , -. 80- ,
- ,
, . , /
/ , : . ,
:
, . / , (...) , .
. , ,
16 : : , / : / .
, ! : ,
, , ,
: , . , , /
! / , , / , / / / /
!
, . ,
,
: ,
/ , ,
, Happy new
year- : / .
,
, ,

. , Happy new year
.17
16
, : , ,
:/ .
17
, .
37
, . , , , , . .

- .
, , , , ?,
, , + -, =, . , , , , , ,

, ,
,
.
, ,
. : / , .
, (
), . . , , ,
, .18 , ?. , , ,19
( 2008: 18).
, ,
, ,
!, ,
.
, , . , , ,
. , , . blues bandu?: ,
, , ,
: , : :
,
.
, , ; : , , ,
, : , , ,
: , , ,
18
19
38
, .
.
/ , ,
; , (...)
, , , ,
. , . ,
: / , /
( ) ,/
( ). , ,
,
: , / ,
. . .
- (. , , ).
, , , , ,
: ,/ , ,
,/ ,/ ,/ ,
: / .
, ,
. ,
, .
! , ,
. ,
, , .
, , ,
, ,

, : ?/
, ,/ !

, ,
.
, , . ,
. ,
, :
( 1969: 83).
, , . . ,
1995, ,
39
, ,
128 .
,
,
, : ,
( ), , : : - / ,/ -! -/ - ! -/ -
/ , -/ - -/ -
-/ -/ ( 1975: 7-15).
,
( 2009: 123), ,

.
,
7. ! , !,
: , / , , / ?/
, , /
/ ? , / /
, / / ? / ,
, / ? , ,/ ,
, , :/ , , .
, 2007, 2010. 2014. 20. ,
,
, , ;
,
, ,
.
2009: . , ?(
), : .
2008: . , , :
.
2008: . , , , (.), : Familet.
1990: . , , , (.), :
.
40
/ , ,
1975: . , , : , :
.
2009: . , , : .
1981: . , , : .
1983: . , . , : .
1986: . , , : .
1990: . , , : .
1990: . , , , : .
1993: . , , : .
1995: . , , : .
2002: . , ( ), :
Orpheus.
2007: . , , : .
2010: . , , : Orpheus.
2012: , (.), (),
: .
2014: . , , : Orpheus.
1983: . , , , 432, 5,
609-612.
1990: . ,
, , . 2, . 5, 68-70.
1988: (-
), : , :
.
1969: . . , / , ,
(.), : .
1998: . , , : .
1965: . , , , (.) ,
. 9, . 17-18, . 1-8/9.
Jelena . Marievi / IN THE HOT YOLK OF POETIC EXPERIMENT BY IVAN
NEGRIORAC
Summary / The paper analyzes the experimental neoavangarde project by Ivan
Negriorac, on examples of books of poems: Rotten Apple (1981), The prong man.
Stomach (1983), Geography (1986), Warm, Cold (1990) Abracadabra (1990), Hop (1993)
and Conjunctions (1995), which are printed in the 20th century. The books of the 21st
century: The secret man (2007), Lighthouse (2010) and Stone readings (2014)are not
the focus for this analysis, since they represent a separate section of artistic diptych
by Ivan Negriorac and a different way to relate to the experimental. The focus in
this paper is placed on the Geography, as a book that represents the pinnacle of experimental hermeticity of this poet, and also lots of fragmented and dekonstructed
reminiscent of serbian and world literature which speaks about specific literary
universe by Ivan Negriorac.
Keywords: poetry, experiment, tradition, Neoavangarde, intertext, deconstruction

: 26. 2015.
2015.
41

821.133.1-31.09 .
. 1
-

,
. , ,
, ,
.
, , ,
, .
,
,
.
: , , ,

. O
. ,
,
.
2013.
,
. ,
, .
, ,
, .
,
. 1
kat.milic.kg@gmail.com
43
, ,
. ,

.
, - (2004), (1977),
.
(1982) (1955, 1986)
,
, .
(1973)
. ,

, .

,
.

. , ,
, ( 1967)

.
, - , , . , , , .
, -
. ,
,
.
- (, 2004)
, ,
. ,
.

44
/ , ,
. ,
,
(criture) (rcriture).
, , -
.
, . ,
ad sententium- ,
, , .
- , , 2 ( 1989: 151).
( 1977), .
, ,
-
, , , .
,
,
.
,
.
, , ,

- symbola.
, , , .
, . .

, ,
, - ,
.
.

, . , ,
, . , ,
2
. .
45
:
, ,
, .
, ( ) .

,
.
, , , - ,
, , .
,
, . ,
, , . ,
, ,
. ,
.
,
,
, - . , ,
.
, , .
. ,
,
- , :
() ().

,
, . ,

46
/ , ,
. ,
.

( 1982).
,
.
, ,
.
, , . , , ,
,
. , ,
.
, ,
.
, ,
, . .
,
- ,

.
,
, .
,
,
. , ,
. -
-
. ,
, ,
.
, ( 1996),
47
20. .
,
, ,
(, 2009).

( 2011) .
1973. . 19.

,
.
,

.

.
,

, . ( 2011: 16).
,

.

:
, .
.
.

,
.
, , .
: , 3.
,
3
, . ,
.
48
/ , ,

: , , .
,
. ,
, .
, .
, , ,
.

.

, ,
.

:
1. 4 - . , . ,
. . ;
2. - . (
), . (
), . (

) . (
) ;
3. - , , .
,

. 4
.
49
.

, : , , .
,
. , ,
, . ,
, .

.

. ,
, . : , .
, ,
. , , , . - , , ,
, ,
.
:
,
, ,
(
)5. ( 2013: 83)
,
: , ,
. (, 2013: 82).
,

-
.

. , 5
50
. .
/ , ,
, , (
),
.
. ,
.
, , ,
.
. ,
:
[] ,
.

. ( 2013: 436)
,
, ,
:
.................................................. ..........................................
....................................................................................................
..................................................................... ................................
...........................................................................................
. ( 2013: 473)
, , , ,

. ,
, .
.
, , .
. .
, , .
,
,
51
,
. ( 2011: 334)
, ,

.

.
,
. ,
.
, .
-

,
. ,
, .
,
:
.
.
, , .
, ,
. ( 2013: 17)
( 1955,
1986) ,
,
. ,
: . , ,
, ,
, ,
:
.
, .
, ,
,
. ( 2013: 12)
, , ,
. , 52
/ , ,
, .
, ,
, ,
. , ,
, , , . ,
, .
,
. ,
-, .
,
, ,
.
,
,
, . , ,
:
,
,

, . ( 2013: 10)
, a , , ,
. , , , , ,
. ( 2011: 22)
,
- ,
,
. . .

,
.
. Lipar / Journal for Literature, Language, Art and Culture
53
,
.
, ,
.
-
(, ,
.) .
- , ,
:

,

. [] ,
. (
2013: 65)

. ,
,
, . ,
, , . , , , , ,
, 6.
,
,
,
.
, .
, .
, , ,
, . ,

.
6
:
(Shklovsky), (Tomachevsky) (Eichenbaum).
54
/ , ,
,
,
, ,
, ,

, ,
.
,

, .
,

, .
.
,

:
! ( 2013: 67)

, .

,
, . ,
, .
, .
, .
,
.
,

-
:
.
,
[]. [],
,
. ( 2013: 34)
55

,
. ,

. ,
,
.
.

. :
,
, ,

. ( 2011: 24)
,
, - .
. , , . , .

.
.
: -
.
, :

. . ,
,
. ( 2013: 118)
-

, ,
.
,
,
56
/ , ,
, , . , ,
.
,
,

. , , -

. ,
.
,
.
. ,
. ,
, .
, ,
:
.
, ,
. ( 2013: 468-469)
, ,

, .

. ,
, .
, . , ,
:
, :
, ,
?.
. o
. ( 2013: 471)
57
, , ,
, .
, ,
,

.

,
:

. ,
. ( 2013: 471)
,
, ,
. , - , .
,
.
, -
:
[], ,
,

.
. ( 2013: 388)
,
.

,
, .
58
/ , ,

19.
: , , .
, , (
) . , ,

,
.
.

.

. ( 2011:
409)

. , .
, , ,
.
.

, .
, ,

.
,
.

. , , Lipar / Journal for Literature, Language, Art and Culture
59

.

- , ,
,
, ,
. ,
.
,
,
. ,
. , ,
,
,
. , .
,
.

,
, .

20.
, . ,
. ,
, .
, , ,
, , ,
, , .
, ,
,
.
60
/ , ,
:
2013: F. Verger (2013), Arden, Paris: Gallimard.
:
1977: W. Benjamin (1977), Allegory and Trauerspiel , The Origins of
German Tragic Drama (trans. John Osborne), London: NLB, 159-252.
, 2009: . , .. (2009),
20. , : .
2011: . (2011), ,
, : .
1967: A. Masson (1967), LAllgorie, Paris: Presses Universitaires de France,
collection Que sais-je, #1576.
1955: P. Ricur (1955), Histoire et vrit, Paris: Seuil.
1986: P. Ricur (1986), Quest-ce quun texte ? , dans Du texte laction,
Essais dhermneutique II, Paris: Seuil, 137-159.
1982: P. Smith (1982), The will to allegory in postmodernism, Dalhousie
Rewiew 62, 105-122.
2004: M.-F. Viel (2004), La Bible des potes : une rcriture rhtorique des
Mtamorphoses dOvide. <http://www.erudit.org/revue/tce/2004/v/n74/009204ar.
html?vue=resume>. 10.01.2015.
1996: . (1996), : , ,
, : .
1989: P. Chavy (1989), Domaines et fonctions des traductions franaises
laube de la Renaissance, Revue de littrature compare, Paris, vol. 63, 148-171.
Katarina Mili / SPIRIT OF ALLEGORY AND METAHISTORY IN THE NOVEL

ARDEN BY FREDERIC VERGER
Summary / In this paper we show how allegorical narratives of the history function, or the process of its writing is applied. In light of the allegorical, novel Arden
is metahistory, and also the apology of individual history, individual truth about the
Second World War, but also represents the lives of those who survived the war. In
this novel, allegory is presented in two components the first relates to the generally accepted interpretation of the historic Battle of the Arden in Second World War
and the events that preceded it, and the second plan, which we are here concerned,
refers to the process of writing history, or metahistory. Relying on Benjamins theory
of allegory and Whites theory of metahistory, we see the way in which this novel is
entered in the postmodern tradition of narrating the history and its pluralism, and
all this in an allegorical light.
Keywords: allegory, metahistory, historicism, tropology
: 15. 2015.
2015.
61

821.112.2-2.09 .
. 1

-

,
. ,
,
, , .

,
.

,
. a

, ,
, ,
, ,
,

.
o
,
, , .
: , , , , ,

.
,

. ,

1 milena.nesic@yahoo.de
63
, . ,
.
. 1918. ,
,
. , , 1933.
1947. , ,
, 1949. .

,
, , .

, ja, , .
1948.

( 1981: 454)
. , , -
, - .
, ,
( 1981: 454).
. ;
,
( 1981: 454).
.
,
-.
, ,
. [...] , ,
:
,
. (
1981: 454-455).
, .
,
, 64
/ , ,
, , ,
. ,
. . ,
.
.

. , ,
, .

.
, . ,
.

2. ,
, ,
,
. ( 1981: 459)

.
,
, .
,
.

.

3
: , , . ,
, ,
. , ,
, ,
. , ,
2
3
.
, .
65
, , . , , ,
, , . ( 1974: 299). . ,
- , , . ,
.4
. ,
.

, , ,
,
. .
(
1974: 300).
. , , . , , ,
. ,
, ,
.
.
,
, ,
,
,
, .
:

- ,
;
,
4
; , ,
.
66
/ , ,

. ( 1981: 451)
,
.

, , ?
,
, .
.
.
.
,
.

. ,

, . .5 -
,
.

,
. , . ;
,
.
,

. , ,
,
. ,
5
,
.
67
, , ;

.

. ,

. : ,

.
, ,
. , ,
. ( : .)6
() .

, , , .

:
,
,
. ,
;
. (
1981: 453)

,
. , ,
,
.
, . ,
6
Verfremdung
. .
, ,
. , , , ,
,
. . ,
, . : . ,
, . , ,
.
68
/ , ,
,
. , ,
. ,
.
.

.
. , ,
.
. :
, . ,
,
.

, ,
.
.
,
, ,
, , .
.
, ,
.
, . ,
,
.

.
. ,
.
.
,
, . , ,
. ,
. .
69
7.
,
.
, , , . [...]

, . ( 1979:
317)
. ,
.

. , . , ,
. ( , 1979: 304) :
.
. , , - .

,
, .
, .

,
, .
. .
,
,
,
,
. ( 1974: 306)
, : . ,
, , , , ,
. ,
,
. ,
.
7

.
70
/ , ,

,
.
, ,
. 1618. 1648. .
, ,

,
, , .

, ,

,
.
,
, ,
, :
: . .
. [...] ,
. ( 1979: 17-18)
, .
.
,
, , .
, -
,
.

.

, ,
, .
,
, . , ,
71
, .
:
: , ,
,
. . ( 1979: 20)
.
, ,
, .
( 1979: 93), ,
, , .

, . ,
,
, , ,
.
, .
, ,
. ,
. , ,
.
. ,
. , , .
, , , .

.
, .

. ,
.
: [...]
. ( 1979: 84)
, , , , .
, , 72
/ , ,
- . ,
, .
: . ,
. [...] ( 1979: 121-122)
,
. . ,
.
,
,
. ,
,
:
: . ( 1979: 21)
, , , ,
.
.

, ,
.
, ,
,
:
: , . ,
. , ?
, ? , . (1979: 24)

, ,
.
( 1979: 25),
.
. ,
,

73
, [...]
( 1979:22).

,

:
: [...] . .
, . . .
. ( 1979: 34)
.
, :
: , . ( 1979: 24)

, ,
, ( 1979: 25).
,
,
:
: . .
( 1979: 109),
, ( 1979: 110). , ,
,
:
: . ( 1979: 106)
,
,
.
, ,
.
,
, ,
:
74
/ , ,
( ): ,
,
. ( 1979: 25)
. ,
, .
: , . ( 1979: 90)
,
, .
, .
. :
: .
. .
. ( 1979: 87)
.
, .
, , , ,
,
. , ,
:
: ,
, .
, : . ( 1979: 47-48)
, .
.
: . ( 1979: 89)

.
, ,
.
, (
75
1979: 93),
.
.
. , :
: .
. ,
. ( 1979: 91)

. , .
,
. , , ,
.
. , .

,
. ,
. , , ,

. . , 4.
, , ,
,
, . , ,
.
.
,
. , .
/ ( 1979: 19), ,
, .
,
, .
76
/ , ,

:
( 1981: 57) . ,
.
,

(
1981: 84). , .
.

.
( 1981: 60)
, .8
,
, ,
,
.
: , ,
.

. , . , ,
, , ,
. : .
8
,
,
. : 1. , 2.
, 3. , 4. , 5.
6. . -.
, , , .
,
,
. ( ) ,
. ,
, .
77

.
, : .
, . , , .
, .
, . ,
.
, .9 ,
, .
,

, ,
.
,
:
: . .
. [...] ( 1979: 24)

.
:
: [...] ,
. . ( 1979: 27)
, ,
:
: [...] ?
. . . [...]
( 1979: 27).
.

.
9
,
.
78
/ , ,
: [...] , . [...] , .
. . .
. ( 1979: 50)
, ,
, , , .
,
.
,
.

,
, . ,
: ,
, . ,
.
: [...] ! ( 1979: 80)
, , , , . ,
. , ,
.
, ,
, , .
, ,
, , . . , , , , , ,
, .
,
. ,
, ,
, :
: [...]
. ( 1979: 84)
, ,
. , ,
79

. , - .
( )

. : ,
,
.10 , , ,
. , ,
.
, .
,
,
, .
: [...]
. ( 1979: 84)

, . .
, .
, ,
. ,
, , .
: ,
.
! [...] ( 1979: 60)
,
,
,
, .
:
10
,
.
80
/ , ,
, . ,
, ,
,
. , , . , ,
,
.
, ,
: ,
. ( 1979: 73)
-, : ,
, , ,
.
.

, , .
,

.
, .
. , ,
. , . , . . , , ,
. ,
, , .
,
.

. , ,
.
81

,
. , ,
.
. ,
.
, . , ,
.
,
.
.

, .
, , , , ,
. ,
.

, .
. ,
,
. , ,
.

,
. . , . , ,
. , ,
, , ,
, . ,
, .
, ,
. ,
, , 82
/ , ,
. ,
.

.
,
.
,
, . ,
, .
:
1979: . , , : ;

:
1974: V.Benjamin, Eseji, Beograd: Nolit; preveo Milan Tabakovi, 299-307.
1966: B.Breht, Dijalektika u teatru,Beograd: Nolit; preveo Darko Suvin, 50-77.
2000: B.Brecht, Schriften zum Theater, Frankfurt am Mein: Suhrkamp, 51-193.
1979: R. Vilijams, Drama od Ibzena do Brehta, Beograd: Nolit; prevela
Marta Frajnd, 314-330.
1981: A. Ibersfeld, Aktancijalni model u pozoritu, u: M. Mioinovi
(uredn.), Moderna teorija drame, Beograd, Nolit, 84-117.
1981: S. Markus, Strategija dramskih lica, u: M. Mioinovi (uredn.),
Moderna teorija drame, Beograd, Nolit, 201-213.
1995: P. Sondi, Teorija moderne drame, Beograd: Laris; prevela Drinka
Gojkovi, 103-108.
1981: D.L.Stajan, Komunikacija u drami, u: M Mioinovi (uredn.), Moderna
teorija drame, Beograd, Nolit, 214-243.
1981: E. Surio, Dramaturke funkcije, u: M. Mioinovi (uredn.), Moderna
teorija drame, Beograd, Nolit, 57-83.
1981: H.E. Holthuzen, Dramaturgija otuenja (Jedna studija za dramsku
tehniku Bertolda Brehta), u: M. Mioinovi Moderna teorija drame, Beograd, Nolit,
450-470.
Milena R. Nei Pavkovi / Persona dramatis in Brechts play Mother Courage and
Her Children
Summary / Brecht never spoke about plays as dramatic text, but he rather only spoke
about the theater. Not unlike Aristotle, with whom he so often disagreed critically,
he wanted the meaning and the essence of drama to be determined starting from the
theatrical performance, meaning, starting from the play. His work and contribution
to the theatre is not easily understood by itself, so it should be viewed relative to the
tradition that it, at the same time, develops and criticizes.
83
In the study that we have started as the main subject of the paper, we have set up a
review of Brechts idea of epic theatre and its reception by critics, as well as examining
the figure of Mother Courage in relation to this model. In the paper titled Personae
dramatis in the play Mother Courage and Her Children by Bertolt Brecht as the
method for studying epic theater we will use the analysis of Brechts theoretical writings on theory of theatre, and also the contemporary works of dramatic criticism, to
which, using the concretization method, the interpretation of the figure of Mother
Courage supplements, by which we will present a dramatic figure in the drama of
alienation, namely in the play Mother Courage and Her Children by Bertolt Brecht,
so as to briefly shed light on its characteristics and the role of the concrete dramatic
character in epic theatre. For clarification of the overall picture of personae dramatis
in Brechts play, we have also used the theory of tienne Souriau of dramaturgical
functions, based on which we have interpreted the figure of Mother Courage in relation to her children, war, and to the dealings she had during the war.
Keywords: Brecht, epic theater, estrangement effect, personae dramatis, Mother
Courage, dramaturgical function
: 2. 2015.
2015.
84
/ , ,

821.14'02.-13.09
821.163.41-31.09 .
821.111-31.09 .
. 1

()

,
, ,
.
,
,
, ,

.

, ,
.
, ,
,
, ,
.
,
,
. ,

p,
.
: , , , , , ,
,
, , , , , ,
, ,
1 jelena.aleksov@yahoo.com
85
( 1970: 164).
, ,
, .
,
, , , ,
, (
2012: 241). , ,
,
.
,
,
( 2012: 241), , ,
, ,
, ( 2012: 241). ,
, , ,
,
, ,
.
, ( 2012: 242). ,
,
( 2012: 242), , , , .

, .

( 2004: 276).
. ,
, , , , ,
. ,
, ,
.
, , o
,
( 2004: 268).
86
/ , ,
, ( 2008: 219) ,
,
, , ,
,
( 2000: 147).
, , , ,
, ,
.
, , :
? ( 2008: 20),
, , [...]
, , , ( 2008: 20). , ,
,
2, , , ,
( 2008: 20).

?
, ,
, . , , ,
( 1974: 145).
, ,
, , ,
. , ,
, , , . ,
, , , , ,/ (
1974:145). , ,
, .
, . , ,
,
, , , ,
.

, ,
. . .
, . [...] 2
, , ;
,
( 2008: 615).
87
, , [...] .
( 2008: 37-38).
. ,
, , .
, ( ,
, )
, (
2012: 317). , , , .

, /
( 1974: 174).
, :

, .
, ,

, ,
.
,
. ( 1974: 174)
,
, , , .
, ,
/
/ / ,
( 1974: 178),
( 2008: 617). ,
( 2012: 316), , ,
, , . ,
, , ,
, .
,
.
: , ? ?
? ( 1974: 147).
, ,
, , 88
/ , ,
, , ,
, (
2012: 317).

. ,
,
, , , ,
. . ,
, , , , ( 2008: 593).
, ,
3 :
, / ,
( 1974: 133). , ,
, . , ,
, , .
, , ,
,
. , ,
, ,
.
, :
.
. , , , , , , ( 2008: 226).
, , ,
, , , ,
, , , ,
. , ,
. . , .
. .
. , , , , , , ( 2008: 226).
, ,
, .

. ,
3
Oudeis ( 2008: 613).

89
, , . , , , , ,
. , ,
, , ( 2008: 226). ,
, , , , , ,
, , ,
( 2008: 226). , ,
sex, , fun,
, , ,
, ,
, ( 2008: 223).
. ,
( ): , ,/
, ... ( 1983: 13).
, , ,
,
. ,
, , , ,
.
, :
, , , , ?
[...] , , ? , ( 2008: 324).
, ,
.
, ,
, ,
, , . ,
,
( 2004: 269).
, ,
, , ,
, , , [...]
( 2008: 227), . ,
,
90
/ , ,
, , ,
, ,
, ,
, , ( 2008: 229).
, ,
,
,
, , ,
, ,
, , .
, , .
, ,
,
.
, , ,
. ,
, , , ,
.
,
, ,
, ,
, , . ,
. , , ,
, ,
, .
, ,
. , , ( 2008: 64).
, , ,
, , , :
....
[...]

... ( 2003: 721-722).
91
,
, , , . ,

, , , ,
( 2008: 159). , , ,
( 2008: 163), ,
,
.
. , .
, ,
, ,
( 2008: 284), , ,
/ ,
( 1974: 79). , , ( 2008: 284). , , ,
[...] ( 2008: 285).

( 1974: 79). , , ,
,
/ ,/ ( 1974: 83).
, , ,
( 1974: 81). , , , ,
, , ,
( 2008: 619). ,
[...] ( 2008: 287).
,
. , , ,
, . , , , , , (
92
/ , ,
2008: 310), . , , , ,
, ,
( 2008: 658). , ,
, , , , , , , , ,
, ,
,
. , , , , ( 2008: 637).
, ,
, , .
,
, , , ,
( 2008:
637). ,
.
,
( 2004: 279), ,
: , , , , , , ,
, , , ( 2008: 283).
,
, :
,
-,
, - ( 2004: 278).
. , . ,
, , , ,
.
, , ,
, . , -
93
, , ,
, .
,
.
, , ,
. ,
, , , , .
,
, ,
.
Miss
Moon, , ,
,
. Miss Moon, , ,
, , , , ( 2008: 168).
, ,
,
,
. , : Ekillis? ? Ahil? Ekillis? ( 2008: 334).
,
, , , , ,
,
:
, , , , ,
, , [...]
[...] , : , , ,
, , ? , , ,
, . : John, Jim,
, , , , . .
: Ulysses. ( 2008: 576)

. , , ,
. . , , , .
94
/ , ,

.
,
, .

. ,
, , , .
,
, , ,
, ,
, , .
( 2003: 126).
,
,
, .
, ,
, .
, . ,
, .
, ,
, , , , , ,
, . , , , .
, , , ,
. , , , ( 2008: 82). , ,
, ,
, : , ( 2008: 89).
, ,
, , . ,
, ,
.
. ,
, ,
, .
, ,
.
,
95
.
. :
!, , . [...]
[...]
. .
. .
. ? , . (
2003: 68)
,
, , . , , ,
, ( 2003: 69),
, , ,
, .
: . ( 2003: 70).
, ,
: . : , , ,
, .
( 2003: 84).
, , , , . , , , , ,
:
. .
? ! , !
, : , . .
( 2003: 124).

, ,
, ,
,
, , .
, , : , (
2003: 124).
, ,
, Miss Moon, , ,
:
.
. , . ,
. , (
96
/ , ,
2003: 86). , , ,
,
, ,
, Molly, artha Gerty, .

. , ,
,
, ,
ea, , .
, , , , ,
,
. ,
. , ,
,
, , ,
, .
,
, , , .
, ,
, , , ,
. ,
,
. , ,

, , ,
.
, , .
,
. , , , ,
, , , ,
, ,
.
. .
, , . , ,
, ,
97
, , . , ,
, , , , ,

: [...] ,

( 2003: 102).
,
, ,
(, , , ), , ,
, , .
, ,
, , , . , , ,
. , ,
, . [...]
, (-) ( 2003: 112). ,
, , , , ,
.

, . , ,
, .
,
.
: , -
( 2004: 282). ,
. , , , ,

, , ( 2012: 318).
98
/ , ,

.
,
,
,
. ,
,
, , , , , , , ,
, ,
, .

. .

, , , , . , , ,
, . , ,
, .
, , , , . [...]
( 2008: 219). ,
, ,
, , ,
.
2003: , , :
Magna Agenda.
2008: , , : .
2012: , , , :
.
2008: , , , Familet.
2000: , , :
.
2004: , , : .
1986: , , : .
2001: , , : Book Marso.
1970: , , :
.
99
1940-1965: ,
, : .
2001: , ?, :
.
1974: , , : .
2008: , , : Feniks libris.
1983: , , : .
20003: , , : .
Jelena V. Aleksov / ODYSSEUS, BLOOM AND RJEPNIN
Summary / This paper aims to bring closer the perception of the idea of the city described through the parallel of three different heroes, Odysseus, Bloom and Rjepnin,
with the symbolic illumination of movement to different pathways of the world and
the impact of the city on the completion of their lifes journeys. Rjepnins intertwined
wanderings through the streets of London, as an ontological category, are becoming
an integral part of the heros being, carrying on a parallel with a great antique hero
but only at the level of storytelling, whose life was only in the hands of the gods, to
the parallel with the meaningless life of Lepopold Blum, which is shown by his pacing
down the streets of Dublin.Various metamorphoses reveal deeply imprinted marks
of Megalopolis, which make Rjepnin and Blum heroes of the disturbed name and
identity, misunderstood and rejected by the society to which they belong.In contrast,
the metamorphoses reveal the charm of Odysseuss stability, which is concealed in
his heart, which, due to the terrible efforts, has learned to be patient.The parallels
of the three heroes are transferred to the portraying of characters of their women,
faithful Nadja Rjepnin, wise Penelope and lustful Molly Bloom, through whom the
circle of the dark labyrinth of the city completes and closes, in which Rjepnins movement is opposite to Odysseuss and synchronous to Lepolds. As a result of all that,
the unachievable Rjepnins desire to return to Russia is reflected, which is opposite
to Odysseuss wanderings which are completed by fulfilling of his wish and returning
to his native Ithaca, his home.Modern Odysseus, Leopold Bloom, like Rjepnin feels
that he does not belong to his countrymen, and that he will never fully belong.The
search for identity in a maze of city streets will connect Blum and Rjepnin and stress
the problem of alienation of the individual from the society in European metropolises even more, revealing the depth of the meaningless present and tragic future.In
contrast to Odysseus, Bloom and Rjepnin become prisoners in the dark labyrinth of
the city, forgotten and dehumanized.
Key words: the idea of the city, Odysseus, Bloom, Rjepnin, the motif of wandering,
the identity of the city, the identity of man, Megalopolis
: 12. 2015.
2015.
100
/ , ,

37.014(497.11),,18''
821.163.41-31.09 .

, ,
.
.
,
.
:

.
,

.
( )
.
, .
()
, .
,
. , ,
, ,
19.
, , .

, ,
.
: , , , ,
1.
12.
13. ,
. ,
101
. ,
. 17.
,
, ,
.

( ) (
).
.
. ,
1749. , , ,
,
, .

.
.
18. ,
17. ( ) : (
), () .
-
, 17. .
,

. 18. ,
. ,
. ,
.
18. ,
, .
,
, 46 (1790-1836).
: . ( 1997: 269)
,
.

, .
, , , .
, ,
. ,
102
/ , ,
, .
,
, .
19. .
.
, .
.
, , .
,
, .
, , , .
,
. ,
. , , ,
, .
, , , , .
. , . , .
. . 19.
.
, ,
,
.
, 1806. . 1807. , . (
1997: 293) , , .
, . 1808. , ( ). ,
. ,
, , , , .
, .
1813.
. 1815.
. ,
103
, , , , , , . ( 2005: 294)
, . , , .
: ( ),
(, , , ,
) (,
). : (
2 4 )
( , ,
: -, ). .

, .
: ,
.
, ,
,
. ,
,
.
, 1814. .
,

. ( 1997: 270) , , , , .
.
1818.
, . ,
. 1847. ,
: , ,
.
,
,
.
1865.
( 1997: 293), 1868. .
19.
,
. (, 2007: 52) .
:
104
/ , ,
, . (, 2007: 52)
, . ,
, ,
.

, 1882.
.

.
. . ,
.
, 19.
, . , , , ,
, .
,
. ,
. .
, ,
,
, . ,
.

, .
, , . ,

. ( 2007: 318)
2.
19.
, a .
,
, .
,
, .
105
, , , ,
,
.
. , . ,
, ,
. , ,
,
.

.

, .
. ,
.
, .
. ,
, ,
, . ,
.

, , .
, .
, . ,
. , , ,
. ( 1997: 229-230) ,
, .
. ,
, ,
. ,
, .
, , ,
.
, 106
/ , ,
.
: ,
! ( 1997: 148)
,
. ( 1997: 148) ,
.

.

: , , , , .
! ( 1997: 206)
. .
,
. ,
. ,
,
. ( 1974: 291) . ,
.
,
. ,
. ,
, , , . , .
. . .
,
, ,
,
.

.
,
, : ,
, , . ( 1997: 9) , ,
,
:
... . . ( 1997:
107
9) ,
,
.
.
: ,
. ( 1997: 163-164) , ,
.
. , ,
, ,
.

; ,
,
, . (
1997: 103) ,
, , ,
.
,
.
, , . .
,
, .
,
.
.
. ( 1997: 272)
,
.
.
. ,
,
.
. .
, . ( 1997: 294)

. ,
: ,
, . ( 1997: 277) ,
, , .
108
/ , ,
, .
, .
,
, :
. ( 1965: 77)
, : ,
. ( 1965: 77)
, - ,
. ( 1965: 79)
, ,
.
, , .
. , , .
,
, : ,
, .
: ,
.
:
. ( 1965: 127)
,
1868. , .
,
:
. ,
.
,
. ,
,
.
3.
19. . , . : , , . 19.
, , ,
.
.
,
, .
109

.

:
- .
,
, .
- , , -
, , ,
, ,
. ,
. ( 1997: 28)
,
. , , . ,
.
, ,
. ,
, .
( 1997: 30) ,
, .
. . ,
:
. ,
.
,
. ,
, ,
. ; ,
.... , ,
, . (
1997: 27- 28)
,
, ,
. ,
. ,
,
.
110
/ , ,
. , .
,
,
, . : ,

, , ,
. ( 1997: 284)
,
.
,
, .

, ,
, : , ,
,
, , , !
( 1997: 30) 1838.
. , ,
. , ,
.
19.
.
, , ,
,
. - ,
. ,
. ,
,
:
, ,

-
.
; ,
. ( 1997: 28)

,
111
. ,
19. . , .
,
, , ,
.
, ,
:

. ,
-
. ,

.
, , , ,
! ,
, . ( 1997: 30)
,
, , ,
.
, ,
. , . ,
, .
,
, :
,
, .
. ( 1997: 30)
, . .

.
4.

, .
112
/ , ,
,
( ),
( ) ( ).
19. .
,
- ,
. ,
.
, ,
.
.
,

. :
. ( 1997: 146)
, , .
, :
, , ;
, , ! ( 1997: 146)

, , : ; ! (
1997: 150) ! ! ( 1997: 151) ,
, .
, . , ,
, , .
,
. .
: ,
. , .
,
: , , , , , , , , ,
, , , .
:
, , ? - . -,
! . - ?!
, Lipar / Journal for Literature, Language, Art and Culture
113
! ( 1997: 71)
,
. ,
. ( 2002: 30)
,
, .
: , , . ( 1997: 146)

. ,
. ,
, .
,
, , , .
, .
,
, , . , , , ,
, , .
, ,
. ,
, .
, ,
, . ,
, ,
. ,
, , ,
. , , . , .
, . , , , ,
. ,
.
, .
: , , . (
1997: 91)
. ,
114
/ , ,
, ,
. ,
. ,
.

.
, , ,
: ... , , ;
. ( 1997: 146)
,
, . ,
,
.
,
, .
,
.
(, , ) . (
) , ,
.

. ,
. : ,
, , , . ( 1997: 89)
, . ,
. .
: , .
- . ( 1997: 81)
, .
,
, . ( 1997:
44) , , . , ,
115
. ,
. , .
,
. - ( 1997: 295),
.
-
( 1997: 296),
. , , ,
.
, , .
.
,
. ,
, ,
.
.
, . . , ,
. ( 1997: 295)
, ,
,
. ,
.
, , ,
. ,
. , , :
, - - . ( 1997:
298) ,
, .
,
. 19.
, . , .
, ,
, : , . , . ( 1997: 228) , ,
.
116
/ , ,
, . : , . ( 1997: 228)
,
.
, ,
.
,

, ,
: ,
,
, . ( 1997: 109)
. .
. ,

. ,
. ,
, , .
. ,
.
, .
, , ,
.
,
.
, .
5.

, ,
. ,
, , , , . ,
. .
,
, . . ,
. ( 1965: 21)
,
117
.
.
,
. , .
, , , .
,
. , . ,
, .
, ,
, .
, .
16. , , . , , . ,
. ( 1965: 44)
,
. , : ,
. ( 1965: 87) , , .
, . ,
.
.

,
.
.
, , , ,
.
,
, , ,
. ,
, ,
.
.
:
, ,

... , ,
118
/ , ,
, ,
... .
, , ,
...
: , ;
, . ( 1965: 100-101)

. , , .
, , . :
, . ( 1965:
96) , , .
,
, . ,
: . ( 1965: 102)
,
. . ,
, , . , ,
(
) ,
. ( 1965: 105)
. .
( 1965: 105)
,
. .
, , , , .
Primula alpina, ,
crex pugnans pratensis. : , , ! !...
, ! ( 1965:
95) .
, .
,
.
119
,
.
. , , , , .
,
. , ,
.
, ,
, .
. ,
. .
,
:
, ,
!

. ( 1965: 118)
, . ,
. ,
,
,
. :
, ,
, , . ( 1999: 110)
, ,
- ,
. ( 1975: 176)
. .
,
. ( 1975: 262) ,
, ,
.
, ,
.

. .
120
/ , ,
.
: ; , , , .
( 1965: 119) e ea ,
, .
, .

.
:
, , , ; . , - .
( 1965: 122) ,
.
, .
,
, .
, , , .
. , .
, , , .
, ,
.
: . ( 1965: 160)
.
,
, ,
.
.
, , , . ( 1965:
146) ,
.
, ,
.
. ,
, . ,
, .
:
, , ,
, .
121
. ,
,
, . ( 1970: 226)
, ,
.
, , .
,
, ,
. ( 1996: 331) , ,
. , ,
. ,
. : , ,
, . ( 1974: 297)
, ,
, ,
.
19. .
,
.
, ,
.
,
.
,
,
.

. ,
,
, .
, ,
.
, .
,
. ,
, .
,
,
.

,
122
/ , ,
19. .

.

,

. ,
,
.
.

,

. ,
.
.
,

.
1965: , , - : .
1997: , , : .
2002: , , :
.
1970: , , : .
1974: , , : .
1996: , , : .
1999: , , :
.
, 2007: , ,
, : .
1997: , , : .
1975: , 2, : .
2007: , , : .
2005: ,
, : : .
Ivana Gavrilovi / Education as the Basic Aspect od Cultural Image of the World in
the Novel Priest Cira and Priest Spira and Vukadin by Stevan Sremac
Summary / In the paper Education as the Basic Aspect of Cultural Image of the World
in the Novel Priest Cira and Priest Spira and Vukadin by Stevan Sremac, the changes
123
and the process at the level of education has been observed, that inevitably influence
family, as the basic level of the cultural mosaic of a society. Within this paper we will
deal with the beginnings of schooling and education in general in Vojvodina and its
echoes in the area of Serbia after arriving of Dositej to Belgrade. We will follow the
gradual development of schools form learning in monasteries to founding of private
and state schools. In the novels by Sremac we come across confronting attitudes of
the characters on education on the territory of Serbia and Vojvodina: education and
europizing under the influence of Austro- Hungarian monarchy in the novel Priest
Cira and Priest Spira and the lack of education in Serbian village and remote territory
in the novel Vukadin. Forming of schools and educating abroad has lead the cultural
life of the time to a significant change and acquired many influences, so within the
work we will observe how a young hero is formed and how he fits in the educational
system under the influence of his teacher. We will note the difficulties villagers once
had because of the lack of educated people comparing to modern time (the time of
Sremac when the novel was written) through the image of girls education and the
consequences of their education. We will analyze the influences of education abroad,
in foreign language, the changes it brings and causes in the society. At the same time
we will follow the presence of the elements of traditional and modern (European)
in Serbian culture that shows the contours of noble society. Within the work we
will specially deal with Vukadins educational career from the beginning of education in his birth-village until the end of his schooling in Belgrade. By putting to the
same line a village, a town and a city, the life that in different, and then again same
ways prospers and develops, the road of success will be shown over which the general picture of society education in the 19th century will be clarified, and the path
towards the goal will be set, sometimes on the open road, and more often on the
road covered with thorns .
The aim of the research within this paper is discovering of different paths of education and their influence on culture and literature, noting of similarities and differences, as well as discovering of the new ways of interpretation and observing of the
novels of Sremac.
Key words: Serbia, Vojvodina, Education, Illiteracy of women, Teacher
: 13. 2014.
2015.
124
/ , ,

821.133.1.09
82.0
. 1

- ()
: ,
,

. -
,
.
,
,
, , ,
, . ,
.
: , , ,
,

. , . : .
,
,

. (. 1988: 223)
:
.
.2

1 danicasavic@live.com
2
. , . . , . . .
Poetik und Hermeneutik 1963.
(. ; 2009: 109). ,
.
.
127
(. 1982: 223) , . 3,
( 1984: 202). , ,

( 1984: 231). , , ,
:

.

, , . ,
,
, .

( 1988: 225).
() () . , .
, :
1.
;
2.
;
3.
;
4. ,
, ,
;
5.
, ;
3
,
. ,

.
128
/ , ,
6. . (. 1988: 227)

,
,
.
I
- . ,
,
19. .
, ,
. , , . (.
1971: 152) , .
,
, ,
. ( . 1971: 59) ,
, , ,
.

.
, , .
. - , -
-, .
, , , . ( 1981: 64)
129
II
, , ,
.
, , .
, ,
, ,
. ( 1984: 38)
,
,
[...]
. ( 1981: 84)
, .
.
, . (. 1981: 84)
, , .
.

. , .
.
, , , , , ,
19. .
,
, ,,
,
( 1982: 61).
,
.
,
- 130
/ , ,
,
. (. 1988: 186) 4
,
(. 1981),
.

. (. 1988: 188)
, .
, .
, .5

. .
, ,
, , 19. ,
.6 , ,
, ,
,
. , ,
, .
4
,
:
, ,
, ,
. ( 1981: 69) .
5
, , .
, , .
, ,
, , . , ,
, . (. 2005: 428)
imitatio, ,
, .
( 2005: 429) ,
. ,
, .
6
, , : , ,
. , .
! , !
, . (
1967: 358)
131

.
. ,
. :
, , , , .
: ,
,
. (. 1971)
III

.
, .
:
)
) .
, ,
, ,
.
, . ,
,
.
, .
, ,
. ,
: , . ,
, . , -
132
/ , ,
, ,
.
:
1967: , , : .
2013: , ,: .
:
2009: XX , :
.
1971: , ?, :
.
1981: , ,
: .
1984: , , :
.
1982: , , : .
2005: , ,
: - .
1982: , , :
.
1984: , , : .
. 1988: . ; . ; . ; . ; .
; . , , : .
Danica Savic / DYNAMICS OF LITERATURE: STRUCTURE, MEANING, RECEPTION
Summary / In the paper we are revising the communication between the foreword
of La Comedie Humaine by Honore de Balzac, and the Lucien Goldmanns theory of
genetic structuralism from the perspective of the Robert Jauss theory of the expectancy horizon. The object of the paper is to indicate the significance of social-historical
conscience in the writing which Balzac and Goldmann are representing, as well as the
differences which are revealed in the comprehension of the interpretative structure
of the writing. In the paper is being concluded that the reader, as a manufacturer of
the interpretations, must not be excluded from the interpretative process, as well as
that Balzacs and Goldmanns theory can be comprehended as one aspect in revealing
of the meaning, though not as a possibility in accomplishing of the wholeness, neither
substantial as Balzac had intended, nor structural as Goldmann did.
Key words: modern theory of literature, reception theory, communication, social
critic, social group
: 24. 2015.
2015.
133

82.02
821.09:159.964.2
821.163.41-3.09 .
.

- ()

,
.
.

.
: , , , ,

.
,
( 1997: 323). ,
, (, 2009: 72).
, je ,
,
( 1996:
16).
, ,
( 1996: 27). , , , , , - ,
.

135
( 1996: 29).
, ,
,
.
, ,
.
,
, , ,
.
(
1996: 40).
,
( 2007: 40).

. , , , ( 2007: 28).
,
. ,
, , , , .

.
, ( 1996: 51).
, , .
. ,
, ,
( 1997: 323). .
:

,
,
( 1997: 323)
136
/ , ,
,
. , ,
(,
2009: 52).
.
, ,
, , .
,
( 1997: 324).

, , . ,
( 1997: 323).

, .
, , .

.
. .
, ,
, . , ,
.
,
,
( 1970: 166).
,
( 1976: 131). ,
(
, , )
,
.
,
, , ,
(, 2009: 53).
137
,
.
.

: ,
,
, ( 2007: 9).
, , .
.
, ( 1997:
325). , . , .
,
( 1996: 30).
(,
2009: 69). , , ,
( 1997: 325). , , ( 1997: 325).
,
,
, (,
2009: 69). .
(, 2009: 70).
,
, ,
. ,
,
,
( 1996: 306).

, ,
, .
,
(, 2009: 87).
138
/ , ,
.
. ,
,
.
, ,
(, 2009: 70).
. ,
,
,
(,
2009: 72). ,
,
, (
), ( ).
, ,
, ,
( 2000: 72).
,
, (
2000: 85).
,
, ,
, ( 2000: 32). ,
,
, ( 2000: 26).
,
, .
.
() (), .

( 1997: 242).
, ,

( 1997: 242).

, .
,
( 1997: 325). ( 1997: 325).
,
.
139
, , , ,
( 1997: 242).

, ,
. ,
.

( 2007: 48).
:
1. . , , ,
,
.
2. . .
.
3. .
, .
.
4. .
( ), , .

. , .
, , ,
. , : , , , ,
, , , , , ,
( 2011: 1171).

1922. ( 1989: 76).
140
/ , ,
.

.
, .

( 1989: 78).
.
,
: , , , ,
,
( 2011: 1172).
, , .

,
, , ,
. :

,
, ,
( 1989: 80).
,
, (, 2009: 74).
, , .
.

.
, , , . ,
,

( 1989: 80).
. ,
, ,
, , ,
, ( 1989: 80).
, .
.
141
, . ,
.
, .
, . .
, .
( 1989: 81).
, , , .
: , , ,
. ,

( 1989: 81).
. . .
. ,
.
, .
,
.
, .
,
( 1989: 81).

. .
, , . (,
2009: 74).
,
,
. , ,
, .
, . : ,
,
, . , , ,
, , ( 1989: 81).
142
/ , ,
.
, . , ,
.
. , ,
,
( 1989: 81).
,
.
. .

, , ,
. ,
, , ,
,
.
,
.
,
, ,
.
. ,
.
, , , . , , ,
( 1996:
19).
,
.

(
2005: 243).
143
( 2005: 245).

.
( 2005: 256).
,

.

( 1996: 70). ,

. , ,

( 1996: 55).
, , .
, , .

,
,
.
,
, .

. , ,
.

. ,
. ,
,
.
, ,
. , .
,
,
144
/ , ,
,

( 1971: 26).
,
,
.
,
.
: (1) () ; (2) ; (3)
( 1971: 20). .
.

, . , ,
(, 2009: 55).

, .

( 1971: 51).
,

. ,
( 2000: 32).
,
.
,

.

(, 2009: 58).
, .

, ,
. (, 2009: 58),
.
, ( 1976: 333).
.
, , , , Lipar / Journal for Literature, Language, Art and Culture
145
.
, ,
.
,
. ,
.
, -, , .
, .

( 1976: 213). .
,
.
, ,
( 1976: 216).
, , . , , .
, , ( )
.
, .
. . ,

(, 2009: 174).
, , , , .

,
. ,
.
146
/ , ,

,
.

.

.

.
1996: Vladimir Biti, Pojmovnik suvremene knjievne teorije, Zagreb: Matica

hrvatska.
, 2009: Ana Buinjska, Mihal Pavel Mrkovski, Knjievne
teorije XX veka, Beograd: Slubeni glasnik.
2005: , , :
.
2011: , , : .
2000 : , , : .
1971: Karl Jung, O psihologiji nesvesnog, Novi Sad: Matica srpska.
1989: Milenko Karan, Psihoanaliza i nadrealizam, Niki: Univerzitetska rije.
1970: Sigmund Frojd, , Novi Sad: Matica srpska.
1976: Sigmund Frojd, Tumaenje snova, Novi Sad: Matica srpska.
2007 Miel Fuko, Poredak diskursa, Beograd: Zuhra.
1997: Linda Haion, Poetika postmodernizma, Novi Sad: Svetovi.
Marko Milievi / RELATIONS BETWEEN LITERATURE AND PSYCHOANALYSIS
IN LITERARY THEORY
Summary / In this paper, we present a comparison between literature and psychoanalysis based on literary theory and some of the most important psychological theories
available in Serbian and similar languages. Research is focused on two different periods
which were strongly influenced by psychoanalysis Serbian avant-garde literature
and postmodern literature. We also present different psychoanalytic theories of the
textual unconsciousness and human psyche according to postmodern theory which
places the great emphasis on ideological and cultural pluralism.
Keywords: postmodern poetics, psychoanalysis, unconsciousness, discourse, postmodern short story
: 11. 2015.
2015.
147

821.163.41-13.09:398.3
. 1

- ()

. a , a
a ,
. ,
, .

, .
: , , ,
,

. ,
,
.
.
,
, .
, , .
,
,
1 biljanamilojevic@live.com
149
( 2008: 174). , . ,
. ,
- , , ,
.
.

( 1994: 178).

,
.
, .
,
, .
, .
, , .

,
, , .
.
,

. ,
,
.
,
.
, ,
, , . ( 1987: 38) , ,
. ( ),
, .
150
/ , ,
,
- , ,
. ,
.
,
,
.
.

,
. , ,
. ,

, , .
,
,
.
( ) ( 2008: 95-96).
, , ,
, ,
(
2008: 96).
.
, ,
: , ,
. , ,
. ,
, .
,
, , .
151
,
, :
[...] :
,
? ( 1958: 90)
,
, .
, , ( 2008:25).
. ,/
( 1958:90). , ,
,
, . ,
,
,
: , , ,
. ,
, .
, ,

.
, . (2001: 90).
,
. ,
, -

.
, . ,
, .

. ,
. ,

.
, , , ,
152
/ , ,
,
.
, . , , .
, .

, . ,
: , ,
, .
, . , ,
, ,
.
,
,
.
,
. ( 1994:64),
.

, . ,
, -
-
, .
, ,
, .
, ,
, , :
[...] ,
,
:
,
, ,
,
. ( 1958: 93)
. -
153
, ,
, , .

, , , , , .

, . ,

. ,
. ,

. , ,
. ,
, .

.
, , .
2,
.

.

.
. , , ,
.
.
2
, ,
, .
154
/ , ,
,
,
.
,
. ,
.

. , ,
, . , ,
. ,
.
, .
,
. - .
,
, .

, .
.
. ,
, :
,
,
. ( 1958: 18)
,
, ,
:
,
,
,
. ( 1958: 18)
, , .
, .
155

(
).
,
,
. , , , .

, , ,
. ,
.
, , ,
( 1958:96).
, .
,
.

, ,
, , , .
, .
,
, . ,
,
. , . ,

.
, , , .
156
/ , ,
,
- , ,
.
1958: . , .
, , , 1958.
1987: . , , , .
2001: ., , ,
.
2008: . , ,
.
2008: . , , ,
.
1994: . , , ,
.
Biljana M. Panic/ POETICS OF SACRIFICIAL RITUAL IN POEM EMPEROR CONSTANTINE AND SELF-TAUGHT STUDENT
Summary / The paper examines how the elements of the sacrificial ritual are incorporated into oral text. The particular poem shows how the redemptive victim,
in accordance with Christian beliefs, is being modified into tempting of faith. The
conceptual aspects of chosen poem and other related poems show how the ethical
base of oral tradition is being shaped.
Keywords: victim, rite, replacement of victims, tempting of faith.
: 10. 2015.
2015.
157

821.161.1-32.09 . .

-
. ,
,
, . ,
, (
, ),
, .
, ,
.
: , , , , ,
1. :

, . .
, , , , ,
,
, ( 1974: 89).
. ( 1977: 253-282) . (
1975: 224-261)
,
, .
1 michela.capra@virgilio.it
159
. . (- 1979: 150-169) - ;
(, , )
, .

- ,
, , .. ( 1990).
,
, ,

( 2005).
, , , , ..;
, .
,
, , .. ,
( 1992),

.
2. :

, , ,
, , . , , ,
, , , ,
. ,
, ,
, , , , .
, (). 160
/ , ,

; , .. , , ,
, -
, - . , ,
.
, . , ,
, : ,
, . ,
,
, , .
, :
, , , , .
,
, - , .. ,
: ,
- -, .. ,
, , - , , . -
: -
, - .
3 , : , ,
, ,
.., , .
, -
2
. . . . -: .
- , , , 1984. . . -: , , , 1984.
3
: www.znai.org/PROZA/
FISKANDER/isk_rassk3.html
161
,
.. , ,
, , .
.
, ,
,
, ,

. ,
,
, , .
,
, , ,
, , , ,
, ,
, , , .
., . . , - - ,
.
3.
:
- :
, , , : , ,
.
4 ( , , , , , , , ..) , .
,
.
: 1) , ; 2) ; 3)
,
.
4
, : . .
, , , 1988; . . , , 1999; . . - .. . , , , 1984.
162
/ , ,
-:

, ,
, .
- , , , , , ..
, :
, , ,
, ,
. , . , , : , ,
.. :
, , .., .
,
. , . .
. , unicum, ,
, .
, , .
, ; , . ,
, , ,
() ( , , ..) , ,
,
.
, , , ,
, .. , , ,
, .
, , -, :
163
; - - , ,
, .5
: : , , ..6
,
,
..7
, ; ,

; . :
5
. - , , , 1984, . .
. . : , -
, , (...)
, , , : . , , , , , ,
.., . , , .
( ) ..
, , , . -
; , , ,
-, ,
, , .
6
, . . . .
. - , , , 1984;
, : (...) - (...) , , , , , ,
, , , .
. ,
, .
, ,
, .
, , . ,
, ,
; , , .
, , , ,
, (
). , . ;
, , ,
- . -
: , ; .
7
, ,
, ;
, , ,
, ..
164
/ , ,
,
,
(1971), (1972), .
, . , ,
( ); Work in Progress,
( ).

; , , - , ..,
, , ,
,
, ,
! ,
, , , . .
,
, ,
. , (, ,
..),
( ).
. , , , (
, , ,
, , ), ,
.
,
, , , ; , , , , , ,
,
.
4.
:
, - .
, Lipar / Journal for Literature, Language, Art and Culture
165
, :
,
. ,
, ,
.
, , ,
, ,
. ,
, , ,
, . , ,
, ;
, ,
.
, , , , , .

, , , ..;
,
, .
, ,
, .., , ..
, , . ,
, , , .
,
, : , , - , 8.
, ..,
: ,
, , ..,
, .
.
: ,
8
, ,
, , , : ( : www.apsny.ru) : ( : www.znai.org/PROZA/
FISKANDER/isk_publ.html )
166
/ , ,
; , ,
:
(...) ,
, ,
, , . ,
, ,
, ,
, ,
. ( 1949 1: 7)
, .., , , ..

, .., ,
, , .
, , : , :
() ,
, . ,
.
, .
,
, .
, ,
. ,
.
. , ,
, , . ,
, .
, , ,
,
: - -.

, ,
: , ,
, ,
, ,
, , , ,
, .
, , , , , . - , ,
167
..; ()
, , , , .
, (, ) -: (
), , .
.
( 2005), ,
.., ,
. ;
, ,
, .
. , ,
,
:
[...] , , ?
, (...) ?
[...]
-
(...) ( 2005: 359)
, .., ; ,
( ),
, ( ,
, ,
, ..).
. :
, ,
, , , .
, ,
.
-
, , , ,
, -
( ): -
168
/ , ,
, , , , ..

. ,
;
, :
, , ,
[...] ? .
, . ,
, [...].

, , , .

. , : , , ? ,
, ,

..
, ,
. , , , , ..,
, , , : , ,
,
. .
5.
, ,
, , .
, , : .
, ; , , ,
169
, .
, , , .
1988: . ., ,
, .
1999: . ., -
, .
- 1979: ., ., ,
, 42 (), -.
1992: .., .. ,
1992.
-- 1984: .. - - .., . , , .
2005: .., , , .
1975: ., -
, , .
1990: ., ,
, .
- 1984: - .., , , .
2005: ., :
, www.magazines.russ.ru/nlo/2005/72/kane11.html
1949: .., , 2- , , .
1974: .., ,
, , .
1977: ., . 70-, , .
/ :

/
, ,

.

,
.
. ,
(
, ),
, ,
.
: , , , , ,
: 18. 2015.
2015.
170
/ , ,

811.163.41:398
726.8 (497.11 )
726.8 (497.11 )
. 1

- ()

(
)2

.
( ), . ,
, ,
.
, .
: , -.
,

.
, , ,
. , , ,
.
: , , , ,

, , .
? , , . (, ,
, ). ,
1 gerun.bojana@gmail.com
2
2012. -
,
. . .
171
, ,
.
, ,
: 1980, 1984,
2007. ( 700 )
,
, .

. : , .
, . . , ,
,
: , ,
.
,
. ,
,
, .
,
; , , ,
.
, .
,
, : , .
2.

2.1.

. .
.
. ,
.
, ,
, 172
/ , ,
.
, ;
, , . , ,
, -, .
.
( , ); , , .
.
, .
2.2. : :
. .
,
, : ,
. ,
, , ,
,
, .
. , .
. , , ,
, : , ,
, , , . ,
, . (
).
, (
), . .
,
, .
, , , ,
, ( ,
1944
).
, , , . , , , -
173
, , .
.
2.3.
, , ( ), ( ) .
,
. , . , ,
, , , .
, ,
(! ,
. , ...
...; , , .).
,
, .
. , , ,
, .
( .

; , ; , ,
;
, .
.).
. .
.
2.4.

, ,
, ,
. , ,
,
, .
. ,
.
174
/ , ,
2.4.1.
, , (...
1914. ; . .
- 22 23. I. 1946 .
, ; 22. 1966. .
...; 14. 7. 1984.
.
...).
2.4.2.
(
, ,
),
,
. , , ,

: : , , .
() . (sic)
. : ( ) .
() .
:
.
, .
: , , . , .
- , : ?...
,
: ,
. , , , :
.
:
: . : . : .
, :
,
, , , , : /
/ / / / . /
/ / / ... /
175
/ / / /
.

:
.
, :
.
2.4.3. ,
( ;
),
(, .
, ),
, ,
, .
.
: ; ;
. . ;
; .).
2.4.4.
, , ,
(... ,
- ...; .. ; .. MR ; . ;
. 1915.; . ( ) , 1927-1978 . , .,
1941., 1920-2000; ... 1910-1986; . ... , . ; . . 1945.; ..
. . . . 11; .. ).
2.4.5.
,
. , , , ,
, , . , , : / , ,
/ . ,
,
176
/ , ,
(
-3) , 1991.
33 ( ,

.
2.4.6.

( ,
), (
, ,
; ),
, , ,
.
2.4.7.
()
, (
; ; ;
.). , , , .

. .
. , ,
, , .
, ,
.
,
- (),
, .

, ,
. ( 2003: 128)
3
, ,
, ; .
, , . (vesti online)
177
2.4.8.
,
, . ,
,
: ; ,
; ; ...;
; ; ; ;
, ;
, .
2.4.9.
:
, .. , . 1916...
2.4.9.1.

, : /
; /
( -).
2.4.9.2.
,
, : A
la memorie de celle oui nous aimatant dont la foi ardent restera un exemple
pour nous Raiko, tata, Cicy, Loli ft Vivy ( ); in vino veritas
( ); Se la vie (
Cest la vie ).
2.4.9.3.

( ,
), , , ,
.
.
,
. , . , , ,
.
. (1980: 130)
178
/ , ,
3.
,
. .
( ,
), . ,
, .

, , .
,
. 4:
( )
.
, ,
(...)
, ,
(...) ,
(...)
. ,
. (2007: 25-26)
4. VERBA () RES ()
, .
, , , . .
, (-),
(-). ,
.
5.
,

. ,
, , .
4
14, , 1939.
179
, .
, , , ( ), , . ,
, .
.
. : , , . , . ; ,
. ;
, . ,
, , .
,
. ,
, :
, ,
, (...)
(...)

(...) (...) . (1984: 64)
, , , , , ,

, .
6.
6.1.
,
,
, , . , ,
180
/ , ,
.
. ,
.
6.2.

, , ,
. , , . ,
, ,
. , .
( ),

.

, , , .
,
. , , , .
, , (1995:
29). , , ,
. , , , , . ,
.
?

1980: . , , : .
2009: , : , ,
, , : .
181
2007: . , , :
.
2004: . , ,
, : . ( ),
, ( ), 9, : Clio, 129-139.
1984: . , , : .

2011: . , ,
, , : SlovoSlavia.
1995: . , , :
.
2003: . ,. , :
.
1996: L. Haion, Poetika postmodernizma, Novi Sad: Svetovi.
Bojana Gerun / Abouth language gravestones Kragujevac and Batoina (ethnolinguistic description)
Summary / The subject of the research in this work will be ethnolinguistic description
of the language used on gravestones. The material on which the research is conducted
includes two cemeteries in Kragujevac (Town cemetery and Bozman) as well as the
cemetery in Batocina. The goal of the work, besides the linguistic description, is to
explain the need for epitaphs, along with their function and role in a society. The
beginning of the work presents the topic and its realization in language in general.
Leitmotif of death is unavoidable when talking about the necropolic idioma, so there
will be a word about understanding of death in literature too, as a possibility of comparison with gravestone epitaphs. The methods which were used during this research
will be also presented in its primary part, as well as the importance of the topic itself
and with the anthropological perspective for evaluating and understanding of the
language on the gravestone postaments.
Key words: death, tradition, beliefs, soul and body, ritual, folklore, gravestone communication, language, epitaph as a symbol, language of absence
: 15. 2015.
2015.
182
/ , ,

811.111'367.625
. 1

- ()

.
. Graph Pad
Prism 6 .
X
, Y
.
,
(.
) .
, ,
,
.
: , , ,
,
O

, (regular verbs)
(irregular verbs).
() ed .
ed (/t/) ( ), ,
( . 1985:103).
1 jelenajosijevic@yahoo.com
2

, .
183
( 1992;
1982) . (
1993)
( 1947).
, , ,
. ,
33 , 22
( 1967).
. ( 1976,
. 1985, 1999) 75.
(
1989) (transitioning verbs) ( 2003).
.
( 1953; 2012;
1997), ( 2013; 2009;
1986; 1994), ( 2013)
( 1982;
. 2008; 1995; . 1997;
1999). , , (. 1994; 1996; 1998),

.

. / (regularization/paradigmatic levelling)
45 ( 2014: 147154). / (analogical extension, irregularization,
polarization) 9 ( 2015).

.
/ (
/ ), .

,
. 45
184
/ , ,
11
. ,
(abide, bide, bless, chide, hew, relearn, smell, spotlight,
sweat, thrive wed) ( 2014: 150).
, (bet rid)
( 2014: 150).
.
,
. 32
.

.
. ,
. ( 2003, 2007, 2003; 1935; 2007).

, .

. ,
.
. ,
, (
2015), , (plead sneak)
.

32

/ . (
2014: 151) 1. .
( )
.
1. (p) ()
.
185
bend
beseech
burst
bust
cost
creep
dream
dwell
forecast
grind
heave
input
kneel
knit
lean
leap
light
quit
shear
shine
shoe
sow
speed
spell
spill
spoil
strive
swell
wet
p
6052
426
3830
1547
8770
3128
7448
1191
553
1871
940
79
2020
1666
1274
4114
6823
7711
140
4893
115
1005
2674
3693
2456
2539
1824
776
1296
.006
.310
.011
.960
.052
.120
.604
.229
.640
.059
.852
.962
.113
.233
.364
.353
.071
.029
1.000
.142
.330
.000
.080
.692
.814
.718
.286
1.000
.068
p
11555
57
4718
1919
8428
1762
7931
1517
3699
3145
3186
1597
91
2041
1505
676
10408
4597
1003
1153
342
3586
1135
6062
3215
6694
963
3773
2853
.002
.561
.000
.836
.053
.214
.776
.064
.142
.986
.112
.066
.000
.349
.864
.291
.092
.022
.155
.216
.015
.067
.388
.638
.778
.648
.539
.355
.037
p
17607
483
8548
3466
17198
4890
15379
2708
4252
5016
4126
1676
2111
3707
2779
4790
17231
12308
1143
6046
457
4591
3809
9755
5671
9233
2787
4549
4149
.004
.340
.005
.891
.052
.154
.693
.137
.207
.640
.281
.109
.108
.297
.635
.344
.084
.026
.258
.156
.094
.271
.172
.658
.794
.667
.374
.465
.047
Graph
Pad Prism 63. ()
0,05. (outliers). (P > 0,05)
learn hang ,
burn.
.

.
186
www.graphpad.com.
/ , ,

(Y-) (X-).
, ,
.
1.
: .
2.
: .
3.
: .
187
,
.
2
.
1. .
R2
.4768
.2274
.0089
< .05
.0737
.0054
.7042
> .05
.1122
.0126
.5623
> .05

,
. ,
P
.
, ,
.
(2005: 109) r
0,0737 0,1122

. , (r = 0,4768)

,
. ,
,
.

. ,
.

,
. .
188
/ , ,
(2003)

.
( 2008). , ,
.
, ,
. ,
, .

.
.

. , ,
.
,
. ,

. ,
ed
(/t/).
(bet bet bet).
,
(. ring rang rung).
.
,
.
. .
189
1999: B. S. Azar, Understanding and Using English Grammar, NY: Pearson

Education.
2010: E. P. Altenberg & R. M. Vago, English Grammar:
Understanding the Bascis, Cambridge: CUP.
1993: A. Baugh & T. Cable, A History of the English Language, London:
Rotledge.
1994: C. Bernstein, Drug Usage among High-School Students in Silsbee,
Texas: A Study of the preterite, in: G. D. Little & M. Montgomery (eds.), Centennial
Usage Studies, Tuscaloosa: University of Alabama Press, 144154.
2002: J. L. Bybee, Word frequency and context of use in the lexical diffusion
of phonetically conditioned sound change, Language Variation and Change, 14, 261
290.
2007: J. L. Bybee, Frequency of use and the organization of language, New York:
Oxford University Press.
1982: J. L. Bybee & D. I. Slobin, Rules and Schemes in the
Development and Use of the English past Tense, Language, 58, 2, 265-289.
1947: E. Bloch, English Verb Inflection, Language, 23, 4, 399-418.
. 1998: G. Westermann, V. Kovic & N. Ruh, English past tense
inflection: regular vs. irregular or easy vs. hard?, in: B. C. Love, K. McRae & V.
M. Sloutsky (eds), Proceedings of the 30th Annual Conference of the Cognitive Science
Society, 739-744.
2013: E. Wikstrom, Non-Standard ed Forms of Irregular Verbs in Presentday American English: A Corpus based Study, Goteborgs Universitet inst for sprak och
litteraturer.
2003: M. Glushko, Towards the Quantitative Approach to Studying Evolution
of English Verb Paradigm, in: A. Dahl, K. Bentzen, and P. Svenonius (eds.), Nordlyd
31, 1: 30-45.
1996: S. Greenbaum, The Oxford English Grammar, New York: OUP.
1990: S. Greenbaum & R. Quirk: A Students Grammar of the
English Language, London/New York: Longman.
2005: J. Devore & N. Farnum, Applied Statistics for Engineers and
Scientists, Belmont: Brooks/Cole.
2006: A. Downing & P. Locke, English Grammar: A University Course,
London: Routledge.
(2008): A. Dinkin, The Real Effect of Word Frequency on Phonetic Variation,
Penn Working Papers in Linguistics, 14/1: 97106.
1953: A Survey of Verb Forms in the Eastern United States, Studies in American
English, 2, Ann Arbor: University of Michigan Press.
1975: R. W. Zandvoort, A Handbook of English Grammar, London and New
York: Longman.
2002: J. Eastwood, Oxford Guide to English Grammar, Oxford: OUP.
1942: O. Jaspersen, A Modern English Grammar on Historical Principles,
VI: Morphology, London: Allen & Unwin.
2014: . ,

, : , . (.), VI/1,
VI , : .
2015: . ,
, , XI/2, . 147154.
1976: R. Quirk and S. Greenbaum, A University Grammar of
English, London/New York: Longman.
. 1985: R. Quirk, S. Greenbaum, G. Leech & J. Svartvik, A Comprihensive
Grammar of the English Language, London/New York: Longman.
190
/ , ,
2013: M. Krug & J.Schluter, Research Methods in Language Varition

and Change, Cambridge: CUP.
1967: H. Kuera & W. N. Francis, Computational analysis of
present-day English, Providence: Brown University Press.
2003: W. Labov, Words float on the surface of sound change, NWAVE, 32.
1964: Y. Lebun, On English Verb System, Revue belge de philology et d
histoire, 42, 3, 956962.
. 2007: E. Liberman, J. Michael, J. Jackson, T. Tang, M. A. Nowak,
Quantifying the evolutionary dynamics of language, Nature, 449 (7163), 713716.
1998: T. E. Murray, More on Drug/Dragged and Snuck/Sneaked: Evidence
from the American Midwest, Journal of English Linguistics, 26, 209220.
. 1992: G. F. Marcus, S. Pinker, M. Ullman, M. Hollander, T. J. Rosen,
F. Xu & H. Chlasen, Overregularization in Language Acquisition, Monographs of the
Society for Research in Child Development, 57, 41178.
2005: R. Murphy, English Grammar in Use, Cambridge: CUP.
. 1997: V. A. Marchman, K. Plunkett & J. Goodman, Overregularization
of English plural and past tense inflectional morphology: a response to Marcus
(1995), Journal of Child Language, 24, 767779.
1999: K. Plunkett & P. Juola, A Connectionist Model of English
Past Tense and Plural Morphology, Cognitive Science, 23, 4, 463490.
1989: T. A. Rastorgueva, Oceherki po istoricheskoi grammatike
angliiskogo yazika, Visshaya shkola, Moskva.
1994: A. Taylor, Variation in past tense formation in the history of English,
Working Papers in Linguistics, 1, 143158.
2012: P. Trudgil, Sociolinguistic Typology: Social Determinants of Linguistic
Complexity, Oxford: OUP.
2009: D. Fertig, Are strong verbs really dying to fit in, Studies in the History
of the English Language 5, Banff, Canada, May 2009. : <Presentation.
http://linguistics.buffalo.edu/people/faculty/fertig/fertig/GLAC15Handout.pdf>.
10.07.2014.
2005: R. Huddleston & G. K. Pullum, A Students Introduction to
English Grammar, Cambridge: CUP.
1986: E. Hansen & H. F. Nielsen, Irregularities in Modern
English, NOWELE, 2, Odense: Odense University Press.
1999: M. Hewings, Advanced Grammar in Use, Cambridge: CUP.
1973: J. E. Hoard & C. Sloat, English Irregular Verbs. Language, 49, 1.
1997: F. Chevillet, Dialectal aspects of the English strong verb system, in:
H. Ramisch & K. Wynne (eds.), Language in Time and Space, Stuttgart: Steiner, 4659.
Jelena M. Josijevi / THE FREQUENCY OF ENGLISH IRREGULAR VERBS AS A
FACTOR OF THEIR REGULARIZATION
Summary / This paper aims at testing the traditional hypothesis stating that the
higher frequency the word possesses the more is it resistent to alternations. The paper
focuses on English irregular verbs. The analysis is conducted on 32 irregular verbs
used in both regular and irregular forms of preterite and past participle. Based on
the data presented in previous papers, dedicated to English transitioning verbs, the
values for probability of each form are obtained. The probability of the occurence
(of regular forms) is taken as Y variable and absolute frequency as X variable. Then,
the equations for linear regression and the correlation coefficients for these two variables are calculated with Graph Pad Prism 6 statistical software. The results obtained
through this analysis do not confirm the traditional hypothesis but they do support
the alternative theories which advocate that analogical changes in inflectional system
are sporadic in its nature when there are no strong extramorphological forces (e.g.
191
new language contact situations, relevant changes in phonetic system, etc.). In other
words, the directions and the outcomes of these analogical changes cannot be predicted.
Key words: regularisation, word frequency, past simple tense, past participle, English
: 15. 2015.
2015.
192
/ , ,

811.163.41'367.622'366.542
. 1

- ()

I
2

,
.
.
XX .

.
: , , ,
, , ,
.
: , , ,
1. .
I . I

- -. ,
. : - - . , ,
, - , -
. ,
,
.
, , , , ,
. ,
1 radmila_milanovic@hotmail.com
2
I ,
2012. , . , -
.
193
-
, , :
,
, -, /
, ,
()/ () ,
.
2. ,
, , , ,
. ,
.

. , , .
,
,
,
.

.
3.
. ,
.
(1991: 184)
.

,
.
, I 1818.
1850, , , , 1931.
( 1931: 105107).

,
, . ,
( 1961: 3043).
194
/ , ,
. , , I XX ,

-
,
- , .
.
, ( 1991: 224240).
4.
, .
,
. : , , , ,
, , . .
4.1. .
. - -
,
, -, ,
-.
. .
)
, , !(, 23); , ! (,
136); , , ,
. (, 12); , , ! ( 1,
136); , , ! (, 158); ,
! (, 135); ... ( 2, 76); ,
, ! (, 289); , (,
43); : ! (, 155);
, , ,
(, 69); , , , ,
?- (,118); , !
(, 376); ,
(, 84); , (, 301); ,
, , ! (, 144); ,
(, 142).
195
-
(, , ; , , , , , ,
, , , , , , , , , , , , , ).
- .
- - - -
, . -, - -.
: , ,
(, 273); ,
... , , ...
(, 192); , ,
(, 524); , (, 541); ,
, (,
198); ! (, 218).
. ,
, ,
.
, ,
(, 142); , , ,
(, 237); , , ,
- (, 244);
, ? (, 449) ,
(, 541); , ,
. (, 198); ! (, 218).
-, .3
, ,
(, 66); ,
, ... (, 282); ,
, (, 4); ,
! (, 87); -
( , 59); , ,
(, 438);
: , ,
,
,
(,13); ,
! (, 535) , ? (, 164); ,
(, 121); , ,
3
196
- 4.2, 4.5 4.7.

/ , ,
, (,
236); ...(, 153); ,
? (, 609); , ,
// (, 287); ,
( 12, 35); , ,
? (, 328); , ,
(, 129); , ,
(, 46-47); ,
! - (, 98) , ! -
(, 22).
-
(, , ,
, , , , , , , ,
, , , , , , , , ).
)
, , , ! (, 69); ,
! (, 104); ! (, 104);
, ... (, 48); ,
- ( 1, 171); ! (,
102); , ! (, 47).
, - (, , , ,
, , ). ,
:
: , . (, 321); , :
, ,
! (, 372); ,
(, 38); ,
! (, 372); , ,
, (, 60);
, (, 61).

. . . . .
(
-0 . - -)
( 1996:119)
.
( ) -.
, ,
, - -,
- ( , .).
-.
197
4. 2. . , , .
.
-, , , .
, - (, 41); ,
! (, 125).
, , -,
.
: ( 1994: 74),
-.
: , ! (, 90); ,
(, 89).
, .
, ,
- , -.
4. 3. . ,
.
, -:
. , , . - .
, ! (, 153); , ,
(, 234); , , !
(, 32); , (, 152).
, , -.
(...) , , (, 320); ,
, (, 72).
, . ,
, . ,
, .
4. 4. . ,
. , , .
198
/ , ,
, , , , (, 205).

*. , , .
, , ,
.
, (, 24) ,
(, 355) ,
(,73).
4. 5. . ,
( 2005: 21-22). , , - .
! (, 320); ! (,180) ,
! (, 62) ,
(, 78).
,
,
, .
,
, .
, (...) ,
( ),
( 2005: 2122).
, , .
! (, 30); , ! (, 63).
, ,
. ( ) - .
4. 6. . , .
-, . .
199
/ (,
).
, (, 254); ,
,

(, 6).
, .
-.
,
, . ,
-
,
(. , , , . . , ,
/). -
(, , ).
4. 7. .
,
. (
), .
, (, 97); ,
!- (. 85).
, -
. ,
.
, (, 79).
-.
,
( 12, 8).
,
(...) , , ,
, ( 1995:
354).
. ,
,
.
5.
, . 200
/ , ,
.

: , , , , , - .

. ,
, . ,

(. ), (
) ( ).

. , , , .

.

( . ),
.
, .
-, , .
1989: . , , : .
2001: . , , :
.
2007: . , .. :
.
1998: . , , :
Vrzal Press.
1975: . , , : .
1999: . , , : .
2012: . , :
, : , .
1990: . , , : .
2010: . , , : Bookland.
1990: . , , : .
1996: . , , : .
1998: . , 1, : .
2011: . , , : ,
: .
1994: .. , , : .
1998: . , , :
.
201
1990: . , , : .
2006: . , , : .
2007: . , , : .
1994: . , , :
.
1996: ., , :
.
1987: . , , : .
1981: . , , :
.
1982: . , , : .
1983: . , , : .
1991: . , , : .
1984: . , , , : ,
, .
1975: ., , , : , ,
.
2001: . , , : , .
1961: . , , : ,
.
2001: . , , : .
1996: . , :
.
, 25. 2012, , LIX
, 28. 2012, , LIX
, , 12. 2012, , LIX
, 13. , 2012, , LIX
, 4. 2012, 1568.
, 16. 2012, 3194.
2011: . , - ,
, 16, 6982.
1999: ., : , ,
, , . 4, :
.
1966: . ,
, ,
, XXX, , 10, .
1995: , ,
, 25/2, : .
1988: . . , I
XX , , 28/4-5, 224240.
. 1991: . , . , . , . , ,
: .
2005: . , , :
.
1934: . ,
, , , 2/ 1, 136140.
, 1990: . , . ,
, : .
2010: . , -
, , 41/ 3-4, 348.
202
/ , ,
1997: . , ,
: .
1961: . , ,
, 11, 3043.
2010: . . , . , . ,
: .
19671976: , I-VI, :
.
1922: . , , : .
, 1994: ., . ,
,: .
1991: . , ,I,II, :
.
2005: . , ,
, 21/ 22, 1519.
. 1996: ., . , . , : ,
: .
2010: . , (
-, -, - ), ,
41/ 3-4, 6573.
Radmila P. Milanovi / FACTORS WHICH AFFECT THE DISTRIBUTION OF VOCATIVE SUFFIXES IN FIRST CLASS MASCULINE NOUNS
Summary / The subject of the study was to compare the status of twofold suffixes
in the vocative singular of masculine nouns that alter after the first declension class
comparing the situation in literature with the results of the research on contemporary corpus. In this paper, we used descriptive and analytical methods. Examples are
extracted from the corpus that we have formed according to contemporary works
originating from the second half of the XX century to the present. The aim of the
study was to determine the factors which affect the distribution of vocative suffixes
and whether there are exceptions from the rules in the latest corpus. The results
we got show that the distribution of vocative suffixes are affected by: phonemic
environment, number of syllables, accent, obscuring the meaning of words from the
basis, context and negative connotation, lack of standards knowledge, lack of foreign
words adaptation.
Key words: Serbian language, morphology, nouns, vocative
: 10. 2015.
2015.
203

811.111'232'243
811.163.41'34
. 1

.
,
.
,
,
. ,
, ,
.
: , , , ,
1.

,
. 400
500 ( 2002: 2).
,
. ,

. ,
, (
2007: 163-165).
. : , ,
1 dzoni_gep@yahoo.com
205

( 2002: 12-17).

, . ,

. , , .
.
, ,
,
. , , . ,
, . , . , . (1960: 35),

. , , . (2000:
9) - . .
:
1. , ( )
2. ( )
3. ( )
4. ( )
5. ( )

. (2001: 26),
- . ;
- ,

. (1994: 2) , ,
. ,
.
.
. 206
/ , ,
, .
2.
,
. ,
. ,
, . , ,
.
(1993), . ,
. ,

.
(1999: 12) :
1.

, .
2. -
,
,
. , ,
.
3.
,
.
207
3.

2. (
, `L1`) .
.
. ,
.
.
,
,
.
.
. ( 2013:1).
(1999)
, .
( ) ,
,
.
. , `
` (`Critical Period Hypotesis`, Lenneberg, 1967),

. ,
12
, . ,
, .
,
, (, 1999). , ,
(Bialystock 1997; Bongaerts, Planken and Schils, 1997).
(Avery and Ehrlich, 1992)
.
(1967)
;
; ; . , o
.
2
, . /
, .
208
/ , ,

.
. , . ( , )
,
.
4.

4.1.
. , . 30 30 , 5
25 . ,
, . . , [] (
``), , ,
geography /d/,
/g/.
4.2.
(2005: 26)
, . 10 ``
( 2003: 48, 2005: 104-106). ,
( 2005: 27). 5 ,
. - /i/ /u/; - //
/o/, //,
, ` ( 1989: 179).
209
(1) 3
(2)
3
4.2.1.
, , .
. (, 1994)
, . ,
. (, 2003)
city /siti/, busy /bizi/,
women /wimin/, pretty /priti /, village /vilid/, English /igli/.
, y, u, o, a, e, /i/.
, ,
4.
(2003) 23 , .
/i/ /i:/ sit-seat, // /u/ not-note and / / /ei/
mat-mate, /e/ /ei/ let-late.
,
. heel-hill, peak-peck,
path-pack.
3
8 : /e/, /a/, //, //, //, //, //, //.
4

, , .
210
/ , ,
(5) : /i/ /i:/
5.
,
(
2005: 49). :
( ), ( 2003: 35). ,

, (- et al. 1996: 42). ,
/b/ bone ,
// pig, . ,

. .
211
(3)
(4)

//, //, //, /r/ /w/. ,
// //5 . , , /d/ /t/.
/r/
, // /w/
- /n/, /u/ /v/.
5
// // () . ( 1990; 2001):
,
, . / /
, / / .
212
/ , ,
(2)

, ,
:

``
,
, ,
,
, .
,
,
- , .
`` .
1960: Allen, W. Stannard. Living English Speech (Stress and Intonation

Practice for Foreign Students). London: Longman
1992: Avery, P., and Ehrlich, S. Teaching American English
Pronunciation, Oxford University Press.
213
1999: Bhela, B. Native language interference in learning a second language:

Exploratory case studies of native language interference with target language usage.
1997: Bialystock, E.: The structure of age: in search of barriers to SLA,
Second Language Research,13.2 116-137.
- 1996: Celce-Murcia, M., D.M Brinton & J.M. Goodwin. Teaching
Pronunciation. A Reference for Teachers of English to Speakers of Other Languages.
Cambridge: Cambridge University Press.
1994: Cruttenden, A. Rises in English. in J.Windsor-Lewis, ed. Studies
in general and English Phonetics: Essays in Honour of Professor J.D. OConnor.
London:Routledge.
2001: Harmer, Jeremy. How to Teach English. New York: Longman ink.
1999: Josipovi, V. Usvajanje izgovora stranog jezika u ranoj kolskoj
dobi u Vrhovac Y. I suradnici Strani jezik u osnovnoj koli, Zagreb: Naprijed.
2000: Kelly, Gerard. 2000. How to Teach Pronunciation . Charlbury: Bluestone
Press
2007: Kirkpatrick, A. World Englishes. Implications for international
communication and English language teaching. Cambridge: Cambridge University
Press.
2005: Ladefoged, P. Vowels and consonants. Oxford: Blackwell Publishing.
1967: Lenneberg, E. H. The geological foundations of language. New
York: John Wiley and Sons.
1967: MacKay, W. F. Language teaching analysis. Indiana: Indiana
University Press.
2002. McKay, S. L. Teaching English as an International Language. Oxford:
Oxford University Press.
2003: Odisho, E.Y. Techniques of Teaching Pronunciation in ESL, Bilingual
& Foreign Language Classes. Munich: Lincom Europa.
2005: Peacock, M. English Pronunciation. Course material for students, 3rd
edition. Jyvaskyla: University of Jyvaskyla.
2000: Roach, P. (2000). English Phonetics and Phonology (2nd ed.). Cambridge:
Cambridge University Press.
Simi, R. & B. Ostoji (1989). Osnovi fonologije srpskohrvatskoga knjievnog jezika.
Niki: Univerzitetska rije.
2005: Trudgill, P. 2005. Native-speaker Segmental Phonological Models
and the English Lingua Franca Core. In K. Dziubalska-Kolaczyk & J. Przedlacka
(eds.), English Pronunciation Models: A Changing Scene. Bern: Peter Lang, 77-98.
Nikola Danetovi / On Serbian Laguage as a mother tongue and its influence on
learning English pronunciation
Summary / The paper discusses the influence of the mother tongue on learning and
the acquisition of foreign pronunciation. Special attention was given to the concept and
perception of the mother tongue in the literature, as well as the Serbian language as a
mother tongue and English as a foreign. In the efforts to highlight the great importance
of the Serbian language as a mother tongue in learning English pronunciation, it was
necessary to compare several phonetic elements of the two linguistic systems, primarily
vocalic and consonantal. There is also a brief review of the supporting factors which
can further complicate, slow down and even prevent the acquiring of pronunciation
of foreign languages, as well as suggestions for overcoming them.
Keywords: Serbian language as a mother tongue, English pronunciation, influence,
learning
: 15. 2015.
2015.
214
/ , ,

811.111(73)-32 Le Guin U. K.
791.221.8:82-311.9
. 1
-
()

A .

,
. , ( )
. , ,
, .
(; ) (; ), ,
. , ,
, /
.
.
,
, .
: , , , , ,
1.
2, 1929.
, 3
.
1 tasic_marko@yahoo.com
2
.
, , .
, ,
( 2008: 120). , . .
. , Sheridan Le Fanu,
, ,
3
. , a ( 1990: 406);
( 1983: 420-421);
: ( 2001: 33);
( 2008: 90); ( 2009: 28); ,
(, 1993: 702); -
: (- 2009: 155)
215
()
( ) 1973. , (New dimensions)
, 4
.
5 , 1974. .
,
. , ,
, . , ,
, , , , , .
,
,
,
, : : (...)
6 ( 1993: 173). ,
, ,
, : ,
7 ( 1993: 174).
(
).
(1842-1910), , ,
(willing suspension of disbelief),
, . -
, .
(The Winds Twelve Quarters, 1975), ,
, 8 -
(1891) :
4
Internet Speculative Fiction Database
42 . (. 2011)
5
, , , ,
. ,
. ,
, .
6
To exchange all the goodness and grace of every life in Omelas for that single, small
improvement; to throw away the happiness of thousands for the chance of the happiness of one: that
would be to let guilt within the walls indeed ( 2004: 318).
7
But they seem to know where they are going, the ones who walk away from Omelas (
2004: 320).
8

, ,
, .
216
/ , ,

,
:
, ,
, ,

,
? (. 1993: 166)

,
. ,
.
, , , The Dilemmas of The Ones Who Walk Away from Omelas
(2006), ,
, , (. 2006: 4-5).
, , ,
. ,
, . , , ,
. ,
. ,
.
.
, ?
,
, .
, , - - . , 9, .
? ?
.
, , ,
(?), , , ? , , , , ,
9
, ,
, .
, .( 1993: 172)
217
.
,
10.
, , .
:
,
? , ,
,
,
( 1956: XXI).
, ,
, , ,
.

. , : ?11 ( 1993:
171) 12? (: 168),

,
, ,
;
.
, ( , ),
.
, :
, ,
.
. ,
,
. (...)

, , , ; ,
10
! . .
, , .
,
, .
: . . ( 1993: 169-170)
11
Do you believe? ( 2004: 317)
12
How is one to tell about the joy? (: 315)
218
/ , ,
, ,
. ( 1993: 168)
: ( , .
.) , , .
. .
, ().

, :
,
.
.
, ,
.
, ,
. , ,
.
, :
. .
. ,
. . ,
, . (: 171-172)
,
, ,
, :

, . , ,
,
. ,
.
. , ,
. ; ,
. ,
, . .
, . (: 174)
O
- , . , , -
,
20. (- 2011: 50). ( ), ,
219
( 2003:
15). , .
,
, M
, status quo (). , A Companion to Science Fiction,
, , ( 2005: 414),
:
? ( 2005: 414). (. 2011)

, . ,
, ,
.
2.
, , ,
.
: , 1987. ,
. : , 3,
, ,
, , , , , .
,
, .
, , ,
.
(. Justice)
3, . ,
(. Edo)13, , , , .
, , .
(, , , )
, , , ,
, ,
13
( Eden,
).
220
/ , ,
, . , .
: . ,
,
,
.
,
, . , -
, .
.
-, ( 1990: 838-839), , , , , .
(. ).

, ,
, .
,
, , , ,
. ,
( ),
.
:
, ? (M 2009: 21).
,
, , .
, ,
,
; ,
, , , , .
,
.
, :
! ,
.
,
...
221
;
, , 24. .
( 2009: 13)
, ,
, .
,
, , .
, , ,
. , ,
.
/
. ,
,
14.
, ,
. , ,
,
. ,

, ; ,
, , , ,
15. . ,
,
, , .
14
, , , , (. Skin of
Evil, Star Trek: The Next Generation, first season, episode 23, teleplay written by Joseph Stefano, based
on a story by Joseph Stefano and Hannah Louise Shearer, and directed by Joseph L. Scanlan, first
broadcast April 25, 1988.)
15
. , -
, , ,
, , ,
, ,
, ; , , ,
, .
:
, , , , ,
?
222
/ , ,
3. , :

, .

( 2006: 7),
, ,
.
( 2006: 7). ,
, , ,
, ,

, ,
, ,
, .
,

( 2005: 281).
, , , , ( ? , ?
? ?),
. , ,
16. . . , ,
.

,
: Fiat justitia, ruat coelum17. .
, ,
,18 ,
, . ,
, .
, - ,
,
16
a 20. : 1984,
, .
, .
17
, .
18
, ,
; , , , , , .
223
( ) , ,
, , , , ,
. ... ,
, 19
( 2006: 7).
4.
(.
1978: 201), , . ; ,
, , , , .
, .
.
, ( 1985: 21),
, , ,
- . , ,
. -
:
,
(- 2009: 100).
, , (.
2005), ,
, - - , - .
2011: Raffaella Baccolini and Tom Moylan, Dark horizons:

science fiction and the dystopian imagination <http://books.google.com/s?id=8N51Qp
EDEfoC&printsec=frontcover&dq=dark+horizons+moylan&hl=en&ei=nNtOTd2O8
6gOouclSg&sa=X&oi=book_sult&ct=result&resnum=1&ved=0CCYQ6AEwAA#v=on
epage&q&f=false>, 10.1.2011.
19
persuade them to stand up for FREEDOM . In that case, there would not be a place for a
religious interpretation, because the paths of science and religion (or magic) would not converge.
224
/ , ,
2006: . , The dilemmas of The Ones Who Walk Away from

Omelas, , , : -
.
2008: . ,
, : , . 2, 89-105
2005: D. DAmmassa, Encyclopedia of Science Fiction, New York: Facts On
File, Inc.
1956: .. , , : .
- 2009: . -, :
, : .
2009: . , , :
.
1983: . , , : .
1990: . , , 1, :
.
1987, , Star Trek: The Next Generation, first season,
8th episode: Justice, first broadcast November 9, 1987, written by Worley Thorne,
based on a story by Ralph Wills and Worley Thorne, directed by James L. Conway.
, 1993: J. Clute, P. Nichols, Encyclopedia of Science Fiction, London:
Orbit.
1993: . , , . . ,
: , : .
2004: Ursula K. Le Guin, The Ones Who Walk Away from Omelas, in:
Contemporary American Short Story, Ed. Bich Minh Nguyen and Porter Shreve, New
Jersey: Pearson Education, pp. 314-320.
2011: Scott Lowe, Christmas - Philosophy for Everyone: Better Than a Lump of
Coal, http://books.google.com/books?id=xvO8z83S16AC&pg=PA133&dq=ones+wh
o+walk+away+from+omelas&hl=en&ei, 15.1.2011.
1978: . , , : .
2009: Anne Pearson Mackenzie, From Thwarted Gods to Reclaimed
Mystery: An Overview of the Depiction of Religion in Star Trek, in: Star Trek and
Sacred Ground Explorations of Star Trek, Religion, and American Culture, <http://
books.google.com/books?id=AwfYGynMUO8C&printsec=frontcover&hl=sr#v=one
page&q=&f=false> 21.12.2009.
2011: The Ones Who Walk Away from Omelas: Bibliography.
<http://www.isfdb.org/cgi-bin/title.cgi?58836> 10.1.2011.
2008: . , ,
: .
2005: D. Seed, A Companion to Science Fiction, Oxford: Wiley-Blackwell.
2009: . , , , , :
.
1985: . , , : , .
2, 21-38.
- 2011: Darren Harris-Fain, Understanding contemporary American science
fiction: the age of maturity, 1970-2000. <http://books.google.com/books?id=3pHm
6_8kBM4C&printsec=frontcover#v=onepage&q&f=false> 11.1.2011.
2009: Robert H. Chaires, Bradley Chilton, Justice and Star Trek, in:
Star Trek Visions of Law and Justice, ed.<http://books.google.com/books?id=QI4zk6
H48kwC&pg=PA171&lpg=PA174&dq=star+trek+episode+justice&hl=sr#v=onepag
e&q=star%20trek%20episod> 21.12.2009.
2004: F. Jameson, The Politics of Utopia, New Left Review, n. 25, London:
Central Books.
225
Marko J. Tasi / ENCOUNTER OF TWO UTOPIAN JUSTICES IN THE STORY THE

ONES WHO WALK AWAY FROM OMELAS BY URSULA K. LE GUIN, AND IN THE
EPISODE JUSTICE IN THE STAR TREK
Summary / The aim of the paper is to compare two approaches to justice in utopian
society, in two different genres of the fantastic. One genre is fantasy (F), and, in it,
our example is the famous short story The Ones Who Walk Away from Omelas by
Ursula K. Le Guin. The other genre is science fiction (SF), and in it, our example
is the episode Justice, 8th in the first season of the TV series Star Trek The New
Generation. Obviously one is in the literary medium, and the other is a film. But our
comparative approach reveals that the media difference (the field of literature; the
field of movie art) is not crucial here. The genre difference is crucial. Both these works
of art present a society which is, initially, seemingly perfect, which, due to a morally
disruptive factor, eventually reveals itself to be a dystopia. Our analysis shows that
the moral response of the protagonists to the emerging evil is dictated, decisively,
by the difference in genre. If the crew of the starship Enterprise were to discover,
and see from orbit, the city of Omelas, on some planet, they would want to know,
with their scientific manner of thinking (which is why we call it science fiction), who
arranged the matters so that the horrendous suffering of one child is supposedly
the condition for the prosperity of the entire city; they would consider it meaningless, somebodys arbitrary pique of malice; so, they would probably try to find the
central control room, and do something about this, despite their Prime Directive of
non-interference in other cultures. That which is, in one genre, a moral allegory or
a parable, in the other genre is a concrete and practical, real and literal moral task,
a problem to be explored and solved rationally.
Key words: utopia, fantasy, science fiction, Le Guin, Omelas, Star Treks Justice
: 23. 2015.
2015.
226
/ , ,

821.133.1-93-342.09 . 792.9
. 1,
.

()

,
,
.
, . ,
,
, . O
, , ( , 1991).
,
.
: , , , , ,
,

. , .
.
,
.
, . ,
,
, .
,
1 milica.peric991@gmail.com
227
. , .
. , ,
1001 . ,
( 2010: 8).

2, 13. 2014.
3, 4.
.
,
.
:
.
. , , , .
. , . .
.
,
.
( ). [...]
( 2012: 38).
. , ,
, ,
. .
.
in medias res
. , , .
2
, , 1953. . , . 1.
1983. , . .
3
, . , , .
.
4
(1628-1703) , , . . : , .
, ,
.
228
/ , ,

, . , .
. , , . ,

.
. .

. .
,
,
. .
, ,
. , ,
.
.
,
, , ,
.

,
,
. ,
, ,
, . ,

.
, , ,
. .
, , ,
. .
, .
, . ,
.

. .
, a , ,
.
229
. , .
. , , ,
. , . ,
. ,
, .

.
. , ,
.
.
.
, .
,
.

.
. , ,
. , , .
, ,

.

,
.
.
,
: ...
! ,
( 1970: 85). .
, , . . ,
,
, .
, ,
( 2008: 297). ,
: [...].
! ( 2008: 299).
.
, ( 1970:
230
/ , ,
85).
, ,
: .
,

.
, ,

.
,
.
, . ,
, .
.
.
, .
XVII XVIII , XXI ,
.

, .
, . .
.
,
, .
, ( 2010: 16).
, . ,
, , .
. , , ,
.

231
. , .
, ,
, ( 2008: 365).
.

:
:
;
, , , 5;
, , ;

,
( 2014).

. ,
,

, . ,
. ( 2008: 26). ,
,
. .
5
,
.
232
/ , ,
-: , , , , , . .
,
. .
,
. , .
.
.
, : . ,
. ,
, ,
.
, .
, .
, ,
,
.
.

. . .
.
, .
.

( 2010: 92).
. .
.
, :
,
;
,
,
.
233
. , .
,
.
.

(). , .
, . . , , ,
.

: , ?, , , , : . . , .
. [...]
,
. ( 2008: 47). ,
, .

. ,
, ,
.
, :
? ? ?...
,
,
.
, ,
.

,
.
.
.
, ,
234
/ , ,
,
,
, .
, . , ,
.
.

. /
, .

, . , . ,
, .
, ,

, .

.

, , . ,
,
.
, .
, , ,
.
1970: , ,
, .
2010: I. Bojovi, Drama za decu i lutkarski teatar, Zemun-Beograd: R. Lazi,

Lutkarski teatrum mundi: mala teatrologija lutkarstva, Beograd: Foto Futura, 15-20.
235
. , .
2010: V. Vujanovi, Teleoloki aspekti lutkarstva, Sarajevo: R. Lazi,

Lutkarski teatrum mundi: mala teatrologija lutkarstva, Beograd: Foto Futura, str. 5-9.
2010: M. Golomehova, Poetika scenskog dizajna, Beograd-Sofija, R.
Lazi, Lutkarski teatrum mundi: mala teatrologija lutkarstva, Beograd: Foto Futura,
92-93.
2008: V. Klimuk, Lutkarski teatar u Belorusiji: R. Lazi, Lutkarski teatrum
mundi: mala teatrologija lutkarstva, Beograd: Foto Futura, 2010, 39-48.
2014: 22. 2014.
, .
2008: N. Naumov, Reija lutkarstva. Savremeni lutkarski teatar, Beograd,
Sankt Peterburg, Subotica: R. Lazi, Lutkarski teatrum mundi: mala teatrologija
lutkarstva, Beograd: Foto Futura, 2010, 21-38.
2012: V. Prop, Morfologija bajke, Beograd: igoja tampa.
2008: arko Trebjeanin, Renik Jungovih pojmova i simbola, Hesperia,
Beograd.
Milica G. Peri, Slaana M. Stojiljkovi / SUR UNE ADAPTATION THTRALE

DU CONTE DE FEES LA BELLE ET LA BTE PAR CHARLES PERRAULT
Rsum / Cet article traite de la comparaison des spectacles de marionnettes La Belle
et la Bte, mene le 13 Avril 2014, au thtre de marionnettes Nis, dirig par Zoran
Lozancic et les contes de Charles Perrault. Le document montre comment le texte
littraire et artistique inspire les directeurs de thtre dans la ractualisation de ces
oeuvres. Nous constatons les changements apports aux textes pour les adaptations
au monde moderne, au climat et au lois du nouvel art. Les contes de Charles Perrault
crits la fin du XVIIe et dbut XVIIIe sicle et loeuvre de Zoran Lozancic au XXIe
sicle ne suscitent pas les mmes attentes chez les lecteurs ou spectateurs. Lanalyse
a montr que la nouvelle adaptation du conte La Belle et la Bte par Zoran Lozancic
dans son thatre a pu parfaitement transmettre le message des anciens contes de Perrault. Les rsultats prouvent que les innovations apportes aux spectacles modernes
par rapport aux oeuvres dorigine ne sont pas arbitraires, les effets de scnes et les
nouveaux lments apports entranent une raction du public et servent de rfrence
pour mesurer le succs obtenu. Nous citons en exemple le spectacle La Belle et la Bte
et son animation ralise par Walt Disney (Gary Trousdale, 1991).
Mots-cls: conte de fes, marionnettes, adaptation du film danimation, poupes,
effets spciaux, la raction de lauditoire
: 4. 2015.
2015.
236
/ , ,
82.09:111.852 . .
1

()
( . . : . : ,
2014, 311 .)

, ,
. ,
.

.
,
. ,
, , (
107 )
.

, , .
() ,
.
, , ,
( 2014: 293)
, ,
.
, ,
. , , .

. ,
.
1 stefan@capsred.com
239
.
.
; - , ex nihilo
( 2014: 12).
- , ,
, , ,

(.). , , ,
, ,
. ,
, (
),

. , , ,
, , .
, . ,
.
, , . ,
.
:
,
(Dasein) .
.
: 12. 2015.
2015.
240
/ , ,
1. ,
(Word), :
casopislipar@gmail.com
2. : 20 (35.000 ).
,
.
3. : : Times New Roman; : 12;
: Before: 0; After: 0; Line spacing: Single.
4. : : Normal; : (Col 1).
5. : () , (
) (). (
), .
6. ():
()
,
.
. , , ,
,
. .
7. :
. ,
, .
8. : , ,
, , ,
,
.
.
9. : ;
.
10. : ,
, . 100 250
(, .) ,
.
. [ : : Times New
Roman, Normal; : 10; Before: 0;
After: 0; Line spacing: Single; (Col 1).]
241
11. : 10.
.
. [
: : Times New Roman, Normal; : 10;
(Col 1).]
12. :
( ),
,
. :
.
13. () :
.
, :
... ( 2001: 56-63)..., / (. 2001: 56-63)..., / (. 2001: 56-63)... /
. (2001:56-63) ...[
: / ]
14. ():
.
, , .,
. [
: Footnote Text; (Col 1);
10; .]
15. :
,
.
16. ():
(, .)
, .
, .
, .
,
. .
( , , .)
:
[ ]
1978: . , , : .
[ ]
2007: . , , : , 7, ,
9-21.
[ ]
- 2009: . -,
, : . (.), , ,
, . I, , : - ,
277-288.
[ ]
1997: V. Biti, Pojmovnik suvremene knjievne teorije, Zagreb: Matica hrvatska.
[ ]
1970: J. Lyons, Semantics I/II, Cambridge: Cambridge University Press.
242
/ , ,
[ ]
2000: . . , , :
.

a, b, c , , , .: 2007a, 2007b 2009a, 2009.
, , .: , ;
: ( ) et al .
, , .:
1981: G. Leech, Semantics, Harmondsworth etc.: Pinguin Books.
[ : : Times New Roman, Normal;
: 11; Before: 0; After: 0; Line spacing: Single;
: , (Col 1: Hanging,
Format)]
:
[ on-line]
, . . . .
.: Veltman, K. H. Augmented Books, knowledge and culture. http://www.isoc.org/
inet2000/cdproceedings/6d.. 02.02.2002.
[ on-line]
, . . ,
. . .
.: Du Toit, A. Teaching Info-preneurship: students perspective. ASLIB
Proceedings, February 2000. Proquest. 21.02.2000.
[ on-line]
. . . .
.: Tesla, Nikola. Encyclopedia Britannica. http://www.britannica.com/
EBchecked/topic/588597/Nikola-Tesla . 29. 3. 2010.
17. :
. ,
.
, .
. [ :
: Times New Roman, Normal; : 11; Before: 0;
After: 0; Line spacing: Single; (Col 1).]
18. : , 250
, ( ,
, ,
).
243

56,

,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
,
-
.

, ,

Lipar / Journal for Literature,

Language, Art and Culture
Publisher
University of Kragujevac
Published by
Slobodan Arsenijevi
Rector
Proofreader
aslav Nikoli
Translator
Nikola Bubanja
Artistic and graphic design

Lazar Dimitrijevi
Technical editor
Sran Stevanovi
., 34000
: (+381) 034/370-270
: (+381) 034/370-168
e-mail: casopislipar@gmail.com
www.kg.ac.rs/aktuelnosti/lipar
Adress
Jovana Cvijia b.b, 34000 Kragujevac
Phone: (+381) 034/370-270
Fax: (+381) 034/370-168
e-mail: casopislipar@gmail.com
www.kg.ac.rs/aktuelnosti/lipar
Resavska

Author of font Resavska

Olivera Stojadinovi
/Print
,
250

Print
KG Digital Press, Kragujevac
Impression
250 copies
Lipar comes out
three times annually
CIP
,
82
: , , ,
. . 1, . 1 (1999)- .
( ) : ,
1999- ( : ). 24 cm

ISSN 1450-8338 = ()
COBISS.SR.ID 151188999

Lipar 56

Uploaded by

Copyright:

Available Formats

You might also like

Lipar 56

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Lipar 56

Uploaded by

Copyright:

Available Formats

XVI/ 56 / 2015.

aslav Nikoli, Assistant Professor, PhD

Vladimir Polomac, Assistant Professor, PhD

Nikola Bubanja, Assistant Professor, PhD

Jelena Arsenijevi, Assistant, PhD

prof. Persida Lazarevi di Giakomo, Full Professor, PhD

Jelenka Pandurevi, Assistant Professor, PhD

Svetlana Kalezi, Assistant Professor, PhD

Ivan Maji, Assistant Professor, PhD

Ostap Slavinski, Assistant Professor, PhD

Borjan Janev, Assistant Professor, PhD

(compaas teatrales)5 ( , 1981: 61).

En la parte satrica no sea

Palabras clave: Miguel de Cervantes, Lope de Vega, comedia nueva (espaola),

Keywords: poetry, experiment, tradition, Neoavangarde, intertext, deconstruction

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Katarina Mili / SPIRIT OF ALLEGORY AND METAHISTORY IN THE NOVEL

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Oudeis ( 2008: 613).

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

1996: Vladimir Biti, Pojmovnik suvremene knjievne teorije, Zagreb: Matica

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

1999: B. S. Azar, Understanding and Using English Grammar, NY: Pearson

2013: M. Krug & J.Schluter, Research Methods in Language Varition

Lipar / Journal for Literature, Language, Art and Culture

- 4.2, 4.5 4.7.

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature, Language, Art and Culture

(5) : /i/ /i:/

Lipar / Journal for Literature, Language, Art and Culture

1960: Allen, W. Stannard. Living English Speech (Stress and Intonation

1999: Bhela, B. Native language interference in learning a second language:

171) 12? (: 168),

2011: Raffaella Baccolini and Tom Moylan, Dark horizons:

2006: . , The dilemmas of The Ones Who Walk Away from

Lipar / Journal for Literature, Language, Art and Culture

Marko J. Tasi / ENCOUNTER OF TWO UTOPIAN JUSTICES IN THE STORY THE

2010: I. Bojovi, Drama za decu i lutkarski teatar, Zemun-Beograd: R. Lazi,

Lipar / Journal for Literature, Language, Art and Culture

2010: V. Vujanovi, Teleoloki aspekti lutkarstva, Sarajevo: R. Lazi,

Milica G. Peri, Slaana M. Stojiljkovi / SUR UNE ADAPTATION THTRALE

Lipar / Journal for Literature, Language, Art and Culture

Lipar / Journal for Literature,